SAT Critical Reading : Content of Literary Fiction Passages

Study concepts, example questions & explanations for SAT Critical Reading

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Example Questions

Example Question #11 : Analyzing Sequence In Prose Fiction Passages

Adapted from Pride and Prejudice by Jane Austen (1813)

She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:

"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."

Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.

In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience. 

He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:

"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."

Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:

"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."

"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"

As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.

In the passage above, what is the correct chronological sequence of the events described?

Possible Answers:

Mr. Darcy arrives at Elizabeth's home; Mr. Darcy expresses his love for Elizabeth and proposes marriage; Mr. Darcy inquires after her health; Elizabeth rejects his proposal; Elizabeth explains why she is angry at Mr. Darcy

Mr. Darcy arrives at Elizabeth's home; Elizabeth explains why she is angry at Mr. Darcy; Mr. Darcy expresses his love for Elizabeth and proposes marriage; Mr. Darcy inquires after her health; Elizabeth rejects his proposal

Mr. Darcy arrives at Elizabeth's home; Mr. Darcy inquires after her health; Mr. Darcy expresses his love for Elizabeth and proposes marriage; Elizabeth rejects his proposal; Elizabeth explains why she is angry at Mr. Darcy

Mr. Darcy arrives at Elizabeth's home; Mr. Darcy expresses his love for Elizabeth and proposes marriage; Elizabeth rejects his proposal; Elizabeth explains why she is angry at Mr. Darcy; Mr. Darcy inquires after her health

Mr. Darcy inquires after her health; Mr. Darcy arrives at Elizabeth's home; Mr. Darcy expresses his love for Elizabeth and proposes marriage; Elizabeth rejects his proposal; Elizabeth explains why she is angry at Mr. Darcy

Correct answer:

Mr. Darcy arrives at Elizabeth's home; Mr. Darcy inquires after her health; Mr. Darcy expresses his love for Elizabeth and proposes marriage; Elizabeth rejects his proposal; Elizabeth explains why she is angry at Mr. Darcy

Explanation:

Darcy arrives at Elizabeth's home, at which point he inquires about her health. He then expresses his feelings for her and proposes marriage, which she rejects, following this with an explanation of why she is angry with him.

Example Question #171 : Content Of Literary Fiction Passages

Adapted from Pride and Prejudice by Jane Austen (1813)

She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:

"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."

Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.

In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience. 

He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:

"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."

Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:

"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."

"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"

As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.

In the passage, the first reason that Mr. Darcy gives for his visit is that __________.

Possible Answers:

he has come to inquire about her health

he has come to inquire about her sister's health

he has come expecting to meet Colonel Fitzwilliam

he has come to ask for her hand in marriage

he has come to apologize for his behavior

Correct answer:

he has come to inquire about her health

Explanation:

Although the ultimate reason for Darcy's visit is to ask Elizabeth to marry him, the passage states that "he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better." As the passage makes clear, Mr. Darcy does not feel that his behavior does not require an apology, nor is there any indication that he has come expecting to meet Fitzwilliam.

Example Question #525 : Ssat Upper Level Reading Comprehension

Adapted from “The Tell-Tale Heart” in The Pioneer by Edgar Allan Poe (1843)

True!—nervous—very, very dreadfully nervous I had been and am, but why will you say that I am mad? The disease had sharpened my senses—not destroyed—not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily—how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain, but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! He had the eye of a vulture—a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees—very gradually—I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded—with what caution—with what foresight—with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it—oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly—very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! Would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously—oh, so cautiously—cautiously (for the hinges creaked)—I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights—every night just at midnight—but I found the eye always closed; and so it was impossible to do the work, for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers—of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me, for he moved on the bed suddenly, as if startled. Now you may think that I drew back—but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out—“Who's there?"

Which of the following events does the narrator tell us has occurred?

Possible Answers:

The narrator was arrested.

The narrator killed the old man.

The old man was robbed and blamed the narrator for not locking the windows.

The old man grew afraid of the narrator and called the police.

The narrator attempted to kill the old man, but only injured him.

Correct answer:

The narrator killed the old man.

Explanation:

The second paragraph tells us that the narrator was planning to kill the old man, but a line in the third paragraph tells us that this event actually occurred: “I was never kinder to the old man than during the whole week before I killed him.” None of the other answer choices are supported by the passage as having definitively occurred in the story’s past.

Example Question #1271 : Passage Based Questions

Adapted from The War of the Worlds by H. G. Wells (1898)

No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.

The planet Mars revolves about the sun at a mean distance of 140,000,000 miles, and the light and heat it receives from the sun is barely half of that received by this world. It must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin. It has air and water and all that is necessary for the support of animated existence. 

Since Mars is older than our earth, it necessarily follows that it is not only more distant from time's beginning but nearer its end. The cooling that must someday overtake our planet has already gone far indeed with our neighbor. In its equatorial region, the midday temperature barely approaches that of our coldest winter. Its air is much more attenuated than ours; its oceans have shrunk until they cover but a third of its surface. That last stage of exhaustion, which to us is still incredibly remote, has become a present-day problem for the inhabitants of Mars. The immediate pressure of necessity has brightened their intellects, enlarged their powers, and hardened their hearts. And looking across space with instruments, and intelligences such as we have scarcely dreamed of, they see, at its nearest distance only 35,000,000 of miles sunward of them, a morning star of hope, our own warmer planet, green with vegetation and grey with water, with a cloudy atmosphere eloquent of fertility, with glimpses through its drifting cloud wisps of broad stretches of populous country and narrow, navy-crowded seas.

And we men, the creatures who inhabit this earth, must be to them at least as alien and lowly as are the monkeys and lemurs to us. The intellectual side of man already admits that life is an incessant struggle for existence, and it would seem that this too is the belief of the minds upon Mars. Their world is far gone in its cooling and this world is still crowded with life, but crowded only with what they regard as inferior animals. To carry warfare sunward is, indeed, their only escape from the destruction that, generation after generation, creeps upon them.

And before we judge of them too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals, such as the vanished bison and the dodo, but upon itself. The Tasmanians were entirely swept out of existence in a war of extermination waged by European immigrants in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?

According to the second paragraph, which of the following accurately represents the order of events as the author believes they happened?

Possible Answers:

Mars solidified, life developed on Mars, Earth solidified, life developed on Earth

Earth solidified, Mars solidified, life developed on Mars, life developed on Earth

Earth solidified, life developed on Earth, Mars solidified, life developed on Mars

Mars solidified, Earth solidified, life developed on Mars, life developed on Earth

Mars solidified, Earth solidified, life developed on Earth, life developed on Mars

Correct answer:

Mars solidified, life developed on Mars, Earth solidified, life developed on Earth

Explanation:

The author discusses the solidification of and the development of life on Mars and Earth in the second paragraph. He states,

“[Mars] must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin.”

Let’s narrow down what the author here says. First, he claims that Mars is older than Earth, but that doesn’t tell us anything about when each planet solidified or when life began on each planet. He then states that life on Mars began before the Earth solidified. This allows us to eliminate any answer choice in which “Earth solidified” comes before “life developed on Mars,” leaving us with only one answer choice: “Mars solidified, life developed on Mars, Earth solidified, life developed on Earth.”

Example Question #391 : Prose Fiction

Adapted from The War of the Worlds by H. G. Wells (1898)

No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.

The planet Mars revolves about the sun at a mean distance of 140,000,000 miles, and the light and heat it receives from the sun is barely half of that received by this world. It must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin. It has air and water and all that is necessary for the support of animated existence. 

Since Mars is older than our earth, it necessarily follows that it is not only more distant from time's beginning but nearer its end. The cooling that must someday overtake our planet has already gone far indeed with our neighbor. In its equatorial region, the midday temperature barely approaches that of our coldest winter. Its air is much more attenuated than ours; its oceans have shrunk until they cover but a third of its surface. That last stage of exhaustion, which to us is still incredibly remote, has become a present-day problem for the inhabitants of Mars. The immediate pressure of necessity has brightened their intellects, enlarged their powers, and hardened their hearts. And looking across space with instruments, and intelligences such as we have scarcely dreamed of, they see, at its nearest distance only 35,000,000 of miles sunward of them, a morning star of hope, our own warmer planet, green with vegetation and grey with water, with a cloudy atmosphere eloquent of fertility, with glimpses through its drifting cloud wisps of broad stretches of populous country and narrow, navy-crowded seas.

And we men, the creatures who inhabit this earth, must be to them at least as alien and lowly as are the monkeys and lemurs to us. The intellectual side of man already admits that life is an incessant struggle for existence, and it would seem that this too is the belief of the minds upon Mars. Their world is far gone in its cooling and this world is still crowded with life, but crowded only with what they regard as inferior animals. To carry warfare sunward is, indeed, their only escape from the destruction that, generation after generation, creeps upon them.

And before we judge of them too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals, such as the vanished bison and the dodo, but upon itself. The Tasmanians were entirely swept out of existence in a war of extermination waged by European immigrants in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?

This passage is most likely taken from __________.

Possible Answers:

a chapter in a science textbook about the solar system

a speculative article in a science magazine

a work of historical non-fiction

a romance novel

a science fiction novel

Correct answer:

a science fiction novel

Explanation:

Answering this question may seem somewhat tricky, so let’s narrow down the answer choices that can be correct. We can eliminate “a romance novel” immediately because this passage does not concern love and romance at all; it talks about Mars, Earth, their formation, and the development of life on each. Two of the remaining answer choices (“a chapter in a science textbook about the solar system” and “a work of historical non-fiction”) deal with fact, but the passage claims that developed, sentient Martian life exists, so we know those can’t be the correct answers because no one has substantively proven that to be true. This leaves us with “a speculative article in a science magazine” and “a science fiction novel.” While these answer choices may seem rather similar, “a science fiction novel” is the best answer for previously stated reason: even a speculative article in a science magazine would need to adhere to known facts, and the passage discusses Martians as definitively existing, not as an object of speculation (e.g. “If Martians existed . . . “). So, “a science fiction novel” is the best answer.

Example Question #171 : Content Of Literary Fiction Passages

Adapted from Pride and Prejudice, by Jane Austen (1813)

Happy for all her maternal feelings was the day on which Mrs. Bennet got rid of her two most deserving daughters. With what delighted pride she afterwards visited Mrs. Bingley, and talked of Mrs. Darcy, may be guessed. I wish I could say, for the sake of her family, that the accomplishment of her earnest desire in the establishment of so many of her children produced so happy an effect as to make her a sensible, amiable, well-informed woman for the rest of her life; though perhaps it was lucky for her husband, who might not have relished domestic felicity in so unusual a form, that she still was occasionally nervous and invariably silly.

Mr. Bennet missed his second daughter exceedingly; his affection for her drew him oftener from home than anything else could do. He delighted in going to Pemberley, especially when he was least expected.

Mr. Bingley and Jane remained at Netherfield only a twelvemonth. So near a vicinity to her mother and Meryton relations was not desirable even to his easy temper, or her affectionate heart. The darling wish of his sisters was then gratified; he bought an estate in a neighboring county to Derbyshire, and Jane and Elizabeth, in addition to every other source of happiness, were within thirty miles of each other.

Kitty, to her very material advantage, spent the chief of her time with her two elder sisters. In society so superior to what she had generally known, her improvement was great. She was not of so ungovernable a temper as Lydia; and, removed from the influence of Lydia's example, she became, by proper attention and management, less irritable, less ignorant, and less insipid. From the further disadvantage of Lydia's society she was of course carefully kept, and though Mrs. Wickham frequently invited her to come and stay with her, with the promise of balls and young men, her father would never consent to her going.

Mary was the only daughter who remained at home; and she was necessarily drawn from the pursuit of accomplishments by Mrs. Bennet's being quite unable to sit alone. Mary was obliged to mix more with the world, but she could still moralize over every morning visit; and as she was no longer mortified by comparisons between her sisters' beauty and her own, it was suspected by her father that she submitted to the change without much reluctance.

Which of the following correctly states the sequence of events in this text?

Possible Answers:

Elizabeth and Jane each get married; Jane and her husband move closer to Elizabeth; Mary spends most of her time at home with her mother; Kitty spends most of her time with Elizabeth and Jane.

None of the other answers is correct.

Elizabeth and Jane each get married; Kitty spends most of her time with Elizabeth and Jane; Mary spends most of her time at home with her mother; Jane and her husband move closer to Elizabeth.

Kitty spends most of her time with Elizabeth and Jane; Elizabeth and Jane each get married; Jane and her husband move closer to Elizabeth; Mary spends most of her time at home with her mother.

Elizabeth and Jane each get married; Jane and her husband move closer to Elizabeth; Kitty spends most of her time with Elizabeth and Jane; Mary spends most of her time at home with her mother.

Correct answer:

Elizabeth and Jane each get married; Jane and her husband move closer to Elizabeth; Kitty spends most of her time with Elizabeth and Jane; Mary spends most of her time at home with her mother.

Explanation:

The correct sequence is "Elizabeth and Jane each get married; Jane and her husband move closer to Elizabeth; Kitty spends most of her time with Elizabeth and Jane; Mary spends most of her time at home with her mother"

Example Question #321 : Literary Fiction Passages

Adapted from The Harvard Classics Shelf of Fiction, Volume 16: Anna Karenina (1877; 1917 ed., trans. Garnett)

Happy families are all alike; every unhappy family is unhappy in its own way.

Everything was in confusion in the Oblonskys’ house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.

This position of affairs had now lasted three days, and not only the husband and wife themselves, but all the members of their family and household were painfully conscious of it. The wife did not leave her own room, the husband had not been at home for three days. The children ran wild all over the house; the English governess quarreled with the housekeeper, and wrote to a friend asking her to look out for a new situation for her; the man-cook had walked off the day before just at dinner-time; the kitchen maid and the coachman had given warning.

Three days after the quarrel, Prince Stepan Arkadyevitch Oblonsky—Stiva, as he was called in the fashionable world—woke up at his usual hour, that is, at eight o clock in the morning, not in his wife's bedroom, but on the leather-covered sofa in his study. He turned over his stout, well-cared-for person on the springy sofa, as though he would sink into a long sleep again; he vigorously embraced the pillow on the other side and buried his face in it; but all at once he jumped up, sat up on the sofa, and opened his eyes.

“Yes, yes, how was it now?” he thought, going over his dream. “Alabin was giving a dinner at Darmstadt; no, not Darmstadt, but something American. Yes, but then, Darmstadt was in America. Yes, Alabin was giving a dinner on glass tables, and the tables sang, II mio tesoro—not II mio tesoro, though, but something better, and there were some sort of little decanters on the table, and they were women too,” he remembered. 

Noticing a gleam of light peeping in beside one of the serge curtains, he cheerfully dropped his feet over the edge of the sofa, and felt about with them for his slippers, a present on his last birthday, worked for him by his wife on gold-colored morocco. And, as he had done every day for the last nine years, he stretched out his hand, without getting up, towards the place where his dressing-gown always hung in his bedroom. And thereupon he suddenly remembered that he was not sleeping in his wife’s room, but in his study, and why: the smile vanished from his face, he knitted his brows. 

Most unpleasant of all was the first minute when, on coming, happy and good-humored, from the theatre, with a huge pear in his hand for his wife, he had not found his wife in the drawing-room, to his surprise had not found her in the study either, and saw her at last in her bedroom with the unlucky letter that revealed everything in her hand. She, his Dolly, forever fussing and worrying over household details, and limited in her ideas, as he considered, was sitting perfectly still with the letter in her hand, looking at him with an expression of horror, despair, and indignation.

“What’s this? This?” she asked, pointing to the letter.

And at this recollection, Stepan Arkadyevitch, as is so often the case, was not so much annoyed at the fact itself as at the way in which he had met his wife’s words.

There happened to him at that instant what does happen to people when they are unexpectedly caught in something very disgraceful. He did not succeed in adapting his face to the position in which he was placed towards his wife by the discovery of his fault. Instead of being hurt, denying, defending himself, begging forgiveness, instead of remaining indifferent even—anything would have been better than what he did do—his face utterly involuntarily (reflex spinal action, reflected Stepan Arkadyevitch, who was fond of physiology)—utterly involuntarily assumed its habitual, good-humored, and therefore idiotic smile.

This idiotic smile he could not forgive himself. Catching sight of that smile, Dolly shuddered as though at physical pain, broke out with her characteristic heat into a flood of cruel words, and rushed out of the room. Since then she had refused to see her husband.

“It’s that idiotic simile that’s to blame for it all,” thought Stepan Arkadyevitch.

In context of the entire passage, the first line serves to __________.

Possible Answers:

explain why the author does not want to write about the Oblonskys

introduce the Oblonskys’ situation as a unique one

make a general statement that is not relevant at all to the story that follows

introduce the narrator as one of the characters in the story

suggest that the Oblonskys’ exact problems are shared by many other families

Correct answer:

introduce the Oblonskys’ situation as a unique one

Explanation:

The first line, “Happy families are all alike; every unhappy family is unhappy in its own way,” is a general statement that nonetheless relates to the specific story that the author starts to tell in the next paragraph. It does not “suggest that the Oblonskys’ exact problems are shared by many other families,” as the first line says that happy families are the ones that are all alike, and we can’t characterize the Oblonskys’ family as “happy” based on the events the passage relates. The author demonstrates no reluctance to writing about the Oblonskys, so we can’t say that the first line serves to “explain why the author does not want to write about the Oblonskys.” The first line doesn’t introduce the narrator or any characters, so we can’t say that it “introduce[s] the narrator as one of the characters in the story.” The line is related to the story that follows, making “make a general statement that is not relevant at all to the story that follows” an incorrect answer as well. The first line declares that unhappy families’ problems are unique, after which the author begins telling us about one specific unhappy family, the Oblonskys. From this, we can say that the first line serves to “introduce the Oblonskys’ situation as a unique one.”

Example Question #181 : Ap English Language

Adapted from a book by Sui Sin Far (Edith Maude Eaton) (1909)

In this excerpt from an autobiographical essay, the author describes her experiences as growing up in Victorian England.

When I look back over the years I see myself, a little child of scarcely four years of age, walking in front of my nurse, in a green English lane, and listening to her tell another of her kind that my mother is Chinese. “Oh Lord!” exclaims the informed. She turns around and scans me curiously from head to foot. Then the two women whisper together. Though the word “Chinese” conveys very little meaning to my mind, I feel that they are talking about my father and mother and my heart swells with indignation. When we reach home I rush to my mother and try to tell her what I have heard. I am a young child. I fail to make myself intelligible. My mother does not understand, and when the nurse declares to her, “Little Miss Sui is a story-teller,” my mother slaps me. 

Many a long year has passed over my head since that day—the day on which I first learned I was something different and apart from other children, but though my mother has forgotten it, I have not. I see myself again, a few years older. I am playing with another child in a garden. A girl passes by outside the gate. “Mamie,” she cries to my companion. “I wouldn’t speak to Sui if I were you. Her mamma is Chinese.”

“I don’t care,” answers the little one beside me. And then to me, “Even if your mamma is Chinese, I like you better than I like Annie.”

“But I don’t like you,” I answer, turning my back on her. It is my first conscious lie.

I am at a children’s party, given by the wife of an Indian officer whose children were schoolfellows of mine. I am only six years of age, but have attended a private school for over a year, and have already learned that China is a heathen country, being civilized by England. However, for the time being, I am a merry romping child. There are quite a number of grown people present. One, a white-haired old man, has his attention called to me by the hostess. He adjusts his eyeglasses and surveys me critically. “Ah, indeed!” he exclaims. “Who would have thought it at first glance? Yet now I see the difference between her and other children. What a peculiar coloring! Her mother’s eyes and hair and her father’s features, I presume. Very interesting little creature!”

I had been called from play for the purpose of inspection. I do not return to it. For the rest of the evening I hide myself behind a hall door and refuse to show myself until it is time to go home.

Sui most likely rejects Mamie because __________.

Possible Answers:

Mamie has rejected her

she doesn't enjoy Mamie's company

she feels like an outsider

she is upset because her mother slapped her

she dislikes English girls

Correct answer:

she feels like an outsider

Explanation:

There is no indication in the passage that Sui dislikes English girls. Mamie does not reject her, and Sui states plainly that when she told Mamie "I don't like you," it was a lie, suggesting that she does enjoy Mamie's company. The incident with Mamie occurs several years after the incident in which her mother slapped her. From the other two stories in the passage, it is clear that Sui feels like an outsider, and it is reasonable to suppose that she does so in this case as well.

Example Question #1 : Making Inferences About The Author Or Literary Fiction Passage Content

The following passage is adapted from The Mysterious Affair at Styles by Agatha Christie, first published in 1920.

I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month's sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother's place in Essex.

We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.

"The mater will be delighted to see you again—after all those years," he added.

"Your mother keeps well?" I asked.

"Oh, yes. I suppose you know that she has married again?"

I am afraid I showed my surprise rather plainly. Mrs. Cavendish, who had married John's father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.

Their country-place, Styles Court, had been purchased by Mr. Cavendish early in their married life. He had been completely under his wife's ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their step-mother, however, had always been most generous to them; indeed, they were so young at the time of their father's remarriage that they always thought of her as their own mother.

Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.

John practiced for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs. Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.

John noticed my surprise at the news of his mother's remarriage and smiled rather ruefully.

"Rotten little bounder too!" he said savagely. "I can tell you, Hastings, it's making life jolly difficult for us."

The narrator most likely thinks of John Cavendish in which of the following ways?

Possible Answers:

He is friendly and a good person, but perhaps not very hard-working.

He is angry and violent.

He is aristocratic and snobby.

He is a completely good and deserving person.

He gossips too much.

Correct answer:

He is friendly and a good person, but perhaps not very hard-working.

Explanation:

The narrator has a friendly chat with John Cavendish and agrees to spend the month at Styles, so he can't think too badly of the him. He does, however, mention that John does not work, and he suspects that he is after more money from his mother. The other answers tend to be too extreme one way or another; the narrator shows a mixed reaction.

Example Question #1 : Extrapolating From The Text In Literary Fiction Passages

The following passage is adapted from “The Yellow Wallpaper” by Charlotte Perkins Gilman, published 1892.

 It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.

A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate!

Still I will proudly declare that there is something queer about it.

Else, why should it be let so cheaply? And why have stood so long untenanted?

John laughs at me, of course, but one expects that in marriage.

John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.

John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster.

You see he does not believe I am sick!

And what can one do?

If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?

My brother is also a physician, and also of high standing, and he says the same thing.

So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to "work" until I am well again.

Personally, I disagree with their ideas.

Personally, I believe that congenial work, with excitement and change, would do me good.

But what is one to do?

I did write for a while in spite of them; but it DOES exhaust me a good deal—having to be so sly about it, or else meet with heavy opposition.

I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad.

What is the narrator’s profession?

Possible Answers:

a socialite

a writer

a housekeeper

a physician

a housewife

Correct answer:

a writer

Explanation:

The narrator says that she is forbidden to “work," but she secretly writes in spite of this. We can infer from this that she works as a writer.

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