All SAT II Literature Resources
Example Questions
Example Question #131 : Overall Language Or Specific Words, Phrases, Or Sentences
1 They are not long, the weeping and the laughter,
2 Love and desire and hate:
3 I think they have no portion in us after
4 We pass the gate.
5 They are not long, the days of wine and roses:
6 Out of a misty dream
7 Our path emerges for a while, then closes
8 Within a dream.
(1896)
In the context of the poem, the phrase "We pass the gate" (line 4) refers to _________________.
starting a race
death
madness
leaving a friend's home
falling asleep
death
This poem is a meditation on the brevity of human life. In lines 1 and 2, "weeping...laughter...love and desire and hate" stand for all of human life and human existence. When the speaker says that these things "have no portion in us after / we pass the gate" (lines 3, 4), then he is saying that we no longer partake in these experiences after we are dead. Passing through "the gate" (line 4) is a metaphor for passing from life into death.
Passage adapted from "They are not long" by Ernest Dowson (1896)
Example Question #132 : Overall Language Or Specific Words, Phrases, Or Sentences
Adapted from Life and Remains of John Clare "The Northamptonshire Peasant Poet" by John Clare (1872, ed. J. L. Cherry)
I am! Yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss'd
Into the nothingness of scorn and noise.
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that's dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.
I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.
What is the meaning of the underlined line “I am the self-consumer of my woes”?
The narrator has nothing to fear in life
The narrator is unsympathetic to the troubles of others
The narrator has been forced to eat alone
The narrator feels abandoned to his or her sorrow
The narrator feels trapped with the pain of his or her own injuries
The narrator feels abandoned to his or her sorrow
The indicated line is emphasizing that the narrator feels abandoned by those who would give him or her comfort and so is left to “consume” his or her “woes” alone. This does not mean the narrator must “eat alone,” and it also does not mean the speaker is “unsympathetic to the troubles of others,” as we are not told how the narrator would react to another person's sadness. We might say the narrator “feel[s] trapped with the pain of his or her own injuries,” but this phrasing suggests physical pain, whereas that which is presented in the line seems to be more of a mental pain or sorrow.
Example Question #205 : Interpreting The Passage
Adapted from Life and Remains of John Clare "The Northamptonshire Peasant Poet" by John Clare (1872, ed. J. L. Cherry)
I am! Yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss'd
Into the nothingness of scorn and noise.
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that's dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.
I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.
What does the author mean by the line “Full of high thoughts, unborn”?
That the speaker is filled with great ideas which have yet to be realized
That there are few men who could think of higher thoughts
That his thoughts were high before he turned to God
That the highest thoughts are not born to man but gifted
That the speaker was thinking philosophically only after he or she was born
That the speaker is filled with great ideas which have yet to be realized
The punctuation confuses the meaning but in the context of the three lines: “There to abide with my Creator, God, / And sleep as I in childhood sweetly slept, / Full of high thoughts, unborn.” We can see that the thoughts are "unborn" rather than being linked to any other parts of the sentence. In his or her sleep, the narrator is filled with thoughts that are not realized, as the narrator is not conscious. On waking, the thoughts may or may not be realized.
Example Question #11 : Meaning Of Specified Text: Poetry
I wonder, by my troth, what thou and I
Did, till we loved? Were we not weaned till then?
But sucked on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?
’Twas so; but this, all pleasures fancies be.
If ever any beauty I did see,
Which I desired, and got, ’twas but a dream of thee.
And now good-morrow to our waking souls,
Which watch not one another out of fear;
For love, all love of other sights controls,
And makes one little room an everywhere.
Let sea-discoverers to new worlds have gone,
Let maps to other, worlds on worlds have shown,
Let us possess one world, each hath one, and is one.
My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest;
Where can we find two better hemispheres,
Without sharp north, without declining west?
Whatever dies, was not mixed equally;
If our two loves be one, or, thou and I
Love so alike, that none do slacken, none can die.
(1633)
Which of the following best describes what's happening in the underlined passage?
The speaker alludes to a common form of seventeenth-century divination in which the pupils were examined for signs of virtue
The speaker imagines the eye as a synecdoche for his lover’s face, and the face, in turn, as a synecdoche for the heart
The speaker and his lover each sees their own face reflected in the other’s eyes, and their faces reflect their intentions towards one another
None of these
The speaker imagines how he must look to his lover by thinking about how she looks to him. He sees her as someone who will always speak the truth
The speaker and his lover each sees their own face reflected in the other’s eyes, and their faces reflect their intentions towards one another
The line "My face in thine eye, thine in mine appears" is as simple as it seems: the speaker is describing gazing into his lover's eyes. The parallelism of the syntax mimics this symmetry. In the next line, the speaker notes how their feelings ("true plain hearts") are expressed in their faces.
Passage adapted from John Donne's "The Good Morrow" (1633).
Example Question #12 : Meaning Of Specified Text: Poetry
I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light's delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.
I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.
(1918)
In the context, what does “God’s most deep decree” (line 9) refer to?
“bitter[ness]”
“gall” and “heartburn”
“the curse”
“my taste”
None of these
“the curse”
The line "God's most deep decree" hints at a reference to the Biblical story of Adam and Eve from the book of Genesis. This allusion is confirmed by the use of the word "curse," which is a word commonly associated with this story ("cursed is the ground for thy sake," Genesis 3:17).
Even if you haven't brushed up on your Biblical allusions lately, you should still be able to reach this answer by process of elimination.
Passage adapted from "[I wake and feel the fell of dark, not day]" (1918) by Gerald Manley Hopkins.
Example Question #15 : Meaning Of Specified Text: Poetry
- One day I wrote her name upon the strand,
- But came the waves and washed it away:
- Again I wrote it with a second hand,
- But came the tide, and made my pains his prey.
- Vain man, said she, that doest in vain assay
- A mortal thing so to immortalize,
- For I myself shall like to this decay,
- And eek my name be wiped out likewise.
- Not so (quoth I), let baser things devise
- To die in dust, but you shall live by fame:
- My verse your virtues rare shall eternize,
- And in the heavens write your glorious name.
- Where whenas Death shall all the world subdue,
- Our love shall live, and later life renew.
The meaning of lines 13-14 is ______________.
When the rest of the world sleeps, we will be awake
Even when death has destroyed every other living thing, our love will live again and create new life
When your name has been written in the heavens, Death will be conquered and life will be reborn
When the world finally conquers death, you and I will be reborn
Even when Death has destroyed the heavens, our love will have the power to save the world
Even when death has destroyed every other living thing, our love will live again and create new life
Lines 13-14 comprise a sentence containing three clauses. The main verb of the first clause is “subdue”, and the subject (i.e., the doer of the action) is Death. The direct object of “subdue” is “all the world”. So the whole clause means something like, “Even when some time in the future Death subdues [i.e. kills] every living thing on earth . . .”
The verb in the second clause is “shall live”. The subject is “our love.” (There’s no object here.)
The final verb is “renew”. The subject is still “our love”, and the direct object is “life”.
Putting that all together, we get: “Even when the time comes when Death destroys every living thing on earth, our love will still live, and it will create new life.”
(As powerful as death is, the poet believes his verse is stronger.)
Passage adapted from Edmund Spenser's "Sonnet 75" (1594)
Example Question #1 : Meaning Of Specified Text: Prose
Adapted from Frankenstein by Mary Shelly (1818)
Shutting the door, [the monster] approached me and said in a smothered voice, "You have destroyed the work which you began; what is it that you intend? Do you dare to break your promise? I have endured toil and misery; I left Switzerland with you; I crept along the shores of the Rhine, among its willow islands and over the summits of its hills. I have dwelt many months in the heaths of England and among the deserts of Scotland. I have endured incalculable fatigue, and cold, and hunger; do you dare destroy my hopes?"
"Begone! I do break my promise; never will I create another like yourself, equal in deformity and wickedness."
"Slave, I before reasoned with you, but you have proved yourself unworthy of my condescension. Remember that I have power; you believe yourself miserable, but I can make you so wretched that the light of day will be hateful to you. You are my creator, but I am your master; obey!"
"The hour of my irresolution is past, and the period of your power is arrived. Your threats cannot move me to do an act of wickedness, but they confirm me in a determination of not creating you a companion in vice. Shall I, in cool blood, set loose upon the earth a daemon whose delight is in death and wretchedness? Begone! I am firm, and your words will only exasperate my rage."
The monster saw my determination in my face and gnashed his teeth in the impotence of anger. "Shall each man," cried he, "find a wife for his bosom, and each beast have his mate, and I be alone? I had feelings of affection, and they were requited by detestation and scorn. Man! You may hate, but beware! Your hours will pass in dread and misery, and soon the bolt will fall which must ravish from you your happiness forever. Are you to be happy while I grovel in the intensity of my wretchedness? You can blast my other passions, but revenge remains—revenge, henceforth dearer than light or food! I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery. Beware, for I am fearless and therefore powerful. I will watch with the wiliness of a snake, that I may sting with its venom. Man, you shall repent of the injuries you inflict."
"Devil, cease; and do not poison the air with these sounds of malice. I have declared my resolution to you, and I am no coward to bend beneath words. Leave me; I am inexorable."
"It is well. I go; but remember, I shall be with you on your wedding night."
I started forward and exclaimed, "Villain! Before you sign my death-warrant, be sure that you are yourself safe."
I would have seized him, but he eluded me and quit the house with precipitation. In a few moments I saw him in his boat, which shot across the waters with an arrowy swiftness and was soon lost amidst the waves.
All was again silent, but his words rang in my ears. I burned with rage to pursue the murderer of my peace and precipitate him into the ocean. I walked up and down my room hastily and perturbed, while my imagination conjured up a thousand images to torment and sting me. Why had I not followed him and closed with him in mortal strife? But I had suffered him to depart, and he had directed his course towards the mainland. I shuddered to think who might be the next victim sacrificed to his insatiate revenge. And then I thought again of his words—"I WILL BE WITH YOU ON YOUR WEDDING NIGHT." That, then, was the period fixed for the fulfillment of my destiny. In that hour I should die and at once satisfy and extinguish his malice. The prospect did not move me to fear; yet when I thought of my beloved Elizabeth, of her tears and endless sorrow, when she should find her lover so barbarously snatched from her, tears, the first I had shed for many months, streamed from my eyes, and I resolved not to fall before my enemy without a bitter struggle.
What is meant by the underlined selection?
The monster gave up the argument completely.
The monster left because of an incoming storm.
The monster overcame his bias against human beings.
The monster quickly left the premises.
The monster was hesitating to continue to confront his maker.
The monster quickly left the premises.
Two words in this selection are a little different in their usage in comparison with their ordinary meanings. To "quit" somewhere is to leave that place. To do so with "precipitation" is to do so hastily and suddenly. When precipitation occurs in a solution, certain elements and chemicals "fall out" of solution suddenly, leaving a layer of such "precipitation" at the bottom of their container. (This is likewise the case when such precipitation occurs in the air—i.e. when rain precipitates out of the air.) Thus, we can say that the monster left hastily—as is further described in the remaining portions of the overall selection.
Example Question #1 : Meaning Of Specified Text: Prose
Adapted from Notes from the Underground (1864) in White Nights and Other Stories by Fyodor Dostoyevsky (1919, trans. Garnett)
"Ha! ha! ha! But you know there is no such thing as choice in reality, say what you like," you will interpose with a chuckle. "Science has succeeded in so far analyzing man that we know already that choice and what is called freedom of will is nothing else than—"
Stay, gentlemen, I meant to begin with that myself. I confess, I was rather frightened. I was just going to say that the devil only knows what choice depends on, and that perhaps that was a very good thing, but I remembered the teaching of science . . . and pulled myself up. And here you have begun upon it. Indeed, if there really is some day discovered a formula for all our desires and caprices—that is, an explanation of what they depend upon, by what laws they arise, how they develop, what they are aiming at in one case and in another and so on, that is a real mathematical formula—then, most likely, man will at once cease to feel desire, indeed, he will be certain to. For who would want to choose by rule? Besides, he will at once be transformed from a human being into an organ-stop or something of the sort; for what is a man without desires, without free will and without choice, if not a stop in an organ? What do you think? Let us reckon the chances—can such a thing happen or not?
"H'm!" you decide. "Our choice is usually mistaken from a false view of our advantage. We sometimes choose absolute nonsense because in our foolishness we see in that nonsense the easiest means for attaining a supposed advantage. But when all that is explained and worked out on paper (which is perfectly possible, for it is contemptible and senseless to suppose that some laws of nature man will never understand), then certainly so-called desires will no longer exist. For if a desire should come into conflict with reason we shall then reason and not desire, because it will be impossible retaining our reason to be SENSELESS in our desires, and in that way knowingly act against reason and desire to injure ourselves. And as all choice and reasoning can be really calculated—because there will some day be discovered the laws of our so-called free will—so, joking apart, there may one day be something like a table constructed of them, so that we really shall choose in accordance with it. If, for instance, some day they calculate and prove to me that I made a long nose at someone because I could not help making a long nose at him and that I had to do it in that particular way, what FREEDOM is left me, especially if I am a learned man and have taken my degree somewhere? Then I should be able to calculate my whole life for thirty years beforehand. In short, if this could be arranged there would be nothing left for us to do; anyway, we should have to understand that. And, in fact, we ought unwearyingly to repeat to ourselves that at such and such a time and in such and such circumstances nature does not ask our leave; that we have got to take her as she is and not fashion her to suit our fancy, and if we really aspire to formulas and tables of rules, and well, even . . . to the chemical retort, there's no help for it, we must accept the retort too, or else it will be accepted without our consent. . . ."
What is meant by the underlined and bolded expression, “worked out on paper”?
Explained in a simple manner
Published in a public forum
Explained in calculus equations
Explained in an explicit manner
Expressed openly in an academic forum
Explained in an explicit manner
When mathematics is "worked out on paper," it is explained in detail, with all of the steps being written out. Here, the speaker is saying that when all of the details of the theory he is discussing are explained and made explicit, then it will be certain that desires will no longer exist. Therefore, the use of "worked out on paper" is a metaphorical use of the literal kind of working out of a set of equations.
Example Question #12 : Excerpt Meaning In Context
Adapted from "The Convalescent" in Essays of Elia by Charles Lamb (1823)
To be sick is to enjoy monarchal prerogatives. Compare the silent tread, and quiet ministry, almost by the eye only, with which he is served—with the careless demeanor, the unceremonious goings in and out (slapping of doors, or leaving them open) of the very same attendants, when he is getting a little better—and you will confess, that from the bed of sickness (throne let me rather call it) to the elbow chair of convalescence, is a fall from dignity, amounting to a deposition.
How convalescence shrinks a man back to his pristine stature! Where is now the space, which he occupied so lately, in his own, in the family's eye? The scene of his regalities, his sick room, which was his presence chamber, where he lay and acted his despotic fancies—how is it reduced to a common bedroom! The trimness of the very bed has something petty and unmeaning about it. It is made every day. How unlike to that wavy, many-furrowed, oceanic surface, which it presented so short a time since, when to make it was a service not to be thought of at oftener than three or four day revolutions, when the patient was with pain and grief to be lifted for a little while out of it, to submit to the encroachments of unwelcome neatness, and decencies which his shaken frame deprecated; then to be lifted into it again, for another three or four days' respite, to flounder it out of shape again, while every fresh furrow was a historical record of some shifting posture, some uneasy turning, some seeking for a little ease; and the shrunken skin scarce told a truer story than the crumpled coverlid
Hushed are those mysterious sighs—those groans—so much more awful, while we knew not from what caverns of vast hidden suffering they proceeded. The Lernean pangs are quenched. The riddle of sickness is solved; and Philoctetes is become an ordinary personage.
Perhaps some relic of the sick man's dream of greatness survives in the still lingering visitations of the medical attendant. But how is he too changed with everything else! Can this be he--this man of news—of chat—of anecdote—of everything but physic—can this be he, who so lately came between the patient and his cruel enemy, as on some solemn embassy from Nature, erecting herself into a high mediating party? Pshaw! 'Tis some old woman.
Farewell with him all that made sickness pompous—the spell that hushed the household—the desert-like stillness, felt throughout its inmost chambers—the mute attendance—the inquiry by looks—the still softer delicacies of self-attention—the sole and single eye of distemper alonely fixed upon itself—world-thoughts excluded—the man a world unto himself—his own theatre—What a speck is he dwindled into!
In context, which of the following is closest in meaning to the underlined and bolded phrase "pristine stature"?
Delusional imagination
Earlier height
Realistic self-evaluation
Regal power
Inflated self-importance
Realistic self-evaluation
Lamb is talking about how illness creates a bubble of self-absorption, which is "popped" by recovery (or "convalescence"). Recovery shrinks us back to pre-sickness levels of self-importance, in which we are forced to stop thinking solely about ourselves and are no longer the recipient of intense care and respectful attention from others.
Example Question #113 : Ap English Literature And Composition
Passage adapted from “Reconstruction” by Frederick Douglass (1866)
Without attempting to settle here the metaphysical and somewhat theological question (about which so much has already been said and written), whether once in the Union means always in the Union—agreeably to the formula, “Once in grace always in grace”—it is obvious to common sense that the rebellious States stand today, in point of law, precisely where they stood when, exhausted, beaten, conquered, they fell powerless at the feet of Federal authority. Their State governments were overthrown, and the lives and property of the leaders of the Rebellion were forfeited. In reconstructing the institutions of these shattered and overthrown States, Congress should begin with a clean slate, and make clean work of it.
Let there be no hesitation. It would be a cowardly deference to a defeated and treacherous President, if any account were made of the illegitimate, one-sided, sham governments hurried into existence for a malign purpose in the absence of Congress. These pretended governments, which were never submitted to the people, and from participation in which four millions of the loyal people were excluded by Presidential order, should now be treated according to their true character, as shams and impositions, and supplanted by true and legitimate governments, in the formation of which loyal men, black and white, shall participate.
It is not, however, within the scope of this paper to point out the precise steps to be taken, and the means to be employed. The people are less concerned about these than the grand end to be attained. They demand such a reconstruction as shall put an end to the present anarchical state of things in the late rebellious States—where frightful murders and wholesale massacres are perpetrated in the very presence of Federal soldiers. This horrible business they require shall cease. They want a reconstruction such as will protect loyal men, black and white, in their persons and property; such a one as will cause Northern industry, Northern capital, and Northern civilization to flow into the South, and make a man from New England as much at home in Carolina as elsewhere in the Republic. No Chinese wall can now be tolerated. The South must be opened to the light of law and liberty, and this session of Congress is relied upon to accomplish this important work.
What is meant by the underlined sentence?
None of these
The xenophobia of one nation should not be the basis for another nation's immigration policy
The problems of the United States are unique in comparison with those of other nations
The North and the South must not attempt to become two separate cultural areas
The South should find other types of wall building techniques than those used by the Chinese
The North and the South must not attempt to become two separate cultural areas
In this particular paragraph, Douglass states that during the process of reconstruction, the South and the North should be open to each other. Indeed, the ultimate goal is such that even someone from New England (i.e. far north) would be comfortable in the Carolinas (i.e. in the South). Thus, the reference to the Great Wall of China is intended to say that the US cannot allow for a major separation between the North and the South, blocking the two peoples off from each other.
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