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Example Questions
Example Question #21 : Identifying And Analyzing Important Details In Prose Fiction Passages
Adapted from Jane Eyre: An Autobiography by Charlotte Bronte (1897)
I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner—something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.”
“What does Bessie say I have done?” I asked.
“Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.”
A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement.
Who is the “I” in the text?
None of the other answers
Bessie
Georgiana
Eliza
Jane
Jane
The narrative flow here (““What does Bessie say I have done?” I asked. “Jane, I don’t like cavillers”) indeed indicates that the “I” is Jane.
Example Question #22 : Identifying And Analyzing Important Details In Prose Fiction Passages
Adapted from Jane Eyre: An Autobiography by Charlotte Bronte (1897)
I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner—something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.”
“What does Bessie say I have done?” I asked.
“Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.”
A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement.
What kind of narrative style is this text written in?
First person
Friendly
Third person
Omniscient
Unhappy
First person
The narrative style refers to the point of view in this sense, and the “I” indicates that it is first person.
Example Question #91 : Prose Fiction
Adapted from Jane Eyre: An Autobiography by Charlotte Bronte (1897)
I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner—something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.”
“What does Bessie say I have done?” I asked.
“Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.”
A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement.
Given the details, the family seems of what kind of economic standing?
Homely
Royal
Well to do
None of the other answers
Impoverished
Well to do
From this detail, for instance, we can tell the family is particularly well to do: “A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase.”
Example Question #91 : Prose Fiction
Adapted from The Declaration of Independence (1776)
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness—that to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed—that whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security—such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.
He has refused his Assent to Laws, the most wholesome and necessary for the public good. He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.
Which of the following is NOT an inalienable right specifically delineated in the above excerpt?
None of the other answers
Pursuit of Happiness
Life
Liberty
Belief in a Creator
Belief in a Creator
While perhaps implied, the belief in a Creator is not formally referred to in the passage.
Example Question #21 : Identifying And Analyzing Important Details In Prose Fiction Passages
This is an excerpt from Clarissa, or, The History of a Young Lady by Samuel Richardson (1748)
PREFACE
The following History is given in a series of letters, written Principally in a double yet separate correspondence;
Between two young ladies of virtue and honor, bearing an inviolable friendship for each other, and writing not merely for amusement, but upon the most interesting subjects; in which every private family, more or less, may find itself concerned; and,
Between two gentlemen of free lives; one of them glorying in his talents for stratagem and invention, and communicating to the other, in confidence, all the secret purposes of an intriguing head and resolute heart.
But here it will be proper to observe, for the sake of such as may apprehend hurt to the morals of youth, from the more freely-written letters, that the gentlemen, though professed libertines as to the female sex, and making it one of their wicked maxims, to keep no faith with any of the individuals of it, who are thrown into their power, are not, however, either infidels or scoffers; nor yet such as think themselves freed from the observance of those other moral duties which bind man to man.
On the contrary, it will be found, in the progress of the work, that they very often make such reflections upon each other, and each upon himself and his own actions, as reasonable beings must make, who disbelieve not a future state of rewards and punishments, and who one day propose to reform—one of them actually reforming, and by that means giving an opportunity to censure the freedoms which fall from the gayer pen and lighter heart of the other.
And yet that other, although in unbosoming himself to a select friend, he discover wickedness enough to entitle him to general detestation, preserves a decency, as well in his images as in his language, which is not always to be found in the works of some of the most celebrated modern writers, whose subjects and characters have less warranted the liberties they have taken.
In the letters of the two young ladies, it is presumed, will be found not only the highest exercise of a reasonable and practicable friendship, between minds endowed with the noblest principles of virtue and religion, but occasionally interspersed, such delicacy of sentiments, particularly with regard to the other sex; such instances of impartiality, each freely, as a fundamental principle of their friendship, blaming, praising, and setting right the other, as are strongly to be recommended to the observation of the younger part (more specially) of female readers.
From the information given, what kind of novel will the following book be?
An epic
A regular novel
None of the other answers
A diary
A book of letters
A book of letters
The first sentence indicates that the book will be one of letters between friends.
Example Question #22 : Identifying And Analyzing Important Details In Prose Fiction Passages
This is an excerpt from Clarissa, or, The History of a Young Lady by Samuel Richardson (1748)
PREFACE
The following History is given in a series of letters, written Principally in a double yet separate correspondence;
Between two young ladies of virtue and honor, bearing an inviolable friendship for each other, and writing not merely for amusement, but upon the most interesting subjects; in which every private family, more or less, may find itself concerned; and,
Between two gentlemen of free lives; one of them glorying in his talents for stratagem and invention, and communicating to the other, in confidence, all the secret purposes of an intriguing head and resolute heart.
But here it will be proper to observe, for the sake of such as may apprehend hurt to the morals of youth, from the more freely-written letters, that the gentlemen, though professed libertines as to the female sex, and making it one of their wicked maxims, to keep no faith with any of the individuals of it, who are thrown into their power, are not, however, either infidels or scoffers; nor yet such as think themselves freed from the observance of those other moral duties which bind man to man.
On the contrary, it will be found, in the progress of the work, that they very often make such reflections upon each other, and each upon himself and his own actions, as reasonable beings must make, who disbelieve not a future state of rewards and punishments, and who one day propose to reform—one of them actually reforming, and by that means giving an opportunity to censure the freedoms which fall from the gayer pen and lighter heart of the other.
And yet that other, although in unbosoming himself to a select friend, he discover wickedness enough to entitle him to general detestation, preserves a decency, as well in his images as in his language, which is not always to be found in the works of some of the most celebrated modern writers, whose subjects and characters have less warranted the liberties they have taken.
In the letters of the two young ladies, it is presumed, will be found not only the highest exercise of a reasonable and practicable friendship, between minds endowed with the noblest principles of virtue and religion, but occasionally interspersed, such delicacy of sentiments, particularly with regard to the other sex; such instances of impartiality, each freely, as a fundamental principle of their friendship, blaming, praising, and setting right the other, as are strongly to be recommended to the observation of the younger part (more specially) of female readers.
What does the author say about the gentlemen in this book?
That they try hard in life
That they are professed libertines
That they ignore moral duties
None of the other answers
That they are true libertines
That they are professed libertines
The author clearly states: “that the gentlemen, though professed libertines as to the female sex, and making it one of their wicked maxims”
Example Question #27 : Identifying And Analyzing Important Details In Prose Fiction Passages
This is an excerpt from Daisy Miller by Henry James (1879)
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the "Trois Couronnes," looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before by the little steamer, to see his aunt, who was staying at the hotel—Geneva having been for a long time his place of residence. But his aunt had a headache—his aunt had almost always a headache—and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva "studying." When his enemies spoke of him, they said—but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked. What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there—a foreign lady—a person older than himself. Very few Americans—indeed, I think none—had ever seen this lady, about whom there were some singular stories.
This passage is narrated in which of the following styles?
Third person
Third-person omniscient
None of the other answers
First person
Second person
First person
The text uses an “I” to denote a narrator, indicating that it is first person.
Example Question #28 : Identifying And Analyzing Important Details In Prose Fiction Passages
This is an excerpt from Daisy Miller by Henry James (1879)
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the "Trois Couronnes," looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before by the little steamer, to see his aunt, who was staying at the hotel—Geneva having been for a long time his place of residence. But his aunt had a headache—his aunt had almost always a headache—and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva "studying." When his enemies spoke of him, they said—but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked. What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there—a foreign lady—a person older than himself. Very few Americans—indeed, I think none—had ever seen this lady, about whom there were some singular stories.
Where is this passage set?
Asia
New England
South America
None of the other answers
Africa
None of the other answers
The passage refers to a Swiss pension; it seems most likely to take place in the Alps.
Example Question #29 : Identifying And Analyzing Important Details In Prose Fiction Passages
This is an excerpt from Daisy Miller by Henry James (1879)
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the "Trois Couronnes," looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before by the little steamer, to see his aunt, who was staying at the hotel—Geneva having been for a long time his place of residence. But his aunt had a headache—his aunt had almost always a headache—and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva "studying." When his enemies spoke of him, they said—but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked. What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there—a foreign lady—a person older than himself. Very few Americans—indeed, I think none—had ever seen this lady, about whom there were some singular stories.
Who is narrating this passage? “What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there—a foreign lady—a person older than himself.”
A first-person narrator
The young man’s correspondent
None of the other answers
The author of several works of fiction
A friend of the young man
A first-person narrator
Set in the first-person, it is clear that a narrator is guiding us through this story, but we have no information about who she or he is here.
Example Question #30 : Identifying And Analyzing Important Details In Prose Fiction Passages
This is an excerpt from Daisy Miller by Henry James (1879)
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the "Trois Couronnes," looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before by the little steamer, to see his aunt, who was staying at the hotel—Geneva having been for a long time his place of residence. But his aunt had a headache—his aunt had almost always a headache—and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva "studying." When his enemies spoke of him, they said—but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked. What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there—a foreign lady—a person older than himself. Very few Americans—indeed, I think none—had ever seen this lady, about whom there were some singular stories.
This passage does NOT include which of the following themes?
Information about family and social status
Information about social hierarchies near the turn of the century
None of the other answers
Content about love and relationships
The nature of American exceptionalism
The nature of American exceptionalism
Though the passage deals with most of these areas, it does not allude to American exceptionalism as a theme.