SAT II Literature : Meaning of Specified Text: Poetry

Study concepts, example questions & explanations for SAT II Literature

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Example Questions

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Example Question #11 : Meaning Of Specified Text: Poetry

What dire offence from amorous causes springs,

What mighty contests rise from trivial things,

I sing — This verse to Caryl, Muse! is due:

This, even Belinda may vouchsafe to view:

Slight is the subject, but not so the praise,

If She inspire, and He approve my lays.

 

… Sol thro’ white curtains shot a tim’rous ray,        

And oped those eyes that must eclipse the day.       

Now lapdogs give themselves the rousing shake,      

And sleepless lovers just at twelve awake:   

Thrice rung the bell, the slipper knock’d the ground,

And the press’d watch return’d a silver sound.        

Belinda still her downy pillow prest,

Her guardian Sylph prolong’d the balmy rest.

In context, what does the first line of the poem (“What dire offence from amorous causes springs”) likely mean?

Possible Answers:

Love is resilient

Love conquers all

Love can lead to great wrongdoing

Love can transform even the most hardened of criminals

When two people are in love, it often offends others

Correct answer:

Love can lead to great wrongdoing

Explanation:

Based on the use of “dire,” we can hypothesize that “offense” means serious transgression and not simply hurt feelings here. Nothing in the first or subsequent lines indicates that the author is discussing the resilience or transformative powers of love. On the other hand, love conquers all is too broad a sentiment for the specificity of this poem.

Passage adapted from The Rape of the Lock by Alexander Pope (1712)

Example Question #11 : Meaning Of Specified Text

1 They are not long, the weeping and the laughter,

2 Love and desire and hate:

3 I think they have no portion in us after

4 We pass the gate. 

 

5 They are not long, the days of wine and roses:

6 Out of a misty dream

7 Our path emerges for a while, then closes

8 Within a dream. 

(1896)

In the context of the poem, the phrase "We pass the gate" (line 4) refers to _________________.

Possible Answers:

falling asleep

leaving a friend's home

starting a race

madness

death

Correct answer:

death

Explanation:

This poem is a meditation on the brevity of human life. In lines 1 and 2, "weeping...laughter...love and desire and hate" stand for all of human life and human existence. When the speaker says that these things "have no portion in us after / we pass the gate" (lines 3, 4), then he is saying that we no longer partake in these experiences after we are dead. Passing through "the gate" (line 4) is a metaphor for passing from life into death.

Passage adapted from "They are not long" by Ernest Dowson (1896)

Example Question #23 : Excerpt Meaning In Context

Adapted from Life and Remains of John Clare "The Northamptonshire Peasant Poet" by John Clare (1872, ed. J. L. Cherry)

I am! Yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss'd

Into the nothingness of scorn and noise.
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that's dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.

I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.

What is the meaning of the underlined line “I am the self-consumer of my woes”?

Possible Answers:

The narrator has been forced to eat alone

The narrator is unsympathetic to the troubles of others

The narrator feels abandoned to his or her sorrow

The narrator has nothing to fear in life

The narrator feels trapped with the pain of his or her own injuries

Correct answer:

The narrator feels abandoned to his or her sorrow

Explanation:

The indicated line is emphasizing that the narrator feels abandoned by those who would give him or her comfort and so is left to “consume” his or her “woes” alone. This does not mean the narrator must “eat alone,” and it also does not mean the speaker is “unsympathetic to the troubles of others,” as we are not told how the narrator would react to another person's sadness. We might say the narrator “feel[s] trapped with the pain of his or her own injuries,” but this phrasing suggests physical pain, whereas that which is presented in the line seems to be more of a mental pain or sorrow.

Example Question #21 : Comparisons And Contrasts

Adapted from Life and Remains of John Clare "The Northamptonshire Peasant Poet" by John Clare (1872, ed. J. L. Cherry)

I am! Yet what I am who cares, or knows?
My friends forsake me, like a memory lost.
I am the self-consumer of my woes,
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss'd

Into the nothingness of scorn and noise.
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that's dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.

I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,
The grass below; above, the vaulted sky.

What does the author mean by the line “Full of high thoughts, unborn”?

Possible Answers:

That his thoughts were high before he turned to God

That the speaker was thinking philosophically only after he or she was born

That there are few men who could think of higher thoughts

That the highest thoughts are not born to man but gifted

That the speaker is filled with great ideas which have yet to be realized

Correct answer:

That the speaker is filled with great ideas which have yet to be realized

Explanation:

The punctuation confuses the meaning but in the context of the three lines: “There to abide with my Creator, God, / And sleep as I in childhood sweetly slept, / Full of high thoughts, unborn.” We can see that the thoughts are "unborn" rather than being linked to any other parts of the sentence. In his or her sleep, the narrator is filled with thoughts that are not realized, as the narrator is not conscious. On waking, the thoughts may or may not be realized.

Example Question #13 : Meaning Of Specified Text: Poetry

I wonder, by my troth, what thou and I 

Did, till we loved? Were we not weaned till then? 
But sucked on country pleasures, childishly? 
Or snorted we in the Seven Sleepers’ den? 
’Twas so; but this, all pleasures fancies be. 
If ever any beauty I did see, 
Which I desired, and got, ’twas but a dream of thee.  

And now good-morrow to our waking souls, 
Which watch not one another out of fear; 
For love, all love of other sights controls, 
And makes one little room an everywhere. 
Let sea-discoverers to new worlds have gone,
Let maps to other, worlds on worlds have shown, 
Let us possess one world, each hath one, and is one. 

My face in thine eye, thine in mine appears, 
And true plain hearts do in the faces rest; 
Where can we find two better hemispheres, 
Without sharp north, without declining west? 
Whatever dies, was not mixed equally; 
If our two loves be one, or, thou and I 
Love so alike, that none do slacken, none can die.

(1633)

Which of the following best describes what's happening in the underlined passage? 

Possible Answers:

The speaker and his lover each sees their own face reflected in the other’s eyes, and their faces reflect their intentions towards one another

The speaker imagines how he must look to his lover by thinking about how she looks to him. He sees her as someone who will always speak the truth

None of these

The speaker imagines the eye as a synecdoche for his lover’s face, and the face, in turn, as a synecdoche for the heart

The speaker alludes to a common form of seventeenth-century divination in which the pupils were examined for signs of virtue

Correct answer:

The speaker and his lover each sees their own face reflected in the other’s eyes, and their faces reflect their intentions towards one another

Explanation:

The line "My face in thine eye, thine in mine appears" is as simple as it seems: the speaker is describing gazing into his lover's eyes. The parallelism of the syntax mimics this symmetry. In the next line, the speaker notes how their feelings ("true plain hearts") are expressed in their faces.

Passage adapted from John Donne's "The Good Morrow" (1633).

Example Question #11 : Meaning Of Specified Text: Poetry

I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent 
This night! what sights you, heart, saw; ways you went! 
And more must, in yet longer light's delay. 
With witness I speak this. But where I say 
Hours I mean years, mean life. And my lament 
Is cries countless, cries like dead letters sent 
To dearest him that lives alas! away. 

I am gall, I am heartburn. God's most deep decree 
Bitter would have me taste: my taste was me; 
Bones built in me, flesh filled, blood brimmed the curse. 
Selfyeast of spirit a dull dough sours. I see 
The lost are like this, and their scourge to be 
As I am mine, their sweating selves; but worse.

(1918) 

In the context, what does “God’s most deep decree” (line 9) refer to?

Possible Answers:

None of these 

“the curse” 

“my taste” 

“gall” and “heartburn” 

“bitter[ness]” 

Correct answer:

“the curse” 

Explanation:

The line "God's most deep decree" hints at a reference to the Biblical story of Adam and Eve from the book of Genesis. This allusion is confirmed by the use of the word "curse," which is a word commonly associated with this story ("cursed is the ground for thy sake," Genesis 3:17). 

Even if you haven't brushed up on your Biblical allusions lately, you should still be able to reach this answer by process of elimination. 

Passage adapted from "[I wake and feel the fell of dark, not day]" (1918) by Gerald Manley Hopkins. 

Example Question #15 : Meaning Of Specified Text: Poetry

  1. One day I wrote her name upon the strand,
  2. But came the waves and washed it away:
  3. Again I wrote it with a second hand,
  4. But came the tide, and made my pains his prey.
  5. Vain man, said she, that doest in vain assay
  6. A mortal thing so to immortalize,
  7. For I myself shall like to this decay,
  8. And eek my name be wiped out likewise.
  9. Not so (quoth I), let baser things devise
  10. To die in dust, but you shall live by fame:
  11. My verse your virtues rare shall eternize,
  12. And in the heavens write your glorious name.
  13. Where whenas Death shall all the world subdue,
  14. Our love shall live, and later life renew.

The meaning of lines 13-14 is ______________.

Possible Answers:

When your name has been written in the heavens, Death will be conquered and life will be reborn

When the world finally conquers death, you and I will be reborn

Even when death has destroyed every other living thing, our love will live again and create new life

Even when Death has destroyed the heavens, our love will have the power to save the world

When the rest of the world sleeps, we will be awake

Correct answer:

Even when death has destroyed every other living thing, our love will live again and create new life

Explanation:

Lines 13-14 comprise a sentence containing three clauses. The main verb of the first clause is “subdue”, and the subject (i.e., the doer of the action) is Death. The direct object of “subdue” is “all the world”. So the whole clause means something like, “Even when some time in the future Death subdues [i.e. kills] every living thing on earth . . .”

The verb in the second clause is “shall live”. The subject is “our love.” (There’s no object here.)

The final verb is “renew”. The subject is still “our love”, and the direct object is “life”.

Putting that all together, we get: “Even when the time comes when Death destroys every living thing on earth, our love will still live, and it will create new life.”

(As powerful as death is, the poet believes his verse is stronger.)

Passage adapted from Edmund Spenser's "Sonnet 75" (1594)

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