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Example Questions
Example Question #71 : Identifying And Analyzing Important Details In Prose Fiction Passages
Adapted from Evelina by Frances Burney (1778)
I have just had a letter from Madame Duval; she is totally at a loss in what manner to behave; she seems desirous to repair the wrongs she has done, yet wishes the world to believe her blameless. She would fain cast upon another the odium of those misfortunes for which she alone is answerable. Her letter is violent, sometimes abusive, and that of you!-you, to whom she is under obligations which are greater even than her faults, but to whose advice she wickedly imputes all the sufferings of her much injured daughter, the late Lady Belmont. The chief purport of her writing I will acquaint you with; the letter itself is not worthy your notice.
She tells me that she has, for many years past, been in continual expectation of making a journey to England, which prevented her writing for information concerning this melancholy subject, by giving her hopes of making personal inquiries; but family occurrences have still detained her in France, which country she now sees no prospect of quitting. She has, therefore, lately used her utmost endeavors to obtain a faithful account of whatever related to her ill-advised daughter; the result of which giving her some reason to apprehend, that, upon her death-bed, she bequeathed an infant orphan to the world, she most graciously says, that if you, with whom she understands the child is placed, will procure authentic proofs of its relationship to her, you may sent it to Paris, where she will properly provide for it.
This woman is, undoubtedly, at length, self-convicted of her most unnatural behaviour; it is evident, from her writing, that she is still as vulgar and illiterate as when her first husband, Mr. Evelyn, had the weakness to marry her; nor does she at all apologize for addressing herself to me, though I was only once in her company.
Her letter has excited in my daughter Mirvan, a strong desire to be informed of the motives which induced Madame Duval to abandon the unfortunate Lady Belmont, at a time when a mother's protection was peculiarly necessary for her peace and her reputation. Notwithstanding I was personally acquainted with all the parties concerned in that affair, the subject always appeared of too delicate a nature to be spoken of with the principals; I cannot, therefore, satisfy Mrs. Mirvan otherwise than by applying to you.
What happens at the outset of this passage?
A letter is received
Evelina fights with the other characters, such as Lady Belmont
Madame Duval chastises the characters
None of the other answers
Madame Duval is angry at the narrator
A letter is received
The text opens with the reference to a letter from Madame Duval.
Example Question #72 : Identifying And Analyzing Important Details In Prose Fiction Passages
Adapted from Evelina by Frances Burney (1778)
I have just had a letter from Madame Duval; she is totally at a loss in what manner to behave; she seems desirous to repair the wrongs she has done, yet wishes the world to believe her blameless. She would fain cast upon another the odium of those misfortunes for which she alone is answerable. Her letter is violent, sometimes abusive, and that of you!-you, to whom she is under obligations which are greater even than her faults, but to whose advice she wickedly imputes all the sufferings of her much injured daughter, the late Lady Belmont. The chief purport of her writing I will acquaint you with; the letter itself is not worthy your notice.
She tells me that she has, for many years past, been in continual expectation of making a journey to England, which prevented her writing for information concerning this melancholy subject, by giving her hopes of making personal inquiries; but family occurrences have still detained her in France, which country she now sees no prospect of quitting. She has, therefore, lately used her utmost endeavors to obtain a faithful account of whatever related to her ill-advised daughter; the result of which giving her some reason to apprehend, that, upon her death-bed, she bequeathed an infant orphan to the world, she most graciously says, that if you, with whom she understands the child is placed, will procure authentic proofs of its relationship to her, you may sent it to Paris, where she will properly provide for it.
This woman is, undoubtedly, at length, self-convicted of her most unnatural behaviour; it is evident, from her writing, that she is still as vulgar and illiterate as when her first husband, Mr. Evelyn, had the weakness to marry her; nor does she at all apologize for addressing herself to me, though I was only once in her company.
Her letter has excited in my daughter Mirvan, a strong desire to be informed of the motives which induced Madame Duval to abandon the unfortunate Lady Belmont, at a time when a mother's protection was peculiarly necessary for her peace and her reputation. Notwithstanding I was personally acquainted with all the parties concerned in that affair, the subject always appeared of too delicate a nature to be spoken of with the principals; I cannot, therefore, satisfy Mrs. Mirvan otherwise than by applying to you.
What kind of "reputation" is referred to in the final paragraph?
A husband's
The relationship between two unmarried individuals
A family's
None of the other answers
A lady's
A lady's
Here "her reputation" refers to that of Lady Belmont, and her alone, so the correct answer is "a lady's."
Example Question #791 : Psat Critical Reading
Adapted from The Life and Adventures of Robinson Crusoe by Daniel Defoe (1719)
I was now, in the months of November and December, expecting my crop of barley and rice. The ground I had manured and dug up for them was not great; for, as I observed, my seed of each was not above the quantity of half a peck, for I had lost one whole crop by sowing in the dry season. But now my crop promised very well, when on a sudden I found I was in danger of losing it all again by enemies of several sorts, which it was scarcely possible to keep from it; as, first, the goats, and wild creatures which I called hares, who, tasting the sweetness of the blade, lay in it night and day, as soon as it came up, and eat it so close, that it could get no time to shoot up into stalk.
This I saw no remedy for but by making an enclosure about it with a hedge; which I did with a great deal of toil, and the more, because it required speed. However, as my arable land was but small, suited to my crop, I got it totally well fenced in about three weeks’ time; and shooting some of the creatures in the daytime, I set my dog to guard it in the night, tying him up to a stake at the gate, where he would stand and bark all night long; so in a little time the enemies forsook the place, and the corn grew very strong and well, and began to ripen apace.
But as the beasts ruined me before, while my corn was in the blade, so the birds were as likely to ruin me now, when it was in the ear; for, going along by the place to see how it throve, I saw my little crop surrounded with fowls, of I know not how many sorts, who stood, as it were, watching till I should be gone. I immediately let fly among them, for I always had my gun with me. I had no sooner shot, but there rose up a little cloud of fowls, which I had not seen at all, from among the corn itself.
This touched me sensibly, for I foresaw that in a few days they would devour all my hopes; that I should be starved, and never be able to raise a crop at all; and what to do I could not tell; however, I resolved not to lose my corn, if possible, though I should watch it night and day. In the first place, I went among it to see what damage was already done, and found they had spoiled a good deal of it; but that as it was yet too green for them, the loss was not so great but that the remainder was likely to be a good crop if it could be saved.
I stayed by it to load my gun, and then coming away, I could easily see the thieves sitting upon all the trees about me, as if they only waited till I was gone away, and the event proved it to be so; for as I walked off, as if I was gone, I was no sooner out of their sight than they dropped down one by one into the corn again. I was so provoked, that I could not have patience to stay till more came on, knowing that every grain that they ate now was, as it might be said, a peck-loaf to me in the consequence; but coming up to the hedge, I fired again, and killed three of them. This was what I wished for; so I took them up, and served them as we serve notorious thieves in England—hanged them in chains, for a terror to others. It is impossible to imagine that this should have such an effect as it had, for the fowls would not only not come at the corn, but, in short, they forsook all that part of the island, and I could never see a bird near the place as long as my scarecrows hung there. This I was very glad of, you may be sure, and about the latter end of December, which was our second harvest of the year, I reaped my corn.
The passage states that which of the following is true?
The mammals would only feed on the crops at night.
December on the island is warm enough to grow crops.
The mammals would only eat the plants once they had formed stalks.
The narrator had no need for fertilizer.
The quality of the ground was poor.
December on the island is warm enough to grow crops.
The first and last paragraphs support the idea that it is warm enough in December on the island that crops can be grown in that month. In the passage's first sentence, the narrator says that “in the months of November and December, [he is] expecting [his] crop of barley and rice.” From this, we can assume that it is warm enough to grow crops on the island in December. (The author also says that "the ground I had manured and dug up for them was not great” which means that it was not of a large size rather than that it was of poor quality.) In the last paragraph, the narrator says that "about the latter end of December, which was our second harvest of the year, I reaped my corn," also supporting the idea that crops can be grown on the island in December.
Example Question #3 : Drawing Evidence From Literary Fiction Passages
Adapted from The Life and Adventures of Robinson Crusoe by Daniel Defoe (1719)
I was now, in the months of November and December, expecting my crop of barley and rice. The ground I had manured and dug up for them was not great; for, as I observed, my seed of each was not above the quantity of half a peck, for I had lost one whole crop by sowing in the dry season. But now my crop promised very well, when on a sudden I found I was in danger of losing it all again by enemies of several sorts, which it was scarcely possible to keep from it; as, first, the goats, and wild creatures which I called hares, who, tasting the sweetness of the blade, lay in it night and day, as soon as it came up, and eat it so close, that it could get no time to shoot up into stalk.
This I saw no remedy for but by making an enclosure about it with a hedge; which I did with a great deal of toil, and the more, because it required speed. However, as my arable land was but small, suited to my crop, I got it totally well fenced in about three weeks’ time; and shooting some of the creatures in the daytime, I set my dog to guard it in the night, tying him up to a stake at the gate, where he would stand and bark all night long; so in a little time the enemies forsook the place, and the corn grew very strong and well, and began to ripen apace.
But as the beasts ruined me before, while my corn was in the blade, so the birds were as likely to ruin me now, when it was in the ear; for, going along by the place to see how it throve, I saw my little crop surrounded with fowls, of I know not how many sorts, who stood, as it were, watching till I should be gone. I immediately let fly among them, for I always had my gun with me. I had no sooner shot, but there rose up a little cloud of fowls, which I had not seen at all, from among the corn itself.
This touched me sensibly, for I foresaw that in a few days they would devour all my hopes; that I should be starved, and never be able to raise a crop at all; and what to do I could not tell; however, I resolved not to lose my corn, if possible, though I should watch it night and day. In the first place, I went among it to see what damage was already done, and found they had spoiled a good deal of it; but that as it was yet too green for them, the loss was not so great but that the remainder was likely to be a good crop if it could be saved.
I stayed by it to load my gun, and then coming away, I could easily see the thieves sitting upon all the trees about me, as if they only waited till I was gone away, and the event proved it to be so; for as I walked off, as if I was gone, I was no sooner out of their sight than they dropped down one by one into the corn again. I was so provoked, that I could not have patience to stay till more came on, knowing that every grain that they ate now was, as it might be said, a peck-loaf to me in the consequence; but coming up to the hedge, I fired again, and killed three of them. This was what I wished for; so I took them up, and served them as we serve notorious thieves in England—hanged them in chains, for a terror to others. It is impossible to imagine that this should have such an effect as it had, for the fowls would not only not come at the corn, but, in short, they forsook all that part of the island, and I could never see a bird near the place as long as my scarecrows hung there. This I was very glad of, you may be sure, and about the latter end of December, which was our second harvest of the year, I reaped my corn.
The second paragraph establishes all of the following EXCEPT that __________.
the narrator constructed a hedge in under a month
the mammals abandoned the plot
the land was not suited to the narrator's crops
the narrator killed some of the animals in the daytime
making the hedge was a hard task
the land was not suited to the narrator's crops
The narrator does not suggest that the land was ill-suited for farming. He says, “However, as my arable land was but small, suited to my crop, I got it totally well fenced in about three weeks.” The land was small and it was suited to his crop.
Example Question #1252 : Sat Critical Reading
Adapted from The Life and Adventures of Robinson Crusoe by Daniel Defoe (1719)
I was now, in the months of November and December, expecting my crop of barley and rice. The ground I had manured and dug up for them was not great; for, as I observed, my seed of each was not above the quantity of half a peck, for I had lost one whole crop by sowing in the dry season. But now my crop promised very well, when on a sudden I found I was in danger of losing it all again by enemies of several sorts, which it was scarcely possible to keep from it; as, first, the goats, and wild creatures which I called hares, who, tasting the sweetness of the blade, lay in it night and day, as soon as it came up, and eat it so close, that it could get no time to shoot up into stalk.
This I saw no remedy for but by making an enclosure about it with a hedge; which I did with a great deal of toil, and the more, because it required speed. However, as my arable land was but small, suited to my crop, I got it totally well fenced in about three weeks’ time; and shooting some of the creatures in the daytime, I set my dog to guard it in the night, tying him up to a stake at the gate, where he would stand and bark all night long; so in a little time the enemies forsook the place, and the corn grew very strong and well, and began to ripen apace.
But as the beasts ruined me before, while my corn was in the blade, so the birds were as likely to ruin me now, when it was in the ear; for, going along by the place to see how it throve, I saw my little crop surrounded with fowls, of I know not how many sorts, who stood, as it were, watching till I should be gone. I immediately let fly among them, for I always had my gun with me. I had no sooner shot, but there rose up a little cloud of fowls, which I had not seen at all, from among the corn itself.
This touched me sensibly, for I foresaw that in a few days they would devour all my hopes; that I should be starved, and never be able to raise a crop at all; and what to do I could not tell; however, I resolved not to lose my corn, if possible, though I should watch it night and day. In the first place, I went among it to see what damage was already done, and found they had spoiled a good deal of it; but that as it was yet too green for them, the loss was not so great but that the remainder was likely to be a good crop if it could be saved.
I stayed by it to load my gun, and then coming away, I could easily see the thieves sitting upon all the trees about me, as if they only waited till I was gone away, and the event proved it to be so; for as I walked off, as if I was gone, I was no sooner out of their sight than they dropped down one by one into the corn again. I was so provoked, that I could not have patience to stay till more came on, knowing that every grain that they ate now was, as it might be said, a peck-loaf to me in the consequence; but coming up to the hedge, I fired again, and killed three of them. This was what I wished for; so I took them up, and served them as we serve notorious thieves in England—hanged them in chains, for a terror to others. It is impossible to imagine that this should have such an effect as it had, for the fowls would not only not come at the corn, but, in short, they forsook all that part of the island, and I could never see a bird near the place as long as my scarecrows hung there. This I was very glad of, you may be sure, and about the latter end of December, which was our second harvest of the year, I reaped my corn.
Which of the following most fully lists solutions considered by the author in the passage to the problem of the pests?
A net, his bare hands, and a pack of dogs
Noise makers, a perimeter, missiles, and decoys
A fence, scarecrows, a dog, nets
A gun, a hedge, a dog, and dead birds
Pesticide, munitions, and boundaries
A gun, a hedge, a dog, and dead birds
In the passage the narrator lists a gun, a dog, and a hedge as solutions he tried in dealing with the mammals, and a gun and dead birds (used as scarecrows) as solutions he tried to use to deter the birds.
Example Question #51 : Understanding The Content Of Literary Fiction Passages
Adapted from Jacob's Room by Virginia Woolf (1922)
True, there's no harm in crying for one's husband, and the tombstone, though plain, was a solid piece of work, and on summer's days when the widow brought her boys to stand there one felt kindly towards her. Hats were raised higher than usual; wives tugged their husbands' arms. Seabrook lay six foot beneath, dead these many years; enclosed in three shells; the crevices sealed with lead, so that, had earth and wood been glass, doubtless his very face lay visible beneath, the face of a young man whiskered, shapely, who had gone out duck-shooting and refused to change his boots.
"Merchant of this city," the tombstone said; though why Betty Flanders had chosen so to call him when, as many still remembered, he had only sat behind an office window for three months, and before that had broken horses, ridden to hounds, farmed a few fields, and run a little wild—well, she had to call him something. An example for the boys.
Had he, then, been nothing? An unanswerable question, since even if it weren't the habit of the undertaker to close the eyes, the light so soon goes out of them. At first, part of herself; now one of a company, he had merged in the grass, the sloping hillside, the thousand white stones, some slanting, others upright, the decayed wreaths, the crosses of green tin, the narrow yellow paths, and the lilacs that drooped in April, with a scent like that of an invalid's bedroom, over the churchyard wall. Seabrook was now all that; and when, with her skirt hitched up, feeding the chickens, she heard the bell for service or funeral, that was Seabrook's voice—the voice of the dead.
The rooster had been known to fly on her shoulder and peck her neck, so that now she carried a stick or took one of the children with her when she went to feed the fowls.
"Wouldn't you like my knife, mother?" said Archer.
Sounding at the same moment as the bell, her son's voice mixed life and death inextricably, exhilaratingly.
"What a big knife for a small boy!" she said. She took it to please him. Then the rooster flew out of the hen-house, and, shouting to Archer to shut the door into the kitchen garden, Mrs. Flanders set her meal down, clucked for the hens, went bustling about the orchard, and was seen from over the way by Mrs. Cranch, who, beating her mat against the wall, held it for a moment suspended while she observed to Mrs. Page next door that Mrs. Flanders was in the orchard with the chickens.
Mrs. Page, Mrs. Cranch, and Mrs. Garfit could see Mrs. Flanders in the orchard because the orchard was a piece of Dods Hill enclosed; and Dods Hill dominated the village. No words can exaggerate the importance of Dods Hill. It was the earth; the world against the sky; the horizon of how many glances can best be computed by those who have lived all their lives in the same village, only leaving it once to fight in the Crimea, like old George Garfit, leaning over his garden gate smoking his pipe. The progress of the sun was measured by it; the tint of the day laid against it to be judged.
"Now she's going up the hill with little John," said Mrs. Cranch to Mrs. Garfit, shaking her mat for the last time, and bustling indoors. Opening the orchard gate, Mrs. Flanders walked to the top of Dods Hill, holding John by the hand. Archer and Jacob ran in front or lagged behind; but they were in the Roman fortress when she came there, and shouting out what ships were to be seen in the bay. For there was a magnificent view—moors behind, sea in front, and the whole of Scarborough from one end to the other laid out flat like a puzzle. Mrs. Flanders, who was growing stout, sat down in the fortress and looked about her.
The passage states that which of the following is true?
Mrs. Flanders associates lilacs with sick people.
John is older than Archer.
Mrs. Flanders was a lean woman in her old age.
The rooster was a tame bird.
Mrs. Cranch has no interest in the life of Mrs. Flanders.
Mrs. Flanders associates lilacs with sick people.
In the third paragraph, the author is writing from Mrs. Flanders' point of view. The paragraph is mostly a discussion of the associations and thoughts Mrs. Flanders has about her husband and his death. The paragraph mentions “the lilacs that drooped in April, with a scent like that of an invalid's bedroom.” From this, we can assume that Mrs. Flanders associates the smell of lilacs with sick people's bedrooms.
Example Question #771 : Psat Critical Reading
Adapted from Jacob's Room by Virginia Woolf (1922)
True, there's no harm in crying for one's husband, and the tombstone, though plain, was a solid piece of work, and on summer's days when the widow brought her boys to stand there one felt kindly towards her. Hats were raised higher than usual; wives tugged their husbands' arms. Seabrook lay six foot beneath, dead these many years; enclosed in three shells; the crevices sealed with lead, so that, had earth and wood been glass, doubtless his very face lay visible beneath, the face of a young man whiskered, shapely, who had gone out duck-shooting and refused to change his boots.
"Merchant of this city," the tombstone said; though why Betty Flanders had chosen so to call him when, as many still remembered, he had only sat behind an office window for three months, and before that had broken horses, ridden to hounds, farmed a few fields, and run a little wild—well, she had to call him something. An example for the boys.
Had he, then, been nothing? An unanswerable question, since even if it weren't the habit of the undertaker to close the eyes, the light so soon goes out of them. At first, part of herself; now one of a company, he had merged in the grass, the sloping hillside, the thousand white stones, some slanting, others upright, the decayed wreaths, the crosses of green tin, the narrow yellow paths, and the lilacs that drooped in April, with a scent like that of an invalid's bedroom, over the churchyard wall. Seabrook was now all that; and when, with her skirt hitched up, feeding the chickens, she heard the bell for service or funeral, that was Seabrook's voice—the voice of the dead.
The rooster had been known to fly on her shoulder and peck her neck, so that now she carried a stick or took one of the children with her when she went to feed the fowls.
"Wouldn't you like my knife, mother?" said Archer.
Sounding at the same moment as the bell, her son's voice mixed life and death inextricably, exhilaratingly.
"What a big knife for a small boy!" she said. She took it to please him. Then the rooster flew out of the hen-house, and, shouting to Archer to shut the door into the kitchen garden, Mrs. Flanders set her meal down, clucked for the hens, went bustling about the orchard, and was seen from over the way by Mrs. Cranch, who, beating her mat against the wall, held it for a moment suspended while she observed to Mrs. Page next door that Mrs. Flanders was in the orchard with the chickens.
Mrs. Page, Mrs. Cranch, and Mrs. Garfit could see Mrs. Flanders in the orchard because the orchard was a piece of Dods Hill enclosed; and Dods Hill dominated the village. No words can exaggerate the importance of Dods Hill. It was the earth; the world against the sky; the horizon of how many glances can best be computed by those who have lived all their lives in the same village, only leaving it once to fight in the Crimea, like old George Garfit, leaning over his garden gate smoking his pipe. The progress of the sun was measured by it; the tint of the day laid against it to be judged.
"Now she's going up the hill with little John," said Mrs. Cranch to Mrs. Garfit, shaking her mat for the last time, and bustling indoors. Opening the orchard gate, Mrs. Flanders walked to the top of Dods Hill, holding John by the hand. Archer and Jacob ran in front or lagged behind; but they were in the Roman fortress when she came there, and shouting out what ships were to be seen in the bay. For there was a magnificent view—moors behind, sea in front, and the whole of Scarborough from one end to the other laid out flat like a puzzle. Mrs. Flanders, who was growing stout, sat down in the fortress and looked about her.
The sixth paragraph establishes all of the following EXCEPT __________.
Dod's hill could be seen by most of the village.
Mr. Garfit is a war hero.
Dods hill was a vantage point.
Mr. Garfit is a smoker.
Mrs. Cranch could see the orchard from her garden.
Mr. Garfit is a war hero.
The paragraph does suggest that Mr. Garfit went to the Crimea to fight, but it does not tell us whether he was decorated for heroism, so we cannot say the paragraph establishes that he is a hero.
Example Question #73 : Identifying And Analyzing Important Details In Prose Fiction Passages
Adapted from a work by Walter de la Mare (1922)
My father was then a rather corpulent man, with a high-colored face, and he wore large spectacles. His time was his own, for we were comfortably off on an income derived from a half-share in the small fortune amassed by my grandfather and his partner in a paper mill. He might have been a more successful, though not perhaps a happier, man if he had done more work and planned to do less. But he only so far followed his hereditary occupation as to expend large quantities of its best "handmade" in the composition of a monograph: The History of Paper Making. This entailed a vast accumulation of books and much solitude. I fancy, too, he believed in the policy of sleeping on one's first thoughts.
Since he was engaged at the same time on similar compilations with the Hop and the Cherry for theme, he made indifferent progress in all three. His papers, alas, were afterwards sold with his books, so I have no notion of what became of them or of their value. I can only hope that their purchaser has since won an easy distinction. These pursuits, if they achieved little else but the keeping of "the man of the house" quiet and contented, proved my father, at any rate, to be a loyal and enthusiastic Man of Kent; and I have seen to it that a fine Morello cherry-tree blossoms, fruits, and flourishes over his grave.
My father was something of a musician too, and could pizzicato so softly on his muted fiddle as not to jar even my too sensitive ear. He taught me to play chess on a little board with pygmy men, but he was apt to lose interest in the game when it went against him. Whereas it was then that our old friend, Dr. Grose, played his hardest. As my father's hands were rather clumsy in make, he took pains to be gentle and adroit with me. But even after shaving, his embrace was more of a discipline than a pleasure—a fact that may partly account for my own undemonstrativeness in this direction.
Which of the following statements about the narrator is supported by the passage?
He is an apt chess player.
His attitude toward work is apathetic.
He is fond of horticulture.
He excels at reading.
He is not inclined to overtly display feelings of affection.
He is not inclined to overtly display feelings of affection.
In the last paragraph the narrator states that the embraces of their father were more of a discipline than a pleasure resulting in the narrator’s own “undemonstrativeness in this direction.” To aid your understanding it is important to note that undemonstrativeness is not a commonly accepted word in English language. The author has taken liberties with the word demonstrative which means affectionate or warm. So undemonstrative means not affectionate.
Example Question #74 : Identifying And Analyzing Important Details In Prose Fiction Passages
Adapted from a work by Walter de la Mare (1922)
My father was then a rather corpulent man, with a high-colored face, and he wore large spectacles. His time was his own, for we were comfortably off on an income derived from a half-share in the small fortune amassed by my grandfather and his partner in a paper mill. He might have been a more successful, though not perhaps a happier, man if he had done more work and planned to do less. But he only so far followed his hereditary occupation as to expend large quantities of its best "handmade" in the composition of a monograph: The History of Paper Making. This entailed a vast accumulation of books and much solitude. I fancy, too, he believed in the policy of sleeping on one's first thoughts.
Since he was engaged at the same time on similar compilations with the Hop and the Cherry for theme, he made indifferent progress in all three. His papers, alas, were afterwards sold with his books, so I have no notion of what became of them or of their value. I can only hope that their purchaser has since won an easy distinction. These pursuits, if they achieved little else but the keeping of "the man of the house" quiet and contented, proved my father, at any rate, to be a loyal and enthusiastic Man of Kent; and I have seen to it that a fine Morello cherry-tree blossoms, fruits, and flourishes over his grave.
My father was something of a musician too, and could pizzicato so softly on his muted fiddle as not to jar even my too sensitive ear. He taught me to play chess on a little board with pygmy men, but he was apt to lose interest in the game when it went against him. Whereas it was then that our old friend, Dr. Grose, played his hardest. As my father's hands were rather clumsy in make, he took pains to be gentle and adroit with me. But even after shaving, his embrace was more of a discipline than a pleasure—a fact that may partly account for my own undemonstrativeness in this direction.
Which of the following statements about the narrator’s attitude toward noise is supported by the passage?
The author cannot tolerate it.
The author is invulnerable to it.
The author is hypersensitive to it.
The author dislikes it.
The author is ambivalent towards it.
The author is hypersensitive to it.
The author reveals that he is sensitive to sound at the beginning of the third paragraph with a description of the father playing music that is “so soft on his muted fiddle as not to jar even my too sensitive ear.”
Example Question #75 : Identifying And Analyzing Important Details In Prose Fiction Passages
Adapted from a work by Walter de la Mare (1922)
My father was then a rather corpulent man, with a high-colored face, and he wore large spectacles. His time was his own, for we were comfortably off on an income derived from a half-share in the small fortune amassed by my grandfather and his partner in a paper mill. He might have been a more successful, though not perhaps a happier, man if he had done more work and planned to do less. But he only so far followed his hereditary occupation as to expend large quantities of its best "handmade" in the composition of a monograph: The History of Paper Making. This entailed a vast accumulation of books and much solitude. I fancy, too, he believed in the policy of sleeping on one's first thoughts.
Since he was engaged at the same time on similar compilations with the Hop and the Cherry for theme, he made indifferent progress in all three. His papers, alas, were afterwards sold with his books, so I have no notion of what became of them or of their value. I can only hope that their purchaser has since won an easy distinction. These pursuits, if they achieved little else but the keeping of "the man of the house" quiet and contented, proved my father, at any rate, to be a loyal and enthusiastic Man of Kent; and I have seen to it that a fine Morello cherry-tree blossoms, fruits, and flourishes over his grave.
My father was something of a musician too, and could pizzicato so softly on his muted fiddle as not to jar even my too sensitive ear. He taught me to play chess on a little board with pygmy men, but he was apt to lose interest in the game when it went against him. Whereas it was then that our old friend, Dr. Grose, played his hardest. As my father's hands were rather clumsy in make, he took pains to be gentle and adroit with me. But even after shaving, his embrace was more of a discipline than a pleasure—a fact that may partly account for my own undemonstrativeness in this direction.
The passage states that which of the following is true?
The narrator is a small person.
Dr. Grose was an ambitious man.
The narrator's father was never affectionate.
The narrator did not feel affection for his father.
The narrator's father was a fat man.
The narrator's father was a fat man.
In the first paragraph, the author states that his father was “rather corpulent.” Corpulent means fat or obese.