AP English Literature : AP English Literature and Composition

Study concepts, example questions & explanations for AP English Literature

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Example Questions

Example Question #34 : Extrapolating From The Passage

Adapted from "Old Man Traveling" by William Wordsworth in Lyrical Ballads by William Wordsworth and Samuel Taylor Coleridge (1798 ed.)

          The little hedge-row birds,
That peck along the road, regard him not.
He travels on, and in his face, his step,
His gait, is one expression; every limb,
His look and bending figure, all bespeak
A man who does not move with pain, but moves
With thought—He is insensibly subdued
To settled quiet: he is one by whom
All effort seems forgotten, one to whom
Long patience has such mild composure given,
That patience now doth seem a thing, of which
He hath no need. He is by nature led
To peace so perfect, that the young behold
With envy, what the old man hardly feels.
—I asked him whither he was bound, and what
The object of his journey; he replied
"Sir! I am going many miles to take
"A last leave of my son, a mariner,
"Who from a sea-fight has been brought to Falmouth,
And there is dying in an hospital."

Which of the following sentences best captures the theme of the passage?

Possible Answers:

We must find solace in walking when we are most sad

We can be tranquil in nature regardless of external worries

Life is a journey to visit the sick and ailing

We should respect our elders

We can attain enlightenment at any age

Correct answer:

We can be tranquil in nature regardless of external worries

Explanation:

The poem deals with tranquility in nature regardless of decay; indeed, the full title of the poem is "Old Man Traveling; Animal Tranquility and Decay; A Sketch." The man is traveling through nature, which is tranquil despite the fact that around it people live their lives and die in violent circumstances like battles. We can therefore say that the them the poet wants to convey overall is tranquility regardless of external worries. There is some suggestion that the man has gained a sort of peace or enlightenment due to his years, but the poet does not suggest one can only achieve this state through age. We could argue that “we must find solace in walking when we are most sad,” but this doesn't exactly fit the message that is being conveyed as there is no imperative given to walk by the poet. The other possible answers are both similarly trite and fail to grasp the theme as they focus on small parts of the poem rather than its entirety.

Example Question #31 : Summarizing Or Describing The Passage

Passage adapted from Edna St. Vincent Millay's "Spring" (1921).

To what purpose, April, do you return again?

Beauty is not enough.

You can no longer quiet me with the redness 

Of leaves opening stickily.

I know what I know.  5

The sun is hot on my neck as I observe

The spikes of the crocus.

The smell of the earth is good.

It is apparent that there is no death.

But what does that signify?  10

Not only under the ground are the brains of men

Eaten by maggots.

Life in itself

Is nothing,

An empty cup, a flight of uncarpeted stairs.  15

It is not enough that yearly, down this hill, 

April

Comes like an idiot, babbling and strewing flowers.

A prominent theme in the poem is that __________.

Possible Answers:

immortality is found through union with nature

the rebirth of nature during springtime proves that life ultimately overcomes death

life is short, and so it is important to live fully and seize the day

beauty and the apparent rebirth of nature in springtime do not make up for the ultimate reality of death

the reality of death makes life itself that much more meaningful and precious in comparison

Correct answer:

beauty and the apparent rebirth of nature in springtime do not make up for the ultimate reality of death

Explanation:

The central message of the poem is that the sense of new life that is associated with springtime is ultimately an illusion, and that death is certain. As the poem states, the coming of springtime "is not enough" to compensate for impending death.

The message of the poem is not that one should "seize the day" or that life is meaningful and precious, because life is ultimately considered to be nothing (see 13-15), regardless of how it is lived. It cannot be said that the rebirth of spring proves that life overcomes death, because the writer gives concrete evidence of the finality of death in lines 11-12. For the same reason, there is little support for the idea of immortality in the poem.

Example Question #751 : Act Reading

Passage adapted from Arthur Conan Doyle's "A Scandal in Bohemia" (1891)

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men’s motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.

I had seen little of Holmes lately. My marriage had drifted us away from each other. My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were sufficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature. He was still, as ever, deeply attracted by the study of crime, and occupied his immense faculties and extraordinary powers of observation in following out those clues, and clearing up those mysteries which had been abandoned as hopeless by the official police. From time to time I heard some vague account of his doings: of his summons to Odessa in the case of the Trepoff murder, of his clearing up of the singular tragedy of the Atkinson brothers at Trincomalee, and finally of the mission which he had accomplished so delicately and successfully for the reigning family of Holland. Beyond these signs of his activity, however, which I merely shared with all the readers of the daily press, I knew little of my former friend and companion.

One night—it was on the twentieth of March, 1888—I was returning from a journey to a patient (for I had now returned to civil practice), when my way led me through Baker Street. As I passed the well-remembered door, which must always be associated in my mind with my wooing, and with the dark incidents of the Study in Scarlet, I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problem. I rang the bell and was shown up to the chamber which had formerly been in part my own.

His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene in the corner. Then he stood before the fire and looked me over in his singular introspective fashion.

“Wedlock suits you,” he remarked. “I think, Watson, that you have put on seven and a half pounds since I saw you.”

“Seven!” I answered.

“Indeed, I should have thought a little more. Just a trifle more, I fancy, Watson. And in practice again, I observe. You did not tell me that you intended to go into harness.”

“Then, how do you know?”

“I see it, I deduce it. How do I know that you have been getting yourself very wet lately, and that you have a most clumsy and careless servant girl?”

“My dear Holmes,” said I, “this is too much. You would certainly have been burned, had you lived a few centuries ago. It is true that I had a country walk on Thursday and came home in a dreadful mess, but as I have changed my clothes I can’t imagine how you deduce it. As to Mary Jane, she is incorrigible, and my wife has given her notice, but there, again, I fail to see how you work it out.”

Which sentence best describes the point of this passage?

Possible Answers:

This passage establishes an aura of mystery, which inspires the reader to keep going. 

This passage introduces the case that Sherlock and the narrator will work together to solve. 

This passage introduces the conflict between Sherlock and the narrator, which will be the theme of the rest of the novel. 

This passage lays out a strong case against Holmes brand of logical reasoning.

This passage introduces readers to Sherlock Holmes, the narrator, and their history together. 

Correct answer:

This passage introduces readers to Sherlock Holmes, the narrator, and their history together. 

Explanation:

The passage alternates between describing Sherlock and describing the narrator's relationship to Sherlock. In the process, we learn about the narrator himself. So, the correct answer is: "This passage introduces readers to Sherlock Holmes, the narrator, and their history together." The other answers make logical leaps, or discuss events not present (or guessable) from the passage provided.

Example Question #34 : Interpreting The Passage

Passage adapted from The Good Soldier by Ford Madox Ford (1915)

This is the saddest story I have ever heard. We had known the Ashburnhams for nine seasons of the town of Nauheim with an extreme intimacy--or, rather with an acquaintanceship as loose and easy and yet as close as a good glove's with your hand. My wife and I knew Captain and Mrs. Ashburnham as well as it was possible to know anybody, and yet, in another sense, we knew nothing at all about them. This is, I believe, a state of things only possible with English people of whom, till today, when I sit down to puzzle out what I know of this sad affair, I knew nothing whatever. Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows.

I don't mean to say that we were not acquainted with many English people. Living, as we perforce lived, in Europe, and being, as we perforce were, leisured Americans, which is as much as to say that we were un-American, we were thrown very much into the society of the nicer English. Paris, you see, was our home. Somewhere between Nice and Bordighera provided yearly winter quarters for us, and Nauheim always received us from July to September. You will gather from this statement that one of us had, as the saying is, a "heart," and, from the statement that my wife is dead, that she was the sufferer.

…You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to desire to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads.

Someone has said that the death of a mouse from cancer is the whole sack of Rome by the Goths, and I swear to you that the breaking up of our little four-square coterie was such another unthinkable event. 

What is the best summary of the passage?

Possible Answers:

The narrator and his wife traveled frequently, giving them a good grasp on the characteristics of people from different countries

The narrator and his wife witness the destruction of a city on their first trip to England

The narrator and his wife suffered from the unkindness of the Ashburnhams, which brought about her death

The narrator and his wife had a close friendship with the Ashburnhams, but death and other factors tore the friend group apart

The narrator's first trip to England brought close friendship with the Ashburnhams and a broadened understanding of the world

Correct answer:

The narrator and his wife had a close friendship with the Ashburnhams, but death and other factors tore the friend group apart

Explanation:

This question asks you to select an appropriate summary of the passage. In the first paragraph, the author introduces the lengthy, close friendship with the Ashburnhams. In the second paragraph, he reveals that his wife has died, and alludes to factors that may have hindered his ability to truly understand his friends. In the third and fourth paragraphs, he uses strong metaphors to express his sadness and shock at the breaking apart of the friend group. Therefore, the statement "The narrator and his wife had a close friendship with the Ashburnhams, but death and other factors tore the friend group apart" is an accurate summary of this passage.

Example Question #41 : Interpreting The Passage

Passage adapted from The Good Soldier by Ford Madox Ford (1915)

This is the saddest story I have ever heard. We had known the Ashburnhams for nine seasons of the town of Nauheim with an extreme intimacy--or, rather with an acquaintanceship as loose and easy and yet as close as a good glove's with your hand. My wife and I knew Captain and Mrs. Ashburnham as well as it was possible to know anybody, and yet, in another sense, we knew nothing at all about them. This is, I believe, a state of things only possible with English people of whom, till today, when I sit down to puzzle out what I know of this sad affair, I knew nothing whatever. Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows.

I don't mean to say that we were not acquainted with many English people. Living, as we perforce lived, in Europe, and being, as we perforce were, leisured Americans, which is as much as to say that we were un-American, we were thrown very much into the society of the nicer English. Paris, you see, was our home. Somewhere between Nice and Bordighera provided yearly winter quarters for us, and Nauheim always received us from July to September. You will gather from this statement that one of us had, as the saying is, a"heart," and, from the statement that my wife is dead, that she was the sufferer.

…You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to desire to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads.

Someone has said that the death of a mouse from cancer is the whole sack of Rome by the Goths, and I swear to you that the breaking up of our little four-square coterie was such another unthinkable event.

What is the best description of the overall tone of the passage?

Possible Answers:

Reflective

Anguished

Logical

Restrained

Academic

Correct answer:

Anguished

Explanation:

This question asks you to identify the best description of the passage's overall tone. This passage makes heavy use of vivid imagery, poetic license, and metaphors, so it is inaccurate to describe it as "logical" or "academic." The over-the-top nature of the metaphors (comparing the end of a friendship to the destruction of a whole civilization, for instance) makes it incorrect to say that the passage is "restrained." The narrator is not merely "reflective;" he narrates the passage with great sadness and distress. Therefore, the best description for the passage's tone is "anguished."

Example Question #1 : Summarizing, Paraphrasing, And Describing Poetry

Adapted from Life and Remains of John Clare "The Northamptonshire Peasant Poet" by John Clare (1872, ed. J. L. Cherry)

I am! Yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss'd

Into the nothingness of scorn and noise.
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that's dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.

I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.

The transition between the first two stanzas and the final stanza can best be described as __________.

Possible Answers:

confinement to longing

captivity to freedom

depression to joy

hope to despair

depravity to solace

Correct answer:

confinement to longing

Explanation:

We cannot say that the narrator goes from depression to joy, as the first two stanzas talk of his or her woe and the final stanza only talks of his wishes of a place where he or she could be free from his or her woe. We can say the first two stanzas are "confinement" or "captivity" in that the narrator is captive with the torment of solitude and woes. The final stanza is then a longing or wishing for something beyond the confinement the narrator is facing. “Hope to despair” is incorrect as it is in the wrong order, and “captivity to freedom” is incorrect as the freedom is never actually reached, just desired.

Example Question #191 : Ap English Language

Adapted from Reflections on the Revolution in France by Edmund Burke (1790)

In the famous statute called the Declaration of Right, the two houses utter not a syllable of “a right to frame a government for themselves.” You will see that their whole care was to secure the religion, laws, and liberties that had been long possessed and had been lately endangered. They state “in the first place” to do “as their ancestors in like cases have usually done for vindicating their ancient rights and liberties, to declare;”—and then they pray the king and queen, “that it may be declared and enacted, that all and singular the rights and liberties asserted and declared are the true ancient and indubitable rights and liberties of the people of this kingdom.”

You will observe that from the Magna Carta to the Declaration of Right, it has been the uniform policy of our constitution to claim and assert our liberties as an entailed inheritance derived to us from our forefathers and to be transmitted to our posterity; as an estate specially belonging to the people of this kingdom, without any reference whatever to any other more general or prior right. By this means, our constitution preserves a unity in so great a diversity of its parts. We have an inheritable crown; an inheritable peerage; and a House of Commons and a people inheriting privileges, franchises, and liberties from a long line of ancestors.

This policy appears to me to be the result of profound reflection, or rather the happy effect of following nature, which is wisdom without reflection and above it. A spirit of innovation is generally the result of a selfish temper and confined views. People will not look forward to posterity who never look backward to their ancestors. Besides, the people of England well know, that the idea of inheritance furnishes a sure principle of conservation, and a sure principle of transmission; without at all excluding a principle of improvement. It leaves acquisition free; but it secures what it acquires. Whatever advantages are obtained by a state proceeding on these maxims are locked fast as in a sort of family settlement, grasped as in a kind of mortmain forever. By a constitutional policy working after the pattern of nature, we receive, we hold, we transmit our government and our privileges in the same manner in which we enjoy and transmit our property and our lives. The institutions of policy, the goods of fortune, the gifts of providence, are handed down to us and from us in the same course and order. Our political system is placed in a just correspondence and symmetry with the mode of existence decreed to a permanent body composed of transitory parts; wherein the whole, at one time, is never old, or middle-aged, or young, but, in a condition of unchangeable constancy, moves on through the varied tenor of perpetual decay, fall, renovation, and progression. Thus, by preserving the method of nature in the conduct of the state, in what we improve, we are never wholly new; in what we retain, we are never wholly obsolete. By adhering in this manner and on those principles to our forefathers, we are guided not by the superstition of antiquarians, but by the spirit of philosophic analogy. In this choice of inheritance, we have given to our frame of polity the image of a relation in blood; binding up the constitution of our country with our dearest domestic ties; adopting our fundamental laws into the bosom of our family affections; keeping inseparable, and cherishing with the warmth of all their combined and mutually reflected charities, our state, our hearths, our sepulchers, and our altars.

Through the same plan of a conformity to nature in our artificial institutions and by calling in the aid of her unerring and powerful instincts to fortify the fallible and feeble contrivances of our reason, we have derived several other, and those no small benefits, from considering our liberties in the light of an inheritance. Always acting as if in the presence of canonized forefathers, the spirit of freedom, leading in itself to misrule and excess, is tempered with an awful gravity. This idea of a liberal descent inspires us with a sense of habitual, native dignity. By this means our liberty becomes a noble freedom. It carries an imposing and majestic aspect. It has a pedigree and illustrating ancestors. It has its bearings and its ensigns armorial. It has its gallery of portraits; its monumental inscriptions; its records, evidences, and titles. All your sophisters cannot produce anything better adapted to preserve a rational freedom than the course that we have pursued, who have chosen our nature rather than our speculations, our breasts rather than our inventions, for the great conservatories and magazines of our rights and privileges.

Which of the following BEST describes the author's rhetorical strategy in the passage?

Possible Answers:

The author begins by providing a positive example of rights legislation in England, then attempts to ironize his intellectual opponents by imitating the the objections to this example that would naturally be generated by their way of thinking.

The author begins by providing an example of regressive social legislation, then attempts to situate that example as part of an abstract system of ill-considered social progressivism.

The author begins by asserting the existence of an abstract system of traditional inheritance, then attempts to justify his claims with an example drawn from English history.

The author begins by providing an example of rights legislation in England then attempts to situate that example as part of an abstract system of traditional inheritance.

The author begins by providing an example of rights legislation in England then attempts to situate that example as part of an abstract system of a progressive social movement.

Correct answer:

The author begins by providing an example of rights legislation in England then attempts to situate that example as part of an abstract system of traditional inheritance.

Explanation:

The author's rhetorical strategy in this passage is to begin with an example of rights legislation in England (The Declaration of Right), and then to situate that example as part of an abstract system of tradition, namely entailed inheritance. Thus, the author situates any progress made in England in terms of personal liberty as part of an inherited tradition, a tradition that need be "conserved." 

The example of the Magna Carta is NOT intended to be cast in a negative light as regressive; rather, it is called upon as an example of the kind of social reform "progressive" intellectual opponents of Burke have been demanding around the time of the French Revolution.

The author's abstract claims and justifications are sincere; they are not intended to ironize or imitate intellectual opponents.

Example Question #722 : Passage Based Questions

Adapted from "A Scandal in Bohemia" in Adventures of Sherlock Holmes by Sir Arthur Conan Doyle (1892 ed.)

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise, but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men’s motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.

I had seen little of Holmes lately. My marriage had drifted us away from each other. My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were sufficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between drugs and ambition, the drowsiness of drugs, and the fierce energy of his own keen nature. He was still, as ever, deeply attracted by the study of crime, and occupied his immense faculties and extraordinary powers of observation in following out those clues, and clearing up those mysteries which had been abandoned as hopeless by the official police. From time to time I heard some vague account of his doings: of his summons to Odessa in the case of the Trepoff murder, of his clearing up of the singular tragedy of the Atkinson brothers at Trincomalee, and finally of the mission which he had accomplished so delicately and successfully for the reigning family of Holland. Beyond these signs of his activity, however, which I merely shared with all the readers of the daily press, I knew little of my former friend and companion.

One night—it was on the twentieth of March, 1888—I was returning from a journey to a patient (for I had now returned to civil practice), when my way led me through Baker Street. As I passed the well-remembered door, which must always be associated in my mind with my wooing, and with the dark incidents of the mystery that was solved there, I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problem. I rang the bell and was shown up to the chamber which had formerly been in part my own.

His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars. Then he stood before the fire and looked me over in his singular introspective fashion.

Which of the following accurately describes the passage?

Possible Answers:

Written in first person from the perspective of Sherlock Holmes

Written in second person

Written in first person from the perspective of Irene Adler

Written in first person

Written in third person omniscient

Correct answer:

Written in first person

Explanation:

The use of "I" throughout the passage clearly indicates that it is written in first person perspective. We can tell that the speaker is not Sherlock Holmes because the "I" is describing Holmes using the third person pronoun "he," and Irene Adler is mentioned as "she," so we can draw similar conclusions about the narrator not being her. So, "Written in first person" is the best answer choice.

Example Question #231 : Language In Literature Passages

Adapted from "A Scandal in Bohemia" in Adventures of Sherlock Holmes by Sir Arthur Conan Doyle (1892 ed.)

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise, but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men’s motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.

I had seen little of Holmes lately. My marriage had drifted us away from each other. My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were sufficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between drugs and ambition, the drowsiness of drugs, and the fierce energy of his own keen nature. He was still, as ever, deeply attracted by the study of crime, and occupied his immense faculties and extraordinary powers of observation in following out those clues, and clearing up those mysteries which had been abandoned as hopeless by the official police. From time to time I heard some vague account of his doings: of his summons to Odessa in the case of the Trepoff murder, of his clearing up of the singular tragedy of the Atkinson brothers at Trincomalee, and finally of the mission which he had accomplished so delicately and successfully for the reigning family of Holland. Beyond these signs of his activity, however, which I merely shared with all the readers of the daily press, I knew little of my former friend and companion.

One night—it was on the twentieth of March, 1888—I was returning from a journey to a patient (for I had now returned to civil practice), when my way led me through Baker Street. As I passed the well-remembered door, which must always be associated in my mind with my wooing, and with the dark incidents of the mystery that was solved there, I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problem. I rang the bell and was shown up to the chamber which had formerly been in part my own.

His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars. Then he stood before the fire and looked me over in his singular introspective fashion.

The narrator's personality can best be described as __________

Possible Answers:

severe

rude

haughty

curious

mischievous

Correct answer:

curious

Explanation:

The narrator seems curious and interested in Sherlock's goings-on; the fact that the narrator stops in to see Sherlock after passing his residence and realizing he is home attests to both of these characterizations. 

Example Question #41 : Interpreting The Passage

1 Suddenly I saw the cold and rook-delighting Heaven

2 That seemed as though ice burned and was but the more ice,

3 And thereupon imagination and heart were driven

4 So wild that every casual thought of that and this

5 Vanished, and left but memories, that should be out of season

6 With the hot blood of youth, of love crossed long ago;

7 And I took all the blame out of all sense and reason,

8 Until I cried and trembled and rocked to and fro,

9 Riddled with light. Ah! when the ghost begins to quicken,

10 Confusion of the death-bed over, is it sent

11 Out naked on the roads, as the books say, and stricken

12 By the injustice of the skies for punishment?

(1916)

The speaker's tone could be described as one of ______________________.

Possible Answers:

bitterness and cowardice

awe and fear

disgust and amazement

penitence and regret

admiration and joy

Correct answer:

awe and fear

Explanation:

Awe and fear are two adequate descriptors for this poem's tone. Awe is a state of amazement or wonder at something beautiful, vast, or in some way beyond one's own comprehension. Towards the end of the poem, especially when the speaker is wondering if the afterlife will be as harsh and cold as the sky looks, the poem also takes on a definitive tone of fear.

There is little in the poem that creates a tone of disgust, joy, bitterness and cowardice, or regret.

Passage adapted from William Butler Yeats' "The Cold Heaven" (1916)

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