ACT Reading : Prose Fiction

Study concepts, example questions & explanations for ACT Reading

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Example Questions

Example Question #631 : Prose Fiction

Adapted from Middlemarch: A Study of Provincial Life by George Eliot (Mary Anne Evans) (1874)

And how should Dorothea not marry? A girl so handsome and with such prospects? Nothing could hinder it but her love of extremes, and her insistence on regulating life according to notions which might cause a wary man to hesitate before he made her an offer, or even might lead her at last to refuse all offers. A young lady of some birth and fortune, who knelt suddenly down on a brick floor by the side of a sick laborer and prayed fervidly as if she thought herself living in the time of the apostles, who had strange whims of fasting and of sitting up at night to read old theological books! Such a wife might awaken you some fine morning with a new scheme for the application of her income which would interfere with political economy and the keeping of saddle-horses; a man would naturally think twice before he risked himself in such fellowship. Women were expected to have weak opinions, but the great safeguard of society and of domestic life was that opinions were not acted on. Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them.

The rural opinion about the new young ladies, even among the cottagers, was generally in favor of Celia, as being so amiable and innocent-looking, while Miss Brooke's large eyes seemed, like her religion, too unusual and striking. Poor Dorothea! Compared with her, the innocent-looking Celia was knowing and worldly-wise; so much subtler is a human mind than the outside tissues which make a sort of blazonry or clock-face for it.

Yet those who approached Dorothea, though prejudiced against her by this alarming hearsay, found that she had a charm unaccountably reconcilable with it. Most men thought her bewitching when she was on horseback. She loved the fresh air and the various aspects of the country, and when her eyes and cheeks glowed with mingled pleasure she looked very little like a devotee. Riding was an indulgence which she allowed herself in spite of conscientious qualms; she always looked forward to renouncing it.

She was open, ardent, and not in the least self-admiring; indeed, it was pretty to see how her imagination adorned her sister Celia with attractions altogether superior to her own, and if any gentleman appeared to come to the Grange from some other motive than that of seeing Mr. Brooke, she concluded that he must be in love with Celia. Sir James Chettam, for example, whom she constantly considered from Celia's point of view, inwardly debating whether it would be good for Celia to accept him. That he should be regarded as a suitor to herself would have seemed to her a ridiculous irrelevance. Dorothea, with all her eagerness to know the truths of life, retained very childlike ideas about marriage.

In the last two sentences of the first paragraph, the narrator __________.

Possible Answers:

foreshadows that Dorothea will have many suitors

makes a sweeping statement about the story’s society

explains why the community values Dorothea’s ideas so highly

describes why Dorothea loves horseback riding

characterizes Dorothea as näive

Correct answer:

makes a sweeping statement about the story’s society

Explanation:

The last two sentences of the first paragraph are as follows: 

“Women were expected to have weak opinions, but the great safeguard of society and of domestic life was that opinions were not acted on. Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them.”

The two sentences “make a sweeping statement about the story’s society.” You can tell this by noting how the sentences stop talking about Dorothea specifically, and instead refer to “the great safeguard of society and of domestic life” and what “sane people” do in general.

This sentences say nothing about Dorothea’s love of horseback riding; this topic isn’t introduced until the third paragraph of the passage. They also don’t explain why the community values Dorothea’s ideas so highly; on the contrary, they help explain why Dorothea’s community is biased against her. The two indicated sentences don’t characterize Dorothea as naive, as they don’t mention Dorothea directly at all, and they do not foreshadow that Dorothea will have many suitors; if anything, they continue the topic of the preceding part of the paragraph, which paints Dorothea as an unusual woman with whom most men would avoid starting a formal relationship (“a man would naturally think twice before he risked himself in such fellowship”).

Example Question #21 : Drawing Generalizations About Prose Fiction Passages

The passage is adapted from the first chapter of Sir Arthur Conan Doyle's Rodney Stone (1896).

 On this, the first of January of the year 1851, the nineteenth century has reached its midway term, and many of us who shared its youth have already warnings which tell us that it has outworn us. We put our grizzled heads together, we older ones, and we talk of the great days that we have known; but we find that when it is with our children that we talk it is a hard matter to make them understand. We and our fathers before us lived much the same life, but they with their railway trains and their steamboats belong to a different age. It is true that we can put history-books into their hands, and they can read from them of our weary struggle of two and twenty years with that great and evil man. They can learn how Freedom fled from the whole broad continent, and how Nelson’s blood was shed, and Pitt’s noble heart was broken in striving that she should not pass us for ever to take refuge with our brothers across the Atlantic. All this they can read, with the date of this treaty or that battle, but I do not know where they are to read of ourselves, of the folk we were, and the lives we led, and how the world seemed to our eyes when they were young as theirs are now.

If I take up my pen to tell you about this, you must not look for any story at my hands, for I was only in my earliest manhood when these things befell; and although I saw something of the stories of other lives, I could scarce claim one of my own. It is the love of a woman that makes the story of a man, and many a year was to pass before I first looked into the eyes of the mother of my children. To us it seems but an affair of yesterday, and yet those children can now reach the plums in the garden whilst we are seeking for a ladder, and where we once walked with their little hands in ours, we are glad now to lean upon their arms. But I shall speak of a time when the love of a mother was the only love I knew, and if you seek for something more, then it is not for you that I write. But if you would come out with me into that forgotten world; if you would know Boy Jim and Champion Harrison; if you would meet my father, one of Nelson’s own men; if you would catch a glimpse of that great seaman himself, and of George, afterwards the unworthy King of England; if, above all, you would see my famous uncle, Sir Charles Tregellis, the King of the Bucks, and the great fighting men whose names are still household words amongst you, then give me your hand and let us start.

But I must warn you also that, if you think you will find much that is of interest in your guide, you are destined to disappointment. When I look over my bookshelves, I can see that it is only the wise and witty and valiant who have ventured to write down their experiences. For my own part, if I were only assured that I was as clever and brave as the average man about me, I should be well satisfied. Men of their hands have thought well of my brains, and men of brains of my hands, and that is the best that I can say of myself. Save in the one matter of having an inborn readiness for music, so that the mastery of any instrument comes very easily and naturally to me, I cannot recall any single advantage which I can boast over my fellows. In all things I have been a half-way man, for I am of middle height, my eyes are neither blue nor grey, and my hair, before Nature dusted it with her powder, was betwixt flaxen and brown. I may, perhaps, claim this: that through life I have never felt a touch of jealousy as I have admired a better man than myself, and that I have always seen all things as they are, myself included, which should count in my favour now that I sit down in my mature age to write my memories. With your permission, then, we will push my own personality as far as possible out of the picture. If you can conceive me as a thin and colourless cord upon which my would-be pearls are strung, you will be accepting me upon the terms which I should wish.

Based on this excerpt, the remainder of the novel is probably formatted as a __________.

Possible Answers:

a fictional memoir recalling events from throughout the narrator's life

a Gothic drama focused on the tragic events of a single evening

a stream-of-consciousness essay interrelating universal themes with emphasis on mood and imagery

a century-spanning historical epic charting the rise and fall of an empire

an epistolary novel told through a series of letters between main characters

Correct answer:

a fictional memoir recalling events from throughout the narrator's life

Explanation:

Within the fictional framework of the novel, the narrator is writing this book as a memoir, as is suggested by such phrases as "If I take up my pen to tell you about this, you must not look for any story at my hands, for I was only in my earliest manhood when these things befell; and although I saw something of the stories of other lives, I could scarce claim one of my own" and "I have always seen all things as they are, myself included, which should count in my favour now that I sit down in my mature age to write my memories." In the first paragraph, the narrator establishes that he wishes to tell a more personalized account of the historical period of his youth, in the hopes that young people will find it more relatable. This also suggests that the novel will be a fictionalized personal narrative, taking place over the course of the narrator's life. 

Example Question #633 : Prose Fiction

The passage is adapted from the first chapter of Sir Arthur Conan Doyle's Rodney Stone (1896).

 On this, the first of January of the year 1851, the nineteenth century has reached its midway term, and many of us who shared its youth have already warnings which tell us that it has outworn us. We put our grizzled heads together, we older ones, and we talk of the great days that we have known; but we find that when it is with our children that we talk it is a hard matter to make them understand. We and our fathers before us lived much the same life, but they with their railway trains and their steamboats belong to a different age. It is true that we can put history-books into their hands, and they can read from them of our weary struggle of two and twenty years with that great and evil man. They can learn how Freedom fled from the whole broad continent, and how Nelson’s blood was shed, and Pitt’s noble heart was broken in striving that she should not pass us for ever to take refuge with our brothers across the Atlantic. All this they can read, with the date of this treaty or that battle, but I do not know where they are to read of ourselves, of the folk we were, and the lives we led, and how the world seemed to our eyes when they were young as theirs are now.

If I take up my pen to tell you about this, you must not look for any story at my hands, for I was only in my earliest manhood when these things befell; and although I saw something of the stories of other lives, I could scarce claim one of my own. It is the love of a woman that makes the story of a man, and many a year was to pass before I first looked into the eyes of the mother of my children. To us it seems but an affair of yesterday, and yet those children can now reach the plums in the garden whilst we are seeking for a ladder, and where we once walked with their little hands in ours, we are glad now to lean upon their arms. But I shall speak of a time when the love of a mother was the only love I knew, and if you seek for something more, then it is not for you that I write. But if you would come out with me into that forgotten world; if you would know Boy Jim and Champion Harrison; if you would meet my father, one of Nelson’s own men; if you would catch a glimpse of that great seaman himself, and of George, afterwards the unworthy King of England; if, above all, you would see my famous uncle, Sir Charles Tregellis, the King of the Bucks, and the great fighting men whose names are still household words amongst you, then give me your hand and let us start.

But I must warn you also that, if you think you will find much that is of interest in your guide, you are destined to disappointment. When I look over my bookshelves, I can see that it is only the wise and witty and valiant who have ventured to write down their experiences. For my own part, if I were only assured that I was as clever and brave as the average man about me, I should be well satisfied. Men of their hands have thought well of my brains, and men of brains of my hands, and that is the best that I can say of myself. Save in the one matter of having an inborn readiness for music, so that the mastery of any instrument comes very easily and naturally to me, I cannot recall any single advantage which I can boast over my fellows. In all things I have been a half-way man, for I am of middle height, my eyes are neither blue nor grey, and my hair, before Nature dusted it with her powder, was betwixt flaxen and brown. I may, perhaps, claim this: that through life I have never felt a touch of jealousy as I have admired a better man than myself, and that I have always seen all things as they are, myself included, which should count in my favour now that I sit down in my mature age to write my memories. With your permission, then, we will push my own personality as far as possible out of the picture. If you can conceive me as a thin and colourless cord upon which my would-be pearls are strung, you will be accepting me upon the terms which I should wish.

The narrator of this passage would most likely agree with which of the following statements?

Possible Answers:

Every generation follows the same pattern in feeling alienated from both their parents and their descendants.

A man must seek adventure in his life early, because marriage spells the end of intriguing occurrences.

His best skill as a narrator is his ability to inject his personal attitude towards the subject matter into every event he describes.

In order to truly understand history, one must become familiar with the personal lives of individuals at the time.

It would be a waste of time to write a book if one had led an unexceptional life.

Correct answer:

In order to truly understand history, one must become familiar with the personal lives of individuals at the time.

Explanation:

In the first paragraph, the narrator says that "we talk of the great days that we have known; but we find that when it is with our children that we talk it is a hard matter to make them understand" and later states, "All this they can read, with the date of this treaty or that battle, but I do not know where they are to read of ourselves, of the folk we were, and the lives we led, and how the world seemed to our eyes when they were young as theirs are now." These quotations suggest that the narrator believes the younger people will remain unengaged in their history unless it is presented to them in a relatable manner, such as a chronicle of the everyday experiences of past generations. This is best reflected by the answer "In order to truly understand history, one must become familiar with the personal lives of individuals at the time." The other answer choices are all directly or indirectly contradicted in the passage; therefore, this is the only correct answer.

Example Question #371 : Ap English Literature And Composition

Passage adapted from Heart of Darkness, by Joseph Conrad (1899). 

He was the only man of us who still "followed the sea." The worst that could be said of him was that he did not represent his class. He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them—the ship; and so is their country—the sea. One ship is very much like another, and the sea is always the same.

In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny.

For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut.

But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.

The most likely purpose of this passage in a larger text would be __________.

Possible Answers:

expository information about the setting of coming events

a complex conclusion to a main plot point

an explanation of the narrator's actions prior to this point in the story

a thoutful intrdocution to an interesting character

historical information about the novel's development

Correct answer:

a thoutful intrdocution to an interesting character

Explanation:

The narrator is analyzing Marlow for the audience, giving an introduction to the character and his way of thinking. The passage provided not only introduces the character, but sets a tone of thoughtful contemplation, both in the narrator's language and his description of Marlow, who will go on to narrate from within a double frame narrative structure.

There is no textual support for the other inferences listed.

Example Question #634 : Prose Fiction

Passage adapted from The Iron Woman by Margaret Deland (1911). 

Elizabeth's long braids had been always attractive to the masculine eye; they had suggested jokes about pigtails, and much of that peculiar humor so pleasing to the young male; but the summer that she "put up her hair," the puppies, so to speak, got their eyes open. When the boys saw those soft plaits, no longer hanging within easy reach of a rude and teasing hand, but folded around her head behind her little ears; when they saw the small curls breaking over and through the brown braids that were flecked with gilt, and the stray locks, like feathers of spun silk, clustering in the nape of her neck; when David and Blair saw these things—it was about the time their voices were showing amazing and ludicrous register—something below the artless brutalities of the boys' sense of humor was touched. They took abruptly their first perilous step out of boyhood. Of course they did not know it…. The significant moment came one afternoon when they all  (10)went out to the toll-house for ice-cream.

There was a little delay at the gate, while the boys wrangled as to who should stand treat. "I'll pull straws with you," said Blair; Blair's pleasant, indolent mind found the appeal to chance the easiest way to settle things, but he was always good-natured when, as now, the verdict was against him. "Come on," he commanded, gayly, "I'll shell out!" Mrs. Todd, who had begun to dispense pink and brown ice-cream, for them when they were very little children, winked and nodded as they all came in together, and made a jocose remark about "handsome couples"; then she trundled off to get the ice-cream, leaving them in the saloon. This "saloon" was an ell of the toll-house; it opened on a little garden, from which a flight of rickety steps led down to a float where half a dozen skiffs were tied up, waiting to be hired. In warm weather, when the garden was blazing with fragrant color, Mrs. Todd would permit favored patrons to put their small tables out among the  (20)marigolds and zinnias and sit and eat and talk.

The saloon itself had Nottingham-lace window-curtains, and crewel texts enjoining remembrance of the Creator, and calling upon Him to "bless our home." The tables, with marble tops translucent from years of spilled ice cream, had each a worsted mat, on which was a glass vase full of blue paper roses; on the ceiling there was a wonderful star of scalloped blue tissue-paper—ostensibly to allure flies, but hanging there winter and summer, year in and year out. Between the windows that looked out on the river stood a piano, draped with a festooning scarf of bandanna handkerchiefs. These things seemed to Blair, at this stage of his esthetic development, very satisfying, and part of his pleasure in "treating" came from his surroundings; he used to look about him enviously, thinking of the terrible dining-room at home; and on sunny days he used to look, with even keener pleasure, at the reflected ripple of light, striking up from the river below, and moving  (30)endlessly across the fly-specked ceiling.

Watching the play of moving light, he would put his tin spoon into his tumbler of ice-cream and taste the snowy mixture with a slow prolongation of pleasure, while the two girls chattered like sparrows, and David listened, saying very little and always ready to let Elizabeth finish his ice-cream after she had devoured her own.

Based on the passage, what best describes Mrs. Todd? 

Possible Answers:

A shrewd business woman 

A patient mother 

A friendly shop keeper 

A polite school teacher

A nervous widower 

Correct answer:

A friendly shop keeper 

Explanation:

The only information that we are given about Mrs. Todd is that she serves ice cream at the saloon and that she seems to be friendly. She smiles at David and Blair and allows them to sit in the garden.

Example Question #1 : Analyzing Authorial Tone And Method In Prose Fiction Passages

Adapted from Jacob's Room by Virginia Woolf (1922)

True, there's no harm in crying for one's husband, and the tombstone, though plain, was a solid piece of work, and on summer's days when the widow brought her boys to stand there one felt kindly towards her. Hats were raised higher than usual; wives tugged their husbands' arms. Seabrook lay six foot beneath, dead these many years; enclosed in three shells; the crevices sealed with lead, so that, had earth and wood been glass, doubtless his very face lay visible beneath, the face of a young man whiskered, shapely, who had gone out duck-shooting and refused to change his boots.

"Merchant of this city," the tombstone said; though why Betty Flanders had chosen so to call him when, as many still remembered, he had only sat behind an office window for three months, and before that had broken horses, ridden to hounds, farmed a few fields, and run a little wild—well, she had to call him something. An example for the boys.

Had he, then, been nothing? An unanswerable question, since even if it weren't the habit of the undertaker to close the eyes, the light so soon goes out of them. At first, part of herself; now one of a company, he had merged in the grass, the sloping hillside, the thousand white stones, some slanting, others upright, the decayed wreaths, the crosses of green tin, the narrow yellow paths, and the lilacs that drooped in April, with a scent like that of an invalid's bedroom, over the churchyard wall. Seabrook was now all that; and when, with her skirt hitched up, feeding the chickens, she heard the bell for service or funeral, that was Seabrook's voice—the voice of the dead.

The rooster had been known to fly on her shoulder and peck her neck, so that now she carried a stick or took one of the children with her when she went to feed the fowls.

"Wouldn't you like my knife, mother?" said Archer.

Sounding at the same moment as the bell, her son's voice mixed life and death inextricably, exhilaratingly.

"What a big knife for a small boy!" she said. She took it to please him. Then the rooster flew out of the hen-house, and, shouting to Archer to shut the door into the kitchen garden, Mrs. Flanders set her meal down, clucked for the hens, went bustling about the orchard, and was seen from over the way by Mrs. Cranch, who, beating her mat against the wall, held it for a moment suspended while she observed to Mrs. Page next door that Mrs. Flanders was in the orchard with the chickens.

Mrs. Page, Mrs. Cranch, and Mrs. Garfit could see Mrs. Flanders in the orchard because the orchard was a piece of Dods Hill enclosed; and Dods Hill dominated the village. No words can exaggerate the importance of Dods Hill. It was the earth; the world against the sky; the horizon of how many glances can best be computed by those who have lived all their lives in the same village, only leaving it once to fight in the Crimea, like old George Garfit, leaning over his garden gate smoking his pipe. The progress of the sun was measured by it; the tint of the day laid against it to be judged.

"Now she's going up the hill with little John," said Mrs. Cranch to Mrs. Garfit, shaking her mat for the last time, and bustling indoors. Opening the orchard gate, Mrs. Flanders walked to the top of Dods Hill, holding John by the hand. Archer and Jacob ran in front or lagged behind; but they were in the Roman fortress when she came there, and shouting out what ships were to be seen in the bay. For there was a magnificent view—moors behind, sea in front, and the whole of Scarborough from one end to the other laid out flat like a puzzle. Mrs. Flanders, who was growing stout, sat down in the fortress and looked about her.

The point of view from which the passage is told can best be described as that of __________.

Possible Answers:

mostly Mrs. Cranch

mostly a villager

mostly an outsider

mostly Mrs. Flanders

mostly Archer 

Correct answer:

mostly Mrs. Flanders

Explanation:

The author uses a style that is difficult to describe, but the majority of the passage is told from the point of view of Mrs. Flanders, switching at times, briefly, to those of other villagers. There are elements of third person narrative present in the passage, but the point of view of Mrs. Flanders comes across the strongest.

Example Question #2 : Analyzing Authorial Tone And Method In Prose Fiction Passages

Adapted from The Life and Adventures of Robinson Crusoe by Daniel Defoe (1719)

I was now, in the months of November and December, expecting my crop of barley and rice. The ground I had manured and dug up for them was not great; for, as I observed, my seed of each was not above the quantity of half a peck, for I had lost one whole crop by sowing in the dry season. But now my crop promised very well, when on a sudden I found I was in danger of losing it all again by enemies of several sorts, which it was scarcely possible to keep from it; as, first, the goats, and wild creatures which I called hares, who, tasting the sweetness of the blade, lay in it night and day, as soon as it came up, and eat it so close, that it could get no time to shoot up into stalk.

This I saw no remedy for but by making an enclosure about it with a hedge; which I did with a great deal of toil, and the more, because it required speed. However, as my arable land was but small, suited to my crop, I got it totally well fenced in about three weeks’ time; and shooting some of the creatures in the daytime, I set my dog to guard it in the night, tying him up to a stake at the gate, where he would stand and bark all night long; so in a little time the enemies forsook the place, and the corn grew very strong and well, and began to ripen apace.

But as the beasts ruined me before, while my corn was in the blade, so the birds were as likely to ruin me now, when it was in the ear; for, going along by the place to see how it throve, I saw my little crop surrounded with fowls, of I know not how many sorts, who stood, as it were, watching till I should be gone. I immediately let fly among them, for I always had my gun with me. I had no sooner shot, but there rose up a little cloud of fowls, which I had not seen at all, from among the corn itself.

This touched me sensibly, for I foresaw that in a few days they would devour all my hopes; that I should be starved, and never be able to raise a crop at all; and what to do I could not tell; however, I resolved not to lose my corn, if possible, though I should watch it night and day. In the first place, I went among it to see what damage was already done, and found they had spoiled a good deal of it; but that as it was yet too green for them, the loss was not so great but that the remainder was likely to be a good crop if it could be saved.

I stayed by it to load my gun, and then coming away, I could easily see the thieves sitting upon all the trees about me, as if they only waited till I was gone away, and the event proved it to be so; for as I walked off, as if I was gone, I was no sooner out of their sight than they dropped down one by one into the corn again. I was so provoked, that I could not have patience to stay till more came on, knowing that every grain that they ate now was, as it might be said, a peck-loaf to me in the consequence; but coming up to the hedge, I fired again, and killed three of them. This was what I wished for; so I took them up, and served them as we serve notorious thieves in England—hanged them in chains, for a terror to others. It is impossible to imagine that this should have such an effect as it had, for the fowls would not only not come at the corn, but, in short, they forsook all that part of the island, and I could never see a bird near the place as long as my scarecrows hung there. This I was very glad of, you may be sure, and about the latter end of December, which was our second harvest of the year, I reaped my corn.

The point of view from which the passage is told can best be described as that of __________.

Possible Answers:

an American on an island

a lone Englishman

a nomad and native to the island

a professional survivalist

a hunter in a remote land

Correct answer:

a lone Englishman

Explanation:

We can tell that the narrator is not a professional farmer, as the events in the passage seem to be largely experimental. The only things we can deduce are that the narrator is from England (because he says “served them as we serve notorious thieves in England”) and that he is alone (because no other characters are mentioned).

Example Question #21 : Passage Wide Features In Literary Fiction Passages

Adapted from Nicholas Nickleby by Charles Dickens (1839)

There was a great bustle in Bishopsgate Street Within, as they drew up, and (it being a windy day) half-a-dozen men were tacking across the road under a press of paper, bearing gigantic announcements that a Public Meeting would be held at one o'clock precisely, to take into consideration the propriety of petitioning Parliament in favour of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company, capital five millions, in five hundred thousand shares of ten pounds each; which sums were duly set forth in fat black figures of considerable size. Mr. Bonney elbowed his way briskly upstairs, receiving in his progress many low bows from the waiters who stood on the landings to show the way; and, followed by Mr. Nickleby, dived into a suite of apartments behind the great public room: in the second of which was a business-looking table, and several business-looking people.

"Hear!" cried a gentleman with a double chin, as Mr. Bonney presented himself. "Chair, gentlemen, chair!"

The new-comers were received with universal approbation, and Mr. Bonney bustled up to the top of the table, took off his hat, ran his fingers through his hair, and knocked a hackney-coachman's knock on the table with a little hammer: whereat several gentlemen cried "Hear!" and nodded slightly to each other, as much as to say what spirited conduct that was. Just at this moment, a waiter, feverish with agitation, tore into the room, and throwing the door open with a crash, shouted "Sir Matthew Pupker!"

The committee stood up and clapped their hands for joy, and while they were clapping them, in came Sir Matthew Pupker, attended by two live members of Parliament, one Irish and one Scotch, all smiling and bowing, and looking so pleasant that it seemed a perfect marvel how any man could have the heart to vote against them. Sir Matthew Pupker especially, who had a little round head with a flaxen wig on the top of it, fell into such a paroxysm of bows, that the wig threatened to be jerked off, every instant. When these symptoms had in some degree subsided, the gentlemen who were on speaking terms with Sir Matthew Pupker, or the two other members, crowded round them in three little groups, near one or other of which the gentlemen who were NOT on speaking terms with Sir Matthew Pupker or the two other members, stood lingering, and smiling, and rubbing their hands, in the desperate hope of something turning up which might bring them into notice. All this time, Sir Matthew Pupker and the two other members were relating to their separate circles what the intentions of government were, about taking up the bill; with a full account of what the government had said in a whisper the last time they dined with it, and how the government had been observed to wink when it said so; from which premises they were at no loss to draw the conclusion, that if the government had one object more at heart than another, that one object was the welfare and advantage of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company.

Meanwhile, and pending the arrangement of the proceedings, and a fair division of the speechifying, the public in the large room were eyeing, by turns, the empty platform, and the ladies in the Music Gallery. In these amusements the greater portion of them had been occupied for a couple of hours before, and as the most agreeable diversions pall upon the taste on a too protracted enjoyment of them, the sterner spirits now began to hammer the floor with their boot-heels, and to express their dissatisfaction by various hoots and cries. These vocal exertions, emanating from the people who had been there longest, naturally proceeded from those who were nearest to the platform and furthest from the policemen in attendance, who having no great mind to fight their way through the crowd, but entertaining nevertheless a praiseworthy desire to do something to quell the disturbance, immediately began to drag forth, by the coat tails and collars, all the quiet people near the door; at the same time dealing out various smart and tingling blows with their truncheons, after the manner of that ingenious actor, Mr. Punch: whose brilliant example, both in the fashion of his weapons and their use, this branch of the executive occasionally follows.

Several very exciting skirmishes were in progress, when a loud shout attracted the attention even of the belligerents, and then there poured on to the platform, from a door at the side, a long line of gentlemen with their hats off, all looking behind them, and uttering vociferous cheers; the cause whereof was sufficiently explained when Sir Matthew Pupker and the two other real members of Parliament came to the front, amidst deafening shouts, and testified to each other in dumb motions that they had never seen such a glorious sight as that, in the whole course of their public career.

The tone of this passage could best be described as __________.

Possible Answers:

abashed

bored

whimsical

severe

didactic

Correct answer:

whimsical

Explanation:

The author is describing a scene which could be seen as ridiculous. Elements of hilarity occur, such as the conduct of the policemen and the attendees, as well as the name of the organisation involved. We can say the tone is tongue-in-cheek, satirical or whimsical. So, "whimsical" is the best answer. To help you, "severe" means extreme or harsh, "abashed" means embarrassed, and "didactic" means intended to teach a lesson.

Example Question #1 : Literary Fiction

Adapted from Nicholas Nickleby by Charles Dickens (1839)

There was a great bustle in Bishopsgate Street Within, as they drew up, and (it being a windy day) half-a-dozen men were tacking across the road under a press of paper, bearing gigantic announcements that a Public Meeting would be held at one o'clock precisely, to take into consideration the propriety of petitioning Parliament in favour of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company, capital five millions, in five hundred thousand shares of ten pounds each; which sums were duly set forth in fat black figures of considerable size. Mr. Bonney elbowed his way briskly upstairs, receiving in his progress many low bows from the waiters who stood on the landings to show the way; and, followed by Mr. Nickleby, dived into a suite of apartments behind the great public room: in the second of which was a business-looking table, and several business-looking people.

"Hear!" cried a gentleman with a double chin, as Mr. Bonney presented himself. "Chair, gentlemen, chair!"

The new-comers were received with universal approbation, and Mr. Bonney bustled up to the top of the table, took off his hat, ran his fingers through his hair, and knocked a hackney-coachman's knock on the table with a little hammer: whereat several gentlemen cried "Hear!" and nodded slightly to each other, as much as to say what spirited conduct that was. Just at this moment, a waiter, feverish with agitation, tore into the room, and throwing the door open with a crash, shouted "Sir Matthew Pupker!"

The committee stood up and clapped their hands for joy, and while they were clapping them, in came Sir Matthew Pupker, attended by two live members of Parliament, one Irish and one Scotch, all smiling and bowing, and looking so pleasant that it seemed a perfect marvel how any man could have the heart to vote against them. Sir Matthew Pupker especially, who had a little round head with a flaxen wig on the top of it, fell into such a paroxysm of bows, that the wig threatened to be jerked off, every instant. When these symptoms had in some degree subsided, the gentlemen who were on speaking terms with Sir Matthew Pupker, or the two other members, crowded round them in three little groups, near one or other of which the gentlemen who were NOT on speaking terms with Sir Matthew Pupker or the two other members, stood lingering, and smiling, and rubbing their hands, in the desperate hope of something turning up which might bring them into notice. All this time, Sir Matthew Pupker and the two other members were relating to their separate circles what the intentions of government were, about taking up the bill; with a full account of what the government had said in a whisper the last time they dined with it, and how the government had been observed to wink when it said so; from which premises they were at no loss to draw the conclusion, that if the government had one object more at heart than another, that one object was the welfare and advantage of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company.

Meanwhile, and pending the arrangement of the proceedings, and a fair division of the speechifying, the public in the large room were eyeing, by turns, the empty platform, and the ladies in the Music Gallery. In these amusements the greater portion of them had been occupied for a couple of hours before, and as the most agreeable diversions pall upon the taste on a too protracted enjoyment of them, the sterner spirits now began to hammer the floor with their boot-heels, and to express their dissatisfaction by various hoots and cries. These vocal exertions, emanating from the people who had been there longest, naturally proceeded from those who were nearest to the platform and furthest from the policemen in attendance, who having no great mind to fight their way through the crowd, but entertaining nevertheless a praiseworthy desire to do something to quell the disturbance, immediately began to drag forth, by the coat tails and collars, all the quiet people near the door; at the same time dealing out various smart and tingling blows with their truncheons, after the manner of that ingenious actor, Mr. Punch: whose brilliant example, both in the fashion of his weapons and their use, this branch of the executive occasionally follows.

Several very exciting skirmishes were in progress, when a loud shout attracted the attention even of the belligerents, and then there poured on to the platform, from a door at the side, a long line of gentlemen with their hats off, all looking behind them, and uttering vociferous cheers; the cause whereof was sufficiently explained when Sir Matthew Pupker and the two other real members of Parliament came to the front, amidst deafening shouts, and testified to each other in dumb motions that they had never seen such a glorious sight as that, in the whole course of their public career.

The point of view from which the passage is told can best be described as that of __________.

Possible Answers:

a first person narrator in the crowd

Mr. Nickleby

one of the members of parliament

a third person narrator

Mr. Bonney

Correct answer:

a third person narrator

Explanation:

The narrator is speaking in the third person and seems to be omnipresent at the meeting, describing events occurring in different places. By employing such an omniscient third person narrator, the author is able to criticize and critique each character without having to deal with how a perspectival first person narrator feels about the characters being criticized.

Example Question #1 : Analyzing Authorial Tone And Method In Prose Fiction Passages

Adapted from Tom Brown's Schooldays (1857) by Thomas Hughes

The small boys rushed in again. Closing, they saw, was their best chance, and Flashman was wilder and more flurried than ever. He caught East by the throat and tried to force him back on the iron-bound table. Tom grasped his waist and, remembering the old throw he had learned in the Vale from Harry Winburn, crooked his leg inside Flashman's and threw his whole weight forward. The three tottered for a moment and then over they went on to the floor, Flashman striking his head against a form in the hall.

The two youngsters sprang to their legs, but he lay there still. They began to be frightened. Tom stooped down and then cried out, scared out of his wits, "He's bleeding awfully. Come here, East! Diggs, he's dying!"

"Not he," said Diggs, getting leisurely off the table. "It's all sham; he's only afraid to fight it out."

East was as frightened as Tom. Diggs lifted Flashman's head and he groaned.

"What's the matter?" shouted Diggs.

"My skull's fractured," sobbed Flashman.

"Oh, let me run for the housekeeper!" cried Tom. "What shall we do?"

"Fiddlesticks! It's nothing but the skin broken," said the relentless Diggs, feeling his head. "Cold water and a bit of rag's all he'll want."

"Let me go," said Flashman surlily, sitting up. "I don't want your help."

"We're really very sorry—" began East.

"Hang your sorrow!" answered Flashman, holding his handkerchief to the place. "You shall pay for this, I can tell you, both of you." And he walked out of the hall.

"He can't be very bad," said Tom, with a deep sigh, much relieved to see his enemy march so well.

"Not he," said Diggs, "and you'll see you won't be troubled with him anymore, but, I say, your head's broken too; your collar is covered with blood."

"Is it though?" said Tom, putting up his hand. "I didn't know it."

"Well, mop it up or you'll have your jacket spoilt. And you have got a nasty eye, scud. You'd better go and bathe it well in cold water."

"Cheap enough too, if we're done with our old friend Flashey," said East, as they made off upstairs to bathe their wounds.

They had done with Flashman in one sense, for he never laid finger on either of them again, but whatever harm a spiteful heart and venomous tongue could do them, he took care should be done. Only throw dirt enough and some of it is sure to stick, and so it was with the fifth form and the bigger boys in general, with whom he associated more or less, and they not at all. Flashman managed to get Tom and East into disfavor, which did not wear off for some time after the author of it had disappeared from the school world. This event, much prayed for by the small fry in general, took place a few months after the above encounter. One fine summer evening, Flashman had been regaling himself on gin punch at Brownsover and, having exceeded his usual limits, started home uproarious. He fell in with a friend or two coming back from bathing, proposed a glass of beer, to which they assented, the weather being hot and they thirsty souls, unaware of the quantity of drink which Flashman had already on board. The short result was that Flashey became beastly drunk. They tried to get him along, but couldn't, so they chartered a hurdle and two men to carry him. One of the masters came upon them and they fled, naturally enough. The flight of the rest raised the master's suspicions and the good angel of the attendants incited him to examine the freight and, after examination, to convoy the hurdle himself up to the schoolhouse. The doctor, who had long had his eye on Flashman, arranged for his withdrawal the next morning.

The tone of this passage could best be described as __________.

Possible Answers:

unrealistic

recounting

erudite

fanciful

tedious

Correct answer:

recounting

Explanation:

The best description of the tone of the passage is “recounting,” as the author presents the narrative as a recounting of events in extensive detail. To further help you, “tedious” means dull; “fanciful” means imaginative and unrealistic; "erudite" means scholarly or academic.

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