All HiSET: Language Arts - Reading Resources
Example Questions
Example Question #11 : Inference And Interpretation
Passage adapted from Little Women by Louisa May Alcott (1868)
There were to be no ceremonious performances, everything was to be as natural and homelike as possible, so when Aunt March arrived, she was scandalized to see the bride come running to welcome and lead her in, to find the bridegroom fastening up a garland that had fallen down, and to catch a glimpse of the paternal minister marching upstairs with a grave countenance and a wine bottle under each arm.
“Upon my word, here's a state of things!” cried the old lady, taking the seat of honor prepared for her, and settling the folds of her lavender moire with a great rustle. “You oughtn't to be seen till the last minute, child.”
“I'm not a show, Aunty, and no one is coming to stare at me, to criticize my dress, or count the cost of my luncheon. I'm too happy to care what anyone says or thinks, and I'm going to have my little wedding just as I like it. John, dear, here's your hammer.” And away went Meg to help “that man” in his highly improper employment.
The narrator places “that man” in quotation marks to demonstrate ____________.
What Meg says out loud
which man Meg is helping
Aunt March's disapproval
Aunt March is mocking the bridegroom
Aunt March's disapproval
Aunt March is "scandalized" by John's behavior as he helps refasten the fallen garland. By placing Aunt March's appellation in quotation marks, the author is implying that Aunt March was so affronted that she refuses to call him by his given name.
Example Question #91 : Hi Set: High School Equivalency: Reading
I wish to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school-committee, and every one of you will take care of that.
I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks,—who had a genius, so to speak, for sauntering: which word is beautifully derived from "idle people who roved about the country, in the Middle Ages, and asked charity, under pretense of going à la Sainte Terre," to the Holy Land, till the children exclaimed, "There goes a Sainte-Terrer," a Saunterer,—a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre, without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all; but the saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which, indeed, is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels.
It is true, we are but faint-hearted crusaders, even the walkers, nowadays, who undertake no persevering, never-ending enterprises. Our expeditions are but tours, and come round again at evening to the old hearth-side from which we set out. Half the walk is but retracing our steps. We should go forth on the shortest walk, perchance, in the spirit of undying adventure, never to return,—prepared to send back our embalmed hearts only as relics to our desolate kingdoms. If you are ready to leave father and mother, and brother and sister, and wife and child and friends, and never see them again,—if you have paid your debts, and made your will, and settled all your affairs, and are a free man, then you are ready for a walk.
To come down to my own experience, my companion and I, for I sometimes have a companion, take pleasure in fancying ourselves knights of a new, or rather an old, order,—not Equestrians or Chevaliers, not Ritters or riders, but Walkers, a still more ancient and honorable class, I trust. The chivalric and heroic spirit which once belonged to the Rider seems now to reside in, or perchance to have subsided into, the Walker,—not the Knight, but Walker Errant. He is a sort of fourth estate, outside of Church and State and People.
We have felt that we almost alone hereabouts practiced this noble art; though, to tell the truth, at least, if their own assertions are to be received, most of my townsmen would fain walk sometimes, as I do, but they cannot. No wealth can buy the requisite leisure, freedom, and independence, which are the capital in this profession. It comes only by the grace of God. It requires a direct dispensation from Heaven to become a walker. You must be born into the family of the Walkers. Ambulator nascitur, non fit. Some of my townsmen, it is true, can remember and have described to me some walks which they took ten years ago, in which they were so blessed as to lose themselves for half an hour in the woods; but I know very well that they have confined themselves to the highway ever since, whatever pretensions they may make to belong to this select class. No doubt they were elevated for a moment as by the reminiscence of a previous state of existence, when even they were foresters and outlaws.
Based on the passage, who or what are "the Infidels" most likely a metaphor for?
Olympic champions
Champions of civilization
Monks of Saint-Terre
Knights of the Roundtable
Champions of civilization
The answer is in the first paragraph of the essay, where Thoreau states that his purpose is to recover man as a part of Nature rather than society, in opposition to "champions of civilization." Because "the Infidels" are imagined as antagonists in paragraph two, this hints that "champions of civilization" could be an appropriate stand-in.
Another way to reach this answer is by process of elimination: none of the other answers are suitable.
Passage adapted from "Walking," Henry David Thoreau (1862)
Example Question #92 : Hi Set: High School Equivalency: Reading
How is the truth like lightning, according to the speaker of this poem?
It needs no explanation or discussion
It can be so alarming and powerful that it causes problems
It is a circuit
It comes down at a slant
It can be so alarming and powerful that it causes problems
The correct answer is it can be so alarming that it causes problems. The speaker is saying that the truth can be shocking ("superb surprise" "too bright") and that "the Truth must dazzle gradually/ Or every man be blind." This means that if truth is presented too bluntly, it will cause harm. The speaker believes that the truth requires delicate explanation, and that it must be delivered gently. The poem does not suggest that lightning comes down in a slant, and the use of the word slant does not literally mean at a slant--it means to tell the truth politely. The poem does not compare truth or lightning to a circuit.
Example Question #94 : Language Arts: Reading
As the boat bounced from the top of each wave, the wind tore through the hair of the hatless men, and as the craft plopped her stern down again the spray slashed past them. The crest of each of these waves was a hill, from the top of which the men surveyed, for a moment, a broad tumultuous expanse; shining and wind-riven. It was probably splendid. It was probably glorious, this play of the free sea, wild with lights of emerald and white and amber.
"Bully good thing it's an on-shore wind," said the cook. "If not, where
would we be? Wouldn't have a show."
"That's right," said the correspondent.
The busy oiler nodded his assent.
Then the captain, in the bow, chuckled in a way that expressed humor, contempt, tragedy, all in one. "Do you think we've got much of a show, now, boys?" said he.
Whereupon the three were silent, save for a trifle of hemming and hawing. To express any particular optimism at this time they felt to be childish and stupid, but they all doubtless possessed this sense of the situation in their mind. A young man thinks doggedly at such times. On the other hand, the ethics of their condition was decidedly against any open suggestion of hopelessness. So they were silent.
"Oh, well," said the captain, soothing his children, "we'll get ashore
all right."
But there was that in his tone which made them think, so the oiler quoth:
"Yes! If this wind holds!"
Adapted from Stephen Crane's "The Open Boat" (1897)
What is the meaning of the phrase, "have a show" as it is used in this passage?
Make an effort
Have a chance
Give a performance
Have an accident
Have a chance
The correct answer is have a chance. The men are at sea in the middle of a harsh storm, contemplating their chances of making it so shore safely. They are not performing for anyone, and they are not discussing the possibility of having an accident. It would not make sense to debate whether or not to make an effort in this passage. Re-reading the sentences, "Bully good thing it's an on-shore wind," said the cook. "If not, where would we be? Wouldn't have a show" and replacing them with each choice helps you answer this question. If you replaced the word show with chance each time it occurs in the passage, it makes the most sense.
Example Question #13 : Inference And Interpretation
A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, on the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.
Passage adapted from James Joyce's "The Dead" (1914)
The narrator is falling asleep during a snowstorm. What significance does the snow have in this scene?
Its softness and quiet beckon the narrator to examine it
It highlights then increases the narrator’s slip from awareness into sleep
It covers everything in white, making the landscape hard to see
It shows the narrator what death in the churchyard is like
It charts a clear westward journey
It highlights then increases the narrator’s slip from awareness into sleep
The snow is quiet and it is accumulating all over the country. As the narrator sees it, he hears the quiet snow falling and he thinks he can hear it throughout the universe, not just in his land. He swoons into unconscious sleep and his general awareness lessens as if he were among the living and dead outside, all being slowly covered by the snow.
Example Question #93 : Hi Set: High School Equivalency: Reading
Adapted from Jude the Obscure by Thomas Hardy (1895)
He sounded the clacker till his arm ached, and at length his heart grew sympathetic with the birds' thwarted desires. They seemed, like himself, to be living in a world which did not want them. Why should he frighten them away? They took upon more and more the aspect of gentle friends and pensioners—the only friends he could claim as being in the least degree interested in him, for his aunt had often told him that she was not. He ceased his rattling, and they alighted anew.
"Poor little dears!" said Jude, aloud. "You shall have some dinner—you shall. There is enough for us all. Farmer Troutham can afford to let you have some. Eat, then my dear little birdies, and make a good meal!"
They stayed and ate, inky spots on the nut-brown soil, and Jude enjoyed their appetite. A magic thread of fellow-feeling united his own life with theirs. Puny and sorry as those lives were, they much resembled his own.
His clacker he had by this time thrown away from him, as being a mean and sordid instrument, offensive both to the birds and to himself as their friend. All at once he became conscious of a smart blow upon his buttocks, followed by a loud clack, which announced to his surprised senses that the clacker had been the instrument of offense used. The birds and Jude started up simultaneously, and the dazed eyes of the latter beheld the farmer in person, the great Troutham himself, his red face glaring down upon Jude's cowering frame, the clacker swinging in his hand.
"So it's 'Eat my dear birdies,' is it, young man? 'Eat, dear birdies,' indeed! I'll tickle your breeches, and see if you say, 'Eat, dear birdies' again in a hurry! And you've been idling at the schoolmaster's too, instead of coming here, ha'n't ye, hey? That's how you earn your sixpence a day for keeping the rooks off my corn!"
Based on the passage it is reasonable to infer that ________________.
the clacker is lost at the end of the passage
Jude is passionate about animal welfare
Jude gains comfort from seeing the bird's satiation
Jude falls asleep
the birds are about as big as sparrows
Jude gains comfort from seeing the bird's satiation
We know the birds are bigger than sparrows as they are called "rooks," which are akin to crows. The information in the passage that proves Jude is comforted by the bird’s hunger being fulfilled, or satiated, is “Jude enjoyed their appetite.”
Example Question #94 : Hi Set: High School Equivalency: Reading
Passage adapted from Little Women by Louisa May Alcott (1868)
There were to be no ceremonious performances, everything was to be as natural and homelike as possible, so when Aunt March arrived, she was scandalized to see the bride come running to welcome and lead her in, to find the bridegroom fastening up a garland that had fallen down, and to catch a glimpse of the paternal minister marching upstairs with a grave countenance and a wine bottle under each arm.
“Upon my word, here's a state of things!” cried the old lady, taking the seat of honor prepared for her, and settling the folds of her lavender moire with a great rustle. “You oughtn't to be seen till the last minute, child.”
“I'm not a show, Aunty, and no one is coming to stare at me, to criticize my dress, or count the cost of my luncheon. I'm too happy to care what anyone says or thinks, and I'm going to have my little wedding just as I like it. John, dear, here's your hammer.” And away went Meg to help “that man” in his highly improper employment.
What can we infer about typical wedding customs among members of Meg's family's social class in this setting?
The bride is expected to show good manners and greet guests as they arrive
Members of the wedding party are mostly kept away from guests before the ceremony
Members of the bride's family play important roles in the ceremony
The minister serves wine after the ceremony
Members of the wedding party are mostly kept away from guests before the ceremony
Aunt March is horrified because the scene she finds at the beginning of the passage is a break from social conventions. She says, "'You oughtn't to be seen till the last minute, child.'"
Example Question #95 : Hi Set: High School Equivalency: Reading
I wish to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school-committee, and every one of you will take care of that.
I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks,—who had a genius, so to speak, for sauntering: which word is beautifully derived from "idle people who roved about the country, in the Middle Ages, and asked charity, under pretense of going à la Sainte Terre," to the Holy Land, till the children exclaimed, "There goes a Sainte-Terrer," a Saunterer,—a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre, without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all; but the saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which, indeed, is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels.
It is true, we are but faint-hearted crusaders, even the walkers, nowadays, who undertake no persevering, never-ending enterprises. Our expeditions are but tours, and come round again at evening to the old hearth-side from which we set out. Half the walk is but retracing our steps. We should go forth on the shortest walk, perchance, in the spirit of undying adventure, never to return,—prepared to send back our embalmed hearts only as relics to our desolate kingdoms. If you are ready to leave father and mother, and brother and sister, and wife and child and friends, and never see them again,—if you have paid your debts, and made your will, and settled all your affairs, and are a free man, then you are ready for a walk.
To come down to my own experience, my companion and I, for I sometimes have a companion, take pleasure in fancying ourselves knights of a new, or rather an old, order,—not Equestrians or Chevaliers, not Ritters or riders, but Walkers, a still more ancient and honorable class, I trust. The chivalric and heroic spirit which once belonged to the Rider seems now to reside in, or perchance to have subsided into, the Walker,—not the Knight, but Walker Errant. He is a sort of fourth estate, outside of Church and State and People.
We have felt that we almost alone hereabouts practiced this noble art; though, to tell the truth, at least, if their own assertions are to be received, most of my townsmen would fain walk sometimes, as I do, but they cannot. No wealth can buy the requisite leisure, freedom, and independence, which are the capital in this profession. It comes only by the grace of God. It requires a direct dispensation from Heaven to become a walker. You must be born into the family of the Walkers. Ambulator nascitur, non fit. Some of my townsmen, it is true, can remember and have described to me some walks which they took ten years ago, in which they were so blessed as to lose themselves for half an hour in the woods; but I know very well that they have confined themselves to the highway ever since, whatever pretensions they may make to belong to this select class. No doubt they were elevated for a moment as by the reminiscence of a previous state of existence, when even they were foresters and outlaws.
Based on the information in the passage, in which environment does the author most likely live?
In the woods
In a big city
In a town
At Walden Pond
In a town
In the last paragraph, Thoreau refers to "Some of my townsmen," so the most appropriate answer here is "in a town."
Although students familiar with Thoreau's work may associate his name with Walden Pond, nothing in the passage references this location.
Passage adapted from "Walking," Henry David Thoreau (1862)
Example Question #16 : Inference And Interpretation
As the boat bounced from the top of each wave, the wind tore through the hair of the hatless men, and as the craft plopped her stern down again the spray slashed past them. The crest of each of these waves was a hill, from the top of which the men surveyed, for a moment, a broad tumultuous expanse; shining and wind-riven. It was probably splendid. It was probably glorious, this play of the free sea, wild with lights of emerald and white and amber.
"Bully good thing it's an on-shore wind," said the cook. "If not, where
would we be? Wouldn't have a show."
"That's right," said the correspondent.
The busy oiler nodded his assent.
Then the captain, in the bow, chuckled in a way that expressed humor, contempt, tragedy, all in one. "Do you think we've got much of a show, now, boys?" said he.
Whereupon the three were silent, save for a trifle of hemming and hawing. To express any particular optimism at this time they felt to be childish and stupid, but they all doubtless possessed this sense of the situation in their mind. A young man thinks doggedly at such times. On the other hand, the ethics of their condition was decidedly against any open suggestion of hopelessness. So they were silent.
"Oh, well," said the captain, soothing his children, "we'll get ashore
all right."
But there was that in his tone which made them think, so the oiler quoth:
"Yes! If this wind holds!"
Adapted from Stephen Crane's "The Open Boat" (1897)
What inference can be drawn about the men on the boat?
This is their first voyage
They are experienced sailors
They are pessimistic at heart
They have never before experienced a storm at sea
They are experienced sailors
The correct answer is that they are experienced sailors. The reader can guess that they have been on the sea during similar storms in the past based on the vocabulary they share, such as the knowledge of winds in relation to sailing. They also seem to be realistic about their chances of making it through the storm, and have a calm demeanor in the face of the challenge. Thus, it is probably not the first time they have faced a storm at sea. They do not seem inherently pessimistic--rather they show signs of optimism. The reader cannot infer it is a first voyage through any details in the text.
Example Question #16 : Inference And Interpretation
Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began.
Consider all this; and then turn to the green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life. God keep thee! Push not off from that isle, thou canst never return!
Passage adapted from Moby Dick, Herman Melville (1851)
The author likens the sea to what in a person?
Beauty
Flashes of brilliant thoughts
Hidden fears
Daily life
Blood
Hidden fears
“Dreaded creatures” are fears, and they are unapparent for the most part, “treacherously hidden.” One can look at the beautiful surface of the sea and be unaware of the dangers beneath. Similarly, one can focus on the visible part of one's life and be unaware of one's unconscious fears and prejudices.