In the desert

I saw a creature, naked, bestial,

Who, squatting upon the ground,

Held his heart in his hands,

And ate of it.

I said, “Is it good, friend?”

“It is bitter – bitter,” he answered;

“But I like it

Because it is bitter,

And because it is my heart.”

The form of the poem is that of __________.

In the desert

I saw a creature, naked, bestial,

Who, squatting upon the ground,

Held his heart in his hands,

And ate of it.

I said, “Is it good, friend?”

“It is bitter – bitter,” he answered;

“But I like it

Because it is bitter,

And because it is my heart.”

Which of the following meters is used in this poem?

I celebrate myself,

And what I assume you shall assume,

For every atom belonging to me as good belongs to you.

I loafe and invite my soul,

I lean and loafe at my ease, observing a spear of summer grass.

Houses and rooms are full of perfumes— the shelves are crowded with perfumes,

I breathe the fragrance myself, and know it and like it,

The distillation would intoxicate me also, but I shall not let it.

This passage contains all of the following elements, except __________. 

Thou ill-form’d offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, expos’d to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I wash’d thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run’st more hobling then is meet;
In better dress to trim thee was my mind,
But nought save home-spun cloth, i’ th’ house I find.
In this array ’mongst vulgars mayst thou roam.
In critics' hands, beware thou dost not come;
And take thy way where yet thou art not known,
If for thy father askt, say, thou hadst none:
And for thy mother, she alas is poor,
Which caus’d her thus to send thee out of door.

All of the following emotions can be attributed to the speaker EXCEPT __________.

Thou ill-form’d offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, expos’d to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I wash’d thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run’st more hobling then is meet;
In better dress to trim thee was my mind,
But nought save home-spun cloth, i’ th’ house I find.
In this array ’mongst vulgars mayst thou roam.
In critics' hands, beware thou dost not come;
And take thy way where yet thou art not known,
If for thy father askt, say, thou hadst none:
And for thy mother, she alas is poor,
Which caus’d her thus to send thee out of door.

The poetic form that Bradstreet uses in this poem is __________.

Thou ill-form’d offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, expos’d to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I wash’d thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run’st more hobling then is meet;
In better dress to trim thee was my mind,
But nought save home-spun cloth, i’ th’ house I find.
In this array ’mongst vulgars mayst thou roam.
In critics' hands, beware thou dost not come;
And take thy way where yet thou art not known,
If for thy father askt, say, thou hadst none:
And for thy mother, she alas is poor,
Which caus’d her thus to send thee out of door.

The underlined lines "I stretched thy joints to make thee even feet, / Yet still thou run'st more hobbling than is meet" most likely refers to what?

This poet is known as America's most prolific poet. From Massachusetts, he or she wrote more than 1800 poems about art, gardens, joy, love, death, and grief.

This poet, recognized as a New World Poet, was a Puritan who wrote about his or her struggles, the role of women, and mortality. In "Microcosmographia" (1615), this author writes:

What gripes of wind my infancy did pain,

What tortures I in breeding teeth sustain?

What crudityes my stomach cold has bred,

Whence vomits, flux, and worms have issued?

A)

It is the thirty-first of March,
A gusty evening—half-past seven;
The moon is shining o’er the larch,
A simple shape—a cock’d-up arch,
Rising bigger than a star,
Though the stars are thick in Heaven.

Gentle moon! how canst thou shine
Over graves and over trees,
With as innocent a look
As my own grey eyeball sees,
When I gaze upon a brook?

B)

O intellectual ingurtilations of creeds!
To such I am antiseptic.
I met a man.
Where?
In a gutter.  We were at once friends.
O homogeneities of contemporaneous antiloxodromachy!

C)

When hope, love, life itself, are only
Dust - spectral memories - dead and cold -
The unfed fire burns bright and lonely,
Like that undying lamp of old:
And by that drear illumination,
Till time its clay-built home has rent,
Thought broods on feeling's desolation -
The soul is its own monument.

D)

Once upon a midnight chilling, as I held my feet unwilling
O'er a tub of scalding water, at a heat of ninety-four;
Nervously a toe in dipping, dripping, slipping, then out-skipping
Suddenly there came a ripping whipping, at my chamber's door.
"'Tis the second-floor," I muttered, "flipping at my chamber's door—
Wants a light—and nothing more!"

Which is a parody written in the style of Walt Whitman?

What literary technique is used in D to parodic effect?