GED Language Arts (RLA) : Language in the Passage

Study concepts, example questions & explanations for GED Language Arts (RLA)

varsity tutors app store varsity tutors android store

Example Questions

Example Question #156 : Passage Meaning And Inference

1 Call me Ishmael. 2 Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. 3 It is a way I have of driving off the spleen and regulating the circulation. 4 Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. 5 This is my substitute for pistol and ball. 6 With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. 7 There is nothing surprising in this. 8 If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

9 There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. 10 Right and left, the streets take you waterward. 11 Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. 12 Look at the crowds of water-gazers there.

Sentence 12 is an example of what literary technique?

Possible Answers:

Stream of consciousness

Pleonasm

Pathetic fallacy

Telegraphic sentence

Imperative voice

Correct answer:

Imperative voice

Explanation:

Like in Sentence 1, Sentence 12 commands the reader to undertake an action. In this case, the action is simply to look at the crowds of people, but that doesn’t change the fact that a sentence containing a command is an example of imperative voice. None of these other techniques or devices appear in Sentence 12.

Passage adapted from Herman Melville’s Moby-Dick; or, the Whale (1851)

Example Question #157 : Passage Meaning And Inference

1 I am a rather elderly man. 2 The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom as yet nothing that I know of has ever been written:—I mean the law-copyists or scriveners. 3 I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. 

4 … I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. 5 Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. 6 I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but in the cool tranquility of a snug retreat, do a snug business among rich men's bonds and mortgages and title-deeds. 7 All who know me, consider me an eminently safe man. 8 The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. 9 I do not speak it in vanity, but simply record the fact, that I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat, for it hath a rounded and orbicular sound to it, and rings like unto bullion. 10 I will freely add, that I was not insensible to the late John Jacob Astor's good opinion.

11 Some time prior to the period at which this little history begins, my avocations had been largely increased. 12 The good old office, now extinct in the State of New York, of a Master in Chancery, had been conferred upon me. It was not a very arduous office, but very pleasantly remunerative.

What is the tone of the second paragraph in this passage?

Possible Answers:

Cautiously hopeful

Scathingly critical

Naively optimistic

Subtly humorous

Deeply dejected

Correct answer:

Subtly humorous

Explanation:

The speaker goes out of his way to stress his unexceptionality: his lack of ambition and his eminent safeness. He then describes an important man’s praise of this quality in detail. The combined effect is one of slight, not overt, humor.

Passage adapted from Herman Melville’s “Bartleby the Scrivener” (1853)

Example Question #333 : Ged Language Arts (Rla)

1 I am a rather elderly man. 2 The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom as yet nothing that I know of has ever been written:—I mean the law-copyists or scriveners. 3 I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. 

4 … I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. 5 Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. 6 I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but in the cool tranquility of a snug retreat, do a snug business among rich men's bonds and mortgages and title-deeds. 7 All who know me, consider me an eminently safe man. 8 The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. 9 I do not speak it in vanity, but simply record the fact, that I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat, for it hath a rounded and orbicular sound to it, and rings like unto bullion. 10 I will freely add, that I was not insensible to the late John Jacob Astor's good opinion.

11 Some time prior to the period at which this little history begins, my avocations had been largely increased. 12 The good old office, now extinct in the State of New York, of a Master in Chancery, had been conferred upon me. It was not a very arduous office, but very pleasantly remunerative.

In Sentence 9, of what literary device is “not unemployed” an example?

Possible Answers:

Rhetoric

Litotes

Pathos

Caricature

Hyperbole

Correct answer:

Litotes

Explanation:

"Litotes" is the use of deliberate understatement to create an (often humorous) effect, and it’s the device we see here. "Hyperbole" is the use of deliberate exaggeration, and "pathos" is an author’s appeal to their reader’s emotions. A "caricature" is a cartoonish portrait or description of someone.

Passage adapted from Herman Melville’s “Bartleby the Scrivener” (1853)

Example Question #332 : Ged Language Arts (Rla)

1 I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with.  2 This is certainly a beautiful country!  3 In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society.  4 A perfect misanthropist’s heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us.  5 A capital fellow!  6 He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

… 7 [he] sullenly preceded me up the causeway, calling, as we entered the court,—‘Joseph, take Mr. Lockwood’s horse; and bring up some wine.’

 … 8 Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy.  9 ‘The Lord help us!’ he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner.

What literary device can be seen in Sentence 1?

Possible Answers:

Simile

Metaphor

Aaposiopesis

Paradox

Polysyndeton

Correct answer:

Aaposiopesis

Explanation:

In Sentence 1, the speaker breaks off suddenly with an em-dash. This is a classic example of aposiopesis. Metaphor and simile are both comparisons, paradox is a contradictory statement, and polysyndeton is the excessive use of conjunctions.

Passage adapted from Emily Brontë’s Wuthering Heights (1847)

Example Question #333 : Ged Language Arts (Rla)

1 I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with.  2 This is certainly a beautiful country!  3 In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society.  4 A perfect misanthropist’s heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us.  5 A capital fellow!  6 He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

… 7 [he] sullenly preceded me up the causeway, calling, as we entered the court,—‘Joseph, take Mr. Lockwood’s horse; and bring up some wine.’

 … 8 Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy.  9 ‘The Lord help us!’ he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner.

What literary device can be seen in Sentence 3?

Possible Answers:

Synecdoche

Pathetic fallacy

Hyperbole

Rhetorical question

Oxymoron

Correct answer:

Hyperbole

Explanation:

In Sentence 3, the speaker asserts that he couldn’t find “a situation so completely removed from the stir of society” in the entire country. This is an example of dramatic exaggeration, or hyperbole.

Passage adapted from Emily Brontë’s Wuthering Heights (1847)

Example Question #341 : Ged Language Arts (Rla)

1 That punctual servant of all work, the sun, had just risen, and begun to strike a light on the morning of the thirteenth of May, one thousand eight hundred and twenty-seven, when Mr. Samuel Pickwick burst like another sun from his slumbers, threw open his chamber window, and looked out upon the world beneath. 2 Goswell Street was at his feet, Goswell Street was on his right hand—as far as the eye could reach, Goswell Street extended on his left; and the opposite side of Goswell Street was over the way. 3 'Such,' thought Mr. Pickwick, 'are the narrow views of those philosophers who, content with examining the things that lie before them, look not to the truths which are hidden beyond. 4 As well might I be content to gaze on Goswell Street for ever, without one effort to penetrate to the hidden countries which on every side surround it.' 5 And having given vent to this beautiful reflection, Mr. Pickwick proceeded to put himself into his clothes, and his clothes into his portmanteau. 6 Great men are seldom over scrupulous in the arrangement of their attire; the operation of shaving, dressing, and coffee-imbibing was soon performed; and, in another hour, Mr. Pickwick, with his portmanteau in his hand, his telescope in his greatcoat pocket, and his note-book in his waistcoat, ready for the reception of any discoveries worthy of being noted down, had arrived at the coach-stand in St. Martin's-le-Grand.

7 'Cab!' said Mr. Pickwick.

8 'Here you are, sir,' shouted a strange specimen of the human race, in a sackcloth coat, and apron of the same, who, with a brass label and number round his neck, looked as if he were catalogued in some collection of rarities. 9 This was the waterman.

What literary device can be seen in Sentence 1?

Possible Answers:

Allegory

Anthropomorphism

Epiphany

Cliché 

Metonymy

Correct answer:

Anthropomorphism

Explanation:

Anthropomorphism is another word for personification: the attribution of human characteristics to non-human or inanimate things. We see this in Sentence 1 when the sun is described as “punctual servant of all work.” Allegory is the use of a story or extended metaphor to make a philosophical or moral point, and cliché is a phrase that’s become trite or worn out from overuse. Epiphany is a sudden realization, often experienced by a character at the end of a short story, that changes someone’s life. Metonymy is the substitution of one word for another word that’s commonly associated with it (e.g. using “throne” to discuss a monarchy).

Passage adapted from Charles Dickens’ The Posthumous Papers of the Pickwick Club (1837)

Example Question #164 : Passage Meaning And Inference

1 That punctual servant of all work, the sun, had just risen, and begun to strike a light on the morning of the thirteenth of May, one thousand eight hundred and twenty-seven, when Mr. Samuel Pickwick burst like another sun from his slumbers, threw open his chamber window, and looked out upon the world beneath. 2 Goswell Street was at his feet, Goswell Street was on his right hand—as far as the eye could reach, Goswell Street extended on his left; and the opposite side of Goswell Street was over the way. 3 'Such,' thought Mr. Pickwick, 'are the narrow views of those philosophers who, content with examining the things that lie before them, look not to the truths which are hidden beyond. 4 As well might I be content to gaze on Goswell Street for ever, without one effort to penetrate to the hidden countries which on every side surround it.' 5 And having given vent to this beautiful reflection, Mr. Pickwick proceeded to put himself into his clothes, and his clothes into his portmanteau. 6 Great men are seldom over scrupulous in the arrangement of their attire; the operation of shaving, dressing, and coffee-imbibing was soon performed; and, in another hour, Mr. Pickwick, with his portmanteau in his hand, his telescope in his greatcoat pocket, and his note-book in his waistcoat, ready for the reception of any discoveries worthy of being noted down, had arrived at the coach-stand in St. Martin's-le-Grand.

7 'Cab!' said Mr. Pickwick.

8 'Here you are, sir,' shouted a strange specimen of the human race, in a sackcloth coat, and apron of the same, who, with a brass label and number round his neck, looked as if he were catalogued in some collection of rarities. 9 This was the waterman.

What literary device is “Great men are seldom over scrupulous in the arrangement of their attire” (Sentence 6)?

Possible Answers:

Consonance

Ellipses

Motif

Aside

Aphorism

Correct answer:

Aphorism

Explanation:

This portion of Sentence 6 is an aphorism: a pithy saying or adage that is intended to convey truth. Motif is the recurring use of an image, idea, or subject in a work of literature, and consonance is the repetition of consonant sounds. Ellipsis is the deliberate omission of one or more words for the purpose of concision; it is sometimes marked with “…” but sometimes not. An aside is a lengthy speech delivered to or for the benefit of the audience and not the other characters.

Passage adapted from Charles Dickens’ The Posthumous Papers of the Pickwick Club (1837)

Example Question #342 : Ged Language Arts (Rla)

1 I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with.  2 This is certainly a beautiful country!  3 In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society.  4 A perfect misanthropist’s heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us.  5 A capital fellow!  6 He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

… 7 [he] sullenly preceded me up the causeway, calling, as we entered the court,—‘Joseph, take Mr. Lockwood’s horse; and bring up some wine.’

 … 8 Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy.  9 ‘The Lord help us!’ he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner.

What literary device can be seen in Sentence 6?

Possible Answers:

Aphorism

Irony

Epistle

Conceit

Motif

Correct answer:

Irony

Explanation:

The beginning of Sentence 6 notes He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows.” Irony describes (among other things) an event that is the opposite of what one would expect. The speaker feeling warmth towards a man exhibiting clear mistrust in Sentence 6 is an excellent example of this aspect of irony.

Passage adapted from Emily Brontë’s Wuthering Heights (1847)

Example Question #343 : Ged Language Arts (Rla)

1 I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with.  2 This is certainly a beautiful country!  3 In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society.  4 A perfect misanthropist’s heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us.  5 A capital fellow!  6 He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

… 7 [he] sullenly preceded me up the causeway, calling, as we entered the court,—‘Joseph, take Mr. Lockwood’s horse; and bring up some wine.’

 … 8 Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy.  9 ‘The Lord help us!’ he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner.

Sentences 6-9 have primarily what style?

Possible Answers:

Paratactic

Interrogative

Telegraphic

Convoluted

Imperative

Correct answer:

Convoluted

Explanation:

The sentences in the second half of this passage are long and winding, with many commas and subordinate clauses. The best word to describe this style is “convoluted.” (Telegraphic sentences contain five or fewer words, and paratactic sentences are similarly short and simple.)

Passage adapted from Emily Brontë’s Wuthering Heights (1847)

Example Question #341 : Ged Language Arts (Rla)

1About thirty years ago Miss Maria Ward, of Huntingdon, with only seven thousand pounds, had the good luck to captivate Sir Thomas Bertram, of Mansfield Park, in the county of Northampton, and to be thereby raised to the rank of a baronet's lady, with all the comforts and consequences of an handsome house and large income. 2 All Huntingdon exclaimed on the greatness of the match, and her uncle, the lawyer, himself, allowed her to be at least three thousand pounds short of any equitable claim to it. 3 She had two sisters to be benefited by her elevation; and such of their acquaintance as thought Miss Ward and Miss Frances quite as handsome as Miss Maria, did not scruple to predict their marrying with almost equal advantage. 4 But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them. 5 Miss Ward, at the end of half a dozen years, found herself obliged to be attached to the Rev. Mr. Norris, a friend of her brother-in-law, with scarcely any private fortune, and Miss Frances fared yet worse. 6 Miss Ward's match, indeed, when it came to the point, was not contemptible: Sir Thomas being happily able to give his friend an income in the living of Mansfield; and Mr. and Mrs. Norris began their career of conjugal felicity with very little less than a thousand a year. 7 But Miss Frances married, in the common phrase, to disoblige her family, and by fixing on a lieutenant of marines, without education, fortune, or connexions, did it very thoroughly. 8 She could hardly have made a more untoward choice.

Which sentence in the passage contains an example of litotes?

Possible Answers:

Sentence 3

Sentence 1

Sentence 5

Sentence 7

Sentence 2

Correct answer:

Sentence 3

Explanation:

Litotes is the deliberate use of understatement or double negatives (e.g. “they don’t seem unhappy”). It is the opposite of hyperbole, and it appears in Sentence 3 with the phrase “…did not scruple to predict their marrying with almost equal advantage.”

Passage adapted from Jane Austen’s Mansfield Park (1814)

Learning Tools by Varsity Tutors