Cathedrals, and many churches, built in Western Europe during the Middle Ages were usually set out in a cruciform, or cross shape. Chartres Cathedral, while featuring a wider transcept, or shorter branching of the cross, follows this pattern as well. Chartres Cathedral differed from other Gothic cathedrals in having a more uniform height for its arcade, triforium, and clerestory levels, the arches on the interior's walls.

The Gothic style emerged from France, was the longest lasting European architectural movement, and is associated with the rise of the Great cities in Europe. Romanesque and Byzantine architecture are rooted in other regions and were highly religious for the duration of their dominance. The International Style was a very brief phenomenon, and is distinguished by its unique, elongated rendering of the human figure.

Palladio lived and worked around Venice in the mid-sixteenth century, constructing a series of large villas and important buildings. Much of Palladio's work harkened back to styles prominent in Ancient rome, as he created buildings with lots of columns, large colonnades, and domes. His influential architectural textbook, The Four Books of Architecture, helped spread these ideas in the architectural movement known as neo-classicalism.

An arch is able to remain in its appropriate position because of the way that pressure is placed throughout the entire arch. Pressure can only be appropriately distributed because of the placement of the keystone. The keystone is the central stone in an arch, which is shaped in order to push the weight down through every piece of stone.

The rediscovery of concrete was the key to completing the dome atop Il Duomo. Filippo Brunelleschi found the lost recipe for concrete, a recipe that was lost in the Middle Ages; prior to the Middle Ages, concrete was used often by the Ancient Romans.

Renaissance architecture made use of attributes of Ancient Roman architecture. Namely, Renaissance architects utilized Ancient Roman column types, such as Doric, Ionic, Tuscan, Composite, and Corinthian, often used decoratively rather than structurally.

The "voussoir" is a wedge-shaped block that makes up a true arch.

Protestant theology greatly changed church architecture in Northern Europe after the sixteenth century. Catholic churches, even for the tiniest, poorest parishes, featured ornate statuary and imagery before the Reformation. The Protestant-built churches, by contrast, were much less ornate, featuring fewer images, with altars creating less of a barrier between clergy and congregants.

The Italian architect Andrea Palladio was well known for his own buildings in his native Venice, but gained greater fame for the work of architectural theory he composed in 1570, The Four Books of Architecture. Drawing on Greek and Roman influences, Palladio called for symmetry, domes, columns, and grand spaces. Each of these elements would become hallmarks of neoclassical architecture during the eighteenth century.

Neoclassical art and architecture came about in Europe hand in hand with the philosophical era known as the Enlightenment in the eighteenth century. Just as the Enlightenment reacted against Catholic Christianity and embraced reason over emotion, Neoclassical artists sought to go back to antiquity, to a "pre-Christian" era. Thus, Neoclassical architecture brought back the chief elements of Roman architecture, like columns, domes, and collonades.