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Example Questions
Example Question #696 : Psat Critical Reading
Adapted from Candide by Voltaire (1918 trans.)
"Grandeur," said Pangloss, "is extremely dangerous according to the testimony of philosophers. For, in short, Eglon, King of Moab, was assassinated by Ehud; Absalom was hung by his hair, and pierced with three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how perished Croesus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus, Perseus, Hannibal, Jugurtha, Ariovistus, Cæsar, Pompey, Nero, Otho, Vitellius, Domitian, Richard II of England, Edward II, Henry VI, Richard III, Mary Stuart, Charles I, the three Henrys of France, the Emperor Henry IV! You know—"
"I know also," said Candide, "that we must cultivate our garden."
"You are right," said Pangloss, "for when man was first placed in the Garden of Eden, he was put there ut operaretur eum, that he might cultivate it; which shows that man was not born to be idle."
"Let us work," said Martin, "without disputing; it is the only way to render life tolerable.”
The whole little society entered into this laudable design, according to their different abilities. Their little plot of land produced plentiful crops. Cunegonde was, indeed, very ugly, but she became an excellent pastry cook; Paquette worked at embroidery; the old woman looked after the linen. They were all, not excepting Friar Giroflée, of some service or other; for he made a good joiner, and became a very honest man.
Pangloss sometimes said to Candide: "There is a concatenation of events in this best of all possible worlds; for if you had not been kicked out of a magnificent castle for love of Miss Cunegonde, if you had not been put into the Inquisition, if you had not walked over America, if you had not stabbed the Baron, if you had not lost all your sheep from the fine country of El Dorado, you would not be here eating preserved citrons and pistachio-nuts."
"All that is very well," answered Candide, "but let us cultivate our garden."
For what purpose does Pangloss say, “Which shows that . . . ”?
To explain the Latin phrase used in the remarks
To set the stage for another long list like that found at the beginning of the passage
To convince the others that work is not completely necessary to the human condition
To ridicule the biblical passage implied in the rest of his remarks
To express a conclusion to an argument, agreeing with the conclusions of his friends
To express a conclusion to an argument, agreeing with the conclusions of his friends
If you read Pangloss' words in an organized manner, you will see that he is making an argument that states that since human beings were placed in the Garden of Eden to cultivate it, they were not created to be idle. (That is, they were created to care for the garden.) He is making this argument in order to agree with the others' reasoning regarding the work that they should be doing. (At least he thinks that his method is helping to support it, though the others seem to have little patience for it.)
Example Question #697 : Psat Critical Reading
Adapted from Candide by Voltaire (1918 trans.)
"Grandeur," said Pangloss, "is extremely dangerous according to the testimony of philosophers. For, in short, Eglon, King of Moab, was assassinated by Ehud; Absalom was hung by his hair, and pierced with three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how perished Croesus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus, Perseus, Hannibal, Jugurtha, Ariovistus, Cæsar, Pompey, Nero, Otho, Vitellius, Domitian, Richard II of England, Edward II, Henry VI, Richard III, Mary Stuart, Charles I, the three Henrys of France, the Emperor Henry IV! You know—"
"I know also," said Candide, "that we must cultivate our garden."
"You are right," said Pangloss, "for when man was first placed in the Garden of Eden, he was put there ut operaretur eum, that he might cultivate it; which shows that man was not born to be idle."
"Let us work," said Martin, "without disputing; it is the only way to render life tolerable.”
The whole little society entered into this laudable design, according to their different abilities. Their little plot of land produced plentiful crops. Cunegonde was, indeed, very ugly, but she became an excellent pastry cook; Paquette worked at embroidery; the old woman looked after the linen. They were all, not excepting Friar Giroflée, of some service or other; for he made a good joiner, and became a very honest man.
Pangloss sometimes said to Candide: "There is a concatenation of events in this best of all possible worlds; for if you had not been kicked out of a magnificent castle for love of Miss Cunegonde, if you had not been put into the Inquisition, if you had not walked over America, if you had not stabbed the Baron, if you had not lost all your sheep from the fine country of El Dorado, you would not be here eating preserved citrons and pistachio-nuts."
"All that is very well," answered Candide, "but let us cultivate our garden."
What is the purpose of the long catalogue of names in the first paragraph?
To recount historical facts for the reader
To catalogue the philosophical reasons for Pangloss' argument
To detail the ills of grandeur
To connect this passage to the history of the actual world
To show the pedantic character of Pangloss
To show the pedantic character of Pangloss
You will note that later in the passage, Pangloss again starts to launch into a long list, detailing the steps in the "concatenation" of events in the world. He is cut off by Candide in both cases. The general portrayal of his character in this passage is that of someone concerned with stating many little details on a topic. A "pedant" describes such a person, and "pedantic" is the adjective form.
Example Question #101 : Language In Literary Fiction Passages
Adapted from Emma by Jane Austen (1815)
Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.
She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection.
Sixteen years had Miss Taylor been in Mr. Woodhouse's family, less as a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before Miss Taylor had ceased to hold the nominal office of governess, the mildness of her temper had hardly allowed her to impose any restraint; and the shadow of authority being now long passed away, they had been living together as friend and friend very mutually attached, and Emma doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own.
The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.
Sorrow came—a gentle sorrow—but not at all in the shape of any disagreeable consciousness. Miss Taylor married. It was Miss Taylor's loss which first brought grief. It was on the wedding-day of this beloved friend that Emma first sat in mournful thought of any continuance. The wedding over, and the bride-people gone, her father and herself were left to dine together, with no prospect of a third to cheer a long evening. Her father composed himself to sleep after dinner, as usual, and she had then only to sit and think of what she had lost.
The event had every promise of happiness for her friend. Mr. Weston was a man of unexceptionable character, easy fortune, suitable age, and pleasant manners; and there was some satisfaction in considering with what self-denying, generous friendship she had always wished and promoted the match; but it was a black morning's work for her.
How was she to bear the change?—It was true that her friend was going only half a mile from them; but Emma was aware that great must be the difference between a Mrs. Weston, only half a mile from them, and a Miss Taylor in the house; and with all her advantages, natural and domestic, she was now in great danger of suffering from intellectual solitude. She dearly loved her father, but he was no companion for her. He could not meet her in conversation, rational or playful.
In the fourth paragraph in the passage, the underlined sentence could be read as foreshadowing if, later in the story, __________.
Emma becomes a recluse
Emma’s flaws get her into trouble
Emma is killed
Emma decides to go see Miss Taylor
Emma decides to get married
Emma’s flaws get her into trouble
The fourth paragraph, with its underlined sentence, is as follows:
“The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.”
In the underlined sentence, the author has just taken note of “The real evils . . . of Emma’s situation,” and remarks that she was unaware of the danger these presented. The author’s use of the phrase “at present” suggests that Emma might become aware of these flaws in the future. Nothing about the sentence suggests that Emma will decide to get married, go see Miss Taylor, or become a recluse. While “danger” is discussed, nothing about the sentence suggests that these dangers could lead to Emma’s death; that is reading too much into the sentence’s use of the word “danger.” However, the sentence does suggest that Emma’s character flaws could get her into trouble; this is the correct answer.
Example Question #103 : Language In Literary Fiction Passages
Adapted from The War of the Worlds by H. G. Wells (1898)
No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.
The planet Mars revolves about the sun at a mean distance of 140,000,000 miles, and the light and heat it receives from the sun is barely half of that received by this world. It must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin. It has air and water and all that is necessary for the support of animated existence.
Since Mars is older than our earth, it necessarily follows that it is not only more distant from time's beginning but nearer its end. The cooling that must someday overtake our planet has already gone far indeed with our neighbor. In its equatorial region, the midday temperature barely approaches that of our coldest winter. Its air is much more attenuated than ours; its oceans have shrunk until they cover but a third of its surface. That last stage of exhaustion, which to us is still incredibly remote, has become a present-day problem for the inhabitants of Mars. The immediate pressure of necessity has brightened their intellects, enlarged their powers, and hardened their hearts. And looking across space with instruments, and intelligences such as we have scarcely dreamed of, they see, at its nearest distance only 35,000,000 of miles sunward of them, a morning star of hope, our own warmer planet, green with vegetation and grey with water, with a cloudy atmosphere eloquent of fertility, with glimpses through its drifting cloud wisps of broad stretches of populous country and narrow, navy-crowded seas.
And we men, the creatures who inhabit this earth, must be to them at least as alien and lowly as are the monkeys and lemurs to us. The intellectual side of man already admits that life is an incessant struggle for existence, and it would seem that this too is the belief of the minds upon Mars. Their world is far gone in its cooling and this world is still crowded with life, but crowded only with what they regard as inferior animals. To carry warfare sunward is, indeed, their only escape from the destruction that, generation after generation, creeps upon them.
And before we judge of them too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals, such as the vanished bison and the dodo, but upon itself. The Tasmanians were entirely swept out of existence in a war of extermination waged by European immigrants in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?
The third paragraph describes Earth’s appearance in detail in order to ___________.
make the Martians seem cruel
explain why the Martians hesitated in attacking it
describe the Earth as it looked in the narrator’s childhood
provide evidence in support of the nebular hypothesis
contrast it with Mars’ condition
contrast it with Mars’ condition
The detailed appearance of Earth that the author includes at the end of the third paragraph serves the distinct purpose of contrasting with the description of Mars that appears earlier in the paragraph. At this point in the passage, the author is describing why the Martians might want to attack Earth, and a major part of his argument is that the condition of Mars is becoming unlivable, but that Earth is still supportive of life. The visual description of Earth strengthens this comparison.
Example Question #103 : Language In Literary Fiction Passages
Adapted from The War of the Worlds by H. G. Wells (1898)
No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.
The planet Mars revolves about the sun at a mean distance of 140,000,000 miles, and the light and heat it receives from the sun is barely half of that received by this world. It must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin. It has air and water and all that is necessary for the support of animated existence.
Since Mars is older than our earth, it necessarily follows that it is not only more distant from time's beginning but nearer its end. The cooling that must someday overtake our planet has already gone far indeed with our neighbor. In its equatorial region, the midday temperature barely approaches that of our coldest winter. Its air is much more attenuated than ours; its oceans have shrunk until they cover but a third of its surface. That last stage of exhaustion, which to us is still incredibly remote, has become a present-day problem for the inhabitants of Mars. The immediate pressure of necessity has brightened their intellects, enlarged their powers, and hardened their hearts. And looking across space with instruments, and intelligences such as we have scarcely dreamed of, they see, at its nearest distance only 35,000,000 of miles sunward of them, a morning star of hope, our own warmer planet, green with vegetation and grey with water, with a cloudy atmosphere eloquent of fertility, with glimpses through its drifting cloud wisps of broad stretches of populous country and narrow, navy-crowded seas.
And we men, the creatures who inhabit this earth, must be to them at least as alien and lowly as are the monkeys and lemurs to us. The intellectual side of man already admits that life is an incessant struggle for existence, and it would seem that this too is the belief of the minds upon Mars. Their world is far gone in its cooling and this world is still crowded with life, but crowded only with what they regard as inferior animals. To carry warfare sunward is, indeed, their only escape from the destruction that, generation after generation, creeps upon them.
And before we judge of them too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals, such as the vanished bison and the dodo, but upon itself. The Tasmanians were entirely swept out of existence in a war of extermination waged by European immigrants in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?
The comparison made in the final paragraph serves to __________.
make it more difficult for the reader to empathize with the Martians
explain why the Martians might want to attack Earth
encourage the reader to root for the Martians in a Martian-human war
emphasize a similarity between humanity and the Martians
make humanity’s chance of winning a war against the Martians seem impossible
emphasize a similarity between humanity and the Martians
The final paragraph of the passage compares humans and Martians and emphasizes that humanity inflicts great destruction on other species and on itself, so we can’t really complain if the Martians behave in the same way towards us. This emphasizes a similarity between humanity and the Martians. None of the other answer choices are supported by the passage.
Example Question #31 : Specific Phrases And Sentences In Literary Fiction Passages
Adapted From "Tony Kytes, The Arch-Deceiver" in Life's Little Ironies: A Set of Tales, with some colloquial sketches, entitled, A Few Crusted Characters by Thomas Hardy (1905 ed.)
I shall never forget Tony’s face. It was a little, round, firm, tight face, with a seam here and there left by the small-pox, but not enough to hurt his looks in a woman's eye, though he'd had it baddish when he was a boy. So very serious looking and unsmiling 'a was, that young man, that it really seemed as if he couldn't laugh at all without great pain to his conscience. He looked very hard at a small speck in your eye when talking to 'ee. And there was no more sign of a whisker or beard on Tony Kytes's face than on the palm of my hand. He used to sing "The Tailor's Breeches," with all its scandelous lyrics, in a religious manner, as if it were a hymn. He was quite the women's favorite.
But in course of time Tony got fixed down to one in particular, Milly Richards – a nice, light, small, tender little thing; and it was soon said that they were engaged to be married. One Saturday he had been to market to do business for his father, and was driving home the wagon in the afternoon. When he reached the foot of the hill, who should he see waiting for him at the top but Unity Sallet, a handsome girl, one of the young women he'd been very tender towards before he'd got engaged to Milly.
As soon as Tony came up to her she said, "My dear Tony, will you give me a lift home?"
"That I will, darling," said Tony. "You don't suppose I could refuse 'ee?"
She smiled a smile, and up she hopped, and on drove Tony.
"Tony," she says, in a sort of tender chide, "Why did ye desert me for that other one? In what is she better than I? I should have made 'ee a finer wife, and a more loving one, too. 'Tisn't girls that are so easily won at first that are the best. Think how long we've known each other—ever since we were children almost—now haven't we, Tony?"
"Yes, that we have," says Tony, struck with the truth o't.
"And you've never seen anything in me to complain of, have ye, Tony? Now tell the truth to me."
"I never have, upon my life," says Tony.
"And—can you say I'm not pretty, Tony? Now look at me.
He let his eyes light upon her for a long while. "I really can't," says he. "In fact, I never knowed you was so pretty before!"
For what purpose does the author reference Tony's smallpox?
To suggest that he now had an immunity to the virus
To suggest that although he had scars from it, his looks were not affected
To distinguish him from the other characters
To state how he had been made unsightly so early in his life
To explain why women liked his appearance
To suggest that although he had scars from it, his looks were not affected
The mention of smallpox comes after the description of Tony's face and before the phrase “but not enough to hurt his looks in a woman's eye, though he'd had it badish when he was a boy.“ This suggests that although Tony was scarred by the smallpox, he retained his looks, which were particularly attractive to women.
Example Question #32 : Specific Phrases And Sentences In Literary Fiction Passages
Adapted From "Tony Kytes, The Arch-Deceiver" in Life's Little Ironies: A Set of Tales, with some colloquial sketches, entitled, A Few Crusted Characters by Thomas Hardy (1905 ed.)
I shall never forget Tony’s face. It was a little, round, firm, tight face, with a seam here and there left by the small-pox, but not enough to hurt his looks in a woman's eye, though he'd had it baddish when he was a boy. So very serious looking and unsmiling 'a was, that young man, that it really seemed as if he couldn't laugh at all without great pain to his conscience. He looked very hard at a small speck in your eye when talking to 'ee. And there was no more sign of a whisker or beard on Tony Kytes's face than on the palm of my hand. He used to sing "The Tailor's Breeches," with all its scandelous lyrics, in a religious manner, as if it were a hymn. He was quite the women's favorite.
But in course of time Tony got fixed down to one in particular, Milly Richards – a nice, light, small, tender little thing; and it was soon said that they were engaged to be married. One Saturday he had been to market to do business for his father, and was driving home the wagon in the afternoon. When he reached the foot of the hill, who should he see waiting for him at the top but Unity Sallet, a handsome girl, one of the young women he'd been very tender towards before he'd got engaged to Milly.
As soon as Tony came up to her she said, "My dear Tony, will you give me a lift home?"
"That I will, darling," said Tony. "You don't suppose I could refuse 'ee?"
She smiled a smile, and up she hopped, and on drove Tony.
"Tony," she says, in a sort of tender chide, "Why did ye desert me for that other one? In what is she better than I? I should have made 'ee a finer wife, and a more loving one, too. 'Tisn't girls that are so easily won at first that are the best. Think how long we've known each other—ever since we were children almost—now haven't we, Tony?"
"Yes, that we have," says Tony, struck with the truth o't.
"And you've never seen anything in me to complain of, have ye, Tony? Now tell the truth to me."
"I never have, upon my life," says Tony.
"And—can you say I'm not pretty, Tony? Now look at me.
He let his eyes light upon her for a long while. "I really can't," says he. "In fact, I never knowed you was so pretty before!"
For what purpose does the author reference the song “The Tailor's Breeches” in the first paragraph?
To show that Tony was a religious man
To demonstrate the close links between churches and public houses
To emphasize that Tony was a good singer
To show that Tony was an alcoholic
To show that Tony was immoral
To show that Tony was immoral
The author says that “[Tony] used to sing "The Tailor's Breeches," with all its scandalous lyrics, in a religious manner, as if it were a hymn." This tells us that Tony was piously immoral, as he could sing a crude song as if it were a hymn.
Example Question #43 : Specific Phrases And Sentences In Literary Fiction Passages
Adapted From "Tony Kytes, The Arch-Deceiver" in Life's Little Ironies: A Set of Tales, with some colloquial sketches, entitled, A Few Crusted Characters by Thomas Hardy (1905 ed.)
I shall never forget Tony’s face. It was a little, round, firm, tight face, with a seam here and there left by the small-pox, but not enough to hurt his looks in a woman's eye, though he'd had it baddish when he was a boy. So very serious looking and unsmiling 'a was, that young man, that it really seemed as if he couldn't laugh at all without great pain to his conscience. He looked very hard at a small speck in your eye when talking to 'ee. And there was no more sign of a whisker or beard on Tony Kytes's face than on the palm of my hand. He used to sing "The Tailor's Breeches," with all its scandelous lyrics, in a religious manner, as if it were a hymn. He was quite the women's favorite.
But in course of time Tony got fixed down to one in particular, Milly Richards – a nice, light, small, tender little thing; and it was soon said that they were engaged to be married. One Saturday he had been to market to do business for his father, and was driving home the wagon in the afternoon. When he reached the foot of the hill, who should he see waiting for him at the top but Unity Sallet, a handsome girl, one of the young women he'd been very tender towards before he'd got engaged to Milly.
As soon as Tony came up to her she said, "My dear Tony, will you give me a lift home?"
"That I will, darling," said Tony. "You don't suppose I could refuse 'ee?"
She smiled a smile, and up she hopped, and on drove Tony.
"Tony," she says, in a sort of tender chide, "Why did ye desert me for that other one? In what is she better than I? I should have made 'ee a finer wife, and a more loving one, too. 'Tisn't girls that are so easily won at first that are the best. Think how long we've known each other—ever since we were children almost—now haven't we, Tony?"
"Yes, that we have," says Tony, struck with the truth o't.
"And you've never seen anything in me to complain of, have ye, Tony? Now tell the truth to me."
"I never have, upon my life," says Tony.
"And—can you say I'm not pretty, Tony? Now look at me.
He let his eyes light upon her for a long while. "I really can't," says he. "In fact, I never knowed you was so pretty before!"
Given the way in which the author describes Tony in the underlined sentences, which of the following adjectives most accurately describes Tony?
Lazy
Grave
Vain
Clever
Depressed
Grave
The passage's first paragraph describes Tony as being "serious-looking" and "unsmiling," as well as "as if he couldn't laugh at all without great pain to his conscience." So, the answer choice that best describes Tony according to the first paragraph's description of him is "grave," a word that means serious and somber.
Example Question #101 : Language In Literary Fiction Passages
Passage adapted from The Confidence-Man: His Masquerade by Herman Melville (1857)
At sunrise on a first of April, there appeared suddenly a man in cream-colors at the water-side in the city of St. Louis.
His cheek was fair, his chin downy, his hair flaxen, his hat a white fur one, with a long fleecy nap. He had neither trunk, valise, carpet-bag, nor parcel. No porter followed him. He was unaccompanied by friends. From the shrugged shoulders, titters, whispers, wonderings of the crowd, it was plain that he was, in the extremest sense of the word, a stranger.
In the same moment with his advent, he stepped aboard the favorite steamer Fidèle, on the point of starting for New Orleans. Stared at, but unsaluted, with the air of one neither courting nor shunning regard, but evenly pursuing the path of duty, lead it through solitudes or cities, he held on his way along the lower deck until he chanced to come to a placard nigh the captain's office, offering a reward for the capture of a mysterious impostor, supposed to have recently arrived from the East; quite an original genius in his vocation, as would appear, though wherein his originality consisted was not clearly given; but what purported to be a careful description of his person followed.
As if it had been a theatre-bill, crowds were gathered about the announcement, and among them certain chevaliers, whose eyes, it was plain, were on the capitals, or, at least, earnestly seeking sight of them from behind intervening coats; but as for their fingers, they were enveloped in some myth; though, during a chance interval, one of these chevaliers somewhat showed his hand in purchasing from another chevalier, ex-officio a peddler of money-belts, one of his popular safe-guards, while another peddler, who was still another versatile chevalier, hawked, in the thick of the throng, the lives of Measan, the bandit of Ohio, Murrel, the pirate of the Mississippi, and the brothers Harpe, the Thugs of the Green River country, in Kentucky—creatures, with others of the sort, one and all exterminated at the time, and for the most part, like the hunted generations of wolves in the same regions, leaving comparatively few successors; which would seem cause for unalloyed gratulation, and is such to all except those who think that in new countries, where the wolves are killed off, the foxes increase.
Pausing at this spot, the stranger so far succeeded in threading his way, as at last to plant himself just beside the placard, when, producing a small slate and tracing some words upon it, he held it up before him on a level with the placard, so that they who read the one might read the other. The words were these:—
"Charity thinketh no evil.”
What is the purpose of the underlined sentence?
To introduce the idea that a fugitive con man has arrived in the city, and to directly and unequivocally state that the "man in cream-colors" is that con man
To describe the crowd of people in great detail
To offer further description of the "man in cream-colors" and to introduce the idea that a fugitive con man has arrived in the city
To offer further description of the "man in cream-colors" and to introduce the sheriff as a character
To set the scene for the upcoming arrival of the fugitive con man
To offer further description of the "man in cream-colors" and to introduce the idea that a fugitive con man has arrived in the city
The underlined sentence further describes the way that the stranger "in cream-colors" moves "with the air of one neither courting nor shunning regard" through the crowd. The later part of the sentence then introduces the idea that a "mysterious imposter" who was an "original genius in his vocation" (that being impersonating and conning people), and had "recently arrived from the East." Certainly, the idea that the poster only "purported" to be "a careful description of" the con man, mentioned while the stranger is standing right next to the poset strongly implies that the stranger is the con man, this is far from stated directly.
Example Question #31 : Literary Devices
Adapted from “The Rise of Pancho Villa” in Insurgent Mexico by John Reed (1913)
The roar began at the back of the crowd and swept like fire in heavy growing crescendo until it seemed to toss thousands of hats above their heads. The band in the courtyard struck up the Mexican national air, and Villa came walking down the street.
He was dressed in an old plain khaki uniform, with several buttons lacking. He hadn't recently shaved, wore no hat, and his hair had not been brushed. He walked a little pigeon-toed, humped over, with his hands in his trousers pockets. As he entered the aisle between the rigid lines of soldiers he seemed slightly embarrassed, and grinned and nodded to a friend here and there in the ranks. At the foot of the grand staircase, Governor Chao and Secretary of State Terrazzas joined him in full-dress uniform. The band threw off all restraint, and, as Villa entered the audience chamber, at a signal from someone in the balcony of the palace, the great throng in the Plaza de Armas uncovered, and all the brilliant crowd of officers in the room saluted stiffly. It was Napoleonic!
Villa hesitated for a minute, pulling his mustache and looking very uncomfortable, finally gravitated toward the throne, which he tested by shaking the arms, and then sat down, with the Governor on his right and the Secretary of State on his left.
Señor Bauche Alcalde stepped forward and pronounced a short discourse, indicting Villa for personal bravery on the field on six counts, which he mentioned in florid detail. He was followed by the Chief of Artillery, who said: "The army adores you. We will follow you wherever you lead. You can be what you desire in Mexico." Then three other officers spoke in the high-flung, extravagant periods necessary to Mexican oratory. They called him "The Friend of the Poor," "The Invincible General," "The Inspirer of Courage and Patriotism," "The Hope of the Indian Republic." And through it all Villa slouched on the throne, his mouth hanging open, his little shrewd eyes playing around the room. Once or twice he yawned, but for the most part he seemed to be speculating, with some intense interior amusement, like a small boy in church, what it was all about. He knew, of course, that it was the proper thing, and perhaps felt a slight vanity that all this conventional ceremonial was addressed to him. But it bored him just the same.
Finally, with an impressive gesture, Colonel Servin stepped forward with the small pasteboard box which held the medal. General Chao nudged Villa, who stood up. The officers applauded violently; the crowd outside cheered; the band in the court burst into a triumphant march.
Villa put out both hands eagerly, like a child for a new toy. He could hardly wait to open the box and see what was inside. An expectant hush fell upon everyone, even the crowd in the square. Villa looked at the medal, scratching his head, and, in a reverent silence, said clearly: "This is a hell of a little thing to give a man for all that heroism you are talking about!" And the bubble of Empire was pricked then and there with a great shout of laughter.
Why does the author include the formal names given to Pancho Villa by several of the present ministers?
To introduce the themes of bravery and patriotism
To show that Pancho Villa was loved
To demonstrate the silliness of the occasion
To contrast the seriousness of the occasion with the attitude of Pancho Villa
Because the reader would not understand Mexican custom otherwise
To contrast the seriousness of the occasion with the attitude of Pancho Villa
The author describes the various names that were given to Pancho Villa to highlight the contrast demeanor of the occasion with the attitude of Pancho Villa. The names are intended to demonstrate the formality of the ceremony and within the context of the paragraph the listing of names serves the purpose of underscoring the unusual attitude of Pancho Villa. The author makes this clear when he says “And through it all Villa slouched on the throne, his mouth hanging open, his little shrewd eyes playing around the room. Once or twice he yawned, but for the most part he seemed to be speculating, with some intense interior amusement.”