SSAT Upper Level Reading : SSAT Upper Level Reading Comprehension
Study concepts, example questions & explanations for SSAT Upper Level Reading
All SSAT Upper Level Reading Resources
Example Questions
Example Question #6 : Identifying And Analyzing Details In History Passages
Adapted from the Declaration of Independence of the United States of America by Thomas Jefferson (1776)
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume, among the Powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness.—That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed,—That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shown, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.—Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.
What is the best description of the offenses committed by England according to the colonists according to the passage?
They have fought with the colonies in open battles on the content.
They have revoked the right of representation from the colonies.
They have taxed the colonies beyond possibility of payment.
None of the other answer choices
They have committed many, various acts against the colonies for some time.
They have committed many, various acts against the colonies for some time.
Throughout the last few sentences, the passage speaks of "trains of injuries" and "repeated injuries." These are called upon as justifying action by the colonists. The implication is, whatever the particular offenses of England, they have been long-lasting and continuous. This is the primary accusation leveled in this selection—not any of the particular ones that are offered as other potential answers.
Example Question #841 : Ssat Upper Level Reading Comprehension
"What Do We Remember About History?" by Daniel Morrison (2014)
Henry the Eighth is most commonly remembered for the amusing and unique fact that he took six different wives over the course of his lifetime. There is even a famous ditty uttered by English schoolchildren to help them remember the fate of his various wives: “Divorced, beheaded, died, divorced, beheaded, survived.”
However, during Henry’s rule England permanently ended its long standing relationship with the Catholic Church and became forever a Protestant Kingdom. This break has had long felt repercussions up to and including the present day. Yet, in spite of the deep importance of Henry’s decision to leave the family of Catholic nations he is best known for taking six wives. This difference between importance of actions and nature of popular remembrance should tell us something about the collective understanding of history - it is often the trivial and merely interesting that survives, whilst the significant but less fascinating can fade from memory.
Which of these is the main argument of this essay?
Our understanding of history has been impacted by the manner in which certain details are passed down through the generations.
The English decision to break with the Catholic church has been of great significance throughout English history.
Henry the Eighth is often misremembered in his own country.
Henry the Eighth was a terrible king and an even worse man who treated women with disdain and carelessness.
Our collective understanding of history is too often focused on the entertaining rather than the significant.
Our collective understanding of history is too often focused on the entertaining rather than the significant.
The main argument of this passage is best captured in the conclusion, where the author says, “This difference between importance of actions and nature of popular remembrance should tell us something about the collective understanding of history—it is often the trivial and merely interesting that survives, whilst the significant but less fascinating can fade from memory.” It is clear that the author believes “our collective understanding of history is too often focused on the entertaining rather than the significant.” Although the author does talk about Henry the Eighth for a long portion of the passage, Henry the Eighth is merely an example around which the author constructs his argument about history.
Example Question #21 : Nonfiction Passages
"What Do We Remember About History?" by Daniel Morrison (2014)
Henry the Eighth is most commonly remembered for the unique fact that he took six different wives over the course of his lifetime. There is even a famous ditty uttered by English schoolchildren to help them remember the fate of his various wives: “Divorced, beheaded, died, divorced, beheaded, survived.”
However, during Henry’s rule, England permanently ended its long-standing relationship with the Catholic church and became forever a Protestant kingdom. This break has had long-felt repercussions up to and including the present day. Yet, in spite of the deep importance of Henry’s decision to leave the family of Catholic nations, he is best known for taking six wives. This difference between importance of actions and nature of popular remembrance should tell us something about the collective understanding of history—it is often the trivial and merely interesting that survives, whilst the significant but less fascinating can fade from memory.
According to the author, what should Henry the Eighth be most remembered for?
Dying too young
Declaring war on France
Permanently establishing Protestantism in England
Misunderstanding history
Marrying six different wives
Permanently establishing Protestantism in England
According to the author, Henry the Eighth should be most remembered for “permanently establishing Protestantism in England.” The author says “Yet, in spite of the deep importance of Henry’s decision to leave the family of Catholic nations, he is best known for taking six wives.” You might have been tempted to say that Henry the Eighth should be remembered as “misunderstanding history," but the author is concerned that his readers and other modern-day people misunderstand history, not that Henry the Eighth did specifically.
Example Question #462 : Social Sciences / History
While the Gutenberg press was perhaps one of the greatest inventions of all time, we should not let its importance blind us to other very important events in the history of linguistic development. Granted, the efficiency of printing allowed for the dissemination of much learning in Europe. Still, such printing was not unique to Europe, and even in the scope of world history, there are several events that are equally as miraculous regarding the transmission of knowledge.
For instance, most people overlook the amazing nature of the first time that human beings communicated with spoken language. Perhaps there were simple signs by which these early humans could indicate their needs to each other; however, when the first event of person-to-person speech occurred, it was far more marvelous than simple practical communication. Such speech was like a sharing in ideas. When true speech happened, persons were able to communicate knowledge to each other, freeing it from its isolation in one lonely person. By means of such speech, knowledge could be orally transmitted from generation to generation, thus preserving wisdom in a way that is completely impossible without speech.
Of course, such spoken tradition is very fragile, relying on memories and stories that are passed down from generation to generation. For this reason, the invention of writing is extremely important. In contrast to the spoken word, the written word can continue to exist and be useful so long as it can be read intelligently. Likewise, much more can be recorded than ever could be remembered by someone with the best of memories. Indeed, once these records are written, copies can be sent to anyone who is able to read the language in question. Just so, it can be translated into written copies to be read by others. For these (as well as many other reasons) the invention of writing was a very significant event in history, greatly expanding the possibilities for the exchange of knowledge.
Thus, the printing press is quite important, but it is part of a larger story. Like both spoken and written communication, it allows human beings to communicate knowledge not only to each other but also across multiple generations. Often, we think of the press merely in its ability to provide a great number of books in a short period of time; however, when considered as a chapter in this longer tale, it likewise appears as the means by which humanity is able to conquer time by allowing the knowledge of today to live for multiple generations.
How does the author’s main idea become developed in a new way in the last paragraph?
He shows that the printing press is an excellent supplement to oral speech, but it can never replace it.
He shows that, in fact, the creation of the printing press was an insignificant event.
He shows that the printing press is merely the last stage in the development of human expression and that it will likely be replaced by new forms of technology.
He shows that the printing press is, in fact, one of the greatest human inventions.
He shows a new way to understand the nature of the achievements made possible by the printing press.
He shows a new way to understand the nature of the achievements made possible by the printing press.
First, note that in the first paragraph, the author states that "While the Gutenberg press was perhaps one of the greatest inventions of all time, we should not let its importance blind us to other very important events in the history of linguistic development." The next two paragraphs help to develop that idea, showing how speech and writing are equally amazing events in the history of human communication. The final paragraph closes, however, with a new assertion: "However, when considered as a chapter in this longer tale, it likewise appears as the means by which humanity is able to conquer time by allowing the knowledge of today to live for multiple generations." This develops the author's theme, giving more information about the very nature of the printing press.
Example Question #1 : Poetry
Adapted from Faust by Johann Wolfgang von Goethe, ln. 1-77 (1808; trans. Taylor 1870)
I've studied now Philosophy
And Jurisprudence, Medicine, -
And even, alas! Theology,
From end to end, with labor keen;
And here, poor fool! with all my lore
I stand, no wiser than before.
I'm Magister—yea, Doctor—hight,
And straight or cross-wise, wrong or right,
These ten years long, with many woes,
I've led my scholars by the nose,—
And see, that nothing can be known!
That knowledge cuts me to the bone.
I'm cleverer, true, than those fops of teachers,
Doctors and Magisters, Scribes and Preachers;
Neither scruples nor doubts come now to smite me,
Nor Hell nor Devil can longer affright me.
For this, all pleasure am I foregoing;
I do not pretend to aught worth knowing.
I do not pretend I could be a teacher
To help or convert a fellow-creature.
Then, too, I've neither lands nor gold,
Nor the world's least pomp or honor hold—
No dog would endure such a cursed existence!
Wherefore, from Magic I seek assistance,
That many a secret perchance I reach
Through spirit-power and spirit-speech,
And thus the biter task forego
Of saying the things I do not know,—
That I may detect the inmost force
Which binds the world, and guides its course;
Its germs, productive powers explore,
And rummage in empty words no more!
O full and splendid Moon, whom I
Have, from this desk, seen climb the sky
So many a midnight,—would thy glow
For the last time beheld my woe!
Ever thine eye, most mournful friend,
O'er books and papers saw me bend;
But would that I, on mountains grand,
Amid thy blessed light could stand,
With spirits through mountain-caverns hover,
Float in thy twilight the meadows over,
And, freed from the fumes of lore that swathe me,
To health in thy dewy fountains bathe me!
Ah, me! This dungeon still I see.
This drear, accursed masonry,
Where even the welcome daylight strains
But duskly through the painted panes.
Hemmed in by many a toppling heap
Of books worm-eaten, gray with dust,
Which to the vaulted ceiling creep,
Against the smoky paper thrust,—
With glasses, boxes, round me stacked,
And instruments together hurled,
Ancestral lumber, stuffed and packed—
Such is my world: and what a world!
And do I ask, wherefore my heart
Falters, oppressed with unknown needs?
Why some inexplicable smart
All movement of my life impedes?
Alas! In living Nature’s stead,
Where God His human creature set,
In smoke and mold the fleshless dead
And bones of beasts surround me yet!
Fly! Up, and seek the broad, free land!
And this one Book of Mystery
From Nostradamus’ very hand,
Is’t not sufficient company?
When I the starry courses know,
And Nature’s wise instruction seek,
With light of power my soul shall glow,
As when to spirits spirits speak.
'Tis vain, this empty brooding here,
Though guessed the holy symbols be:
Ye, Spirits, come—ye hover near—
Oh, if you hear me, answer me!
Which of the following functions as an image for Faust’s knowledge?
The other teachers
The free lands
The moon
His study
The fountains
His study
Faust's study is described as being dusty, filled with worm-eaten boks, stuffed, and packed. This is his world—the world of his learning. It lacks the vibrancy of the true forces of nature. He does not know reality as such, and his study has become just like his learning.
Example Question #124 : Passage Meaning And Inference
If by dull rhymes our English must be chain'd,
And, like Andromeda, the Sonnet sweet
Fetter'd, in spite of pained loveliness;
Let us find out, if we must be constrain'd,
Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gain'd
By ear industrious, and attention meet:
Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay wreath crown;
So, if we may not let the Muse be free,
She will be bound with garlands of her own.
The tone of the author can best be described as which of the following?
sarcastic
critical
didactic
ecstatic
enraged
critical
Since the poem seeks to underline the problems inherent in strictly sticking to the sonnet form, it can best be described as "critical" in tone. None of the other answer choices are supported by the poem: its tone is certainly not "didactic" (aiming to teach the reader something), "ecstatic," "sarcastic," and while the speaker may be frustrated with the limitations of the sonnet form, "enraged" is too strong of a word to properly capture the poem's tone.
Example Question #1 : Authorial Attitude, Tone, And Purpose In Poetry Passages
The tone of the passage can best be described as __________.
shy
frantic
bitter
uncaring
earnest
earnest
The tone can best be described as "earnest," or determined in nature.
Example Question #1 : Determining Authorial Purpose In Poetry Passages
Adapted from Faust by Johann Wolfgang von Goethe, ln. 1-77 (1808; trans. Taylor 1870)
I've studied now Philosophy
And Jurisprudence, Medicine, -
And even, alas! Theology,
From end to end, with labor keen;
And here, poor fool! with all my lore
I stand, no wiser than before.
I'm Magister—yea, Doctor—hight,
And straight or cross-wise, wrong or right,
These ten years long, with many woes,
I've led my scholars by the nose,—
And see, that nothing can be known!
That knowledge cuts me to the bone.
I'm cleverer, true, than those fops of teachers,
Doctors and Magisters, Scribes and Preachers;
Neither scruples nor doubts come now to smite me,
Nor Hell nor Devil can longer affright me.
For this, all pleasure am I foregoing;
I do not pretend to aught worth knowing.
I do not pretend I could be a teacher
To help or convert a fellow-creature.
Then, too, I've neither lands nor gold,
Nor the world's least pomp or honor hold—
No dog would endure such a cursed existence!
Wherefore, from Magic I seek assistance,
That many a secret perchance I reach
Through spirit-power and spirit-speech,
And thus the biter task forego
Of saying the things I do not know,—
That I may detect the inmost force
Which binds the world, and guides its course;
Its germs, productive powers explore,
And rummage in empty words no more!
O full and splendid Moon, whom I
Have, from this desk, seen climb the sky
So many a midnight,—would thy glow
For the last time beheld my woe!
Ever thine eye, most mournful friend,
O'er books and papers saw me bend;
But would that I, on mountains grand,
Amid thy blessed light could stand,
With spirits through mountain-caverns hover,
Float in thy twilight the meadows over,
And, freed from the fumes of lore that swathe me,
To health in thy dewy fountains bathe me!
Ah, me! This dungeon still I see.
This drear, accursed masonry,
Where even the welcome daylight strains
But duskly through the painted panes.
Hemmed in by many a toppling heap
Of books worm-eaten, gray with dust,
Which to the vaulted ceiling creep,
Against the smoky paper thrust,—
With glasses, boxes, round me stacked,
And instruments together hurled,
Ancestral lumber, stuffed and packed—
Such is my world: and what a world!
And do I ask, wherefore my heart
Falters, oppressed with unknown needs?
Why some inexplicable smart
All movement of my life impedes?
Alas! In living Nature’s stead,
Where God His human creature set,
In smoke and mold the fleshless dead
And bones of beasts surround me yet!
Fly! Up, and seek the broad, free land!
And this one Book of Mystery
From Nostradamus’ very hand,
Is’t not sufficient company?
When I the starry courses know,
And Nature’s wise instruction seek,
With light of power my soul shall glow,
As when to spirits spirits speak.
'Tis vain, this empty brooding here,
Though guessed the holy symbols be:
Ye, Spirits, come—ye hover near—
Oh, if you hear me, answer me!
How is humanity contrasted with God in this passage?
As truly living and nearly dead
They are not contrasted.
As two poles of the same living reality
God is the giver and man has destroyed the gift of life
As the source of life and the scientific investigator of life
They are not contrasted.
The only real discussion of God in this whole passage is, "In living Nature's stead, where God His human creature set . . ." Here, Faust is speaking of how God placed the human creature in nature. However, this does not really provide any contrast other than, perhaps, "creator and creature." This is not really provided in any of the answer choices, so the best option is simply "They are not contrasted."
Example Question #125 : Passage Meaning And Inference
If by dull rhymes our English must be chain'd,
And, like Andromeda, the Sonnet sweet
Fetter'd, in spite of pained loveliness;
Let us find out, if we must be constrain'd,
Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gain'd
By ear industrious, and attention meet:
Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay wreath crown;
So, if we may not let the Muse be free,
She will be bound with garlands of her own.
The main purpose of this poem by John Keats is __________.
to motivate poets to remain inspired even when criticized
to foster collaboration amongst poets
to explain how to create aesthetic beauty in poetry
to contest the notion that poets are bound by form
to encourage poets to work past the limitations created by strict formal conventions
to encourage poets to work past the limitations created by strict formal conventions
The best answer in this case is that the poem's main purpose is "to encourage poets to work past the limitations created by strict formal conventions." The poem can be summarized as saying "If we poets must work within forms with strict rules, like sonnets, let's examine the properties of language to make the forms we use best suit the language of the poems we write."
Example Question #4 : Poetry
Adapted from Faust by Johann Wolfgang von Goethe, ln. 1-77 (1808; trans. Taylor 1870)
I've studied now Philosophy
And Jurisprudence, Medicine, -
And even, alas! Theology,
From end to end, with labor keen;
And here, poor fool! with all my lore
I stand, no wiser than before.
I'm Magister—yea, Doctor—hight,
And straight or cross-wise, wrong or right,
These ten years long, with many woes,
I've led my scholars by the nose,—
And see, that nothing can be known!
That knowledge cuts me to the bone.
I'm cleverer, true, than those fops of teachers,
Doctors and Magisters, Scribes and Preachers;
Neither scruples nor doubts come now to smite me,
Nor Hell nor Devil can longer affright me.
For this, all pleasure am I foregoing;
I do not pretend to aught worth knowing.
I do not pretend I could be a teacher
To help or convert a fellow-creature.
Then, too, I've neither lands nor gold,
Nor the world's least pomp or honor hold—
No dog would endure such a cursed existence!
Wherefore, from Magic I seek assistance,
That many a secret perchance I reach
Through spirit-power and spirit-speech,
And thus the biter task forego
Of saying the things I do not know,—
That I may detect the inmost force
Which binds the world, and guides its course;
Its germs, productive powers explore,
And rummage in empty words no more!
O full and splendid Moon, whom I
Have, from this desk, seen climb the sky
So many a midnight,—would thy glow
For the last time beheld my woe!
Ever thine eye, most mournful friend,
O'er books and papers saw me bend;
But would that I, on mountains grand,
Amid thy blessed light could stand,
With spirits through mountain-caverns hover,
Float in thy twilight the meadows over,
And, freed from the fumes of lore that swathe me,
To health in thy dewy fountains bathe me!
Ah, me! This dungeon still I see.
This drear, accursed masonry,
Where even the welcome daylight strains
But duskly through the painted panes.
Hemmed in by many a toppling heap
Of books worm-eaten, gray with dust,
Which to the vaulted ceiling creep,
Against the smoky paper thrust,—
With glasses, boxes, round me stacked,
And instruments together hurled,
Ancestral lumber, stuffed and packed—
Such is my world: and what a world!
And do I ask, wherefore my heart
Falters, oppressed with unknown needs?
Why some inexplicable smart
All movement of my life impedes?
Alas! In living Nature’s stead,
Where God His human creature set,
In smoke and mold the fleshless dead
And bones of beasts surround me yet!
Fly! Up, and seek the broad, free land!
And this one Book of Mystery
From Nostradamus’ very hand,
Is’t not sufficient company?
When I the starry courses know,
And Nature’s wise instruction seek,
With light of power my soul shall glow,
As when to spirits spirits speak.
'Tis vain, this empty brooding here,
Though guessed the holy symbols be:
Ye, Spirits, come—ye hover near—
Oh, if you hear me, answer me!
To what does the underlined word “eye” refer?
The light of reason
The gaze of the learned world
The magical spirits
The eyes of Faust's students
The moon's light
The moon's light
In this paragraph, Faust is directly addressing the moon as though it were a person. He refers to it as though it had "looked" down upon him through all these years. Therefore, its "gaze" or "eye" has been on him—particularly through its light. We might call this the moon's eye or the moon itself.
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