Most epic poets plunge 'in medias res'
       (______ makes this the heroic turnpike road),
     And then your hero tells, whene'er you please,
       What went before—by way of episode,
     While seated after dinner at his ease,
       Beside his mistress in some soft abode,
     Palace, or garden, paradise, or cavern,
     Which serves the happy couple for a tavern.

     That is the usual method, but not mine—
       My way is to begin with the beginning;
     The regularity of my design
       Forbids all wandering as the worst of sinning,
     And therefore I shall open with a line
       (Although it cost me half an hour in spinning)
     Narrating somewhat of Don Juan's father,
     And also of his mother, if you'd rather.

The author of this stanza is __________.

Of Man's first disobedience, and the fruit

Of that forbidden tree, whose mortal taste

Brought death into the world, and all our woe,

With loss of Eden, till one greater Man

Restore us, and regain the blissful seat,

Sing, heavenly Muse, that on the secret top

Of Oreb, or of Sinai, didst inspire

That Shepherd, who first taught the chosen seed,

In the beginning, how the Heavens and Earth

Rose out of Chaos: or if Sion hill

Delight thee more, and Siloa's brook that flow'd

Fast by the oracle of God: I thence

Invoke thy aid to my adventrous song,

That with no middle flight intends to soar

Above the Aonian mount, while it pursues

Things unattempted yet in prose or rhyme.

(John Milton, Paradise Lost, Book I.)

What is the main verb in the first ten lines of the excerpt above?

Of Man's first disobedience, and the fruit

Of that forbidden tree, whose mortal taste

Brought death into the world, and all our woe,

With loss of Eden, till one greater Man

Restore us, and regain the blissful seat,

Sing, heavenly Muse, that on the secret top

Of Oreb, or of Sinai, didst inspire

That Shepherd, who first taught the chosen seed,

In the beginning, how the Heavens and Earth

Rose out of Chaos: or if Sion hill

Delight thee more, and Siloa's brook that flow'd

Fast by the oracle of God: I thence

Invoke thy aid to my adventrous song,

That with no middle flight intends to soar

Above the Aonian mount, while it pursues

Things unattempted yet in prose or rhyme.

(John Milton, Paradise Lost, Book I.)

Which of the following terms best describes the style of verse in which the above excerpt was written?

A Late Walk

1          When I go up through the mowing field,
2          The headless aftermath,
3          Smooth-laid like thatch with the heavy dew,
4          Half closes the garden path.

5          And when I come to the garden ground,
6          The whir of sober birds
7          Up from the tangle of withered weeds
8          Is sadder than any words

9          A tree beside the wall stands bare,
10        But a leaf that lingered brown,
11        Disturbed, I doubt not, by my thought,
12        Comes softly rattling down.

13        I end not far from my going forth
14        By picking the faded blue
15        Of the last remaining aster flower
16        To carry again to you.

The tone of the poem can best be described as                      .

A Late Walk

1          When I go up through the mowing field,
2          The headless aftermath,
3          Smooth-laid like thatch with the heavy dew,
4          Half closes the garden path.

5          And when I come to the garden ground,
6          The whir of sober birds
7          Up from the tangle of withered weeds
8          Is sadder than any words

9          A tree beside the wall stands bare,
10        But a leaf that lingered brown,
11        Disturbed, I doubt not, by my thought,
12        Comes softly rattling down.

13        I end not far from my going forth
14        By picking the faded blue
15        Of the last remaining aster flower
16        To carry again to you.

The speaker in the poem is very probably addressing                      .

A Late Walk

1          When I go up through the mowing field,
2          The headless aftermath,
3          Smooth-laid like thatch with the heavy dew,
4          Half closes the garden path.

5          And when I come to the garden ground,
6          The whir of sober birds
7          Up from the tangle of withered weeds
8          Is sadder than any words

9          A tree beside the wall stands bare,
10        But a leaf that lingered brown,
11        Disturbed, I doubt not, by my thought,
12        Comes softly rattling down.

13        I end not far from my going forth
14        By picking the faded blue
15        Of the last remaining aster flower
16        To carry again to you.

The following is an example of alliteration:

A Late Walk

1          When I go up through the mowing field,
2          The headless aftermath,
3          Smooth-laid like thatch with the heavy dew,
4          Half closes the garden path.

5          And when I come to the garden ground,
6          The whir of sober birds
7          Up from the tangle of withered weeds
8          Is sadder than any words

9          A tree beside the wall stands bare,
10        But a leaf that lingered brown,
11        Disturbed, I doubt not, by my thought,
12        Comes softly rattling down.

13        I end not far from my going forth
14        By picking the faded blue
15        Of the last remaining aster flower
16        To carry again to you.

The following connotes the imagery of warfare:

A Late Walk

1          When I go up through the mowing field,
2          The headless aftermath,
3          Smooth-laid like thatch with the heavy dew,
4          Half closes the garden path.

5          And when I come to the garden ground,
6          The whir of sober birds
7          Up from the tangle of withered weeds
8          Is sadder than any words

9          A tree beside the wall stands bare,
10        But a leaf that lingered brown,
11        Disturbed, I doubt not, by my thought,
12        Comes softly rattling down.

13        I end not far from my going forth
14        By picking the faded blue
15        Of the last remaining aster flower
16        To carry again to you.

The phrase "sober birds" (line 6) implies that even the birds are                      .

A Late Walk

1          When I go up through the mowing field,
2          The headless aftermath,
3          Smooth-laid like thatch with the heavy dew,
4          Half closes the garden path.

5          And when I come to the garden ground,
6          The whir of sober birds
7          Up from the tangle of withered weeds
8          Is sadder than any words

9          A tree beside the wall stands bare,
10        But a leaf that lingered brown,
11        Disturbed, I doubt not, by my thought,
12        Comes softly rattling down.

13        I end not far from my going forth
14        By picking the faded blue
15        Of the last remaining aster flower
16        To carry again to you.

If the speaker feels that his life is nearing an end, what most strongly makes that argument?

A Late Walk

1          When I go up through the mowing field,
2          The headless aftermath,
3          Smooth-laid like thatch with the heavy dew,
4          Half closes the garden path.

5          And when I come to the garden ground,
6          The whir of sober birds
7          Up from the tangle of withered weeds
8          Is sadder than any words

9          A tree beside the wall stands bare,
10        But a leaf that lingered brown,
11        Disturbed, I doubt not, by my thought,
12        Comes softly rattling down.

13        I end not far from my going forth
14        By picking the faded blue
15        Of the last remaining aster flower
16        To carry again to you.

What does the speaker believe caused the "leaf that lingered brown" (line 10) to come "softly rattling down" (line 12)?