All AP English Literature Resources
Example Questions
Example Question #11 : Passage Content
Adapted from "The Mouse’s Petition" in Poems by Anna Letitia Barbauld (1773)
Found in the trap where he had been confined all night by Dr. Priestley, for the sake of making experiments with different kinds of air
“To spare the humbled, and to tame in war the proud.” - Virgil
OH! hear a pensive captive's prayer,
For liberty that sighs;
And never let thine heart be shut
Against the prisoner's cries.
For here forlorn and sad I sit,
Within the wiry grate;
And tremble at th' approaching morn,
Which brings impending fate.
If e'er thy breast with freedom glow'd,
And spurn'd a tyrant's chain,
Let not thy strong oppressive force
A free-born mouse detain.
Oh! do not stain with guiltless blood
Thy hospitable hearth;
Nor triumph that thy wiles betray'd
A prize so little worth.
The scatter'd gleanings of a feast
My scanty meals supply;
But if thine unrelenting heart
That slender boon deny,
The cheerful light, the vital air,
Are blessings widely given;
Let nature's commoners enjoy
The common gifts of heaven.
The well-taught philosophic mind
To all compassion gives;
Casts round the world an equal eye,
And feels for all that lives.
If mind, as ancient sages taught,
A never dying flame,
Still shifts thro' matter's varying forms,
In every form the same,
Beware, lest in the worm you crush
A brother's soul you find;
And tremble lest thy luckless hand
Dislodge a kindred mind.
Or, if this transient gleam of day
Be all of life we share,
Let pity plead within thy breast,
That little all to spare.
So may thy hospitable board
With health and peace be crown'd;
And every charm of heartfelt ease
Beneath thy roof be found.
So when unseen destruction lurks,
Which men like mice may share,
May some kind angel clear thy path,
And break the hidden snare.
The speaker of this poem is __________.
A scientist speaking to his research subject, a mouse, explaining the moral reasoning behind the mouse's imprisonment.
A mouse asserting its own ethical relevance and desire to be free of the scientific experiments being conducted on him.
A human patient who has been made captive by his doctor for the purpose of medical study pleading for his freedom.
A prisoner asserting his own ethical relevance and desire to be free of the secret scientific experiments being conducted on him.
A mouse asserting its own ethical relevance and desire to be free of the cage in which his owner keeps him as a pet.
A mouse asserting its own ethical relevance and desire to be free of the scientific experiments being conducted on him.
The speaker of this poem is a mouse. The “petition” the mouse is making to his captor, a scientist, consists of asserting his own ethical relevance relative to all creatures, and voicing his desire for “freedom.” Since the speaker is not a prisoner, patient, or scientist. The speaker is specifically figured as the object of an experiment, rather than as a house pet.
Example Question #1 : Characterization And Motivation: Drama
Adapted from Titus Andronicus by William Shakespeare, III.i.1126-1185 (1623)
Enter Judges, Senators and Tribunes, with MARTIUS and QUINTUS, bound, passing on to the place of execution; TITUS going before, pleading
Titus Andronicus: Hear me, grave fathers! noble tribunes, stay!
For pity of mine age, whose youth was spent
In dangerous wars, whilst you securely slept;
For all my blood in Rome's great quarrel shed;
For all the frosty nights that I have watch'd;
And for these bitter tears, which now you see
Filling the aged wrinkles in my cheeks;
Be pitiful to my condemned sons,
Whose souls are not corrupted as 'tis thought.
For two and twenty sons I never wept,
Because they died in honor's lofty bed.
[Lieth down; the Judges, &c., pass by him, and Exeunt]
For these, these, tribunes, in the dust I write
My heart's deep languor and my soul's sad tears:
Let my tears stanch the earth's dry appetite;
My sons' sweet blood will make it shame and blush.
O earth, I will befriend thee more with rain,
That shall distill from these two ancient urns,
Than youthful April shall with all his showers:
In summer's drought I'll drop upon thee still;
In winter with warm tears I'll melt the snow
And keep eternal spring-time on thy face,
So thou refuse to drink my dear sons' blood.
[Enter LUCIUS, with his sword drawn]
O reverend tribunes! O gentle, aged men!
Unbind my sons, reverse the doom of death;
And let me say, that never wept before,
My tears are now prevailing orators.
Lucius: O noble father, you lament in vain:
The tribunes hear you not; no man is by;
And you recount your sorrows to a stone.
Titus Andronicus: Ah, Lucius, for thy brothers let me plead.
Grave tribunes, once more I entreat of you,—
Lucius: My gracious lord, no tribune hears you speak.
Titus Andronicus: Why, tis no matter, man; if they did hear,
They would not mark me, or if they did mark,
They would not pity me, yet plead I must;
And bootless unto them [—]
Therefore I tell my sorrows to the stones;
Who, though they cannot answer my distress,
Yet in some sort they are better than the tribunes,
For that they will not intercept my tale:
When I do weep, they humbly at my feet
Receive my tears and seem to weep with me;
And, were they but attired in grave weeds,
Rome could afford no tribune like to these.
A stone is soft as wax,—tribunes more hard than stones;
A stone is silent, and offendeth not,
And tribunes with their tongues doom men to death.
[Rises]
But wherefore stand'st thou with thy weapon drawn?
Lucius: To rescue my two brothers from their death:
For which attempt the judges have pronounced
My everlasting doom of banishment.
Titus Andronicus: O happy man! they have befriended thee.
Why, foolish Lucius, dost thou not perceive
That Rome is but a wilderness of tigers?
Tigers must prey, and Rome affords no prey
But me and mine: how happy art thou, then,
From these devourers to be banished!
Which of the following best describes how Titus Andronicus characterizes the tribunes when speaking to Lucius?
Less empathetic and receptive to pleas than rocks
Uneducated, rash decision-makers
Attentive, responsible civil administrators
Aggressive, unthinking warmongers
Worse speakers than rocks
Less empathetic and receptive to pleas than rocks
When speaking to Lucius, Titus Andronicus characterizes the tribunes as less empathetic than rocks. While rocks may not be able to respond to his pleas, at least they will not "intercept" them. So, while he says that talking to stones is "bootless," Titus characterizes the stones, through their stillness, as more receptive and empathetic than the aggressively insensitive tribunes.
While Titus may prefer talking to rocks than talking to the tribunes, he does admit that the rocks "cannot answer [his] distress" or even talk at all.
Example Question #2 : Characterization And Motivation: Drama
Adapted from Titus Andronicus by William Shakespeare, III.i.1126-1185 (1623)
Enter Judges, Senators and Tribunes, with MARTIUS and QUINTUS, bound, passing on to the place of execution; TITUS going before, pleading
Titus Andronicus: Hear me, grave fathers! noble tribunes, stay!
For pity of mine age, whose youth was spent
In dangerous wars, whilst you securely slept;
For all my blood in Rome's great quarrel shed;
For all the frosty nights that I have watch'd;
And for these bitter tears, which now you see
Filling the aged wrinkles in my cheeks;
Be pitiful to my condemned sons,
Whose souls are not corrupted as 'tis thought.
For two and twenty sons I never wept,
Because they died in honor's lofty bed.
[Lieth down; the Judges, &c., pass by him, and Exeunt]
For these, these, tribunes, in the dust I write
My heart's deep languor and my soul's sad tears:
Let my tears stanch the earth's dry appetite;
My sons' sweet blood will make it shame and blush.
O earth, I will befriend thee more with rain,
That shall distill from these two ancient urns,
Than youthful April shall with all his showers:
In summer's drought I'll drop upon thee still;
In winter with warm tears I'll melt the snow
And keep eternal spring-time on thy face,
So thou refuse to drink my dear sons' blood.
[Enter LUCIUS, with his sword drawn]
O reverend tribunes! O gentle, aged men!
Unbind my sons, reverse the doom of death;
And let me say, that never wept before,
My tears are now prevailing orators.
Lucius: O noble father, you lament in vain:
The tribunes hear you not; no man is by;
And you recount your sorrows to a stone.
Titus Andronicus: Ah, Lucius, for thy brothers let me plead.
Grave tribunes, once more I entreat of you,—
Lucius: My gracious lord, no tribune hears you speak.
Titus Andronicus: Why, tis no matter, man; if they did hear,
They would not mark me, or if they did mark,
They would not pity me, yet plead I must;
And bootless unto them [—]
Therefore I tell my sorrows to the stones;
Who, though they cannot answer my distress,
Yet in some sort they are better than the tribunes,
For that they will not intercept my tale:
When I do weep, they humbly at my feet
Receive my tears and seem to weep with me;
And, were they but attired in grave weeds,
Rome could afford no tribune like to these.
A stone is soft as wax,—tribunes more hard than stones;
A stone is silent, and offendeth not,
And tribunes with their tongues doom men to death.
[Rises]
But wherefore stand'st thou with thy weapon drawn?
Lucius: To rescue my two brothers from their death:
For which attempt the judges have pronounced
My everlasting doom of banishment.
Titus Andronicus: O happy man! they have befriended thee.
Why, foolish Lucius, dost thou not perceive
That Rome is but a wilderness of tigers?
Tigers must prey, and Rome affords no prey
But me and mine: how happy art thou, then,
From these devourers to be banished!
Which of the following is NOT an aspect of Titus' personification of "the earth," underlined and bolded?
Able to feel shame
Ancient
Extremely thirsty
Bribable
Subject to the whims of the seasons
Ancient
The only answer listed that was NOT an aspect of Titus' characterization of the earth was "ancient." While he does refer to "two ancient urns," this is a reference to the possible death of his sons, not an aspect of the personified earth.
The earth that Titus personifies and addresses is said to be extremely thirsty ("dry appetite"), and able to "blush and [feel] shame" if it drinks innocent blood. In keeping with its extreme thirst, the earth is also bribable with tears ("I will befriend thee more with rain"), and subject to the whims of the seasons (dry summers and snowy winters).
Example Question #11 : Passage Content
Adapted from The Merchant of Venice, IV.i.2199-2280, by William Shakespeare (1600)
PORTIA: It is so. Are there balance here to weigh
The flesh?
SHYLOCK: I have them ready.
PORTIA: Have by some surgeon, Shylock, on your charge,
To stop his wounds, lest he do bleed to death.
SHYLOCK: Is it so nominated in the bond?
PORTIA: It is not so express'd, but what of that?
'Twere good you do so much for charity.
SHYLOCK: I cannot find it; 'tis not in the bond.
PORTIA. You, merchant, have you anything to say?
ANTONIO: But little: I am arm'd and well prepar'd.
Give me your hand, Bassanio; fare you well.
Grieve not that I am fall'n to this for you,
For herein Fortune shows herself more kind
Than is her custom. It is still her use
To let the wretched man outlive his wealth,
To view with hollow eye and wrinkled brow
An age of poverty; from which ling'ring penance
Of such misery doth she cut me off.
Commend me to your honorable wife;
Tell her the process of Antonio's end;
Say how I lov'd you; speak me fair in death;
And, when the tale is told, bid her be judge
Whether Bassanio had not once a love.
Repent but you that you shall lose your friend,
And he repents not that he pays your debt;
For if the Jew do cut but deep enough,
I'll pay it instantly with all my heart.
BASSANIO: Antonio, I am married to a wife
Which is as dear to me as life itself;
But life itself, my wife, and all the world,
Are not with me esteem'd above thy life;
I would lose all, ay, sacrifice them all
Here to this devil, to deliver you.
PORTIA: Your wife would give you little thanks for that,
If she were by to hear you make the offer.
GRATIANO: I have a wife who I protest I love;
I would she were in heaven, so she could
Entreat some power to change this currish Jew.
NERISSA: 'Tis well you offer it behind her back;
The wish would make else an unquiet house.
SHYLOCK: [Aside] These be the Christian husbands! I have a
daughter—
Would any of the stock of Barrabas
Had been her husband, rather than a Christian!—
We trifle time; I pray thee pursue sentence.
PORTIA: A pound of that same merchant's flesh is thine.
The court awards it and the law doth give it.
SHYLOCK: Most rightful judge!
PORTIA: And you must cut this flesh from off his breast.
The law allows it and the court awards it.
SHYLOCK: Most learned judge! A sentence! Come, prepare.
PORTIA: Tarry a little; there is something else.
This bond doth give thee here no jot of blood:
The words expressly are 'a pound of flesh.'
Take then thy bond, take thou thy pound of flesh;
But, in the cutting it, if thou dost shed
One drop of Christian blood, thy lands and goods
Are, by the laws of Venice, confiscate
Unto the state of Venice.
GRATIANO: O upright judge! Mark, Jew. O learned judge!
SHYLOCK: Is that the law?
PORTIA: Thyself shalt see the act;
For, as thou urgest justice, be assur'd
Thou shalt have justice, more than thou desir'st.
GRATIANO: O learned judge! Mark, Jew. A learned judge!
SHYLOCK: I take this offer then: pay the bond thrice,
And let the Christian go.
BASSANIO: Here is the money.
PORTIA: Soft!
The Jew shall have all justice. Soft! No haste.
He shall have nothing but the penalty.
GRATIANO: O Jew! an upright judge, a learned judge!
PORTIA: Therefore, prepare thee to cut off the flesh.
Shed thou no blood, nor cut thou less nor more
But just a pound of flesh; if thou tak'st more
Or less than a just pound—be it but so much
As makes it light or heavy in the substance,
Or the division of the twentieth part
Of one poor scruple; nay, if the scale do turn
But in the estimation of a hair—
Thou diest, and all thy goods are confiscate.
What occurs between the characters in the underlined selection?
Shylock offers to receive a smaller amount of repayment, but Portia remarks that the original offer was fair.
Shylock increases the debt, and Portia refuses to allow him to do so.
Shylock offers to forgive the debt, while Portia insists that it must be paid.
Shylock makes a counter-offer that is then refused.
Shylock ignores the counter-offers made by Antonio and others while Portia gives them fair consideration.
Shylock makes a counter-offer that is then refused.
In the course of this passage, Shylock makes an alternative offer for repayment. He offers for the bond to be repaid three-fold in response to the challenges made regarding the pound of flesh he originally had contracted. However, Portia wants to hold him to the original amount.
Example Question #11 : Passage Content
Adapted from Emma by Jane Austen (1815)
Mrs. Bates, the widow of a former vicar of Highbury, was a very old lady, almost past every thing but tea and quadrille. She lived with her single daughter in a very small way, and was considered with all the regard and respect which a harmless old lady, under such untoward circumstances, can excite. Her daughter enjoyed a most uncommon degree of popularity for a woman neither young, handsome, rich, nor married. Miss Bates stood in the very worst predicament in the world for having much of the public favor; and she had no intellectual superiority to make atonement to herself, or frighten those who might hate her into outward respect. She had never boasted either beauty or cleverness. Her youth had passed without distinction, and her middle of life was devoted to the care of a failing mother, and the endeavor to make a small income go as far as possible. And yet she was a happy woman, and a woman whom no one named without good-will. It was her own universal good-will and contented temper which worked such wonders. She loved every body, was interested in every body's happiness, quick-sighted to every body's merits; thought herself a most fortunate creature, and surrounded with blessings in such an excellent mother, and so many good neighbors and friends, and a home that wanted for nothing. The simplicity and cheerfulness of her nature, her contented and grateful spirit, were a recommendation to every body, and a mine of felicity to herself. She was a great talker upon little matters, which exactly suited Mr. Woodhouse, full of trivial communications and harmless gossip.
Mrs. Goddard was the mistress of a School—not of a seminary, or an establishment, or any thing which professed, in long sentences of refined nonsense, to combine liberal acquirements with elegant morality, upon new principles and new systems—and where young ladies for enormous pay might be screwed out of health and into vanity—but a real, honest, old-fashioned Boarding-school, where a reasonable quantity of accomplishments were sold at a reasonable price, and where girls might be sent to be out of the way, and scramble themselves into a little education, without any danger of coming back prodigies. Mrs. Goddard's school was in high repute—and very deservedly; for Highbury was reckoned a particularly healthy spot: she had an ample house and garden, gave the children plenty of wholesome food, let them run about a great deal in the summer, and in winter dressed their chilblains with her own hands. It was no wonder that a train of twenty young couple now walked after her to church. She was a plain, motherly kind of woman, who had worked hard in her youth, and now thought herself entitled to the occasional holiday of a tea-visit; and having formerly owed much to Mr. Woodhouse's kindness, felt his particular claim on her to leave her neat parlor, hung round with fancy-work, whenever she could, and win or lose a few sixpences by his fireside.
These were the ladies whom Emma found herself very frequently able to collect; and happy was she, for her father's sake, in the power; though, as far as she was herself concerned, it was no remedy for the absence of Mrs. Weston. She was delighted to see her father look comfortable, and very much pleased with herself for contriving things so well; but the quiet prosings of three such women made her feel that every evening so spent was indeed one of the long evenings she had fearfully anticipated.
Which of the following best describes how Emma feels about her evening gatherings?
She considers her father selfish and wishes that she could be alone.
She makes every excuse possible to avoid them.
She is happy to see her father happy, but is privately disappointed by the company.
She feels honored to be in the social circle of such esteemed women.
She wishes that these evenings would last forever.
She is happy to see her father happy, but is privately disappointed by the company.
Emma endeavors to make the best of her situation, and she clearly cares deeply about her father's comfort; however, evenings with these other women feel "long" to her, as they are not people she feels she naturally connects with. She misses her old friend, Mrs. Weston, and is therefore disappointed in these gatherings without her, despite her father's pleasure.
Example Question #12 : Character And Subject Relationships
Adapted from Emma by Jane Austen (1815)
Mrs. Bates, the widow of a former vicar of Highbury, was a very old lady, almost past every thing but tea and quadrille. She lived with her single daughter in a very small way, and was considered with all the regard and respect which a harmless old lady, under such untoward circumstances, can excite. Her daughter enjoyed a most uncommon degree of popularity for a woman neither young, handsome, rich, nor married. Miss Bates stood in the very worst predicament in the world for having much of the public favor; and she had no intellectual superiority to make atonement to herself, or frighten those who might hate her into outward respect. She had never boasted either beauty or cleverness. Her youth had passed without distinction, and her middle of life was devoted to the care of a failing mother, and the endeavor to make a small income go as far as possible. And yet she was a happy woman, and a woman whom no one named without good-will. It was her own universal good-will and contented temper which worked such wonders. She loved every body, was interested in every body's happiness, quick-sighted to every body's merits; thought herself a most fortunate creature, and surrounded with blessings in such an excellent mother, and so many good neighbors and friends, and a home that wanted for nothing. The simplicity and cheerfulness of her nature, her contented and grateful spirit, were a recommendation to every body, and a mine of felicity to herself. She was a great talker upon little matters, which exactly suited Mr. Woodhouse, full of trivial communications and harmless gossip.
Mrs. Goddard was the mistress of a School—not of a seminary, or an establishment, or any thing which professed, in long sentences of refined nonsense, to combine liberal acquirements with elegant morality, upon new principles and new systems—and where young ladies for enormous pay might be screwed out of health and into vanity—but a real, honest, old-fashioned Boarding-school, where a reasonable quantity of accomplishments were sold at a reasonable price, and where girls might be sent to be out of the way, and scramble themselves into a little education, without any danger of coming back prodigies. Mrs. Goddard's school was in high repute—and very deservedly; for Highbury was reckoned a particularly healthy spot: she had an ample house and garden, gave the children plenty of wholesome food, let them run about a great deal in the summer, and in winter dressed their chilblains with her own hands. It was no wonder that a train of twenty young couple now walked after her to church. She was a plain, motherly kind of woman, who had worked hard in her youth, and now thought herself entitled to the occasional holiday of a tea-visit; and having formerly owed much to Mr. Woodhouse's kindness, felt his particular claim on her to leave her neat parlor, hung round with fancy-work, whenever she could, and win or lose a few sixpences by his fireside.
These were the ladies whom Emma found herself very frequently able to collect; and happy was she, for her father's sake, in the power; though, as far as she was herself concerned, it was no remedy for the absence of Mrs. Weston. She was delighted to see her father look comfortable, and very much pleased with herself for contriving things so well; but the quiet prosings of three such women made her feel that every evening so spent was indeed one of the long evenings she had fearfully anticipated.
Miss Bates can be best described as which of the following?
Witty and quick-thinking
Droning and dull
Extravagant and ambitious
Optimistic and economical
Jaded and bitter
Optimistic and economical
In this passage, Miss Bates is made out to be kind, happy, and frugal. She is not particularly intelligent or clever, nor is she pretty, but she knows how to make pleasant conversation and make the best of her situation. She can be described as "optimistic," as she looks on the bright side of things, and "economical," as she is a good steward of a small income.
Example Question #11 : Passage Content
Adapted from Crime and Punishment by Fyodor Dostoevsky (1866; trans. Garnett 1914)
The heat in the street was terrible: and the airlessness, the bustle and the plaster, scaffolding, bricks, and dust all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer—all worked painfully upon the young man's already overwrought nerves. The insufferable stench from the pot-houses, which are particularly numerous in that part of the town, and the drunken men whom he met continually, although it was a working day, completed the revolting misery of the picture. An expression of the profoundest disgust gleamed for a moment in the young man's refined face. He was, by the way, exceptionally handsome, above the average in height, slim, well-built, with beautiful dark eyes and dark brown hair. Soon he sank into deep thought, or more accurately speaking into a complete blankness of mind; he walked along not observing what was about him and not caring to observe it. From time to time, he would mutter something, from the habit of talking to himself, to which he had just confessed. At these moments he would become conscious that his ideas were sometimes in a tangle and that he was very weak; for two days he had scarcely tasted food.
He was so badly dressed that even a man accustomed to shabbiness would have been ashamed to be seen in the street in such rags. In that quarter of the town, however, scarcely any shortcoming in dress would have created surprise. Owing to the proximity of the Hay Market, the number of establishments of bad character, the preponderance of the trading and working class population crowded in these streets and alleys in the heart of Petersburg, types so various were to be seen in the streets that no figure, however queer, would have caused surprise. But there was such accumulated bitterness and contempt in the young man's heart, that, in spite of all the fastidiousness of youth, he minded his rags least of all in the street. It was a different matter when he met with acquaintances or with former fellow students, whom, indeed, he disliked meeting at any time. And yet when a drunken man who, for some unknown reason, was being taken somewhere in a huge wagon dragged by a heavy dray horse, suddenly shouted at him as he drove past: "Hey there, German hatter" bawling at the top of his voice and pointing at him—the young man stopped suddenly and clutched tremulously at his hat. It was a tall round hat from Zimmerman's, but completely worn out, rusty with age, all torn and bespattered, brimless and bent on one side in a most unseemly fashion. Not shame, however, but quite another feeling akin to terror had overtaken him.
Which of the following best describes how the young man feels about his shabby clothing when in the street amongst strangers?
He is so hungry that he is oblivious to how he looks.
He feels at home in his rags because he has never known anything different.
He is so proud that he avoids being seen at all costs.
He desires revenge from those who put him in such an abject condition.
He is not ashamed of his appearance when amongst strangers.
He is not ashamed of his appearance when amongst strangers.
The second paragraph states, "But there was such accumulated bitterness and contempt in the young man's heart, that, in spite of all the fastidiousness of youth, he minded his rags least of all in the street. It was a different matter when he met with acquaintances or with former fellow students. . ." While the paragraph ends by describing how a drunken man teases the main character for his unfashionable old hat, the final sentence clarifies that the feeling this inspires in the main character isn't shame: "Not shame, however, but quite another feeling akin to terror had overtaken him."
Example Question #2 : Drawing Generalizations About Prose Fiction Passages
Adapted from The Confidence-Man: His Masquerade by Herman Melville (1857)
At sunrise on a first of April, there appeared suddenly a man in cream-colors at the water-side in the city of St. Louis.
His cheek was fair, his chin downy, his hair flaxen, his hat a white fur one, with a long fleecy nap. He had neither trunk, valise, carpet-bag, nor parcel. No porter followed him. He was unaccompanied by friends. From the shrugged shoulders, titters, whispers, wonderings of the crowd, it was plain that he was, in the extremest sense of the word, a stranger.
In the same moment with his advent, he stepped aboard the favorite steamer Fidèle, on the point of starting for New Orleans. Stared at, but unsaluted, with the air of one neither courting nor shunning regard, but evenly pursuing the path of duty, lead it through solitudes or cities, he held on his way along the lower deck until he chanced to come to a placard nigh the captain's office, offering a reward for the capture of a mysterious impostor, supposed to have recently arrived from the East; quite an original genius in his vocation, as would appear, though wherein his originality consisted was not clearly given; but what purported to be a careful description of his person followed.
As if it had been a theatre-bill, crowds were gathered about the announcement, and among them certain chevaliers, whose eyes, it was plain, were on the capitals, or, at least, earnestly seeking sight of them from behind intervening coats; but as for their fingers, they were enveloped in some myth; though, during a chance interval, one of these chevaliers somewhat showed his hand in purchasing from another chevalier, ex-officio a peddler of money-belts, one of his popular safe-guards, while another peddler, who was still another versatile chevalier, hawked, in the thick of the throng, the lives of Measan, the bandit of Ohio, Murrel, the pirate of the Mississippi, and the brothers Harpe, the Thugs of the Green River country, in Kentucky—creatures, with others of the sort, one and all exterminated at the time, and for the most part, like the hunted generations of wolves in the same regions, leaving comparatively few successors; which would seem cause for unalloyed gratulation, and is such to all except those who think that in new countries, where the wolves are killed off, the foxes increase.
Pausing at this spot, the stranger so far succeeded in threading his way, as at last to plant himself just beside the placard, when, producing a small slate and tracing some words upon if, he held it up before him on a level with the placard, so that they who read the one might read the other. The words were these:—
"Charity thinketh no evil.”
Which of the following is most comparable to the placard in front of the captain’s quarters described in paragraph two?
An instruction manual
An advertisement for a comedian’s upcoming shows
A lost-and-found ad
A name-card labeling the occupant of an office
A wanted poster
A wanted poster
What do we know about the placard? It is most distinctly described in the second paragraph; the third paragraph concerns the crowd’s reaction to it. The second paragraph says:
“[The man in cream-colors] held on his way along the lower deck until he chanced to come to a placard nigh the captain's office, offering a reward for the capture of a mysterious impostor, supposed to have recently arrived from the East; quite an original genius in his vocation, as would appear, though wherein his originality consisted was not clearly given; but what purported to be a careful description of his person followed.”
So, we know that the placard is “offering a reward for the capture of a mysterious impostor”; this is enough information to help us realize that the placard is most comparable to “a wanted poster.”
Example Question #21 : Character And Subject Relationships
Adapted from Paradise Lost ln.243-270 by John Milton (1667)
Said then the lost Archangel, “this the seat
That we must change for Heaven, this mournful gloom
For that celestial light? Be it so, since he
Who now is sovereign can dispose and bid
What shall be right: farthest from him is best,
Whom reason hath equaled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy forever dwells! Hail, horrors! hail,
Infernal world! and thou, profoundest Hell,
Receive thy new possessor; one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; the Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reign secure, and in my choice
To reign is worth ambition, though in Hell:
Better to reign in Hell than serve in Heaven.
But wherefore let we then our faithful friends,
The associates and copartners of our loss,
Lie thus astonished on the oblivious pool,
And call them not to share with us their part
In this unhappy mansion, or once more
With rallied arms to try what may be yet
Regained in Heaven, or what more lost in Hell?”
Based on the excerpt, the speaker's attitude can be best described as which of the following?
Quiet resentment
Heartbreaking despair
Furious antipathy
Rapturous delight
Defiant resignation
Defiant resignation
The correct answer is "defiant resignation." The speaker is resigned to his banishment and defiant of the Almighty, arguing that having control of his own mind and destiny is more important than whether he reigns in heaven or hell.
Example Question #312 : Prose Fiction
Adapted from The Confidence-Man: His Masquerade by Herman Melville (1857)
At sunrise on a first of April, there appeared suddenly a man in cream-colors at the water-side in the city of St. Louis.
His cheek was fair, his chin downy, his hair flaxen, his hat a white fur one, with a long fleecy nap. He had neither trunk, valise, carpet-bag, nor parcel. No porter followed him. He was unaccompanied by friends. From the shrugged shoulders, titters, whispers, wonderings of the crowd, it was plain that he was, in the extremest sense of the word, a stranger.
In the same moment with his advent, he stepped aboard the favorite steamer Fidèle, on the point of starting for New Orleans. Stared at, but unsaluted, with the air of one neither courting nor shunning regard, but evenly pursuing the path of duty, lead it through solitudes or cities, he held on his way along the lower deck until he chanced to come to a placard nigh the captain's office, offering a reward for the capture of a mysterious impostor, supposed to have recently arrived from the East; quite an original genius in his vocation, as would appear, though wherein his originality consisted was not clearly given; but what purported to be a careful description of his person followed.
As if it had been a theatre-bill, crowds were gathered about the announcement, and among them certain chevaliers, whose eyes, it was plain, were on the capitals, or, at least, earnestly seeking sight of them from behind intervening coats; but as for their fingers, they were enveloped in some myth; though, during a chance interval, one of these chevaliers somewhat showed his hand in purchasing from another chevalier, ex-officio a peddler of money-belts, one of his popular safe-guards, while another peddler, who was still another versatile chevalier, hawked, in the thick of the throng, the lives of Measan, the bandit of Ohio, Murrel, the pirate of the Mississippi, and the brothers Harpe, the Thugs of the Green River country, in Kentucky—creatures, with others of the sort, one and all exterminated at the time, and for the most part, like the hunted generations of wolves in the same regions, leaving comparatively few successors; which would seem cause for unalloyed gratulation, and is such to all except those who think that in new countries, where the wolves are killed off, the foxes increase.
Pausing at this spot, the stranger so far succeeded in threading his way, as at last to plant himself just beside the placard, when, producing a small slate and tracing some words upon if, he held it up before him on a level with the placard, so that they who read the one might read the other. The words were these:—
"Charity thinketh no evil.”
What do Measan, Murrel, and the Harpe brothers have in common?
They are all criminals at large at this point in the story.
They are all peddlers trying to sell things to the crowd on the steamship.
They are all criminals secretly aboard the steamship.
They are all criminals about whom books have been written.
They are all criminals mentioned in the placard in front of the captain’s cabin.
They are all criminals about whom books have been written.
Measan, Murrel, and the Harpe brothers are mentioned in the passage’s third paragraph, when it states, “another peddler . . . hawked, in the thick of the throng, the lives of Measan, the bandit of Ohio, Murrel, the pirate of the Mississippi, and the brothers Harpe, the Thugs of the Green River country, in Kentucky.” To “hawk” something is to try to sell it, and “the lives of” tells us that these men are all of the subjects of books about them. If you didn’t pick up on the “the lives of” clue, you could still narrow down the answer choices to find the correct one. Measan, Murrel, and the Harpe brothers cannot be criminals at large or secretly aboard the steamship, as the paragraph tells us in the next part of the sentence that they are “creatures, with others of the sort, one and all exterminated at the time.” Careful reading will reveal that they are not the subject of the placard in front of the captain’s cabin; that only concerns one man. Furthermore, they are not peddlers trying to sell things to the crowd on the steamship; it wouldn’t make much sense for a “bandit,” a “pirate,” and “thugs” to try to be selling goods to travelers. So, the correct answer is Measan, Murrel, and the Harpe brothers are all “are all criminals about whom books have been written.”
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