All SAT Critical Reading Resources
Example Questions
Example Question #1 : Extrapolating From The Text In Literary Fiction Passages
The following passage is adapted from “The Yellow Wallpaper” by Charlotte Perkins Gilman, published 1892.
It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.
A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate!
Still I will proudly declare that there is something queer about it.
Else, why should it be let so cheaply? And why have stood so long untenanted?
John laughs at me, of course, but one expects that in marriage.
John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.
John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster.
You see he does not believe I am sick!
And what can one do?
If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?
My brother is also a physician, and also of high standing, and he says the same thing.
So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to "work" until I am well again.
Personally, I disagree with their ideas.
Personally, I believe that congenial work, with excitement and change, would do me good.
But what is one to do?
I did write for a while in spite of them; but it DOES exhaust me a good deal—having to be so sly about it, or else meet with heavy opposition.
I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad.
What is the narrator’s profession?
a writer
a physician
a housewife
a housekeeper
a socialite
a writer
The narrator says that she is forbidden to “work," but she secretly writes in spite of this. We can infer from this that she works as a writer.
Example Question #3 : Making Inferences About The Author Or Literary Fiction Passage Content
The following passage is adapted from The Mysterious Affair at Styles by Agatha Christie, first published in 1920.
I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month's sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother's place in Essex.
We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.
"The mater will be delighted to see you again—after all those years," he added.
"Your mother keeps well?" I asked.
"Oh, yes. I suppose you know that she has married again?"
I am afraid I showed my surprise rather plainly. Mrs. Cavendish, who had married John's father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.
Their country-place, Styles Court, had been purchased by Mr. Cavendish early in their married life. He had been completely under his wife's ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their step-mother, however, had always been most generous to them; indeed, they were so young at the time of their father's remarriage that they always thought of her as their own mother.
Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.
John practiced for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs. Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.
John noticed my surprise at the news of his mother's remarriage and smiled rather ruefully.
"Rotten little bounder too!" he said savagely. "I can tell you, Hastings, it's making life jolly difficult for us."
Before running into John Cavendish, the narrator likely felt __________.
stressed and busy
jovial and free
lonely and adrift
apathetic and lazy
distraught and traumatized
lonely and adrift
The narrator says that he had "no near relations or friends," and he wasn't sure what he was going to do for the month, so it's reasonable to infer that he was feeling lonely and adrift.
Example Question #4 : Making Inferences About The Author Or Literary Fiction Passage Content
The following passage is adapted from The Mysterious Affair at Styles by Agatha Christie, first published in 1920.
I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month's sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother's place in Essex.
We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.
"The mater will be delighted to see you again—after all those years," he added.
"Your mother keeps well?" I asked.
"Oh, yes. I suppose you know that she has married again?"
I am afraid I showed my surprise rather plainly. Mrs. Cavendish, who had married John's father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.
Their country-place, Styles Court, had been purchased by Mr. Cavendish early in their married life. He had been completely under his wife's ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their step-mother, however, had always been most generous to them; indeed, they were so young at the time of their father's remarriage that they always thought of her as their own mother.
Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.
John practiced for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs. Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.
John noticed my surprise at the news of his mother's remarriage and smiled rather ruefully.
"Rotten little bounder too!" he said savagely. "I can tell you, Hastings, it's making life jolly difficult for us."
The narrator most likely worked __________.
in medicine
as a barrister
as a tailor
in a convalescent home
in the military
in the military
The narrator starts out the first paragraph with “I had been invalided home from the Front.” From this, we can infer that he was a soldier injured on the front lines.
Example Question #5 : Making Inferences About The Author Or Literary Fiction Passage Content
The questions for this problem set are all based off the following passage, excerpted from Great Expectations, by Charles Dickens:
Miss Havisham beckoned her to come close, and took up a jewel from the table, and tried its effect upon her fair young bosom and against her pretty brown hair. "Your own, one day, my dear, and you will use it well. Let me see you play cards with this boy."
"With this boy? Why, he is a common laboring boy!"
I thought I overheard Miss Havisham answer—only it seemed so unlikely—"Well? You can break his heart."
"What do you play, boy?" asked Estella of myself, with the greatest disdain.
"Nothing but beggar my neighbor, miss."
"Beggar him," said Miss Havisham to Estella. So we sat down to cards.
It was then I began to understand that everything in the room had stopped, like the watch and the clock, a long time ago. I noticed that Miss Havisham put down the jewel exactly on the spot from which she had taken it up. As Estella dealt the cards, I glanced at the dressing-table again, and saw that the shoe upon it, once white, now yellow, had never been worn. I glanced down at the foot from which the shoe was absent, and saw that the silk stocking on it, once white, now yellow, had been trodden ragged. Without this arrest of everything, this standing still of all the pale decayed objects, not even the withered bridal dress on the collapsed form could have looked so like grave-clothes, or the long veil so like a shroud.
So she sat, corpse-like, as we played at cards; the frillings and trimmings on her bridal dress, looking like earthy paper. I knew nothing then of the discoveries that are occasionally made of bodies buried in ancient times, which fall to powder in the moment of being distinctly seen; but, I have often thought since, that she must have looked as if the admission of the natural light of day would have struck her to dust.
"He calls the knaves Jacks, this boy!" said Estella with disdain, before our first game was out. "And what coarse hands he has! And what thick boots!"
I had never thought of being ashamed of my hands before; but I began to consider them a very indifferent pair. Her contempt for me was so strong, that it became infectious, and I caught it.
She won the game, and I dealt. I misdealt, as was only natural, when I knew she was lying in wait for me to do wrong; and she denounced me for a stupid, clumsy laboring-boy.
"You say nothing of her," remarked Miss Havisham to me, as she looked on. "She says many hard things of you, but you say nothing of her. What do you think of her?"
"I don't like to say," I stammered.
"Tell me in my ear," said Miss Havisham, bending down.
"I think she is very proud," I replied, in a whisper.
"Anything else?"
"I think she is very pretty."
"Anything else?"
"I think she is very insulting." (She was looking at me then with a look of supreme aversion.)
"Anything else?"
"I think I should like to go home."
"And never see her again, though she is so pretty?"
"I am not sure that I shouldn't like to see her again, but I should like to go home now."
"You shall go soon," said Miss Havisham, aloud. "Play the game out."
Saving for the one weird smile at first, I should have felt almost sure that Miss Havisham's face could not smile. It had dropped into a watchful and brooding expression—most likely when all the things about her had become transfixed—and it looked as if nothing could ever lift it up again. Her chest had dropped, so that she stooped; and her voice had dropped, so that she spoke low, and with a dead lull upon her; altogether, she had the appearance of having dropped body and soul, within and without, under the weight of a crushing blow.
I played the game to an end with Estella, and she beggared me. She threw the cards down on the table when she had won them all, as if she despised them for having been won of me.
"When shall I have you here again?" said Miss Havisham. "Let me think."
I was beginning to remind her that to-day was Wednesday, when she checked me with her former impatient movement of the fingers of her right hand.
"There, there! I know nothing of days of the week; I know nothing of weeks of the year. Come again after six days. You hear?"
"Yes, ma'am."
"Estella, take him down. Let him have something to eat, and let him roam and look about him while he eats. Go, Pip."
I followed the candle down, as I had followed the candle up, and she stood it in the place where we had found it. Until she opened the side entrance, I had fancied, without thinking about it, that it must necessarily be night-time. The rush of the daylight quite confounded me, and made me feel as if I had been in the candlelight of the strange room many hours.
"You are to wait here, you boy," said Estella; and disappeared and closed the door.
I took the opportunity of being alone in the courtyard to look at my coarse hands and my common boots. My opinion of those accessories was not favorable. They had never troubled me before, but they troubled me now, as vulgar appendages. I determined to ask Joe why he had ever taught me to call those picture-cards Jacks, which ought to be called knaves. I wished Joe had been rather more genteelly brought up, and then I should have been so too.
Based on information in the passage, the reader can infer that the boy might be a(n) .
student at a boarding school
child of wealthy parents
apprentice in a law firm
blacksmith
orphan
blacksmith
Estella refers to the boy as a "common laboring boy" implying that he works in an unspecialized craft. Blacksmithing is the only option which reflects this.
Example Question #2 : Making Inferences About The Author Or Literary Fiction Passage Content
The questions for this problem set are all based off the following passage, excerpted from Great Expectations, by Charles Dickens:
Miss Havisham beckoned her to come close, and took up a jewel from the table, and tried its effect upon her fair young bosom and against her pretty brown hair. "Your own, one day, my dear, and you will use it well. Let me see you play cards with this boy."
"With this boy? Why, he is a common laboring boy!"
I thought I overheard Miss Havisham answer—only it seemed so unlikely—"Well? You can break his heart."
"What do you play, boy?" asked Estella of myself, with the greatest disdain.
"Nothing but beggar my neighbor, miss."
"Beggar him," said Miss Havisham to Estella. So we sat down to cards.
It was then I began to understand that everything in the room had stopped, like the watch and the clock, a long time ago. I noticed that Miss Havisham put down the jewel exactly on the spot from which she had taken it up. As Estella dealt the cards, I glanced at the dressing-table again, and saw that the shoe upon it, once white, now yellow, had never been worn. I glanced down at the foot from which the shoe was absent, and saw that the silk stocking on it, once white, now yellow, had been trodden ragged. Without this arrest of everything, this standing still of all the pale decayed objects, not even the withered bridal dress on the collapsed form could have looked so like grave-clothes, or the long veil so like a shroud.
So she sat, corpse-like, as we played at cards; the frillings and trimmings on her bridal dress, looking like earthy paper. I knew nothing then of the discoveries that are occasionally made of bodies buried in ancient times, which fall to powder in the moment of being distinctly seen; but, I have often thought since, that she must have looked as if the admission of the natural light of day would have struck her to dust.
"He calls the knaves Jacks, this boy!" said Estella with disdain, before our first game was out. "And what coarse hands he has! And what thick boots!"
I had never thought of being ashamed of my hands before; but I began to consider them a very indifferent pair. Her contempt for me was so strong, that it became infectious, and I caught it.
She won the game, and I dealt. I misdealt, as was only natural, when I knew she was lying in wait for me to do wrong; and she denounced me for a stupid, clumsy laboring-boy.
"You say nothing of her," remarked Miss Havisham to me, as she looked on. "She says many hard things of you, but you say nothing of her. What do you think of her?"
"I don't like to say," I stammered.
"Tell me in my ear," said Miss Havisham, bending down.
"I think she is very proud," I replied, in a whisper.
"Anything else?"
"I think she is very pretty."
"Anything else?"
"I think she is very insulting." (She was looking at me then with a look of supreme aversion.)
"Anything else?"
"I think I should like to go home."
"And never see her again, though she is so pretty?"
"I am not sure that I shouldn't like to see her again, but I should like to go home now."
"You shall go soon," said Miss Havisham, aloud. "Play the game out."
Saving for the one weird smile at first, I should have felt almost sure that Miss Havisham's face could not smile. It had dropped into a watchful and brooding expression—most likely when all the things about her had become transfixed—and it looked as if nothing could ever lift it up again. Her chest had dropped, so that she stooped; and her voice had dropped, so that she spoke low, and with a dead lull upon her; altogether, she had the appearance of having dropped body and soul, within and without, under the weight of a crushing blow.
I played the game to an end with Estella, and she beggared me. She threw the cards down on the table when she had won them all, as if she despised them for having been won of me.
"When shall I have you here again?" said Miss Havisham. "Let me think."
I was beginning to remind her that to-day was Wednesday, when she checked me with her former impatient movement of the fingers of her right hand.
"There, there! I know nothing of days of the week; I know nothing of weeks of the year. Come again after six days. You hear?"
"Yes, ma'am."
"Estella, take him down. Let him have something to eat, and let him roam and look about him while he eats. Go, Pip."
I followed the candle down, as I had followed the candle up, and she stood it in the place where we had found it. Until she opened the side entrance, I had fancied, without thinking about it, that it must necessarily be night-time. The rush of the daylight quite confounded me, and made me feel as if I had been in the candlelight of the strange room many hours.
"You are to wait here, you boy," said Estella; and disappeared and closed the door.
I took the opportunity of being alone in the courtyard to look at my coarse hands and my common boots. My opinion of those accessories was not favorable. They had never troubled me before, but they troubled me now, as vulgar appendages. I determined to ask Joe why he had ever taught me to call those picture-cards Jacks, which ought to be called knaves. I wished Joe had been rather more genteelly brought up, and then I should have been so too.
It can be inferred from the passage that the Miss Havisham is dressed appropriately for .
household chores
a trip to the store
a fancy party
a wedding
a game of cards
a wedding
Miss Havisham is described as wearing a bridal dress.
Example Question #1 : Making Inferences About The Author Or Literary Fiction Passage Content
Adapted from "The Sisters" in Dubliners by James Joyce (1914)
There was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window, and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind, for I knew that two candles must be set at the head of a corpse. He had often said to me, "I am not long for this world," and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word “paralysis.” It had always sounded strangely in my ears, like the word “gnomon” in the Euclid and the word “simony” in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.
Old Cotter was sitting at the fire, smoking, when I came downstairs to supper. While my aunt was ladling out my stirabout he said, as if returning to some former remark of his:
"No, I wouldn't say he was exactly . . . but there was something queer . . . there was something uncanny about him. I'll tell you my opinion . . ."
He began to puff at his pipe, no doubt arranging his opinion in his mind. Tiresome old fool! When we knew him first he used to be rather interesting, talking of faints and worms, but I soon grew tired of him and his endless stories about the distillery.
"I have my own theory about it," he said. "I think it was one of those . . . peculiar cases . . . But it's hard to say . . ."
He began to puff again at his pipe without giving us his theory. My uncle saw me staring and said to me:
"Well, so your old friend is gone, you'll be sorry to hear."
"Who?" said I.
"Father Flynn."
"Is he dead?"
"Mr. Cotter here has just told us. He was passing by the house."
I knew that I was under observation, so I continued eating as if the news had not interested me. My uncle explained to old Cotter.
"The youngster and he were great friends. The old chap taught him a great deal, mind you; and they say he had a great wish for him."
"God have mercy on his soul," said my aunt piously.
Old Cotter looked at me for a while. I felt that his little beady black eyes were examining me, but I would not satisfy him by looking up from my plate. He returned to his pipe and finally spat rudely into the grate.
Which of the following inferences is supported by the passage?
Were the narrator working or in school as usual, he would not have time to pass the house in which the man who had a stroke is dying.
The narrator has female siblings.
Father Flynn died by drowning.
Old Cotter murdered Father Flynn.
The man who had a stroke is the narrator's father.
Were the narrator working or in school as usual, he would not have time to pass the house in which the man who had a stroke is dying.
Let's examine each answer choice individually to find the correct one.
"Old Cotter murdered Father Flynn." - While Old Cotter brought the news of Father Flynn's death to the narrator's aunt and uncle, we are not given any definitive reason to suspect that he murdered Father Flynn.
"The man who had a stroke is the narrator's father." - We are not told why the narrator is living with his aunt and uncle, but the assumption that the dying man is the narrator's father is too great of a leap to make without any evidence suggesting this. The narrator never refers to the man as his father or implies that he is his son.
"Father Flynn died by drowning." - We are only told that Father Flynn has died; we learn nothing about the manner of his death, so this answer choice cannot be correct.
"The narrator has female siblings." - The title of this story, "The Sisters," may seem to suggest this, but we don't know whose sisters the title is referring to at this point; it may even be figurative or symbolic, with no actual sisters involved in the story. We cannot assume that the narrator has sisters based on the passage, as we are not told anything about any sisters.
"Were the narrator working or in school as usual, he would not have time to pass the house in which the man who had a stroke is dying." - This is the correct answer, as it is supported by the first paragraph when the narrator states, "Night after night I had passed the house (it was vacation time)." From this statement, we can imply that the narrator is using the parenthetical to explain why he could pass the house night after night. Thus, if it were not vacation time, he would not have time to pass the house night after night.
Example Question #1 : Extrapolating From The Text In Literary Fiction Passages
Adapted from Tess of the D’Urbervilles by Thomas Hardy (1891)
The haggling business, which had mainly depended on the horse, became disorganized forthwith. Distress, if not penury, loomed in the distance. Durbeyfield was what was locally called a slack-twisted fellow; he had good strength to work at times; but the times could not be relied on to coincide with the hours of requirement; and, having been unaccustomed to the regular toil of the day-labourer, he was not particularly persistent when they did so coincide.
Tess, meanwhile, as the one who had dragged her parents into this quagmire, was silently wondering what she could do to help them out of it; and then her mother broached her scheme.
"We must take the ups wi' the downs, Tess," said she; "and never could your high blood have been found out at a more called-for moment. You must try your friends. Do ye know that there is a very rich Mrs d'Urberville living on the outskirts o' The Chase, who must be our relation? You must go to her and claim kin, and ask for some help in our trouble."
"I shouldn't care to do that," says Tess. "If there is such a lady, 'twould be enough for us if she were friendly—not to expect her to give us help."
"You could win her round to do anything, my dear. Besides, perhaps there's more in it than you know of. I've heard what I've heard, good-now."
The oppressive sense of the harm she had done led Tess to be more deferential than she might otherwise have been to the maternal wish; but she could not understand why her mother should find such satisfaction in contemplating an enterprise of, to her, such doubtful profit. Her mother might have made inquiries, and have discovered that this Mrs d'Urberville was a lady of unequalled virtues and charity. But Tess's pride made the part of poor relation one of particular distaste to her.
"I'd rather try to get work," she murmured.
"Durbeyfield, you can settle it," said his wife, turning to where he sat in the background. "If you say she ought to go, she will go."
"I don't like my children going and making themselves beholden to strange kin," murmured he. "I'm the head of the noblest branch o' the family, and I ought to live up to it."
His reasons for staying away were worse to Tess than her own objections to going. "Well, as I killed the horse, mother," she said mournfully, "I suppose I ought to do something. I don't mind going and seeing her, but you must leave it to me about asking for help. And don't go thinking about her making a match for me—it is silly."
"Very well said, Tess!" observed her father sententiously.
"Who said I had such a thought?" asked Joan.
"I fancy it is in your mind, mother. But I'll go."
Rising early next day she walked to the hill-town called Shaston, and there took advantage of a van which twice in the week ran from Shaston eastward to Chaseborough, passing near Trantridge, the parish in which the vague and mysterious Mrs d'U
It can be reasonably inferred from the passage that Tess's mother hopes Tess will gain all but which of the following from visiting their supposed relation?
Better social standing
Revenge
Financial help
A good husband
Revenge
There is nothing in the passage to indicate that Mrs. d'Urberville has been the cause of any harm to the Durbeyfields, so it is unlikely that she wants revenge. On the other hand, a rich relation could be the source of financial support, social mobility, and a good husband for Tess.
Example Question #21 : Inferences And Predictions In Literary Fiction Passages
Adapted from "An Occurrence at Owl Creek Bridge" by Ambrose Bierce (1890)
Peyton Farquhar was a well to do planter, of an old and highly respected Alabama family. Being a planter and like other planters a politician, he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with that gallant army which had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in wartime. Meanwhile he did what he could. No service was too humble for him to perform in the aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.
One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only too happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.
"The Yanks are repairing the railroads," said the man, "and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels, or trains will be summarily hanged. I saw the order."
"How far is it to the Owl Creek bridge?" Farquhar asked.
"About thirty miles."
"Is there no force on this side of the creek?"
"Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge."
"Suppose a man—a civilian and student of hanging—should elude the picket post and perhaps get the better of the sentinel," said Farquhar, smiling, "what could he accomplish?"
The soldier reflected. "I was there a month ago," he replied. "I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tinder."
The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.
Based on the passage, the primary purpose for the picket post was to __________.
defend against the Yanks
act as a temporary railway station
help to gather supplies for the Federal camp
represent the main force of the Federal army
watch out for a Southern force
watch out for a Southern force
We can infer that Yanks are the same as the Federal side mentioned in the last line. We know that the Yanks are on the north side of the river. Farquhar asks the soldier about the “force” on “this side” (the southern side) of the river, the soldier replies that there is “Only a picket post half a mile out, on the rail road, and a single sentinel at this end of the bridge.” We can infer from the context of this sentence that a "picket post" is a post at which a soldier for any vandals or Southern force.
Example Question #1281 : Passage Based Questions
Adapted from "An Occurrence at Owl Creek Bridge" by Ambrose Bierce (1890)
Peyton Farquhar was a well to do planter, of an old and highly respected Alabama family. Being a planter and like other planters a politician, he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with that gallant army which had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in wartime. Meanwhile he did what he could. No service was too humble for him to perform in the aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.
One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only too happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.
"The Yanks are repairing the railroads," said the man, "and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels, or trains will be summarily hanged. I saw the order."
"How far is it to the Owl Creek bridge?" Farquhar asked.
"About thirty miles."
"Is there no force on this side of the creek?"
"Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge."
"Suppose a man—a civilian and student of hanging—should elude the picket post and perhaps get the better of the sentinel," said Farquhar, smiling, "what could he accomplish?"
The soldier reflected. "I was there a month ago," he replied. "I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tinder."
The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.
It can reasonably be inferred from the passage that __________.
Mr. Farquhar does not love his wife.
Mr. Farquhar dislikes politics.
Mr. Farquhar is not a soldier at heart.
Mr. Farquhar wants to destroy the bridge.
Mr. Farquhar likes to gossip.
Mr. Farquhar wants to destroy the bridge.
We can infer that Farquhar is intending on destroying the bridge firstly because the passage states that “No service was too humble for him to perform in the aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier,” and secondly because his “hypothetical” question to the soldier is obviously illustrative of his intentions: "'Suppose a man—a civilian and student of hanging—should elude the picket post and perhaps get the better of the sentinel,' said Farquhar, smiling, 'what could he accomplish?'"
Example Question #41 : Drawing Inferences From Prose Fiction Passages
Adapted from Nicholas Nickleby by Charles Dickens (1839)
There was a great bustle in Bishopsgate Street Within, as they drew up, and (it being a windy day) half-a-dozen men were tacking across the road under a press of paper, bearing gigantic announcements that a Public Meeting would be held at one o'clock precisely, to take into consideration the propriety of petitioning Parliament in favour of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company, capital five millions, in five hundred thousand shares of ten pounds each; which sums were duly set forth in fat black figures of considerable size. Mr. Bonney elbowed his way briskly upstairs, receiving in his progress many low bows from the waiters who stood on the landings to show the way; and, followed by Mr. Nickleby, dived into a suite of apartments behind the great public room: in the second of which was a business-looking table, and several business-looking people.
"Hear!" cried a gentleman with a double chin, as Mr. Bonney presented himself. "Chair, gentlemen, chair!"
The new-comers were received with universal approbation, and Mr. Bonney bustled up to the top of the table, took off his hat, ran his fingers through his hair, and knocked a hackney-coachman's knock on the table with a little hammer: whereat several gentlemen cried "Hear!" and nodded slightly to each other, as much as to say what spirited conduct that was. Just at this moment, a waiter, feverish with agitation, tore into the room, and throwing the door open with a crash, shouted "Sir Matthew Pupker!"
The committee stood up and clapped their hands for joy, and while they were clapping them, in came Sir Matthew Pupker, attended by two live members of Parliament, one Irish and one Scotch, all smiling and bowing, and looking so pleasant that it seemed a perfect marvel how any man could have the heart to vote against them. Sir Matthew Pupker especially, who had a little round head with a flaxen wig on the top of it, fell into such a paroxysm of bows, that the wig threatened to be jerked off, every instant. When these symptoms had in some degree subsided, the gentlemen who were on speaking terms with Sir Matthew Pupker, or the two other members, crowded round them in three little groups, near one or other of which the gentlemen who were NOT on speaking terms with Sir Matthew Pupker or the two other members, stood lingering, and smiling, and rubbing their hands, in the desperate hope of something turning up which might bring them into notice. All this time, Sir Matthew Pupker and the two other members were relating to their separate circles what the intentions of government were, about taking up the bill; with a full account of what the government had said in a whisper the last time they dined with it, and how the government had been observed to wink when it said so; from which premises they were at no loss to draw the conclusion, that if the government had one object more at heart than another, that one object was the welfare and advantage of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company.
Meanwhile, and pending the arrangement of the proceedings, and a fair division of the speechifying, the public in the large room were eyeing, by turns, the empty platform, and the ladies in the Music Gallery. In these amusements the greater portion of them had been occupied for a couple of hours before, and as the most agreeable diversions pall upon the taste on a too protracted enjoyment of them, the sterner spirits now began to hammer the floor with their boot-heels, and to express their dissatisfaction by various hoots and cries. These vocal exertions, emanating from the people who had been there longest, naturally proceeded from those who were nearest to the platform and furthest from the policemen in attendance, who having no great mind to fight their way through the crowd, but entertaining nevertheless a praiseworthy desire to do something to quell the disturbance, immediately began to drag forth, by the coat tails and collars, all the quiet people near the door; at the same time dealing out various smart and tingling blows with their truncheons, after the manner of that ingenious actor, Mr. Punch: whose brilliant example, both in the fashion of his weapons and their use, this branch of the executive occasionally follows.
Several very exciting skirmishes were in progress, when a loud shout attracted the attention even of the belligerents, and then there poured on to the platform, from a door at the side, a long line of gentlemen with their hats off, all looking behind them, and uttering vociferous cheers; the cause whereof was sufficiently explained when Sir Matthew Pupker and the two other real members of Parliament came to the front, amidst deafening shouts, and testified to each other in dumb motions that they had never seen such a glorious sight as that, in the whole course of their public career.
It can reasonably be inferred from the passage that __________.
The members of parliament were not nice to look at.
None of these answers
It is too loud to hear Sir Pupker speaking.
The policemen have been bribed.
The men do not want to be at the meeting.
It is too loud to hear Sir Pupker speaking.
We know that it was too loud to hear Sir Pupker speaking from what is stated at the end of the passage: “Amidst deafening shouts, and testified to each other in dumb motions that they had never seen such a glorious sight as that, in the whole course of their public career.” The key words are “deafening,” “dumb,” and “motions”, which tell us that it is so loud that the only way for the members of Parliament to communicate is through their body language.