"Deconstructivism" refers to a style of architecture that seems to break down typical architectural conventions, often by using forms and shapes that curve and bend. Frank Gehry has worked in such a style most of his career, with his work on the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in Los Angeles being notable examples of his approach. These buildings feature curving lines and non-rectilineal shapes, hallmarks of the deconstructivist approach.

The "International Style" is a term that derives from a 1932 book of that name by Henry-Russell Hitchcock and Philip Johnson. The two men used the term to described the then-contemporary aesthetic that had grown to dominate architecture since 1900. Uniting Bauhaus, Functionalism, and L'Esprit Nouveau styles, Hitchcock and Johnson promoted architecture that valued functionality, clean lines, and use of modern materials such as plate glass and steel.

Art Deco was a thoroughly early-twentieth-century phenomenon in arts and architecture, as it blended machine-age construction with traditional craftwork aesthetics. The designs featured a great deal of metal with rich colors, bold geometric shapes, and distinct ornamentation. One of the most famous Art Deco buildings is the Chrysler Building in New York.

Wright is best associated with the Prairie school. The hint in the question was the eaves and the roofs, as those provide that context.

The answer cannot be brutalism or functionalism as the homes and buildings created by Wright did not follow the simplistic styles of those schools: those schools would have obelisk-like buildings that lacked much detail.

Art Nouveau was a bit too early of a period for Wright to be associated with. Art Deco, though in the same period as Wright, differentiated by its ornate designs, in contradistinction with Wright's minimalist, natural designs.

Provenance is a very specific term to determine the ownership history of artworks. It is similar to lineage, but lineage has to do with people and their family trees.

Filing is not the answer, though many who purchase artworks do file ownership certificates or file such assets.

Apadana is a Persian audience hall and Intonaco is the final layer of plaster in Italian frescos.

The Farnsworth House was built outside of Chicago as a rural retreat for a businessman by the German born architect Ludwig Mies van der Rohe. Mies, his middle name that he preferred to go by in most settings, was a German immigrant who helped pioneer modernist architecture in America. Using glass, steel, and straight lines, the Farnsworth House was a model and template for further explorations of architecture in America.

The Bauhaus was a revolutionary art school, which sought to unite various forms of art under one roof and one set of guidelines based around clean lines, modern techniques, and functionality. The Bauhaus was most influential in the world of architecture, where its modern and simple style inspired achitects around the world. Adolph Hitler and the Nazi Party banned the Bauhaus, and forced its teachers and leaders to find refuge in other nations, which furthered their influence internationally.

Socialist realism was an artistic movement that grew up hand in hand with communist governments, and particularly Joseph Stalin's rule in the Soviet Union. While called "realism," the artistic style was dedicated to glorifying the working classes and promoting revolution. The "realism" was done in the simplicity of the figures, both in painting and sculpture, as well as in the utility of its architecture.

Le Corbusier was one of the most influential modernist architects, not only for the buildings he designed but also for his influential writings on architecture. Le Corbusier's sparse, clean, and functional style was outlined in his manifesto known as The Five Points of Architecture. First published in L'Esprit Nouveau, and found in his longer book Vers un architecture, the points are best expressed in his 1931 building Villa Savoye.

The "Bauhaus," German for House of Construction, was a school of arts and architecture in the Weimar Period between the two World Wars. The school was so influential that it gave its name to an entire movement, focusing on modern design, efficiency, and a cohesive approach to art between architecture, design, and crafts.