AP Art History : Nineteenth Century 2D Art
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Example Questions
Example Question #31 : Nineteenth Century 2 D Art
What is the quality that most closely echoes the way medieval saints are often represented?
The vivid blue uniform
The gold lettering POSTES on the cap
The strict symmetry of the figure's head
The elaborate brushstrokes
The dynamic patterned background
The gold lettering POSTES on the cap
The dynamic patterned background, elaborate brushstrokes, and vivid color blue are not reminiscent of medieval art, nor is symmetry in and of itself a defining feature. The gold lettering on the figure's cap, however, is similar to the inscription one would use to identify a saint in medieval art.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Vincent_van_Gogh_-_Portrait_of_Joseph_Roulin.jpg
Example Question #32 : Nineteenth Century 2 D Art
The spiraling patterns in this painting recall what other Van Gogh painting?
Bedroom in Arles
The Potato Eaters
Irises
Starry Night
The Night Cafe
Starry Night
The pattern of the man's beard and the background resemble the swirling clouds and landscape of Van Gogh's famous Starry Night. The others are domestic scenes with very different textures, except Irises, which is more about vertical movement than spirals.
Image is in the public domain, accessed through Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Vincent_van_Gogh_-_Portrait_of_Joseph_Roulin.jpg
Example Question #33 : Nineteenth Century 2 D Art
How does the presence of the steamboat contribute to the painting's theme?
It advances the notion of steam power as the new frontier
It highlights the powerful force of industrialization in England at the time
It makes the old way of life look hopelessly old-fashioned and ridiculous
It is intended as a condemnation of the new way of life for being too fast-paced
It contrasts with the noble, if worn-down, ship it pulls along, suggesting a passage of time
It contrasts with the noble, if worn-down, ship it pulls along, suggesting a passage of time
The painting does not glorify the new world order, nor does it condemn it. Instead, the painting recognizes the new way of life and the need to replace ways that have grown old and stale, but it also recognizes the beautiful sacrifice made by people (and ships) that can no longer offer as much. Thus, it celebrates the fight of the old Temeraire, in spite of its weaknesses now.
Image is in the public domain, accessed through WikiArt: http://www.wikiart.org/en/william-turner/the-fighting-temeraire-tugged-to-her-last-berth-to-be-broken-up-1839
Example Question #34 : Nineteenth Century 2 D Art
The artist's method of painting, in works like this one, was unique in that:
He used oil paint in a translucent way, akin to watercolor
He developed thickness through watercolor, akin to oil
He used an early form of acrylic paint
He painted outdoors and did not revise or improve his work after the first session
He mixed unexpected colors together to produce new hues
He used oil paint in a translucent way, akin to watercolor
None of these are accurate with respect to Turner's work or methodology except for the fact that he used oil in a way more expected of watercolor to create his signature style. This painting is an oil painting, but the texture is surprisingly light.
Image is in the public domain, accessed through WikiArt: http://www.wikiart.org/en/william-turner/the-fighting-temeraire-tugged-to-her-last-berth-to-be-broken-up-1839
Example Question #35 : Nineteenth Century 2 D Art
In The Oxbow (View From Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm), by Thomas Cole, the distinction between the left hand side and the right hand side of the painting highlights the theme of ______________.
humans conquering nature by God's providence
nature as a beautiful example of God's gift to humanity
humans harnessing nature's gifts for the benefit of civilization
a clash between wild nature and civilization
a clash between wild nature and civilization
The Oxbow (View From Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm) is essentially divided between a left side composed of wild vegetation underneath a thunderstorm and a right side featuring farms and villages underneath bright sunshine. Thomas Cole's work sharply contrasts the two sides to show the inherent conflict between nature and civilization in American society in the nineteenth century.
Artwork from Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Cole_Thomas_The_Oxbow_(The_Connecticut_River_near_Northampton_1836).jpg
Example Question #35 : Nineteenth Century 2 D Art
Figure 1
Figure 2
The image in Figure 1 conveys __________
certainty.
serenity.
celebration.
madness.
madness.
The figure in The Desperate Man, a self portrait by Gustave Courbet, looks like he is about to leap out of the painting. His eyes are bulging, and he appears to pulling out his hair, all while wearing an ill-fitting shirt. All of this conveys an element of madness in the figure.
Example Question #1 : Understanding Terminology That Describes Nineteenth Century 2 D Art
The Impressionist painter who was particularly known for his still lifes was __________.
Paul Cézanne
Claude Monet
Pierre-August Renoir
Édouard Manet
Paul Cézanne
The Impressionists as a group sought to focus the subject of paintings on everyday life and to use more emotional techniques, like vivid brushstrokes. Paul Cézanne took these approaches to the traditional still life to turn it on its head. Cézanne's still lifes had unique uses of light and shadow and included strange objects such as skulls and rotting fruit.
Example Question #2 : Understanding Terminology That Describes Nineteenth Century 2 D Art
Francisco de Goya painted vivid wartime images of the conflict known as __________.
The Seven Years' War
The War of the Spanish Succession
The Thirty Years' War
The Napoleonic Wars
The Napoleonic Wars
Francisco de Goya was the court painter for the Spanish monarchy in the late eighteenth and early nineteenth century. As the Emperor Napoleon Bonaparte of France invaded Spain in the first decade of the nineteenth century, Goya's work saw a major transformation. In particular, Goya began painting haunting and disturbing images of scenes from the Napoleonic Wars in France.
Example Question #3 : Understanding Terminology That Describes Nineteenth Century 2 D Art
The artistic movement Impressionism was notable for featuring subjects that were __________.
centered on everyday life
from the Bible
from history
from Greek and Roman mythology
centered on everyday life
Impressionism was inaugurated as a result against the standards of Paris' Salon, which was France's biggest art prize and show in the late nineteenth century. Impressionists like Paul Cézanne, Édouard Manet, Pierre-Auguste Renoir, and Claude Monet sought to paint people in cafes, scenes of everyday life, and basic landscapes. These artists also departed from the stark realism popular at the time to convey images with more emotional intensity by using more visible brushstrokes.
Example Question #4 : Understanding Terminology That Describes Nineteenth Century 2 D Art
Figure 1 Figure 2
Both paintings reflect an influence from the art movement known as __________.
Cubism
Neo-classicalism
Impressionism
Realism
Impressionism
Each of these paintings reflect some aspect of everyday life, as well as portraying that with non-representational, emotional painting techniques. These are hallmarks of the movement known as Impressionism, which arose in the 1860s and 1870s as a reaction to history painting and realism. Van Gogh, however, took these aspects to further extremes, with more representational images and basic depictions of his own life, and as such is usually dubbed a post-impressionist.
Figure 1: The Starry Night by Vincent van Gogh (1889)
Figure 2: Portrait of Père Tanguy by Vincent van Gogh (1887-8)
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