SAT Critical Reading : SAT Critical Reading

Study concepts, example questions & explanations for SAT Critical Reading

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Example Questions

Example Question #62 : Language In Literary Fiction Passages

Adapted from Nicholas Nickleby by Charles Dickens (1839)

There was a great bustle in Bishopsgate Street Within, as they drew up, and (it being a windy day) half-a-dozen men were tacking across the road under a press of paper, bearing gigantic announcements that a Public Meeting would be held at one o'clock precisely, to take into consideration the propriety of petitioning Parliament in favour of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company, capital five millions, in five hundred thousand shares of ten pounds each; which sums were duly set forth in fat black figures of considerable size. Mr. Bonney elbowed his way briskly upstairs, receiving in his progress many low bows from the waiters who stood on the landings to show the way; and, followed by Mr. Nickleby, dived into a suite of apartments behind the great public room: in the second of which was a business-looking table, and several business-looking people.

"Hear!" cried a gentleman with a double chin, as Mr. Bonney presented himself. "Chair, gentlemen, chair!"

The new-comers were received with universal approbation, and Mr. Bonney bustled up to the top of the table, took off his hat, ran his fingers through his hair, and knocked a hackney-coachman's knock on the table with a little hammer: whereat several gentlemen cried "Hear!" and nodded slightly to each other, as much as to say what spirited conduct that was. Just at this moment, a waiter, feverish with agitation, tore into the room, and throwing the door open with a crash, shouted "Sir Matthew Pupker!"

The committee stood up and clapped their hands for joy, and while they were clapping them, in came Sir Matthew Pupker, attended by two live members of Parliament, one Irish and one Scotch, all smiling and bowing, and looking so pleasant that it seemed a perfect marvel how any man could have the heart to vote against them. Sir Matthew Pupker especially, who had a little round head with a flaxen wig on the top of it, fell into such a paroxysm of bows, that the wig threatened to be jerked off, every instant. When these symptoms had in some degree subsided, the gentlemen who were on speaking terms with Sir Matthew Pupker, or the two other members, crowded round them in three little groups, near one or other of which the gentlemen who were NOT on speaking terms with Sir Matthew Pupker or the two other members, stood lingering, and smiling, and rubbing their hands, in the desperate hope of something turning up which might bring them into notice. All this time, Sir Matthew Pupker and the two other members were relating to their separate circles what the intentions of government were, about taking up the bill; with a full account of what the government had said in a whisper the last time they dined with it, and how the government had been observed to wink when it said so; from which premises they were at no loss to draw the conclusion, that if the government had one object more at heart than another, that one object was the welfare and advantage of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company.

Meanwhile, and pending the arrangement of the proceedings, and a fair division of the speechifying, the public in the large room were eyeing, by turns, the empty platform, and the ladies in the Music Gallery. In these amusements the greater portion of them had been occupied for a couple of hours before, and as the most agreeable diversions pall upon the taste on a too protracted enjoyment of them, the sterner spirits now began to hammer the floor with their boot-heels, and to express their dissatisfaction by various hoots and cries. These vocal exertions, emanating from the people who had been there longest, naturally proceeded from those who were nearest to the platform and furthest from the policemen in attendance, who having no great mind to fight their way through the crowd, but entertaining nevertheless a praiseworthy desire to do something to quell the disturbance, immediately began to drag forth, by the coat tails and collars, all the quiet people near the door; at the same time dealing out various smart and tingling blows with their truncheons, after the manner of that ingenious actor, Mr. Punch: whose brilliant example, both in the fashion of his weapons and their use, this branch of the executive occasionally follows.

Several very exciting skirmishes were in progress, when a loud shout attracted the attention even of the belligerents, and then there poured on to the platform, from a door at the side, a long line of gentlemen with their hats off, all looking behind them, and uttering vociferous cheers; the cause whereof was sufficiently explained when Sir Matthew Pupker and the two other real members of Parliament came to the front, amidst deafening shouts, and testified to each other in dumb motions that they had never seen such a glorious sight as that, in the whole course of their public career.

Which of these most accurately restates the meaning of the underlined independent clause?

Possible Answers:

Lots of people were trying to move seats unsuccessfully, when the meeting was started with a shout.

There were lots of small fights going on until a vocalisation gained the attention of everyone.

The meeting was stated with a shout from the stage which gained everyone's attention except those who were fighting.

A battle was breaking out when the members of parliament approached the stage.

No one paid attention to the belligerents who were shouting at the skirmishers.

Correct answer:

There were lots of small fights going on until a vocalisation gained the attention of everyone.

Explanation:

In the sentence, we can assume that “skirmish” means a small fight, as shortly before in the passage the narrator has referred to the police fighting with some of the crowd. We know that a shout gets everyone's attention, even that of the belligerents (who are the people fighting).

Example Question #11 : Determining Context Dependent Meanings Of Phrases And Clauses In Prose Fiction Passages

Adapted from Tom Brown's Schooldays (1857) by Thomas Hughes

The small boys rushed in again. Closing, they saw, was their best chance, and Flashman was wilder and more flurried than ever. He caught East by the throat and tried to force him back on the iron-bound table. Tom grasped his waist and, remembering the old throw he had learned in the Vale from Harry Winburn, crooked his leg inside Flashman's and threw his whole weight forward. The three tottered for a moment and then over they went on to the floor, Flashman striking his head against a form in the hall.

The two youngsters sprang to their legs, but he lay there still. They began to be frightened. Tom stooped down and then cried out, scared out of his wits, "He's bleeding awfully. Come here, East! Diggs, he's dying!"

"Not he," said Diggs, getting leisurely off the table. "It's all sham; he's only afraid to fight it out."

East was as frightened as Tom. Diggs lifted Flashman's head and he groaned.

"What's the matter?" shouted Diggs.

"My skull's fractured," sobbed Flashman.

"Oh, let me run for the housekeeper!" cried Tom. "What shall we do?"

"Fiddlesticks! It's nothing but the skin broken," said the relentless Diggs, feeling his head. "Cold water and a bit of rag's all he'll want."

"Let me go," said Flashman surlily, sitting up. "I don't want your help."

"We're really very sorry—" began East.

"Hang your sorrow!" answered Flashman, holding his handkerchief to the place. "You shall pay for this, I can tell you, both of you." And he walked out of the hall.

"He can't be very bad," said Tom, with a deep sigh, much relieved to see his enemy march so well.

"Not he," said Diggs, "and you'll see you won't be troubled with him anymore, but, I say, your head's broken too; your collar is covered with blood."

"Is it though?" said Tom, putting up his hand. "I didn't know it."

"Well, mop it up or you'll have your jacket spoilt. And you have got a nasty eye, scud. You'd better go and bathe it well in cold water."

"Cheap enough too, if we're done with our old friend Flashey," said East, as they made off upstairs to bathe their wounds.

They had done with Flashman in one sense, for he never laid finger on either of them again, but whatever harm a spiteful heart and venomous tongue could do them, he took care should be done. Only throw dirt enough and some of it is sure to stick, and so it was with the fifth form and the bigger boys in general, with whom he associated more or less, and they not at all. Flashman managed to get Tom and East into disfavor, which did not wear off for some time after the author of it had disappeared from the school world. This event, much prayed for by the small fry in general, took place a few months after the above encounter. One fine summer evening, Flashman had been regaling himself on gin punch at Brownsover and, having exceeded his usual limits, started home uproarious. He fell in with a friend or two coming back from bathing, proposed a glass of beer, to which they assented, the weather being hot and they thirsty souls, unaware of the quantity of drink which Flashman had already on board. The short result was that Flashey became beastly drunk. They tried to get him along, but couldn't, so they chartered a hurdle and two men to carry him. One of the masters came upon them and they fled, naturally enough. The flight of the rest raised the master's suspicions and the good angel of the attendants incited him to examine the freight and, after examination, to convoy the hurdle himself up to the schoolhouse. The doctor, who had long had his eye on Flashman, arranged for his withdrawal the next morning.

Which of these most accurately restates the meaning of the underlined phrase “Hang your sorrow?"

Possible Answers:

Keep your apologies!

Your condolences are appreciated!

There is nothing you can say to change my mind!

I do not want to hear about your sadness!

Your grievances are unfounded!

Correct answer:

Keep your apologies!

Explanation:

Flashman is talking to the other boys and is telling them that he does not accept their apologies. He is using the colloquial and somewhat antiquated term “hang,” which is the equivalent of “keep” or “go away,” as in “keep your apologies” or “go away with your apologies.”

Example Question #492 : Isee Upper Level (Grades 9 12) Reading Comprehension

Adapted from Jude the Obscure by Thomas Hardy (1895)

He sounded the clacker till his arm ached, and at length his heart grew sympathetic with the birds' thwarted desires. They seemed, like himself, to be living in a world which did not want them. Why should he frighten them away? They took upon more and more the aspect of gentle friends and pensioners—the only friends he could claim as being in the least degree interested in him, for his aunt had often told him that she was not. He ceased his rattling, and they alighted anew.

"Poor little dears!" said Jude, aloud. "You shall have some dinner—you shall. There is enough for us all. Farmer Troutham can afford to let you have some. Eat, then my dear little birdies, and make a good meal!"

They stayed and ate, inky spots on the nut-brown soil, and Jude enjoyed their appetite. A magic thread of fellow-feeling united his own life with theirs. Puny and sorry as those lives were, they much resembled his own.

His clacker he had by this time thrown away from him, as being a mean and sordid instrument, offensive both to the birds and to himself as their friend. All at once he became conscious of a smart blow upon his buttocks, followed by a loud clack, which announced to his surprised senses that the clacker had been the instrument of offense used. The birds and Jude started up simultaneously, and the dazed eyes of the latter beheld the farmer in person, the great Troutham himself, his red face glaring down upon Jude's cowering frame, the clacker swinging in his hand.

"So it's 'Eat my dear birdies,' is it, young man? 'Eat, dear birdies,' indeed! I'll tickle your breeches, and see if you say, 'Eat, dear birdies' again in a hurry! And you've been idling at the schoolmaster's too, instead of coming here, ha'n't ye, hey? That's how you earn your sixpence a day for keeping the rooks off my corn!"

The phrase “tickle your breeches” could most likely be equated to __________.

Possible Answers:

forcing a person to run

thrashing someone

waking a person up

a game

shouting at someone

Correct answer:

thrashing someone

Explanation:

When Farmer Troutham says he will “tickle Jude's breeches,” he is talking about beating him, or thrashing him, to remind him of his duties. The author is portraying Troutham as a cruel man.

Example Question #4 : Context Dependent Meaning Of Phrases Or Sentences In Literary Fiction Passages

Adapted from The Life and Adventures of Robinson Crusoe by Daniel Defoe (1719)

I was now, in the months of November and December, expecting my crop of barley and rice. The ground I had manured and dug up for them was not great; for, as I observed, my seed of each was not above the quantity of half a peck, for I had lost one whole crop by sowing in the dry season. But now my crop promised very well, when on a sudden I found I was in danger of losing it all again by enemies of several sorts, which it was scarcely possible to keep from it; as, first, the goats, and wild creatures which I called hares, who, tasting the sweetness of the blade, lay in it night and day, as soon as it came up, and eat it so close, that it could get no time to shoot up into stalk.

This I saw no remedy for but by making an enclosure about it with a hedge; which I did with a great deal of toil, and the more, because it required speed. However, as my arable land was but small, suited to my crop, I got it totally well fenced in about three weeks’ time; and shooting some of the creatures in the daytime, I set my dog to guard it in the night, tying him up to a stake at the gate, where he would stand and bark all night long; so in a little time the enemies forsook the place, and the corn grew very strong and well, and began to ripen apace.

But as the beasts ruined me before, while my corn was in the blade, so the birds were as likely to ruin me now, when it was in the ear; for, going along by the place to see how it throve, I saw my little crop surrounded with fowls, of I know not how many sorts, who stood, as it were, watching till I should be gone. I immediately let fly among them, for I always had my gun with me. I had no sooner shot, but there rose up a little cloud of fowls, which I had not seen at all, from among the corn itself.

This touched me sensibly, for I foresaw that in a few days they would devour all my hopes; that I should be starved, and never be able to raise a crop at all; and what to do I could not tell; however, I resolved not to lose my corn, if possible, though I should watch it night and day. In the first place, I went among it to see what damage was already done, and found they had spoiled a good deal of it; but that as it was yet too green for them, the loss was not so great but that the remainder was likely to be a good crop if it could be saved.

I stayed by it to load my gun, and then coming away, I could easily see the thieves sitting upon all the trees about me, as if they only waited till I was gone away, and the event proved it to be so; for as I walked off, as if I was gone, I was no sooner out of their sight than they dropped down one by one into the corn again. I was so provoked, that I could not have patience to stay till more came on, knowing that every grain that they ate now was, as it might be said, a peck-loaf to me in the consequence; but coming up to the hedge, I fired again, and killed three of them. This was what I wished for; so I took them up, and served them as we serve notorious thieves in England—hanged them in chains, for a terror to others. It is impossible to imagine that this should have such an effect as it had, for the fowls would not only not come at the corn, but, in short, they forsook all that part of the island, and I could never see a bird near the place as long as my scarecrows hung there. This I was very glad of, you may be sure, and about the latter end of December, which was our second harvest of the year, I reaped my corn.

As it is used in the passage, the phrase “in the ear” underlined in the third paragraph most nearly means __________.

Possible Answers:

rotting

dying

failing

finished growing

ripening

Correct answer:

ripening

Explanation:

We can infer that by "in the ear," the narrator means "ripening," because if cornstalks begin to develop ears of corn, it means they are ripening. Also, in this part of the passage, the birds are now attacking the crops for the new grown seed which the narrator refers to as “green” in the fourth paragraph. Further clues can be found in the parallel structure of the sentences surrounding the expression “in the ear,” in which it the author is using a number of idioms and colloquialisms to describe the ripening.

Example Question #71 : Literary Fiction Passages

Adapted from "Notes from Underground" in White Nights and Other Stories by Fyodor Dostoevsky (trans. Garnett, 1918 ed.)

It was a good thing, in fact, that Apollon distracted my attention at that time by his rudeness. He drove me beyond all patience! He was the bane of my life, the curse laid upon me by Providence. We had been squabbling continually for years, and I hated him. My God, how I hated him! I believe I had never hated anyone in my life as I hated him, especially at some moments. He was an elderly, dignified man, who worked part of his time as a tailor. But for some unknown reason he despised me beyond all measure, and looked down upon me insufferably. Though, indeed, he looked down upon everyone. Simply to glance at that flaxen, smoothly brushed head, at the tuft of hair he combed up on his forehead and oiled with sunflower oil, at that dignified mouth, compressed into the shape of the letter V, made one feel one was confronting a man who never doubted of himself. He was a pedant, to the most extreme point, the greatest pedant I had met on earth, and with that had a vanity only befitting Alexander of Macedon. He was in love with every button on his coat, every nail on his fingers—absolutely in love with them, and he looked it! In his behaviour to me he was a perfect tyrant, he spoke very little to me, and if he chanced to glance at me he gave me a firm, majestically self-confident and invariably ironical look that drove me sometimes to fury. He did his work with the air of doing me the greatest favour, though he did scarcely anything for me, and did not, indeed, consider himself bound to do anything. There could be no doubt that he looked upon me as the greatest fool on earth, and that “he did not get rid of me” was simply that he could get wages from me every month. He consented to do nothing for me for seven roubles a month. Many sins should be forgiven me for what I suffered from him. My hatred reached such a point that sometimes his very step almost threw me into convulsions. What I loathed particularly was his lisp. His tongue must have been a little too long or something of that sort, for he continually lisped, and seemed to be very proud of it, imagining that it greatly added to his dignity. He spoke in a slow, measured tone, with his hands behind his back and his eyes fixed on the ground. He maddened me particularly when he read aloud the psalms to himself behind his partition. Many a battle I waged over that reading! But he was awfully fond of reading aloud in the evenings, in a slow, even, sing-song voice, as though over the dead. It is interesting that that is how he has ended: he hires himself out to read the psalms over the dead, and at the same time he kills rats and makes blacking. But at that time I could not get rid of him, it was as though he were chemically combined with my existence. Besides, nothing would have induced him to consent to leave me. I could not live in furnished lodgings: my lodging was my private solitude, my shell, my cave, in which I concealed myself from all mankind, and Apollon seemed to me, for some reason, an integral part of that flat, and for seven years I could not turn him away.

The author mentions Apollon's habit of reading psalms aloud primarily in order to __________.

Possible Answers:

provide an example of something which angered the author

illustrate that he was a religious man

provide an example of one of his redeeming features

show that he was a well read person

construct an image of Apollon as an arrogant individual

Correct answer:

provide an example of something which angered the author

Explanation:

It can be difficult to choose between answers "provide an example of something which angered the author" and "construct an image of Apollon as an arrogant individual" here, but this aspect of Apollon's character is mentioned in the context of his reading being an activity which particularly maddened the author. Though it could be interpreted in the context of reflecting arrogance, this is not what it serves to do in the context of its placement in the passage.

Example Question #1 : Context Dependent Meaning Of Phrases Or Sentences In Literary Fiction Passages

Adapted from Candide by Voltaire (1918 trans.)

"Grandeur," said Pangloss, "is extremely dangerous according to the testimony of philosophers. For, in short, Eglon, King of Moab, was assassinated by Ehud; Absalom was hung by his hair, and pierced with three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how perished Croesus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus, Perseus, Hannibal, Jugurtha, Ariovistus, Cæsar, Pompey, Nero, Otho, Vitellius, Domitian, Richard II of England, Edward II, Henry VI, Richard III, Mary Stuart, Charles I, the three Henrys of France, the Emperor Henry IV! You know—" 

"I know also," said Candide, "that we must cultivate our garden." 

"You are right," said Pangloss, "for when man was first placed in the Garden of Eden, he was put there ut operaretur eum, that he might cultivate it; which shows that man was not born to be idle." 

"Let us work," said Martin, "without disputing; it is the only way to render life tolerable.”

The whole little society entered into this laudable design, according to their different abilities. Their little plot of land produced plentiful crops. Cunegonde was, indeed, very ugly, but she became an excellent pastry cook; Paquette worked at embroidery; the old woman looked after the linen. They were all, not excepting Friar Giroflée, of some service or other; for he made a good joiner, and became a very honest man.

Pangloss sometimes said to Candide: "There is a concatenation of events in this best of all possible worlds; for if you had not been kicked out of a magnificent castle for love of Miss Cunegonde, if you had not been put into the Inquisition, if you had not walked over America, if you had not stabbed the Baron, if you had not lost all your sheep from the fine country of El Dorado, you would not be here eating preserved citrons and pistachio-nuts."

"All that is very well," answered Candide, "but let us cultivate our garden."

To what does the little society mentioned in the underlined sentence refer?

Possible Answers:

The society in which the characters all live

The province in which this story is taking place

None of the other answers

Humanity in the garden of Eden

The group of characters in the narrative

Correct answer:

The group of characters in the narrative

Explanation:

All that we know about this passage is that these people are speaking together about working. Martin proposes that they work "without disputing." While perhaps a greater familiarity with the Voltaire's book might lead you to interpret this differently, all that we can tell is that this small group is setting about to work together in a simple manner. (This is actually the case in the context of the text as a whole as well.)

Example Question #1 : Determining Context Dependent Meanings Of Phrases And Clauses In Prose Fiction Passages

Adapted from Can You Forgive Her? By Anthony Trollope (1864)

Who these were and the special nature of the relationship, I shall be called upon to explain hereafter, but at present it will suffice to say that Alice Macleod gave great offence to all her friends by her marriage. She did not, however, give them much time for the indulgence of their anger. Having given birth to a daughter within twelve months of her marriage, she died, leaving in abeyance that question as to whether the fault of her marriage should or should not be pardoned by her family.

When a man marries an heiress for her money, if that money be within her own control, as was the case with Miss Macleod's fortune, it is generally well for the speculating lover that the lady's friends should quarrel with him and with her. She is thereby driven to throw herself entirely into the gentleman's arms, and he thus becomes possessed of the wife and the money without the abominable nuisance of stringent settlements. But the Macleods, though they quarrelled with Alice, did not quarrel with her à l'outrance. They snubbed herself and her chosen husband, but they did not so far separate themselves from her and her affairs as to give up the charge of her possessions. Her four hundred a year was settled very closely on herself and on her children, without even a life interest having been given to Mr. Vavasor, and therefore when she died the mother's fortune became the property of the little baby. Under these circumstances, the big people did not refuse to interest themselves to some extent on behalf of the father. I do not suppose that any actual agreement or compact was made between Mr. Vavasor and the Macleods, but it came to be understood between them that if he made no demand upon them for his daughter's money, and allowed them to have charge of her education, they would do something for him. He was a practising barrister, though his practice had never amounted to much, and a practising barrister is always supposed to be capable of filling any situation which may come his way. Two years after his wife's death Mr. Vavasor was appointed assistant commissioner in some office that had to do with insolvents, and which was abolished three years after his appointment.

What are the "big people" in this part of the passage?

"Under these circumstances, the big people did not refuse to interest themselves to some extent on behalf of the father. I do not suppose that any actual agreement or compact was made between Mr. Vavasor and the Macleods; but it came to be understood between them that if he made no demand upon them for his daughter's money, and allowed them to have charge of her education, they would do something for him."

Possible Answers:

His parents

None of the other answers

Alice's family and money holders

An unknown benefactor

His cousins

Correct answer:

Alice's family and money holders

Explanation:

The big people refer her to those individuals who control Alice's money—likely her family.

Example Question #374 : Ssat Upper Level Reading Comprehension

Adapted from "The Three Musketeers" in Volume Sixteen of The Romances of Alexandre Dumas (1844; 1893 ed.)

As they rode along, the duke endeavored to draw from d'Artagnan not all that had happened, but what d'Artagnan himself knew. By adding all that he heard from the mouth of the young man to his own remembrances, he was enabled to form a pretty exact idea of a position of the seriousness of which, for the rest, the queen's letter, short but explicit, gave him the clue. But that which astonished him most was that the cardinal, so deeply interested in preventing this young man from setting his foot in England, had not succeeded in arresting him on the road. It was then, upon the manifestation of this astonishment, that d'Artagnan related to him the precaution taken, and how, thanks to the devotion of his three friends, whom he had left scattered and bleeding on the road, he had succeeded in coming off with a single sword thrust, which had pierced the queen's letter and for which he had repaid Monsieur de Wardes with such terrible coin. While he was listening to this recital, delivered with the greatest simplicity, the duke looked from time to time at the young man with astonishment, as if he could not comprehend how so much prudence, courage, and devotedness could be allied with a countenance which indicated not more than twenty years.

The horses went like the wind, and in a few minutes they were at the gates of London. D'Artagnan imagined that on arriving in town the duke would slacken his pace, but it was not so. He kept on his way at the same rate, heedless about upsetting those whom he met on the road. In fact, in crossing the city two or three accidents of this kind happened; but Buckingham did not even turn his head to see what became of those he had knocked down. D'Artagnan followed him amid cries which strongly resembled curses.

On entering the court of his hotel, Buckingham sprang from his horse, and without thinking what became of the animal, threw the bridle on his neck, and sprang toward the vestibule. D'Artagnan did the same, with a little more concern, however, for the noble creatures, whose merits he fully appreciated; but he had the satisfaction of seeing three or four grooms run from the kitchens and the stables, and busy themselves with the steeds.

What can we infer from the underlined phrase in the first paragraph, “and for which he had repaid Monsieur de Wardes with such terrible coin”?

Possible Answers:

Monsieur de Wardes wanted to help d'Artagnan, but d'Artagnan injured him.

D'Artagnan greatly injured or killed his attacker.

D'Artagnan cursed his attacker vehemently.

D'Artagnan repaid Monsieur de Wardes the money he owed him, but d'Artagnan stole that money.

D'Artagnan snuck away before Monsieur de Wardes could demand he keep his end of a promise the two men had made.

Correct answer:

D'Artagnan greatly injured or killed his attacker.

Explanation:

Interpreting the sentence literally might lead you to select as the correct answer "D'Artagnan repaid Monsieur de Wardes the money he owed him, but d'Artagnan stole that money." However, figurative speech is being used; recognizing this, and considering how the "sword thrust" that injured d'Artagnan is mentioned immediately before the underlined phrase, you can come to the conclusion that "D'Artagnan greatly injured or killed his attacker." While the answer choice "Monsieur de Wardes wanted to help d'Artagnan, but d'Artagnan injured him" may look potentially correct because it does involve D'Artagnan injuring Monsieur de Wardes, we can tell that Monsieur de Wardes did not want to help d'Artagnan, because we can infer that he is the one who injured d'Artagnan from the use of the verb "repaid."

Example Question #3 : Determining Authorial Tone In Literary Fiction Passages

Adapted from The Wind in the Willows by Kenneth Grahame (1908)

The Mole had been working very hard all the morning, spring cleaning his little home. First with brooms, then with dusters, then on ladders and steps and chairs, with a brush and a pail of whitewash, 'till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said "Bother!" and "O blow!" and also "Hang spring cleaning!" and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the gaveled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, "Up we go! Up we go!" 'till at last, pop! His snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow.

"This is fine!" he said to himself. "This is better than whitewashing!" The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long, the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow 'till he reached the hedge on the further side.

"Hold up!" said an elderly rabbit at the gap. "Sixpence for the privilege of passing by the private road!" He was bowled over in an instant by the impatient and contemptuous Mole, who trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. "Onion-sauce! Onion-sauce!" he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply. Then they all started grumbling at each other. "How STUPID you are! Why didn't you tell him—" "Well, why didn't YOU say—" "You might have reminded him—" and so on, in the usual way; but, of course, it was then much too late, as is always the case.

When the mole says "Onion-sauce! Onion-sauce!" to the rabbits, this statement is meant to be __________.

Possible Answers:

a demand

lyrics to a song

a taunt

a nickname

a clue to a mystery

Correct answer:

a taunt

Explanation:

Let's look at the context in which the mole says "Onion-sauce!" At this point in the passage, the mole has just ignored the elderly rabbit's demand for him to pay a toll to use the private road. The passage then says, that the mole "trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. "Onion-sauce! Onion-sauce!" he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply." We are told that he says "Onion-sauce!" "jeeringly," or in a taunting way, and we know that the rabbits could not "think of a thoroughly satisfactory reply" in time. Also, he is said to be "chaffing" the rabbits. "Chaffing" means mocking or taunting. Given these context clues, we can safely say that the mole's call of "Onion-sauce!" is a taunt, or an insult, as he says it "tauntingly" and the rabbits cannot think of a reply in time, and one might want to think of a reply to an insult.

Example Question #132 : Ap English Literature And Composition

Passage adapted from The Confidence-Man: His Masquerade by Herman Melville (1857)

At sunrise on a first of April, there appeared suddenly a man in cream-colors at the water-side in the city of St. Louis.

His cheek was fair, his chin downy, his hair flaxen, his hat a white fur one, with a long fleecy nap. He had neither trunk, valise, carpet-bag, nor parcel. No porter followed him. He was unaccompanied by friends. From the shrugged shoulders, titters, whispers, wonderings of the crowd, it was plain that he was, in the extremest sense of the word, a stranger.

In the same moment with his advent, he stepped aboard the favorite steamer Fidèle, on the point of starting for New Orleans. Stared at, but unsaluted, with the air of one neither courting nor shunning regard, but evenly pursuing the path of duty, lead it through solitudes or cities, he held on his way along the lower deck until he chanced to come to a placard nigh the captain's office, offering a reward for the capture of a mysterious impostor, supposed to have recently arrived from the East; quite an original genius in his vocation, as would appear, though wherein his originality consisted was not clearly given; but what purported to be a careful description of his person followed.

As if it had been a theatre-bill, crowds were gathered about the announcement, and among them certain chevaliers, whose eyes, it was plain, were on the capitals, or, at least, earnestly seeking sight of them from behind intervening coats; but as for their fingers, they were enveloped in some myth; though, during a chance interval, one of these chevaliers somewhat showed his hand in purchasing from another chevalier, ex-officio a peddler of money-belts, one of his popular safe-guards, while another peddler, who was still another versatile chevalier, hawked, in the thick of the throng, the lives of Measan, the bandit of Ohio, Murrel, the pirate of the Mississippi, and the brothers Harpe, the Thugs of the Green River country, in Kentucky—creatures, with others of the sort, one and all exterminated at the time, and for the most part, like the hunted generations of wolves in the same regions, leaving comparatively few successors; which would seem cause for unalloyed gratulation, and is such to all except those who think that in new countries, where the wolves are killed off, the foxes increase.

Pausing at this spot, the stranger so far succeeded in threading his way, as at last to plant himself just beside the placard, when, producing a small slate and tracing some words upon if, he held it up before him on a level with the placard, so that they who read the one might read the other. The words were these:—

"Charity thinketh no evil.”

When the author uses the phrase “unalloyed gratulation,” underlined in the third paragraph, he means __________.

Possible Answers:

absolute frustration

untested ideas

suspicious concern

careful cataloguing

unreserved celebration

Correct answer:

unreserved celebration

Explanation:

The author uses the phrase “unalloyed gratulation” in the following sentence:

“another peddler . . . hawked, in the thick of the throng, the lives of Measan, the bandit of Ohio, Murrel, the pirate of the Mississippi, and the brothers Harpe, the Thugs of the Green River country, in Kentucky—creatures, with others of the sort, one and all exterminated at the time, and for the most part, like the hunted generations of wolves in the same regions, leaving comparatively few successors; which would seem cause for unalloyed gratulation, and is such to all except those who think that in new countries, where the wolves are killed off, the foxes increase.”

So, what’s going on in this sentence? The author is discussing how the criminals who are the subjects of the books being hawked to the passengers have all been “exterminated” like wolves, “leaving comparatively few successors.” He then says that this “would seem cause for unalloyed gratulation.” Which of the answer choices would make sense as a response by the general public to criminals being captured and killed? “Ideas,” “frustration,” and “concern” don’t make sense, so we can ignore the answer choices “untested ideas,” “absolute frustration,” and “suspicious concern.” This leaves us with “careful cataloguing” and “unreserved celebration.” At this point, we need to focus on the last part of the sentence, where the author says, “which would seem cause for unalloyed gratulation, and is such to all except those who think that in new countries, where the wolves are killed off, the foxes increase.” So, everyone experiences “unalloyed gratulation” except for the people who think that after the wolves are gone, the foxes increase. Given that the wolves have been compared with criminals in the passage, foxes get a negative connotation as a sneaky animal taking the wolves’ place. The people believing the foxes increase seem to not be as happy about the criminals being captured as those experiencing “unalloyed gratulation,” suggesting that “careful cataloguing” is not the answer, and “unreserved celebration” is. After all, whether or not you thought more criminals would spring up, that would have nothing to do with “careful cataloguing,” but believing more criminals would show up would feasibly stop someone from celebrating unreservedly.

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