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All Common Core: 9th Grade English Language Arts Resources
Adapted from Hung Lou Meng, Book I; or, The Dream of the Red Chamber: A Chinese Novel by Cao Xueqin, (c.1716–1763) (trans. H. Bencraft Joly, 1892–93)
[At this point in the novel, Tai-yü has left her father’s house and traveled to go live with her grandmother.]
Lin Tai-yü had often heard her mother recount how different was her grandmother's house from that of other people's; and having seen for herself how [extravagant] were already the attendants of the three grades, (sent to wait upon her,) in attire, in their fare, in all their articles of use, "how much more," she thought to herself, "now that I am going to her home, must I be careful at every step, and circumspect at every moment! Nor must I utter one word too many, nor make one step more than is proper, for fear lest I should be ridiculed by any of them!”
. . .
An entrance hall stood in the center, in the middle of which was a door-screen of Ta Li marble, set in an ebony frame. In the [courtyard] were five parlors, the frieze of the ceiling of which was all carved, and the pillars ornamented. In the side-rooms were suspended cages, full of parrots of every color, thrushes, and birds of every description.
Three or four [waiting maids] forthwith vied with each other in raising the door curtain, while at the same time was heard some one announce: "Miss Lin has arrived."
No sooner had she entered the room, than she espied two servants supporting a venerable lady, with silver-white hair, coming forward to greet her. Convinced that this lady must be her grandmother, she was about to prostrate herself and pay her obeisance, when she was quickly clasped in the arms of her grandmother, who held her close against her bosom; and as she called her "My liver! My flesh!" (My love! My darling!) she began to sob aloud.
The bystanders too, at once, without one exception, melted into tears; and Tai-yü herself found some difficulty in restraining her sobs. Little by little the whole party succeeded in consoling her, and Tai-yü at length paid her obeisance to her grandmother. Her ladyship thereupon pointed them out one by one to Tai-yü. "This," she said, "is the wife of your uncle, your mother's elder brother; this is the wife of your uncle, her second brother; and this is your eldest sister-in-law Chu, the wife of your senior cousin Chu."
Tai-yü bowed to each one of them with folded arms.
"Ask the young ladies in," dowager lady Chia went on to say. "Tell them a guest from afar has just arrived, one who comes for the first time; and that they may not go to their lessons."
Not long after three nurses and five or six waiting-maids were seen ushering in three young ladies. In their head ornaments, jewelry, and dress, the get-up of the three young ladies was identical.
Tai-yü speedily rose to greet them and to exchange salutations. After they had made each other's acquaintance, they all took a seat, whereupon the servants brought the tea. Their conversation was confined to Tai-yü's mother—how she had fallen ill, what doctors had attended her, what medicines had been given her, and how she had been buried and mourned. Dowager lady Chia was naturally again in great anguish.
"Of all my daughters," she remarked, "your mother was the one I loved best, and now in a twinkle, she has passed away, before me too, and I've not been able to so much as see her face. How can this not make my heart sore-stricken?"
And as she gave vent to these feelings, she took Tai-yü's hand in hers, and again gave way to sobs, and it was only after the members of the family had quickly made use of much exhortation and coaxing that they succeeded, little by little, in stopping her tears.
They all perceived that Tai-yü, despite her youthful years and appearance, was ladylike in her deportment and address, and that though with her delicate figure and countenance, she seemed as if unable to bear the very weight of her clothes, she possessed, however, a certain captivating air. And as they readily noticed the symptoms of a weak constitution, they went on in consequence to make inquiries as to what medicines she ordinarily took, and how it was that her complaint had not been cured.
Hardly had she finished [replying], when a sound of laughter was heard from the back courtyard. "Here I am too late!" the voice said, "and not in time to receive the distant visitor!"
"Every one of all these people," reflected Tai-yü, "holds her peace and suppresses the very breath of her mouth; and who, I wonder, is this coming in this reckless and rude manner?"
The attire of this person bore no similarity to that of the young ladies. In all her splendor and luster, she looked like a fairy or a goddess. On her person, she wore a tight-sleeved jacket, of dark red flowered satin, covered with hundreds of butterflies, embroidered in gold, interspersed with flowers. Her stature was elegant; her figure graceful; her powdered face like dawning spring, majestic, yet not haughty.
Tai-yü eagerly rose and greeted her. She was just at a loss how to address her, when all her cousins informed Tai-yü, that this was her sister-in-law Lien.
Tai-yü lost no time in returning her smile and saluting her with all propriety, addressing her as "my sister-in-law." [Lien] laid hold of Tai-yü's hand, and minutely scrutinized her, for a while, from head to foot, after which she led her back next to dowager lady Chia, where they both took a seat.
The first paragraph has which of the following effects on the rest of the passage?
It emphasizes how Tai-yü initially assumes that her grandmother's house will be similar to her mother's.
It adds tension by informing the audience that Tai-yü is afraid of embarrassing herself at her grandmother's residence before she arrives there.
It suggests that Tai-yü has never before been in a formal social situation that demands good manners, and that she is not aware that her behavior will be judged.
It allows the reader to infer that Tai-yü is only pretending to be the granddaughter of the woman she is going to visit and is not actually related to her.
The first paragraph has which of the following effects on the rest of the passage?
It emphasizes how Tai-yü initially assumes that her grandmother's house will be similar to her mother's.
It suggests that Tai-yü has never before been in a formal social situation that demands good manners, and that she is not aware that her behavior will be judged.
It allows the reader to infer that Tai-yü is only pretending to be the granddaughter of the woman she is going to visit and is not actually related to her.
It adds tension by informing the audience that Tai-yü is afraid of embarrassing herself at her grandmother's residence before she arrives there.
In the first paragraph, we learn that Tai-yü is expecting her grandmother's house to be very different from any house in which she's lived. Seeing how extravagant her grandmother's attendants are prompts Tai-yü to worry about making a social mistake and embarrassing herself in this new milieu. After this paragraph, there is a paragraph break, and then the rest of the paragraph begins. Tai-yü's grandmother's house is described, and then her entrance is announced.
The first paragraph works in a specific way to influence how readers understand the rest of the material that follows after the paragraph break. It does not "[emphasize] how Tai-yü initially assumes that her grandmother's house will be similar to her mother's." We learn that Tai-yü assumes the opposite: that her grandmother's house will be very different from other people's. Furthermore, it does not "[suggest] that Tai-yü has never before been in a formal social situation that demands good manners, and that she is not aware that her behavior will be judged." She is very aware that her behavior will be judged, to the point where she is concerned about making a social error. Finally, it does not "[allow] the reader to infer that Tai-yü is only pretending to be the granddaughter of the woman she is going to visit and is not actually related to her." Nothing in the passage suggests that this is the case.
The correct answer is that the first paragraph "adds tension by informing the audience that Tai-yü is afraid of embarrassing herself at her grandmother's residence before she arrives there." The placement of the paragraph as the first one in the passage allows the reader to understand how Tai-yü is feeling about traveling to live with her grandmother. This insight into her thoughts and feelings in the first paragraph adds another layer of interpretation to the rest of the passage: the reader understands that as Tai-yü interacts with her grandmother and relatives, she is nervous about embarrassing herself.
Passage 2: Adapted from Woodrow Wilson’s “War Message to Congress” ("Address of The President of the United States Delivered at a Joint Session of The Two Houses of Congress") (April 2, 1917)
On the third of February last I officially laid before you the extraordinary announcement of the Imperial German Government that on and after the first day of February it was its purpose to put aside all restraints of law or of humanity and use its submarines to sink every vessel that sought to approach either the ports of Great Britain and Ireland or the western coasts of Europe or any of the ports controlled by the enemies of Germany within the Mediterranean.
That had seemed to be the object of the German submarine warfare earlier in the war, but since April of last year, the Imperial Government had somewhat restrained the commanders of its undersea craft in conformity with its promise then given to us that passenger boats should not be sunk and that due warning would be given to all other vessels which its submarines might seek to destroy when no resistance was offered or escape attempted, and care taken that their crews were given at least a fair chance to save their lives in their open boats. The precautions taken were meager and haphazard enough, as was proved in distressing instance after instance in the progress of the cruel business, but a certain degree of restraint was observed.
The new policy has swept every restriction aside. Vessels of every kind, whatever their flag, their character, their cargo, their destination, their errand, have been ruthlessly sent to the bottom: without warning and without thought of help or mercy for those on board, the vessels of friendly neutrals along with those of belligerents. Even hospital ships and ships carrying relief to the sorely bereaved and stricken people of Belgium, though the latter were provided with safe conduct through the proscribed areas by the German Government itself and were distinguished by unmistakable marks of identity, have been sunk with the same reckless lack of compassion or of principle.
I was for a little while unable to believe that such things would in fact be done by any government that had hitherto subscribed to humane practices. [International maritime law] the German Government has swept aside under the plea of retaliation and necessity and because it had no weapons which it could use at sea except these which it is impossible to employ as it is employing them without throwing to the winds all scruples of humanity or of respect for the understandings that were supposed to underlie the intercourse of the world. I am not now thinking of the loss of property involved, immense and serious as that is, but only of the wanton and wholesale destruction of the lives of noncombatants, men, women, and children, engaged in pursuits which have always, even in the darkest periods of modern history, been deemed innocent and legitimate. Property can be paid for; the lives of peaceful and innocent people cannot be. The present German submarine warfare against commerce is a warfare against mankind.
It is a war against all nations. American ships have been sunk, American lives taken, in ways which it has stirred us very deeply to learn of, but the ships and people of other neutral and friendly nations have been sunk and overwhelmed in the waters in the same way. There has been no discrimination. The challenge is to all mankind. Each nation must decide for itself how it will meet it. The choice we make for ourselves must be made with a moderation of counsel and a temperateness of judgment befitting our character and our motives as a nation. We must put excited feeling away. Our motive will not be revenge or the victorious assertion of the physical might of the nation, but only the vindication of right, of human right, of which we are only a single champion.
Based on the way in which it is used in the passage, the bolded and underlined word "belligerents" is used to mean which of the following, specifically?
Countries whose ports are assailed by ships from other countries
People or groups who pester other people or groups and do things to undermine them without outright attacking them
Pirate captains and crews who do not follow the rules of maritime law
Countries that are formally at war with another country
Based on the way in which it is used in the passage, the bolded and underlined word "belligerents" is used to mean which of the following, specifically?
Countries whose ports are assailed by ships from other countries
People or groups who pester other people or groups and do things to undermine them without outright attacking them
Pirate captains and crews who do not follow the rules of maritime law
Countries that are formally at war with another country
In order to figure out what the passage specifically means by "belligerent," it's important to look at the word in the context in which it is used in the passage.
Vessels of every kind, whatever their flag, their character, their cargo, their destination, their errand, have been ruthlessly sent to the bottom: without warning and without thought of help or mercy for those on board, the vessels of friendly neutrals along with those of belligerents.
This word is being contrasted with "friendly neutrals." Specifically, the author is saying that the Imperial German navy has been sinking both the ships of "friendly neutrals" and the ships of "belligerents." This tells us that "belligerents" are the opposite of, or at least very different from, "friendly neutrals." Given that this passage is talking about military conflicts, "friendly neutrals" can reasonably be interpreted to mean countries that are neutral and friendly to the country being discussed. Given this, "belligerents" means the opposite—countries that are not friendly or neutral to the country being discussed, or in other words, countries at war with the country being discussed. The correct answer choice is the one that best matches this conclusion: "Countries that are formally at war with another country."
(Note that this definition fits the etymology of "belligerent," which contains the Latinate root "bell-," from "bellum," Latin for war. This root appears in other words like "antebellum" (occurring before the American Civil War), "bellicose" (aggressive and ready to fight). You don't need to know this to answer this question correctly, though!)
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