Ophelia is featured in Shakespeare's Hamlet.

This quote is from Shakespeare's The Merchant of Venice, and is spoken by Shylock about his reasons for seeking revenge against Antonio. The revenge that Shylock is seeking is the right to exact a pound of flesh from Antonio for not repaying the money that Shylock lent him.

(Passage adapted from The Merchant of Venice by William Shakespeare, III.iii.54-58)

Hamlet was a turning point in the writing career of William Shakespeare. Taking an old tale about a Prince of Denmark whose father has mysteriously died and whose uncle has usurped the throne, Shakespeare focused intensely on Hamlet's character and inner drama. The play features many ruminations on philosophy and psychology, which were used in most of Shakespeare's later tragedies.

Antonio, Jessica, and Portia are all characters in The Merchant of Venice.

The general consensus among scholars reflects that Shakespeare derived his story and main characters for Romeo and Juliet from Ovid's story of Pyramus and Thisbe. The story of Pyramus and Thisbe depicts two tragic lovers who are separated by their families, who do not approve of their marriage. They communicate their love through a cement wall and plan to meet under a tree outside to confess their love. However, when Thisbe comes out first, she mistakes the blood of a lion for Pyramus' blood and, believing he had been killed, kills herself.

The image of three witches calmly prophesying the future is one of the indelible images of Shakespeare's Macbeth. The titular character's rise to power is conditioned and effected by the witches' proclamations, providing one of the key themes of the play, predestination and foreshadowing.

William Shakespeare wrote several historical plays in addition to his comedies and tragedies. The histories focus on English history, especially the Wars of the Roses. The Wars of the Roses were English civil wars that happened in the 1400s.

Titus Andronicus was William Shakespeare's first tragedy, performed originally in the early 1590s, when Shakespeare only had success as a comedy writer. Titus Andronicus is by far the goriest and most violent of Shakespeare's plays, in which he emulated contemporary "revenge plays." The play finishes with the titular Roman general feeding a pie to a Gothic queen that contains the meat of her two dead sons.

Among Shakespeare's comedies, Much Ado About Nothing is relatively straightforward narratively, with the action focusing on two couples, the young lovers Claudio and Hero and the combative couple Beatrice and Benedick. The straightforward narrative, however, allows Shakespeare to play up the witty dialogue between Beatrice and Benedick. The play is famous for some of Shakespeare's cleverest writing and funniest scenes.

Christopher Marlowe was an early contemporary of William Shakespeare, and was arguably more popular in his time than Shakespeare. Marlowe's death in 1593 under mysterious circumstances was seen to have cut short a promising literary career. His work continues on, as in his telling of the Faust myth, Doctor Faustus, from 1589.