All SAT Critical Reading Resources
Example Questions
Example Question #1 : Determining Authorial Purpose In Argumentative Humanities Passages
Adapted from An Enquiry Concerning Human Understanding by David Hume (1748)
Everyone will readily allow that there is a considerable difference between the perceptions of the mind, when a man feels the pain of excessive heat, or the pleasure of moderate warmth, and when he afterwards recalls to his memory this sensation, or anticipates it by his imagination. These faculties may mimic or copy the perceptions of the senses, but they never can entirely reach the force and vivacity of the original sentiment. The utmost we say of them, even when they operate with greatest vigor, is, that they represent their object in so lively a manner that we could almost say we feel or see it. But, except the mind be disordered by disease or madness, they never can arrive at such a pitch of vivacity as to render these perceptions altogether undistinguishable. All the colors of poetry, however splendid, can never paint natural objects in such a manner as to make the description be taken for a real landscape. The most lively thought is still inferior to the dullest sensation.
We may observe a like distinction to run through all the other perceptions of the mind. A man in a fit of anger is actuated in a very different manner from one who only thinks of that emotion. If you tell me that any person is in love I easily understand your meaning, and form a just conception of his situation, but never can mistake that conception for the real disorders and agitations of the passion. When we reflect on our past sentiments and affections, our thought is a faithful mirror and copies its objects truly, but the colors which it employs are faint and dull in comparison of those in which our original perceptions were clothed. It requires no nice discernment or metaphysical head to mark the distinction between them.
Here, therefore, we may divide all the perceptions of the mind into two classes or species, which are distinguished by their different degrees of force and vivacity. The less forcible and lively are commonly denominated "thoughts" or "ideas." The other species want a name in our language, and in most others; I suppose because it was not requisite for any but philosophical purposes to rank them under a general term or appellation. Let us, therefore, use a little freedom, and call them "impressions," employing that word in a sense somewhat different from the usual. By the term "impression," then, I mean all our more lively perceptions, when we hear, or see, or feel, or love, or hate, or desire, or will. And impressions are distinguished from ideas, which are the less lively perceptions, of which we are conscious when we reflect on any of those sensations or movements above mentioned.
In the first paragraph, the information about poems serves to __________.
compare descriptions in poetry to madness
justify the author's taste in literary arts and his admonishing stance on poetry
signify the point at which reality meets imagination
illustrate the lengths to which people go to recreate reality
emphasize how the mind's imaginings can never have the force that perceptions of reality have
emphasize how the mind's imaginings can never have the force that perceptions of reality have
The author is defining his argument that a person’s experience of reality is, and in most cases will always be, stronger than his or her recollections or imagination. By comparing the difference to the inferiority of a poem to the actual scene it describes, the author is emphasizing his argument that "The most lively thought is still inferior to the dullest sensation."
Example Question #161 : Humanities Passages
Adapted from “A Defense of Slang” in The Romance of the Commonplace by Gelett Burgess (1902)
Could Shakespeare come to Chicago and listen curiously to "the man in the street," he would find himself more at home than in London. In the mouths of messenger boys and clerks he would find the English language used with all the freedom of unexpected metaphor and the plastic, suggestive diction that was the privilege of the Elizabethan dramatists; he would say, no doubt, that he had found a nation of poets. There was hardly any such thing as slang in his day, for no graphic trope was too virile or uncommon for acceptance, if its meaning were patent. His own heroes often spoke what corresponds to the slang of today.
The word, indeed, needs precise definition, before we condemn all unconventional talk with vigor. Slang has been called "poetry in the rough," and it is not all coarse or vulgar. There is a prosaic as well as a poetic license. The man in the street calls a charming girl, for instance, a "daisy." Surely this is not inelegant, and such a reference will be understood a century from now. Slang, to prove adjuvant to our speech, which is growing more and more rigid and conventional, should be terse; it should make for force and clarity, without any sacrifice of beauty.
In the passage's second line, why does the author contend that Shakespeare would be more at home in Chicago than in London?
He would discover a whole new form of expression, unfamiliar to Elizabethan England.
In the “messenger boys and clerks” he would find characters reminiscent of the heroes of his plays.
He would find the English language used in a more poetic, elastic, and familiar manner.
He would be able to escape the vulgarity of English slang.
The author does not contend that Shakespeare would be more at home in Chicago than in London.
He would find the English language used in a more poetic, elastic, and familiar manner.
In order to answer this question, it is necessary to consider what you know about the passage as a whole. The author makes no obvious statement as to why Shakespeare would feel more at home in Chicago than in London, but the way in which he discusses slang usage in Chicago in comparison to the London that existed hundreds of years ago provides a clue that the author believes contemporary London to be lacking in colorful language. The author states that Shakespeare would be enamored with Chicago because of the poetic usage of slang, and because the slang that was being used would be familiar to Shakespeare as it resembles the language found often in his plays.
Example Question #1 : Analyzing The Text In Literature Passages
Adapted from Moby-Dick; or, The Whale by Herman Melville (1851)
The fact is, that among his hunters at least, the whale would, by all hands, be considered a noble dish were there not so much of him; but when you come to sit down before a meat-pie nearly one hundred feet long, it takes away your appetite. Only the most unprejudiced of men, like Stubb, nowadays partake of cooked whales; but the Esquimaux are not so fastidious. We all know how they live upon whales and have rare old vintages of prime old train oil. Zogranda, one of their most famous doctors, recommends strips of blubber for infants as being exceedingly juicy and nourishing. And this reminds me that certain Englishmen, who long ago were accidentally left in Greenland by a whaling vessel—that these men actually lived for several months on the moldy scraps of whales which had been left ashore after trying out the blubber. Among the Dutch whalemen, these scraps are called “fritters,” which, indeed, they greatly resemble, being brown and crisp, and smelling something like old Amsterdam housewives’ dough-nuts or oly-cooks when fresh. They have such an eatable look that the most self-denying stranger can hardly keep his hands off.
But what further depreciates the whale as a civilized dish is his exceeding richness. He is the great prize ox of the sea, too fat to be delicately good. Look at his hump, which would be as fine eating as the buffalo’s (which is esteemed a rare dish), were it not such a solid pyramid of fat. But the spermaceti itself, how bland and creamy that is, like the transparent, half-jellied, white meat of a coconut in the third month of its growth, yet far too rich to supply a substitute for butter. Nevertheless, many whale men have a method of absorbing it into some other substance and then partaking of it. In the long try watches of the night, it is a common thing for the seamen to dip their ship-biscuit into the huge oil-pots and let them fry there awhile. Many a good supper have I thus made.
What is the purpose of the underlined portion of the first paragraph?
To show how many people eat whale
To show how Stubb and the Esquimaux are different in their food preferences
To show how Stubb is like most men in his food preferences
To show how the Esquimaux are like most men in their food preferences
To show how Stubb and the Esquimaux are alike in their food preferences
To show how Stubb and the Esquimaux are alike in their food preferences
The underlined passage suggests that Stubbs, unlike most men, is not picky. It goes on to state that the Esquimaux are also not picky about their food, suggesting that Stubbs and the Esquimaux share similar food preferences.
Example Question #462 : Passage Based Questions
Adapted from “Economy” in Walden by Henry David Thoreau (1854)
On the whole, I think that it cannot be maintained that dressing has in this or any country risen to the dignity of an art. At present men make shift to wear what they can get. Like shipwrecked sailors, they put on what they can find on the beach, and at a little distance, whether of space or time, laugh at each other's masquerade. Every generation laughs at the old fashions, but follows religiously the new. We are amused at beholding the costume of Henry VIII, or Queen Elizabeth, as much as if it was that of the King and Queen of the Cannibal Islands. All costume off a man is pitiful or grotesque. It is only the serious eye peering from and the sincere life passed within it which restrain laughter and consecrate the costume of any people. Let Harlequin be taken with a fit of the colic and his trappings will have to serve that mood too. When the soldier is hit by a cannonball, rags are as becoming as purple.
The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires today. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.
I cannot believe that our factory system is the best mode by which men may get clothing. The condition of the operatives is becoming every day more like that of the English; and it cannot be wondered at, since, as far as I have heard or observed, the principal object is, not that mankind may be well and honestly clad, but, unquestionably, that corporations may be enriched. In the long run men hit only what they aim at. Therefore, though they should fail immediately, they had better aim at something high.
What is the purpose of the sentence beginning, “Like shipwrecked sailors”?
To provide an image to evoke the sense of randomness involved in the wearing of clothing
To describe a kind of masquerade ball that could be had on an island with few clothes
To discuss the problems of clothing for displaced people, using shipwrecked sailors as an example
To mock the lower classes of Thoreau's time for their poor choices in clothing
To decry the lack of clothing available to the military classes
To provide an image to evoke the sense of randomness involved in the wearing of clothing
The two sentences before this one remark that clothing is not at all an art in much of the world. The implication is that people do what they can with regard to clothes, wearing whatever happens to come to them. They do not organize their appearance but just "wear what they can get." The sentence in question provides an image that is meant to be evocative of the situation. It compares people of his day with shipwrecked sailors who wear whatever clothes they can find, without planning it like an art.
Example Question #162 : Humanities Passages
Adapted from “Economy” in Walden by Henry David Thoreau (1854)
On the whole, I think that it cannot be maintained that dressing has in this or any country risen to the dignity of an art. At present men make shift to wear what they can get. Like shipwrecked sailors, they put on what they can find on the beach, and at a little distance, whether of space or time, laugh at each other's masquerade. Every generation laughs at the old fashions, but follows religiously the new. We are amused at beholding the costume of Henry VIII, or Queen Elizabeth, as much as if it was that of the King and Queen of the Cannibal Islands. All costume off a man is pitiful or grotesque. It is only the serious eye peering from and the sincere life passed within it which restrain laughter and consecrate the costume of any people. Let Harlequin be taken with a fit of the colic and his trappings will have to serve that mood too. When the soldier is hit by a cannonball, rags are as becoming as purple.
The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires today. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.
I cannot believe that our factory system is the best mode by which men may get clothing. The condition of the operatives is becoming every day more like that of the English; and it cannot be wondered at, since, as far as I have heard or observed, the principal object is, not that mankind may be well and honestly clad, but, unquestionably, that corporations may be enriched. In the long run men hit only what they aim at. Therefore, though they should fail immediately, they had better aim at something high.
Which sentence is used as proof of the arbitrary nature of clothing preferences?
"Comparatively, tattooing is not the hideous custom which it is called."
"The condition of the operatives is becoming every day more like that of the English; and it cannot be wondered at, since, as far as I have heard or observed, the principal object is, not that mankind may be well and honestly clad, but, unquestionably, that corporations may be enriched."
"When the soldier is hit by a cannonball, rags are as becoming as purple."
"It is only the serious eye peering from and the sincere life passed within it which restrain laughter and consecrate the costume of any people."
"Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable."
"Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable."
In the author's argument, the key sentence about this arbitrary nature of preferences is indicated by the sentence, "The manufacturers have learned that this taste is merely whimsical." Directly following this, he uses the example of two pieces of clothing that barely differ physically, though preferences lead people to choose one with great zeal.
Example Question #3 : Determining Authorial Purpose In Argumentative Humanities Passages
Adapted from a letter by T. Thatcher published in The Publishers Circular on September 27th, 1902
A PLEA FOR A LONG WALK
Sir—In these days of increasing rapid artificial locomotion, may I be permitted to say a word in favor of a very worthy and valuable old friend of mine, Mr. Long-Walk?
I am afraid that this good gentleman is in danger of getting neglected, if not forgotten. We live in days of water trips and land trips, excursions by sea, road, and rail—bicycles and tricycles, tram cars and motor cars, hansom cabs and ugly cabs; but in my humble opinion good honest walking exercise for health beats all other kinds of locomotion into a cocked hat. In rapid traveling all the finer nerves, senses, and vessels are "rush" and unduly excited, but in walking every particle of the human frame, and even the moral faculties, are evenly and naturally brought into exercise. It is the best discipline and physical mental tonic in the world. Limbs, body, muscles, lungs, chest, heart, digestion, breathing, are healthily brought into normal operation, while. especially in the long distance walk, the exercise of patience, perseverance, industry, energy, perception, and reflection—and, indeed, all the senses and moral faculties—are elevated and cultivated healthfully and naturally. Many never know the beauty of it because they never go far enough: exercise and hard work should never be relinquished at any age or by either sex. Heart disease, faintness, and sudden death, and even crime, are far more due to the absence of wholesome normal exercise and taste than to anything else, to enervating luxuries rather than to hill climbing.
I usually give myself a holiday on a birthday, and as I lately reached my 63rd I determined to give myself a day with my old friend Mr. Long-Walk, and decided to tramp to the city of Wells and back for my birthday holiday—a distance of about forty-two miles. Fortune favors the brave, and, thanks to a mosquito that pitched on my nose and was just commencing operations, I woke very early in the morning. It is an ill wind that blows no one any good. Mosquitoes are early birds, but I stole a march on them. But to my journey.
I started at about 5 A.M., and proceeding via Dundry and Chow Stoke, reached Wells soon after 10 A.M. After attending the cathedral, I pursued my walk homeward by a different route, via Chewton Mendip, Farrington, Temple Cloud, Clutton, and Pensford.
To make a walk successful, mind and body should be free of burden. I never carry a stick on a long walk, but prefer to be perfectly free, giving Nature’s balancing poles—the pendulum arms—complete swing and absolute liberty. Walking exercises, together with a well-educated palate, are the greatest physicians in the world: no disease can withstand them. I returned from my forty-two miles tramp with birthday honors and reward. I had no headache on the following morning, but was up early in good form, fresh and ready for work. Forty-two miles may be too strong a dose for many, but I cannot too strongly recommend for a day’s companionship the society of my old and well-tried friend, Mr. Long-Walk.
Faithfully yours,
T. Thatcher
44 College Green, Bristol.
Which of the following is NOT a likely reason why the author mentioned that he “had no headache on the following morning”?
He is comparing a long walk to a traditional birthday celebration that involves drinking.
He is proving that long walks do not have negative health effects.
He is debunking a myth that long walks cause headaches.
None of these answers are likely reasons.
All of these answers are likely reasons.
He is debunking a myth that long walks cause headaches.
There is no common myth that long walks cause headaches. It is reasonable to assume he brings it up to illustrate the healthful benefits and/or the lack of hangover.
Example Question #463 : Passage Based Questions
Adapted from “Gin-Shops” by Charles Darwin (1836)
We will endeavor to sketch the bar of a large gin-shop, and its ordinary customers, for the edification of such of our readers as may not have had opportunities of observing such scenes; and on the chance of finding one well suited to our purpose, we will make for Drury Lane. The filthy and miserable appearance of this part of London can hardly be imagined by those have not witnessed it. Wretched houses with broken windows patched with rags and paper: every room let out to a different family, and in many instances to two or even three; fruit manufacturers in the cellars, barbers and red-herring vendors in the front parlors, cobblers in the back; a bird-fancier in the first floor, three families on the second, starvation in the attics, Irishmen in the passage, a "musician" in the front kitchen, and a charwoman and five hungry children in the back one; filth everywhere, a gutter before the houses and a drain behind, clothes drying and slops emptying, from the windows; girls of fourteen or fifteen, with matted hair, walking about barefoot, and with only white coats to cover them; boys of all ages, in coats of all sizes and no coats at all; men and women, in every variety of scanty and dirty apparel, lounging, scolding, drinking, smoking, squabbling, fighting, and swearing.
You turn the corner. What a change! All is light and brilliancy. The hum of many voices issues from that splendid gin-shop which forms the commencement of the two streets opposite; and the gay building with the fantastically ornamented parapet, the illuminated clock, the plate-glass windows surrounded by stucco rosettes, and its profusion of gas-lights in richly-gilt burners, is perfectly dazzling when contrasted with the darkness and dirt we have just left. Yet, the gin shop is dazzling in appearances only. Soon it grows late and the throng of men, women, and children, who have been constantly going in and out, dwindles down to two or three occasional stragglers--cold, wretched-looking creatures, in the last stage of emaciation and disease. The knot of Irish laborers at the lower end of the place, who have been alternately shaking hands with, and threatening the life of each other, for the last hour, become furious in their disputes, and finding it impossible to silence one man, who is particularly anxious to adjust the difference, they resort to the expedient of knocking him down and jumping on him afterwards. The man in the fur cap, and the potboy rush out; a scene of riot and confusion ensues; half the Irishmen get shut out, and the other half get shut in; the potboy is knocked among the tubs in no time; the landlord hits everybody, and everybody hits the landlord; the barmaids scream; the police come in; the rest is a confused mixture of arms, legs, staves, torn coats, shouting, and struggling. Some of the party are borne off to the station-house, and the remainder slink home to beat their wives for complaining, and kick the children for daring to be hungry.
Gin-drinking is a great vice in England, but wretchedness and dirt are a greater; and until you improve the homes of the poor, or persuade a half-famished wretch not to seek relief in the temporary oblivion of his own misery gin-shops will increase in number and splendor. If Temperance Societies would suggest an antidote against hunger and filth gin-palaces would vanish. In the meantime, they shall only grow in prominence.
The description of the last customers to remain in the gin-shop as “cold, wretched-looking creatures, in the last stage of emaciation and disease” is intended to __________.
condemn the customers of the gin-shop
introduce the owners of the gin-shop as exploitive antagonists
absolve the wealthy of any responsibility
heighten the emotional response of the reader
promote temperance societies as the only viable solution
heighten the emotional response of the reader
Throughout the passage the author employs vivid descriptions to engender certain emotions and thoughts in the mind of the reader. The quote in this question is a prime example of this exercise. By describing the remaining customers in the gin-shop as “cold” and “wretched-looking” he is invoking a certain emotional response so as to more profoundly affect his audience.
Example Question #163 : Humanities Passages
Adapted from “Gin-Shops” by Charles Darwin (1836)
We will endeavor to sketch the bar of a large gin-shop, and its ordinary customers, for the edification of such of our readers as may not have had opportunities of observing such scenes; and on the chance of finding one well suited to our purpose, we will make for Drury Lane. The filthy and miserable appearance of this part of London can hardly be imagined by those have not witnessed it. Wretched houses with broken windows patched with rags and paper: every room let out to a different family, and in many instances to two or even three; fruit manufacturers in the cellars, barbers and red-herring vendors in the front parlors, cobblers in the back; a bird-fancier in the first floor, three families on the second, starvation in the attics, Irishmen in the passage, a "musician" in the front kitchen, and a charwoman and five hungry children in the back one; filth everywhere, a gutter before the houses and a drain behind, clothes drying and slops emptying, from the windows; girls of fourteen or fifteen, with matted hair, walking about barefoot, and with only white coats to cover them; boys of all ages, in coats of all sizes and no coats at all; men and women, in every variety of scanty and dirty apparel, lounging, scolding, drinking, smoking, squabbling, fighting, and swearing.
You turn the corner. What a change! All is light and brilliancy. The hum of many voices issues from that splendid gin-shop which forms the commencement of the two streets opposite; and the gay building with the fantastically ornamented parapet, the illuminated clock, the plate-glass windows surrounded by stucco rosettes, and its profusion of gas-lights in richly-gilt burners, is perfectly dazzling when contrasted with the darkness and dirt we have just left. Yet, the gin shop is dazzling in appearances only. Soon it grows late and the throng of men, women, and children, who have been constantly going in and out, dwindles down to two or three occasional stragglers--cold, wretched-looking creatures, in the last stage of emaciation and disease. The knot of Irish laborers at the lower end of the place, who have been alternately shaking hands with, and threatening the life of each other, for the last hour, become furious in their disputes, and finding it impossible to silence one man, who is particularly anxious to adjust the difference, they resort to the expedient of knocking him down and jumping on him afterwards. The man in the fur cap, and the potboy rush out; a scene of riot and confusion ensues; half the Irishmen get shut out, and the other half get shut in; the potboy is knocked among the tubs in no time; the landlord hits everybody, and everybody hits the landlord; the barmaids scream; the police come in; the rest is a confused mixture of arms, legs, staves, torn coats, shouting, and struggling. Some of the party are borne off to the station-house, and the remainder slink home to beat their wives for complaining, and kick the children for daring to be hungry.
Gin-drinking is a great vice in England, but wretchedness and dirt are a greater; and until you improve the homes of the poor, or persuade a half-famished wretch not to seek relief in the temporary oblivion of his own misery gin-shops will increase in number and splendor. If Temperance Societies would suggest an antidote against hunger and filth gin-palaces would vanish. In the meantime, they shall only grow in prominence.
What purpose does the description of the appearance of the gin-shop primarily serve?
It contrasts the positive appearance of the gin-shop with its negative atmosphere.
It provides insight into the interior design of nineteenth-century London.
It implicates the owners of gin-shops as being complicit in the degradation of the poor.
It establishes a setting for the rest of the passage.
It contrasts the homes of the poor with the gin-shop.
It contrasts the positive appearance of the gin-shop with its negative atmosphere.
The actual appearance of the gin-shop is described in majestic language. Firstly, the author introduces the gin-shop by saying: “All is light and brilliancy!” (Line 13) And words with positive connotations like “splendid,” “perfectly,” and “illuminated” are thrown around liberally to create an image in the mind of the reader. The purpose of this is to contrast the appearance with the atmosphere. The author moves from the description of the appearance to a description of the atmosphere when he says: “Yet, the gin shop is dazzling in appearances only.” (Line 17) And he goes on to highlight the negative and crushing atmosphere within the gin-shops. The reader is more heavily affected by the description of the negative atmosphere because he/she has just been reading a descriptive paragraph coaxed in positive language. The contrast strengthens the author’s message.
Example Question #4 : Interpreting Literary Devices
Adapted from “Gin-Shops” by Charles Darwin (1836)
We will endeavor to sketch the bar of a large gin-shop, and its ordinary customers, for the edification of such of our readers as may not have had opportunities of observing such scenes; and on the chance of finding one well suited to our purpose, we will make for Drury Lane. The filthy and miserable appearance of this part of London can hardly be imagined by those have not witnessed it. Wretched houses with broken windows patched with rags and paper: every room let out to a different family, and in many instances to two or even three; fruit manufacturers in the cellars, barbers and red-herring vendors in the front parlors, cobblers in the back; a bird-fancier in the first floor, three families on the second, starvation in the attics, Irishmen in the passage, a "musician" in the front kitchen, and a charwoman and five hungry children in the back one; filth everywhere, a gutter before the houses and a drain behind, clothes drying and slops emptying, from the windows; girls of fourteen or fifteen, with matted hair, walking about barefoot, and with only white coats to cover them; boys of all ages, in coats of all sizes and no coats at all; men and women, in every variety of scanty and dirty apparel, lounging, scolding, drinking, smoking, squabbling, fighting, and swearing.
You turn the corner. What a change! All is light and brilliancy. The hum of many voices issues from that splendid gin-shop which forms the commencement of the two streets opposite; and the gay building with the fantastically ornamented parapet, the illuminated clock, the plate-glass windows surrounded by stucco rosettes, and its profusion of gas-lights in richly-gilt burners, is perfectly dazzling when contrasted with the darkness and dirt we have just left. Yet, the gin shop is dazzling in appearances only. Soon it grows late and the throng of men, women, and children, who have been constantly going in and out, dwindles down to two or three occasional stragglers--cold, wretched-looking creatures, in the last stage of emaciation and disease. The knot of Irish laborers at the lower end of the place, who have been alternately shaking hands with, and threatening the life of each other, for the last hour, become furious in their disputes, and finding it impossible to silence one man, who is particularly anxious to adjust the difference, they resort to the expedient of knocking him down and jumping on him afterwards. The man in the fur cap, and the potboy rush out; a scene of riot and confusion ensues; half the Irishmen get shut out, and the other half get shut in; the potboy is knocked among the tubs in no time; the landlord hits everybody, and everybody hits the landlord; the barmaids scream; the police come in; the rest is a confused mixture of arms, legs, staves, torn coats, shouting, and struggling. Some of the party are borne off to the station-house, and the remainder slink home to beat their wives for complaining, and kick the children for daring to be hungry.
Gin-drinking is a great vice in England, but wretchedness and dirt are a greater; and until you improve the homes of the poor, or persuade a half-famished wretch not to seek relief in the temporary oblivion of his own misery gin-shops will increase in number and splendor. If Temperance Societies would suggest an antidote against hunger and filth gin-palaces would vanish. In the meantime, they shall only grow in prominence.
What is the description of Drury Lane intended to highlight?
The attitude of the rich towards the poor
The impact of urbanization on city life
The irrelevance of alcohol
The responsibility of the rich to enhance the quality of life in urban areas
The deplorable living conditions within
The deplorable living conditions within
The description of life in Drury Lane is meant to convey a sense of desperate and widespread urban poverty to the author’s audience. From the whole of the passage you can infer that the author believes the rise of alcohol abuse in London is directly related to the deplorable living conditions of the poor. The author employs numerous evocative words such as “filthy” and “wretched” to make sure that his description affects the audience.
Example Question #743 : Sat Critical Reading
Adapted from “The Clothing of Ghosts” by Ambrose Bierce (1902)
Belief in ghosts and apparitions is general, almost universal; possibly it is shared by the ghosts themselves. We are told that this wide distribution of the faith and its persistence through the ages are powerful evidences of its truth. As to that, I do not remember to have heard the basis of the argument frankly stated; it can be nothing else than that whatever is generally and long believed is true, for of course there can be nothing in the particular belief under consideration making it peculiarly demonstrable by counting noses. The world has more Buddhists than Christians. Is Buddhism therefore the truer religion? Before the day of Galileo there was a general though not quite universal conviction that the earth was a motionless body, the sun passing around it daily. That was a matter in which "the united testimony of mankind" ought to have counted for more than it should in the matter of ghosts, for all can observe the earth and sun, but not many profess to see ghosts, and no one holds that the circumstances in which they are seen are favorable to calm and critical observation. Ghosts are notoriously addicted to the habit of evasion; [Heinrich] Heine says that it is because they are afraid of us. "The united testimony of mankind" has a notable knack at establishing only one thing—the incredibility of the witnesses.
The author’s statement that belief in ghosts is “possibly shared by the ghosts themselves” expresses the author’s __________.
hope
reverence
nonchalance
skepticism
trust
skepticism
This statement is primarily whimsical and ironic in nature. By suggesting that perhaps the belief in ghostly apparitions is shared by all mankind, perhaps even by the ghosts as well, the author is mocking the universal belief in ghosts and demonstrating his skepticism towards the belief in apparitions. Neither "trust" nor "hope" would make sense in this context. Likewise, "reverence" (which means respect) and "nonchalance" (which means apathy or not caring) are incorrect answers.