ISEE Upper Level Reading : Language in Literature Passages

Study concepts, example questions & explanations for ISEE Upper Level Reading

varsity tutors app store varsity tutors android store

Example Questions

Example Question #261 : Humanities

Adapted from "Civil Disobedience" by Henry David Thoreau (1849)

I heartily accept the motto, "That government is best which governs least," and I should like to see it acted up to more rapidly and systematically. Carried out, it finally amounts to this, which also I believe, "That government is best which governs not at all," and when men are prepared for it, that will be the kind of government which they will have. Government is at best but an expedient, but most governments are usually, and all governments are sometimes, inexpedient. The objections which have been brought against a standing army, and they are many and weighty, and deserve to prevail, may also at last be brought against a standing government. The standing army is only an arm of the standing government. The government itself, which is only the mode which the people have chosen to execute their will, is equally liable to be abused and perverted before the people can act through it. Witness the present Mexican war, the work of comparatively a few individuals using the standing government as their tool, for in the outset, the people would not have consented to this measure.

This American government—what is it but a tradition, though a recent one, endeavoring to transmit itself unimpaired to posterity, but each instant losing some of its integrity? It has not the vitality and force of a single living man, for a single man can bend it to his will. It is a sort of wooden gun to the people themselves. But it is not the less necessary for this, for the people must have some complicated machinery or other, and hear its din, to satisfy that idea of government which they have. Governments show thus how successfully men can be imposed upon, even impose on themselves, for their own advantage. It is excellent, we must all allow; yet this government never of itself furthered any enterprise, but by the alacrity with which it got out of its way. It does not keep the country free. It does not settle the West. It does not educate. The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way. For government is an expedient, by which men would fain succeed in letting one another alone, and, as has been said, when it is most expedient, the governed are most let alone by it. Trade and commerce, if they were not made of India rubber, would never manage to bounce over obstacles which legislators are continually putting in their way, and if one were to judge these men wholly by the effects of their actions and not partly by their intentions, they would deserve to be classed and punished with those mischievous persons who put obstructions on the railroads.

In the second paragraph, Thoreau suggests all of the following EXCEPT __________.

Possible Answers:

government is an expedient for getting things done

people would've been able to do more if government had not hindered them

government is best when it leaves people alone

government is best when it gets out of the way

Correct answer:

government is an expedient for getting things done

Explanation:

In writing, "For government is an expedient, by which men would fain succeed in letting one another alone, and, as has been said, when it is most expedient, the governed are most let alone by it," Thoreau does say that government is an expedient, but one for helping men leave each other alone.

Example Question #41 : Understanding And Evaluating Opinions And Arguments In Argumentative Humanities Passages

Adapted from "Civil Disobedience" by Henry David Thoreau (1849)

I heartily accept the motto, "That government is best which governs least," and I should like to see it acted up to more rapidly and systematically. Carried out, it finally amounts to this, which also I believe, "That government is best which governs not at all," and when men are prepared for it, that will be the kind of government which they will have. Government is at best but an expedient, but most governments are usually, and all governments are sometimes, inexpedient. The objections which have been brought against a standing army, and they are many and weighty, and deserve to prevail, may also at last be brought against a standing government. The standing army is only an arm of the standing government. The government itself, which is only the mode which the people have chosen to execute their will, is equally liable to be abused and perverted before the people can act through it. Witness the present Mexican war, the work of comparatively a few individuals using the standing government as their tool, for in the outset, the people would not have consented to this measure.

This American government—what is it but a tradition, though a recent one, endeavoring to transmit itself unimpaired to posterity, but each instant losing some of its integrity? It has not the vitality and force of a single living man, for a single man can bend it to his will. It is a sort of wooden gun to the people themselves. But it is not the less necessary for this, for the people must have some complicated machinery or other, and hear its din, to satisfy that idea of government which they have. Governments show thus how successfully men can be imposed upon, even impose on themselves, for their own advantage. It is excellent, we must all allow; yet this government never of itself furthered any enterprise, but by the alacrity with which it got out of its way. It does not keep the country free. It does not settle the West. It does not educate. The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way. For government is an expedient, by which men would fain succeed in letting one another alone, and, as has been said, when it is most expedient, the governed are most let alone by it. Trade and commerce, if they were not made of India rubber, would never manage to bounce over obstacles which legislators are continually putting in their way, and if one were to judge these men wholly by the effects of their actions and not partly by their intentions, they would deserve to be classed and punished with those mischievous persons who put obstructions on the railroads.

Thoreau suggests in the underlined sentence in the second paragraph that trade and commerce __________.

Possible Answers:

are bounced back and forth between nations by legislators

are obstructed rather than aided by legislators

are mostly to do with India rubber than other goods

are unable to bounce over obstacles

Correct answer:

are obstructed rather than aided by legislators

Explanation:

Thoreau suggests that legislators are more likely to create obstacles that trade and commerce cannot "manage to bounce over" rather than to help trade and commerce along.

Example Question #71 : Context Dependent Meanings Of Words And Phrases In Argumentative Humanities Passages

Adapted from "Civil Disobedience" by Henry David Thoreau (1849)

I heartily accept the motto, "That government is best which governs least," and I should like to see it acted up to more rapidly and systematically. Carried out, it finally amounts to this, which also I believe, "That government is best which governs not at all," and when men are prepared for it, that will be the kind of government which they will have. Government is at best but an expedient, but most governments are usually, and all governments are sometimes, inexpedient. The objections which have been brought against a standing army, and they are many and weighty, and deserve to prevail, may also at last be brought against a standing government. The standing army is only an arm of the standing government. The government itself, which is only the mode which the people have chosen to execute their will, is equally liable to be abused and perverted before the people can act through it. Witness the present Mexican war, the work of comparatively a few individuals using the standing government as their tool, for in the outset, the people would not have consented to this measure.

This American government—what is it but a tradition, though a recent one, endeavoring to transmit itself unimpaired to posterity, but each instant losing some of its integrity? It has not the vitality and force of a single living man, for a single man can bend it to his will. It is a sort of wooden gun to the people themselves. But it is not the less necessary for this, for the people must have some complicated machinery or other, and hear its din, to satisfy that idea of government which they have. Governments show thus how successfully men can be imposed upon, even impose on themselves, for their own advantage. It is excellent, we must all allow; yet this government never of itself furthered any enterprise, but by the alacrity with which it got out of its way. It does not keep the country free. It does not settle the West. It does not educate. The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way. For government is an expedient, by which men would fain succeed in letting one another alone, and, as has been said, when it is most expedient, the governed are most let alone by it. Trade and commerce, if they were not made of India rubber, would never manage to bounce over obstacles which legislators are continually putting in their way, and if one were to judge these men wholly by the effects of their actions and not partly by their intentions, they would deserve to be classed and punished with those mischievous persons who put obstructions on the railroads.

The "mischievous persons" that Thoreau compares legislators to in the last line are __________.

Possible Answers:

saboteurs

upstanding citizens

protestors

mechanics

lawmakers

Correct answer:

saboteurs

Explanation:

The context suggests that anyone who would put "obstructions on the railroads" is a saboteur because the business of the railroads would then be subverted or sabotaged by this action.

Example Question #21 : Language In Literature Passages

Adapted from "Civil Disobedience" by Henry David Thoreau (1849)

I heartily accept the motto, "That government is best which governs least," and I should like to see it acted up to more rapidly and systematically. Carried out, it finally amounts to this, which also I believe, "That government is best which governs not at all," and when men are prepared for it, that will be the kind of government which they will have. Government is at best but an expedient, but most governments are usually, and all governments are sometimes, inexpedient. The objections which have been brought against a standing army, and they are many and weighty, and deserve to prevail, may also at last be brought against a standing government. The standing army is only an arm of the standing government. The government itself, which is only the mode which the people have chosen to execute their will, is equally liable to be abused and perverted before the people can act through it. Witness the present Mexican war, the work of comparatively a few individuals using the standing government as their tool, for in the outset, the people would not have consented to this measure.

This American government—what is it but a tradition, though a recent one, endeavoring to transmit itself unimpaired to posterity, but each instant losing some of its integrity? It has not the vitality and force of a single living man, for a single man can bend it to his will. It is a sort of wooden gun to the people themselves. But it is not the less necessary for this, for the people must have some complicated machinery or other, and hear its din, to satisfy that idea of government which they have. Governments show thus how successfully men can be imposed upon, even impose on themselves, for their own advantage. It is excellent, we must all allow; yet this government never of itself furthered any enterprise, but by the alacrity with which it got out of its way. It does not keep the country free. It does not settle the West. It does not educate. The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way. For government is an expedient, by which men would fain succeed in letting one another alone, and, as has been said, when it is most expedient, the governed are most let alone by it. Trade and commerce, if they were not made of India rubber, would never manage to bounce over obstacles which legislators are continually putting in their way, and if one were to judge these men wholly by the effects of their actions and not partly by their intentions, they would deserve to be classed and punished with those mischievous persons who put obstructions on the railroads.

In the first paragraph, Thoreau suggests all of the following about the Mexican War EXCEPT __________.

Possible Answers:

the war would not have been consented to by the people

he himself does not support it

the war is happening at the moment at which Thoreau is writing

the war is a popular one

the war is being fought because of a few individuals using the government for their own gains

Correct answer:

the war is a popular one

Explanation:

In closing the first paragraph with the sentence, "Witness the present Mexican war, the work of comparatively a few individuals using the standing government as their tool, for in the outset, the people would not have consented to this measure," Thoreau states that the war would not have been consented to by the people, the war is being fought because of a few individuals using the government for their own gains, and that the war is happening at the moment at which Thoreau is writing. However, Thoreau says nothing about the popularity of the Mexican War.

Example Question #81 : Language In Humanities Passages

Adapted from “Economy” in Walden by Henry David Thoreau (1854)

On the whole, I think that it cannot be maintained that dressing has in this or any country risen to the dignity of an art. At present men make shift to wear what they can get. Like shipwrecked sailors, they put on what they can find on the beach, and at a little distance, whether of space or time, laugh at each other's masquerade. Every generation laughs at the old fashions, but follows religiously the new. We are amused at beholding the costume of Henry VIII, or Queen Elizabeth, as much as if it was that of the King and Queen of the Cannibal Islands. All costume off a man is pitiful or grotesque. It is only the serious eye peering from and the sincere life passed within it which restrain laughter and consecrate the costume of any people. Let Harlequin be taken with a fit of the colic and his trappings will have to serve that mood too. When the soldier is hit by a cannonball, rags are as becoming as purple. 

The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires today. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.

I cannot believe that our factory system is the best mode by which men may get clothing. The condition of the operatives is becoming every day more like that of the English; and it cannot be wondered at, since, as far as I have heard or observed, the principal object is, not that mankind may be well and honestly clad, but, unquestionably, that corporations may be enriched. In the long run men hit only what they aim at. Therefore, though they should fail immediately, they had better aim at something high. 

What is meant by the underlined expression “but follows religiously the new”?

Possible Answers:

That people pay careful attention to current fashions

That people follow current fashion without questioning

That fashion has close ties with religious sensibilities

That fashion senses are mostly for the masses who believe things without question

That people often despise former ways of dressing because of religious reasons

Correct answer:

That people pay careful attention to current fashions

Explanation:

The adverb "religiously" can be used in a transferred sense that has nothing directly to do with religion. It indicates a way of acting that is like that of people engaging in religious practices—with great care and concern. Someone may "religiously" watch a TV show, meaning that he or she never misses it. In this sentence, the sense is that people laugh at previous generations' fashion but pay quite close attention to current fashion, taking it to be a "serious" matter.

Example Question #1 : Ssat Middle Level Reading Comprehension

Adapted from "The Loon" by Henry David Thoreau in A Book of Natural History (1902, ed. David Starr Jordan)

As I was paddling along the north shore one very calm October afternoon, for such days especially they settle on to the lakes, like the milkweed down, having looked in vain over the pond for a loon, suddenly one, sailing out from the shore toward the middle a few rods in front of me, set up his wild laugh and betrayed himself. I pursued with a paddle and he dived, but when he came up I was nearer than before. He dived again but I miscalculated the direction he would take, and we were fifty rods apart when he came to the surface this time, for I had helped to widen the interval; and again he laughed long and loud, and with more reason than before.

He maneuvered so cunningly that I could not get within half a dozen rods of him. Each time when he came to the surface, turning his head this way and that, he coolly surveyed the water and the land, and apparently chose his course so that he might come up where there was the widest expanse of water and at the greatest distance from the boat. It was surprising how quickly he made up his mind and put his resolve into execution. He led me at once to the wildest part of the pond, and could not be driven from it. While he was thinking one thing in his brain, I was endeavoring to divine his thought in mine. It was a pretty game, played on the smooth surface of the pond, a man against a loon.

He was indeed a silly loon, I thought. I could commonly hear the plash of the water when he came up, and so also detected him. But after an hour he seemed as fresh as ever, dived as willingly and swam yet farther than at first. It was surprising to see how serenely he sailed off with unruffled breast when he came to the surface, doing all the work with his webbed feet beneath. His usual note was this demoniac laughter, yet somewhat like that of a waterfowl, but occasionally when he had balked me most successfully and come up a long way off, he uttered a long-drawn unearthly howl, probably more like that of a wolf than any bird, as when a beast puts his muzzle to the ground and deliberately howls. This was his looning—perhaps the wildest sound that is ever heard here, making the woods ring far and wide. I concluded that he laughed in derision of my efforts, confident of his own resources.

In this passage, the loon is primarily characterized as __________.

Possible Answers:

crafty

aggressive

chaotic

sneaky

orderly

Correct answer:

crafty

Explanation:

This passage tells the story of the author’s attempts to track down a loon (a type of bird that swims in water like a duck) that he encounters on the lake near where he lives. The author characterizes the loon primarily as a cunning and wily animal that knows how to evade human capture and makes a mockery of human beings. You could reasonably say that the loon is characterized as “sneaky,” but from the use of language it is clear that “crafty” is the better option. This is most clearly seen in excerpts such as “He maneuvered so cunningly that I could not get within half a dozen rods of him" ("cunning" being a synonym of "crafty") and “ . . . occasionally when he had balked me most successfully."

Example Question #21 : Analyzing The Text In Literature Passages

Adapted from a letter of Thomas Jefferson popularly known as “A Dialogue Between the Head and Heart” (October 12th, 1786) in Volume II of Memoir, Correspondence, and Miscellanies, from the Papers of Thomas Jefferson (1830)

(Note: This selection is presented like a play having two characters, the “Head” and the “Heart”)

Head: Well, friend, you seem to be in a pretty trim.

Heart: I am indeed the most wretched of all earthly beings. Overwhelmed with grief, every fiber of my frame distended beyond its natural powers to bear, I would willingly meet whatever catastrophe should leave me no more to feel, or to fear.

Head: These are the eternal consequences of your warmth and precipitation. This is one of the scrapes into which you are ever leading us. You confess your follies, indeed, but still you hug and cherish them, and no reformation can be hoped, where there is no repentance.

Heart. Oh, my friend! This is no moment to upbraid my foibles. I am rent into fragments by the force of my grief! If you have any balm, pour it into my wounds; if none, do not harrow them by new torments. Spare me in this awful moment! At any other, I will attend with patience to your admonitions.

Head: On the contrary, I never found that the moment of triumph, with you, was the moment of attention to my admonitions. While suffering under your follies, you may perhaps be made sensible of them, but, the paroxysm over, you fancy it can never return. Harsh, therefore, as the medicine may be, it is my office to administer it. You will be pleased to remember, that when our friend Trumbull used to be telling us of the merits and talents of these good people, I never ceased whispering to you that we had no occasion for new acquaintances; that the greater their merit and talents, the more dangerous their friendship to our tranquility, because the regret at parting would be greater.

Heart: Accordingly, Sir, this acquaintance was not the consequence of my doings. It was one of your projects, which threw us in the way of it. It was you, remember, and not I, who desired the meeting at Legrand and Motinos. I never trouble myself with domes nor arches. The Halle aux bleds might have rotted down, before I should have gone to see it. But you, forsooth, who are eternally getting us to sleep with your diagrams and crotchets, must go and examine this wonderful piece of architecture; and when you had seen it, oh! it was the most superb thing on earth! What you had seen there was worth all you had yet seen in Paris! I thought so too. But I meant it of the lady and gentleman to whom we had been presented; and not of a parcel of sticks and chips put together in pens. You then, Sir, and not I, have been the cause of the present distress.

What do you think the "head" and the "heart" actually represent?

Possible Answers:

Jefferson's own conflicted feelings

None of the other answers

The two principles of all human nature

They are characters in a larger play of organs

They are just dramatic devices, nothing else

Correct answer:

Jefferson's own conflicted feelings

Explanation:

As stated at the beginning of the selection, this is taken from a letter by Thomas Jefferson. Throughout the selection, the Head and the Heart are warring over their respective outlooks on life. In the last paragraph, there are numerous references to things in the "real world" (i.e. outside of the immediate context of this dialogue), and it is rather surprising. These affairs refer to things that happened in Jefferson's life. He wrote this letter because he was distraught over a woman, Maria Cosway, for whom he had an affectionate attachment. The Head and Heart represent the sides of his own psyche that are warring with each other as he tries to grapple with his doubts and emotions regarding his love for her.

Example Question #22 : Analyzing The Text In Literature Passages

Adapted from a letter of Thomas Jefferson popularly known as “A Dialogue Between the Head and Heart” (October 12th, 1786) in Volume II of Memoir, Correspondence, and Miscellanies, from the Papers of Thomas Jefferson (1830)

(Note: This selection is presented like a play having two characters, the “Head” and the “Heart”)

Head: Well, friend, you seem to be in a pretty trim.

Heart: I am indeed the most wretched of all earthly beings. Overwhelmed with grief, every fiber of my frame distended beyond its natural powers to bear, I would willingly meet whatever catastrophe should leave me no more to feel, or to fear.

Head: These are the eternal consequences of your warmth and precipitation. This is one of the scrapes into which you are ever leading us. You confess your follies, indeed, but still you hug and cherish them, and no reformation can be hoped, where there is no repentance.

Heart. Oh, my friend! This is no moment to upbraid my foibles. I am rent into fragments by the force of my grief! If you have any balm, pour it into my wounds; if none, do not harrow them by new torments. Spare me in this awful moment! At any other, I will attend with patience to your admonitions.

Head: On the contrary, I never found that the moment of triumph, with you, was the moment of attention to my admonitions. While suffering under your follies, you may perhaps be made sensible of them, but, the paroxysm over, you fancy it can never return. Harsh, therefore, as the medicine may be, it is my office to administer it. You will be pleased to remember, that when our friend Trumbull used to be telling us of the merits and talents of these good people, I never ceased whispering to you that we had no occasion for new acquaintances; that the greater their merit and talents, the more dangerous their friendship to our tranquility, because the regret at parting would be greater.

Heart: Accordingly, Sir, this acquaintance was not the consequence of my doings. It was one of your projects, which threw us in the way of it. It was you, remember, and not I, who desired the meeting at Legrand and Motinos. I never trouble myself with domes nor arches. The Halle aux bleds might have rotted down, before I should have gone to see it. But you, forsooth, who are eternally getting us to sleep with your diagrams and crotchets, must go and examine this wonderful piece of architecture; and when you had seen it, oh! it was the most superb thing on earth! What you had seen there was worth all you had yet seen in Paris! I thought so too. But I meant it of the lady and gentleman to whom we had been presented; and not of a parcel of sticks and chips put together in pens. You then, Sir, and not I, have been the cause of the present distress.

Which of the following seems to be most important to the “Head”?

Possible Answers:

Peace

Reading

Philosophy

Toil

Mathematics

Correct answer:

Peace

Explanation:

The head speaks disapprovingly of losing "tranquility." On the whole, it clearly does not like the storm and strife caused by the heart. To be "tranquil" is to be calm or peaceful. It seems, from this passage, that the head desires this above all. While it might like to study (a tranquil undertaking), its motivation—particularly as hinted in this passage—is tranquility and peace.

Example Question #21 : Analyzing The Text In Literature Passages

Adapted from “The Tell-Tale Heart” in The Pioneer by Edgar Allan Poe (1843)

True!—nervous—very, very dreadfully nervous I had been and am, but why will you say that I am mad? The disease had sharpened my senses—not destroyed—not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily—how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain, but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! He had the eye of a vulture—a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees—very gradually—I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded—with what caution—with what foresight—with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it—oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly—very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! Would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously—oh, so cautiously—cautiously (for the hinges creaked)—I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights—every night just at midnight—but I found the eye always closed; and so it was impossible to do the work, for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers—of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me, for he moved on the bed suddenly, as if startled. Now you may think that I drew back—but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out—“Who's there?"

When the narrator states “Passion there was none” in the second paragraph, he means __________.

Possible Answers:

he recognizes that he is incapable of feeling emotion of any kind

the old man was depressed

emotions did not contribute to his decision to kill the old man

the narrator was sent to kill the old man by the old man’s wife, who was dissatisfied with their marriage

he and the old man had had an argument that destroyed their friendship

Correct answer:

emotions did not contribute to his decision to kill the old man

Explanation:

In the second paragraph, the narrator details the reason why he killed the old man. For the first part of the paragraph, he lists reasons that were not his motivation, before finally declaring that he killed the old man because of his “vulture eye.” The line “Passion there was none” appears near the beginning of the paragraph in this context: 

“It is impossible to say how first the idea entered my brain, but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye!”

Based on the way in which the line is used, we can conclude that the narrator means that “emotions did not contribute to his decision to kill the old man.” None of the other answer choices are supported by the passage.

Example Question #23 : Main Idea, Details, Opinions, And Arguments In Literary Fiction Passages

Adapted from “The Tell-Tale Heart” in The Pioneer by Edgar Allan Poe (1843)

True!—nervous—very, very dreadfully nervous I had been and am, but why will you say that I am mad? The disease had sharpened my senses—not destroyed—not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily—how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain, but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! He had the eye of a vulture—a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees—very gradually—I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded—with what caution—with what foresight—with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it—oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly—very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! Would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously—oh, so cautiously—cautiously (for the hinges creaked)—I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights—every night just at midnight—but I found the eye always closed; and so it was impossible to do the work, for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers—of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me, for he moved on the bed suddenly, as if startled. Now you may think that I drew back—but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out—“Who's there?"

The old man is best described as __________.

Possible Answers:

spiteful

innocent

driven

devout

belligerent

Correct answer:

innocent

Explanation:

Throughout the passage, the old man is only described in his role as the victim of the murderous narrator. Nothing suggests he is “belligerent,” “driven,” “devout,” or “spiteful.” He is characterized as “innocent” in that he did nothing to provoke the narrator into killing him, and merely had the bad luck to have what the narrator perceived as an “evil eye,” which drove him to murder the old man.

Learning Tools by Varsity Tutors