All SAT II Literature Resources
Example Questions
Example Question #61 : Literary Terminology And Devices
In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it. (5)
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;
“But I like it
“Because it is bitter,
“And because it is my heart.” (10)
(1895)
What literary device can be seen in line 10?
Paradox
Paradigm
Litotes
Oxymoron
Epistolary form
Paradox
The creature’s answer in this line is an example of paradox: It is impossible for something to survive, let alone enjoy, eating its own heart, and yet this creature enjoys eating the heart precisely because it’s its own.
Passage adapted from Stephen Crane’s “In the Desert” (1895)
Example Question #62 : Literary Terminology And Devices
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard; (5)
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea; (10)
Yet, never, in extremity,
It asked a crumb of me.
(1886)
Which line does not contain an example of polysyndeton?
Line 6
Line 7
Line 5
Line 4
Line 3
Line 7
Polysyndeton is the use of excessive conjunctions, most frequently “and.” Lines 3-6 all begin with this conjunction, but line 7 does not contain any conjunction at all.
Passage adapted from Emily Dickinson’s “Hope is the Thing With Feathers” (1886)
Example Question #63 : Literary Terminology And Devices
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard; (5)
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea; (10)
Yet, never, in extremity,
It asked a crumb of me.
(1886)
Which line is not an example of anaphora?
Line 4
Line 6
Line 5
Line 3
Line 7
Line 7
Anaphora is the repetition of the beginning of a clause, and we see this repetition in lines 3-6: Each of them begins with “And.” Line 7 is the only one that does not fit this pattern.
Passage adapted from Emily Dickinson’s “Hope is the Thing With Feathers” (1886)
Example Question #64 : Literary Terminology And Devices
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard; (5)
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea; (10)
Yet, never, in extremity,
It asked a crumb of me.
(1886)
Where does the volta come in this passage?
Lines 9-10
Lines 11-12
Lines 5-6
Lines 7-10
Lines 8-10
Lines 11-12
Also known as the poetic turn, the volta in this poem occurs at the very end. Up until the final two lines, the poem has been discussing all the beneficial things that hope brings to the speaker. In lines 11-12, though, the poem shifts to discuss what the speaker brings to hope.
Passage adapted from Emily Dickinson’s “Hope is the Thing With Feathers” (1886)
Example Question #65 : Sat Subject Test In Literature
In lines 1-2, "skill" and "ill" are examples of ________________.
alliteration
onomatopoeia
metaphor
end rhyme
internal rhyme
end rhyme
"Skill" and "ill" in lines 1-2 are an example of end rhyme. The two words rhyme because they end with matching vowel and consonant sounds. It is an "end rhyme" because the rhyming words both appear at the end of the line. "Internal rhyme," on the other hand, is when words within a given line rhyme with each other.
Passage adapted from Alexander Pope's poem An Essay on Criticism (1711).
Example Question #22 : Comparisons And Contrasts
Adapted from Life and Remains of John Clare "The Northamptonshire Peasant Poet" by John Clare (1872, ed. J. L. Cherry)
I am! Yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss'd
Into the nothingness of scorn and noise.
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that's dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.
I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.
“The living sea of waking dream” is __________.
contrasted with the “shipwreck of self-esteem”
a satirical look at the way we live our lives
a nightmare the narrator is having
compared to the peace of the “Creator”
contrasted with the sleep of the third stanza
contrasted with the sleep of the third stanza
Of the “living sea of waking dream,” there is not a lot we can easily say without presuming too much. We can see, though, that the torment of “waking dream” is in contrast to the “sweetly slept” of the third stanza. As they are placed in adjoining stanzas, we can call them "contrasted." We can eliminate the other potential answers, as there is no particular contrast between the “sea of waking dream” and the “Creator” or the “shipwreck.” It could be described as "nightmarish," but it is not a nightmare, and the poem is certainly not satirical.
Example Question #65 : Sat Subject Test In Literature
1 Suddenly I saw the cold and rook-delighting Heaven
2 That seemed as though ice burned and was but the more ice,
3 And thereupon imagination and heart were driven
4 So wild that every casual thought of that and this
5 Vanished, and left but memories, that should be out of season
6 With the hot blood of youth, of love crossed long ago;
7 And I took all the blame out of all sense and reason,
8 Until I cried and trembled and rocked to and fro,
9 Riddled with light. Ah! when the ghost begins to quicken,
10 Confusion of the death-bed over, is it sent
11 Out naked on the roads, as the books say, and stricken
12 By the injustice of the skies for punishment?
(1916)
"Ice" (line 2) and "this" (line 4) are an example of
true end rhyme
free verse
slant rhyme
feminine rhyme
internal rhyme
slant rhyme
A "slant rhyme" is a pair of words that almost rhyme (have identical ending syllables), but not quite. "Ice" at the end of line 2 and "this" at the end of line 4 are a good example of a slant rhyme. They have the same final consonant sound--the "s" sound. Their vowels, however, while being similar, are not the same. "Ice" has a long "i" sound while "this" has a short "i" sound. Therefore, the words sound very similar, but are not identical. They comprise a slant rhyme, and not a true rhyme.
Passage adapted from William Butler Yeats' "The Cold Heaven" (1916)
Example Question #1 : Other Excerpt Interpretation Questions
1 Yes, long as children feel affright
2 In darkness, men shall fear a God;
3 And long as daisies yield delight
4 Shall see His footprints in the sod.
5 Is't ignorance? This ignorant state
6 Science doth but elucidate --
7 Deepen, enlarge. But though 'twere made
8 Demonstrable that God is not --
9 What then? It would not change this lot:
10 The ghost would haunt, nor could be laid.
11 Yea, ape and angel, strife and old debate --
12 The harps of heaven and the dreary gongs of hell;
13 Science the feud can only aggravate --
14 No umpire she betwixt the chimes and knell:
15 The running battle of the star and clod
16 Shall run for ever -- if there be no God.
(1876)
"Affright" (line 1) and "delight" (line 3) are an example of __________________.
feminine rhyme
free verse
masculine rhyme
internal rhyme
slant rhyme
masculine rhyme
A "masculine rhyme" is a rhyme in which the rhyming portion of the words consists of a single, final syllable. This is the case here: "affright" and "delight" only share one matching syllable at the end of each word (the "--ight" syllable is identical). Often in a masculine rhyme, that final syllable is also stressed, as it is here.
A "feminine rhyme," on the other hand, is one in which two or more syllables at the end of words rhyme. For it to be a feminine rhyme, these syllables must also be unstressed.
Passage excerpted from the epic poem Clarel by Herman Melville (1876).
Example Question #11 : Syntax And Structure Of Excerpts
1 Yes, long as children feel affright
2 In darkness, men shall fear a God;
3 And long as daisies yield delight
4 Shall see His footprints in the sod.
5 Is't ignorance? This ignorant state
6 Science doth but elucidate --
7 Deepen, enlarge. But though 'twere made
8 Demonstrable that God is not --
9 What then? It would not change this lot:
10 The ghost would haunt, nor could be laid.
11 Yea, ape and angel, strife and old debate --
12 The harps of heaven and the dreary gongs of hell;
13 Science the feud can only aggravate --
14 No umpire she betwixt the chimes and knell:
15 The running battle of the star and clod
16 Shall run for ever -- if there be no God.
(1876)
Lines 1-10 exhibit _________________.
tercets
dimeter
pentameter
free verse
tetrameter
tetrameter
"Meter" refers to the rhythm of poetry. "Tetrameter" is a meter in which lines consist of four metrical "feet." A metrical "foot" is a unit usually containing two and sometimes three syllables, and usually containing only one stressed syllable. Lines 1-10 of this passage are written in tetrameter. For example, in line 3, "And long as daisies yield delight," there are four metrical feet (all iambs, in this case). Here is that same line of tetrameter divided out into its four metrical feet: "And long / as dai- / -sies yeild / delight."
Passage excerpted from the epic poem Clarel by Herman Melville (1876).
Example Question #66 : Sat Subject Test In Literature
1 Yes, long as children feel affright
2 In darkness, men shall fear a God;
3 And long as daisies yield delight
4 Shall see His footprints in the sod.
5 Is't ignorance? This ignorant state
6 Science doth but elucidate --
7 Deepen, enlarge. But though 'twere made
8 Demonstrable that God is not --
9 What then? It would not change this lot:
10 The ghost would haunt, nor could be laid.
11 Yea, ape and angel, strife and old debate --
12 The harps of heaven and the dreary gongs of hell;
13 Science the feud can only aggravate --
14 No umpire she betwixt the chimes and knell:
15 The running battle of the star and clod
16 Shall run for ever -- if there be no God.
(1876)
In lines 11-12, the poet makes repeated use of ______________________.
antithesis
paradox
hyperbole
oxymoron
metonymy
antithesis
"Antithesis" is the contrast of two opposite things. As a rhetorical device, antithesis means to place opposites beside each other in writing. In line 11 two different antithetical pairs are presented: "ape and angel" and "strife and old debate." Line 12, "The harps of heaven and the dreary gongs of hell," opposes "harps of heaven" and "dreary gongs of hell" in yet another use of antithesis.
Passage excerpted from the epic poem Clarel by Herman Melville (1876).
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