All GRE Subject Test: Literature in English Resources
Example Questions
Example Question #11 : Literary Analysis Of Poetry
Of Man's first disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought death into the world, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing, heavenly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen seed,
In the beginning, how the Heavens and Earth
Rose out of Chaos: or if Sion hill
Delight thee more, and Siloa's brook that flow'd
Fast by the oracle of God: I thence
Invoke thy aid to my adventrous song,
That with no middle flight intends to soar
Above the Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
(John Milton, Paradise Lost, Book I.)
Which of the following terms best describes the style of verse in which the above excerpt was written?
Blank Verse
Free Verse
Sprung Rhythm
Sonnet
Terza rima
Blank Verse
Milton's Paradise Lost (the source of the above quotation) is entirely in blank verse: a form with a fixed meter (usually iambic pentameter) but without a prescribed rhyme structure.
This should not be confused with free verse, which has neither a regular meter nor a pattern of end-stopped rhymes.
Terza rima is a form written in three-line stanzas composed of three interlocking ending rhymes.
Sprung rhythm is a pattern of verse in which only stressed syllables are counted, but the number of stresses is consistent from line to line.
A sonnet is a poem of fourteen lines of consistent length and one of several conventional rhyming patterns.
Adapted from Paradise Lost: A Poem, in Twelve Books (London: J. & H. Richter, 1794): 1-2 by John Milton
Example Question #11 : Tone, Style, And Mood: Poetry
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
The tone of the poem can best be described as .
optimistic
nostalgic
irreverant
cavalier
lighthearted
nostalgic
The elegiac style of the poem, as it is literally about the passing of a growing season and the coming of winter, depicts nostalgia.
Example Question #2 : Literary Analysis Of American Poetry Before 1925
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
The speaker in the poem is very probably addressing .
a loved one
a stranger
an acquaintance
a fellow veteran
a legal adviser
a loved one
The speaker in the poem is very probably addressing a loved one as he picks "again" for him or her, in the last stanza, the last remaining aster flower.
Example Question #1 : Literary Analysis Of American Poetry
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
The following is an example of alliteration:
"sober birds" (line 6)
"Smooth-laid like thatch" (line 3)
"lingered brown" (line 10)
"sadder than any words" (line 8)
"withered weeds" (line 7)
"withered weeds" (line 7)
"Withered weeds" (line 7) is an example of alliteration. Alliteration is the repetition of the same sounds at the beginning of words.
Example Question #4 : Literary Analysis Of American Poetry Before 1925
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
The following connotes the imagery of warfare:
"Disturbed, I doubt not, by my thought," (line 11)
"Comes softly rattling down." (line 12)
"headless aftermath" (line 2)
"The whir of sober birds" (line 6)
"the last remaining aster flower" (line 15)
"headless aftermath" (line 2)
An aftermath is the consequence of a disaster, like a war. The imagery of "headless aftermath" implies a farmer who has, in some way, defeated the fields.
Example Question #5 : Literary Analysis Of American Poetry Before 1925
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
The phrase "sober birds" (line 6) implies that even the birds are .
delusional about the encroaching severe weather
playful to a fault
irresponsible about foraging
serious and sad about the changing season
not intoxicated on drink
serious and sad about the changing season
The "sober birds" (line 6) are serious and sad. The poet, Robert Frost, even calls their busy "whir" (line 6) "sadder than any words" (line 8). Their sobriety indicates a clarity of vision and purpose in the face of winter.
Example Question #6 : Literary Analysis Of American Poetry Before 1925
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
If the speaker feels that his life is nearing an end, what most strongly makes that argument?
The leaf that "Comes softly rattling down" (line 12)
The speaker's coming "to the garden ground" (line 5)
"the tangle of withered weeds" (line 7)
The speaker's going up "through the mowing field" (line 1)
"The whir of sober birds" (line 6)
The leaf that "Comes softly rattling down" (line 12)
The lingering brown leaf that "Comes softly rattling down" (line 12) from the bare standing tree connotes more than the other choices that the speaker might believe his life is nearing an end (i.e., it is falling like the last leaf of Autumn).
Example Question #1 : Content
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
What does the speaker believe caused the "leaf that lingered brown" (line 10) to come "softly rattling down" (line 12)?
The leaf's own wishes
The shivering tree
The wind
His thoughts
A squirrel
His thoughts
In line 11, the speaker expresses the belief that it fell as a result of his thoughts: "Disturbed, I doubt not, by my thought."
Example Question #7 : Literary Analysis Of American Poetry Before 1925
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
Which of the following is a simile?
"Smooth-laid like thatch" (line 3)
"sadder than any words" (line 8)
"the wall stands bare," (line 9)
"The headless aftermath," (line 2)
"the tangle of withered weeds" (line 7)
"Smooth-laid like thatch" (line 3)
"Smooth-laid like thatch" (line 3) is the simile; a simile is a figure pf speech in which two seemingly unlike things are compared using "like" or "as." Usually the words indicate two things that have some similar quality, however, although this may not be immediately evident. In this instance, the "mowing field" (line 1) is like "thatch" (line 3).
Example Question #8 : Literary Analysis Of American Poetry Before 1925
A Late Walk
1 When I go up through the mowing field,
2 The headless aftermath,
3 Smooth-laid like thatch with the heavy dew,
4 Half closes the garden path.
5 And when I come to the garden ground,
6 The whir of sober birds
7 Up from the tangle of withered weeds
8 Is sadder than any words
9 A tree beside the wall stands bare,
10 But a leaf that lingered brown,
11 Disturbed, I doubt not, by my thought,
12 Comes softly rattling down.
13 I end not far from my going forth
14 By picking the faded blue
15 Of the last remaining aster flower
16 To carry again to you.
In line 14, the adjective "faded" contributes to what?
The abundance of nature imagery in the poem
The speaker's symbolic rebirth
The elegiac style of the poem
The lightheartedness of the poem
The pastoral character of the poem
The elegiac style of the poem
The "faded blue" of line 14 contributes to the poems overall elegiac style (that is, its mournful design). For the speaker, even the blue of the aster flower has been dulled.