SAT II Literature : Literary Terminology and Devices

Study concepts, example questions & explanations for SAT II Literature

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Example Questions

Example Question #61 : Literary Terminology And Devices

In the desert

I saw a creature, naked, bestial,

Who, squatting upon the ground,

Held his heart in his hands,

And ate of it.      (5)

I said, “Is it good, friend?”

“It is bitter—bitter,” he answered;

 

“But I like it

“Because it is bitter,

“And because it is my heart.”    (10)

(1895)

What literary device can be seen in line 10?

Possible Answers:

Paradox

Paradigm

Litotes

Oxymoron

Epistolary form 

Correct answer:

Paradox

Explanation:

The creature’s answer in this line is an example of paradox: It is impossible for something to survive, let alone enjoy, eating its own heart, and yet this creature enjoys eating the heart precisely because it’s its own.

Passage adapted from Stephen Crane’s “In the Desert” (1895)

Example Question #62 : Literary Terminology And Devices

Hope is the thing with feathers

That perches in the soul,

And sings the tune without the words,

And never stops at all,

And sweetest in the gale is heard;    (5)

And sore must be the storm

That could abash the little bird

That kept so many warm.

I've heard it in the chillest land,

And on the strangest sea;   (10)

Yet, never, in extremity,

It asked a crumb of me.

(1886)

Which line does not contain an example of polysyndeton?

Possible Answers:

Line 6

Line 7

Line 5

Line 4

Line 3

Correct answer:

Line 7

Explanation:

Polysyndeton is the use of excessive conjunctions, most frequently “and.” Lines 3-6 all begin with this conjunction, but line 7 does not contain any conjunction at all.

Passage adapted from Emily Dickinson’s “Hope is the Thing With Feathers” (1886)

Example Question #63 : Literary Terminology And Devices

Hope is the thing with feathers

That perches in the soul,

And sings the tune without the words,

And never stops at all,

And sweetest in the gale is heard;    (5)

And sore must be the storm

That could abash the little bird

That kept so many warm.

I've heard it in the chillest land,

And on the strangest sea;   (10)

Yet, never, in extremity,

It asked a crumb of me.

(1886)

Which line is not an example of anaphora?

Possible Answers:

Line 4

Line 6

Line 5

Line 3

Line 7

Correct answer:

Line 7

Explanation:

Anaphora is the repetition of the beginning of a clause, and we see this repetition in lines 3-6: Each of them begins with “And.” Line 7 is the only one that does not fit this pattern.

Passage adapted from Emily Dickinson’s “Hope is the Thing With Feathers” (1886)

Example Question #64 : Literary Terminology And Devices

Hope is the thing with feathers

That perches in the soul,

And sings the tune without the words,

And never stops at all,

And sweetest in the gale is heard;    (5)

And sore must be the storm

That could abash the little bird

That kept so many warm.

I've heard it in the chillest land,

And on the strangest sea;   (10)

Yet, never, in extremity,

It asked a crumb of me.

(1886)

Where does the volta come in this passage?

Possible Answers:

Lines 9-10

Lines 11-12

Lines 5-6

Lines 7-10

Lines 8-10

Correct answer:

Lines 11-12

Explanation:

Also known as the poetic turn, the volta in this poem occurs at the very end. Up until the final two lines, the poem has been discussing all the beneficial things that hope brings to the speaker. In lines 11-12, though, the poem shifts to discuss what the speaker brings to hope.

Passage adapted from Emily Dickinson’s “Hope is the Thing With Feathers” (1886)

Example Question #65 : Sat Subject Test In Literature

1 'Tis hard to say, if greater want of skill
2 Appear in writing or in judging ill;
3 But, of the two, less dang'rous is th' offence
4 To tire our patience, than mislead our sense.
5 Some few in that, but numbers err in this,
6 Ten censure wrong for one who writes amiss;
7 A fool might once himself alone expose,
8 Now one in verse makes many more in prose.
 
9        'Tis with our judgments as our watches, none
10 Go just alike, yet each believes his own.
11 In poets as true genius is but rare,
12 True taste as seldom is the critic's share;
13 Both must alike from Heav'n derive their light,
14 These born to judge, as well as those to write.
15 Let such teach others who themselves excel,
16 And censure freely who have written well.
17 Authors are partial to their wit, 'tis true,
18 But are not critics to their judgment too?
 
(1711)

In lines 1-2, "skill" and "ill" are examples of ________________.

Possible Answers:

alliteration

onomatopoeia

metaphor

end rhyme

internal rhyme

Correct answer:

end rhyme

Explanation:

"Skill" and "ill" in lines 1-2 are an example of end rhyme. The two words rhyme because they end with matching vowel and consonant sounds. It is an "end rhyme" because the rhyming words both appear at the end of the line. "Internal rhyme," on the other hand, is when words within a given line rhyme with each other.

Passage adapted from Alexander Pope's poem An Essay on Criticism (1711).

Example Question #22 : Comparisons And Contrasts

Adapted from Life and Remains of John Clare "The Northamptonshire Peasant Poet"  by John Clare (1872, ed. J. L. Cherry)

I am! Yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss'd

Into the nothingness of scorn and noise.
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that's dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.

I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.

“The living sea of waking dream” is __________.

Possible Answers:

contrasted with the “shipwreck of self-esteem”

a satirical look at the way we live our lives

a nightmare the narrator is having

compared to the peace of the “Creator”

contrasted with the sleep of the third stanza

Correct answer:

contrasted with the sleep of the third stanza

Explanation:

Of the “living sea of waking dream,” there is not a lot we can easily say without presuming too much. We can see, though, that the torment of “waking dream” is in contrast to the “sweetly slept” of the third stanza. As they are placed in adjoining stanzas, we can call them "contrasted." We can eliminate the other potential answers, as there is no particular contrast between the “sea of waking dream” and the “Creator” or the “shipwreck.” It could be described as "nightmarish," but it is not a nightmare, and the poem is certainly not satirical.

Example Question #65 : Sat Subject Test In Literature

1 Suddenly I saw the cold and rook-delighting Heaven

2 That seemed as though ice burned and was but the more ice,

3 And thereupon imagination and heart were driven

4 So wild that every casual thought of that and this

5 Vanished, and left but memories, that should be out of season

6 With the hot blood of youth, of love crossed long ago;

7 And I took all the blame out of all sense and reason,

8 Until I cried and trembled and rocked to and fro,

9 Riddled with light. Ah! when the ghost begins to quicken,

10 Confusion of the death-bed over, is it sent

11 Out naked on the roads, as the books say, and stricken

12 By the injustice of the skies for punishment?

(1916)

"Ice" (line 2) and "this" (line 4) are an example of

Possible Answers:

true end rhyme

free verse

slant rhyme

feminine rhyme

internal rhyme

Correct answer:

slant rhyme

Explanation:

A "slant rhyme" is a pair of words that almost rhyme (have identical ending syllables), but not quite. "Ice" at the end of line 2 and "this" at the end of line 4 are a good example of a slant rhyme. They have the same final consonant sound--the "s" sound. Their vowels, however, while being similar, are not the same. "Ice" has a long "i" sound while "this" has a short "i" sound. Therefore, the words sound very similar, but are not identical. They comprise a slant rhyme, and not a true rhyme.

Passage adapted from William Butler Yeats' "The Cold Heaven" (1916)

Example Question #1 : Other Excerpt Interpretation Questions

1 Yes, long as children feel affright
2 In darkness, men shall fear a God;
3 And long as daisies yield delight
4 Shall see His footprints in the sod.
5 Is't ignorance? This ignorant state
6 Science doth but elucidate --
7 Deepen, enlarge. But though 'twere made
8 Demonstrable that God is not --
9 What then? It would not change this lot:
10 The ghost would haunt, nor could be laid.

11 Yea, ape and angel, strife and old debate --
12 The harps of heaven and the dreary gongs of hell;
13 Science the feud can only aggravate --
14 No umpire she betwixt the chimes and knell:
15 The running battle of the star and clod
16 Shall run for ever -- if there be no God.

(1876)

"Affright" (line 1) and "delight" (line 3) are an example of __________________.

Possible Answers:

feminine rhyme

free verse

masculine rhyme

internal rhyme

slant rhyme

Correct answer:

masculine rhyme

Explanation:

A "masculine rhyme" is a rhyme in which the rhyming portion of the words consists of a single, final syllable. This is the case here: "affright" and "delight" only share one matching syllable at the end of each word (the "--ight" syllable is identical). Often in a masculine rhyme, that final syllable is also stressed, as it is here.

A "feminine rhyme," on the other hand, is one in which two or more syllables at the end of words rhyme. For it to be a feminine rhyme, these syllables must also be unstressed.

Passage excerpted from the epic poem Clarel by Herman Melville (1876).

Example Question #11 : Syntax And Structure Of Excerpts

1 Yes, long as children feel affright
2 In darkness, men shall fear a God;
3 And long as daisies yield delight
4 Shall see His footprints in the sod.
5 Is't ignorance? This ignorant state
6 Science doth but elucidate --
7 Deepen, enlarge. But though 'twere made
8 Demonstrable that God is not --
9 What then? It would not change this lot:
10 The ghost would haunt, nor could be laid.

11 Yea, ape and angel, strife and old debate --
12 The harps of heaven and the dreary gongs of hell;
13 Science the feud can only aggravate --
14 No umpire she betwixt the chimes and knell:
15 The running battle of the star and clod
16 Shall run for ever -- if there be no God.

(1876)

Lines 1-10 exhibit _________________.

Possible Answers:

tercets

dimeter

pentameter

free verse

tetrameter

Correct answer:

tetrameter

Explanation:

"Meter" refers to the rhythm of poetry. "Tetrameter" is a meter in which lines consist of four metrical "feet." A metrical "foot" is a unit usually containing two and sometimes three syllables, and usually containing only one stressed syllable. Lines 1-10 of this passage are written in tetrameter. For example, in line 3, "And long as daisies yield delight," there are four metrical feet (all iambs, in this case). Here is that same line of tetrameter divided out into its four metrical feet: "And long / as dai- / -sies yeild / delight."

Passage excerpted from the epic poem Clarel by Herman Melville (1876).

Example Question #66 : Sat Subject Test In Literature

1 Yes, long as children feel affright
2 In darkness, men shall fear a God;
3 And long as daisies yield delight
4 Shall see His footprints in the sod.
5 Is't ignorance? This ignorant state
6 Science doth but elucidate --
7 Deepen, enlarge. But though 'twere made
8 Demonstrable that God is not --
9 What then? It would not change this lot:
10 The ghost would haunt, nor could be laid.

11 Yea, ape and angel, strife and old debate --
12 The harps of heaven and the dreary gongs of hell;
13 Science the feud can only aggravate --
14 No umpire she betwixt the chimes and knell:
15 The running battle of the star and clod
16 Shall run for ever -- if there be no God.

(1876)

In lines 11-12, the poet makes repeated use of ______________________.

Possible Answers:

antithesis

paradox

hyperbole

oxymoron

metonymy

Correct answer:

antithesis

Explanation:

"Antithesis" is the contrast of two opposite things. As a rhetorical device, antithesis means to place opposites beside each other in writing. In line 11 two different antithetical pairs are presented: "ape and angel" and "strife and old debate." Line 12, "The harps of heaven and the dreary gongs of hell," opposes "harps of heaven" and "dreary gongs of hell" in yet another use of antithesis.

Passage excerpted from the epic poem Clarel by Herman Melville (1876).

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