SAT II Literature : Support and Evidence
Study concepts, example questions & explanations for SAT II Literature
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Example Questions
Example Question #9 : Support And Evidence: Drama
MERCUTIO:
O, then, I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies (5)
Athwart men's noses as they lie asleep…
And in this state she gallops night by night
Through lover's brains, and then they dream of love;
O'er courtiers' knees, that dream on court'sies straight;
O'er lawyers' fingers, who straight dream on fees… (10)
Sometime she gallops o'er a courtier's nose,
And then dreams he of smelling out a suit…
(1597)
According to the passage, what is Queen Mab’s main activity?
Influencing political and economic policies through dreams
Bringing nightmares to unpleasant professionals
Bringing pleasant dreams to sleeping people
Interrupting the dreams of sleeping lovers
Inspiring sleeping professionals to greater ambitions
Bringing pleasant dreams to sleeping people
Based on lines 6-12, we see that Queen Mab’s dreams are specialized according to the dreamer. Each person mentioned dreams of something relevant to and pleasing for him/her. These dreams aren’t interrupted or nightmarish for the sleepers; instead, they’re pleasant.
Passage adapted from William Shakespeare’s Tragedy of Romeo and Juliet (1597)
Example Question #3 : Claims And Argument
Adapted from Richard III by William Shakespeare, I.i.1-42
Now is the winter of our discontent
Made glorious summer by this sun of York;
And all the clouds that lour'd upon our house
In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths;
Our bruised arms hung up for monuments;
Our stern alarums changed to merry meetings,
Our dreadful marches to delightful measures.
Grim-visaged war hath smooth'd his wrinkled front;
And now, instead of mounting barded steeds
To fright the souls of fearful adversaries,
He capers nimbly in a lady's chamber
To the lascivious pleasing of a lute.
But I, that am not shaped for sportive tricks,
Nor made to court an amorous looking-glass;
I, that am rudely stamp'd, and want love's majesty
To strut before a wanton ambling nymph;
I, that am curtail'd of this fair proportion,
Cheated of feature by dissembling nature,
Deformed, unfinish'd, sent before my time
Into this breathing world, scarce half made up,
And that so lamely and unfashionable
That dogs bark at me as I halt by them;
Why, I, in this weak piping time of peace,
Have no delight to pass away the time,
Unless to spy my shadow in the sun
And descant on mine own deformity:
And therefore, since I cannot prove a lover,
To entertain these fair well-spoken days,
I am determined to prove a villain
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the king
In deadly hate the one against the other:
And if King Edward be as true and just
As I am subtle, false and treacherous,
This day should Clarence closely be mew'd up,
About a prophecy, which says that 'G'
Of Edward's heirs the murderer shall be.
Dive, thoughts, down to my soul: here
Clarence comes.
Which of the following, according to the speaker, is part of the reason why dogs bark at him?
He doesn’t have proper hygiene.
He has numerous large scars from battle.
He often goes hunting and smells of fresh meat.
He hates animals.
He was born prematurely.
He was born prematurely.
Regarding why the dogs bark at him, the speaker says,
“I, that am curtail'd of this fair proportion,
Cheated of feature by dissembling nature,
Deformed, unfinish'd, sent before my time
Into this breathing world, scarce half made up,
And that so lamely and unfashionable
That dogs bark at me as I halt by them . . .”
From this part of the passage, we can tell that the dogs bark at the speaker because of his appearance, making part of the reason why dogs bark at him “He was born prematurely,” as the speaker identifies this of the cause of his “deformed” appearance.
Example Question #11 : Support And Evidence: Drama
HAMLET: … What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appal the free,(5)
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears. Yet I,
A dull and muddy-mettled rascal, peak,
Like John-a-dreams, unpregnant of my cause,
And can say nothing. No, not for a king, (10)
Upon whose property and most dear life
A damned defeat was made. Am I a coward?
Who calls me villain?
In this passage, to whom is Hamlet comparing himself?
Has a more active response to being wronged than Hamlet
Has more of a claim to vengeance than Hamlet
Has been accused by Hamlet of being a villain
Has accused Hamlet of being a coward
Has implored Hamlet to say nothing about the “damned defeat” (line 12)
Has a more active response to being wronged than Hamlet
In this passage, Hamlet describes his own passive response to being wronged: “unpregnant of my cause, / [I] can say nothing” (lines 9-10). He contrasts this response with a more dramatic response: “He would drown the stage with tears / And cleave the general ear with horrid speech, / Make mad the guilty and appal the free” (lines 3-5).
Passage adapted from William Shakespeare’s The Tragedy of Hamlet Prince of Denmark. (1603)
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