ACT Reading : Understanding Causes and Effects in Prose Fiction Passages

Study concepts, example questions & explanations for ACT Reading

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Example Questions

Example Question #11 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from The Jungle Book by Rudyard Kipling (1894) 

It was seven o'clock of a very warm evening in the Seeonee hills when Father Wolf woke up from his day's rest, scratched himself, yawned, and spread out his paws one after the other to get rid of the sleepy feeling in their tips. Mother Wolf lay with her big gray nose dropped across her four tumbling, squealing cubs, and the moon shone into the mouth of the cave where they all lived. "Augrh!" said Father Wolf. "It is time to hunt again." He was going to spring down hill when a little shadow with a bushy tail crossed the threshold and whined: "Good luck go with you, O Chief of the Wolves. And good luck and strong white teeth go with noble children that they may never forget the hungry in this world."

It was the jackal—Tabaqui, the Dish-licker—and the wolves of India despise Tabaqui because he runs about making mischief, and telling tales, and eating rags and pieces of leather from the village rubbish-heaps. But they are afraid of him too, because Tabaqui, more than anyone else in the jungle, is apt to go mad, and then he forgets that he was ever afraid of anyone, and runs through the forest biting everything in his way. Even the tiger runs and hides when little Tabaqui goes mad, for madness is the most disgraceful thing that can overtake a wild creature. We call it hydrophobia, but they call it dewanee—the madness—and run.

"Enter, then, and look," said Father Wolf stiffly, "but there is no food here."

"For a wolf, no," said Tabaqui, "but for so mean a person as myself a dry bone is a good feast. Who are we, the Gidur-log [the jackal people], to pick and choose?" He scuttled to the back of the cave, where he found the bone of a buck with some meat on it, and sat cracking the end merrily.

"All thanks for this good meal," he said, licking his lips. "How beautiful are the noble children! How large are their eyes! And so young too! Indeed, indeed, I might have remembered that the children of kings are men from the beginning."

Now, Tabaqui knew as well as anyone else that there is nothing so unlucky as to compliment children to their faces. It pleased him to see Mother and Father Wolf look uncomfortable.

What might be an effect of Tabaqui’s action?

Possible Answers:

Bad luck for Tabaqui

None of the other answers

There is no effect or consequence; it is simply a description

Bad luck for the children of kings

Bad luck for the Mother and Father Wolf

Correct answer:

Bad luck for the children of kings

Explanation:

In the text, we are told that an effect of Tabaqui’s action (the cause) might be bad luck for the children he describes.

Example Question #7 : Understanding Organization And Argument In Literary Fiction Passages

Adapted from Can You Forgive Her? By Anthony Trollope (1864)

Who these were and the special nature of the relationship, I shall be called upon to explain hereafter, but at present it will suffice to say that Alice Macleod gave great offence to all her friends by her marriage. She did not, however, give them much time for the indulgence of their anger. Having given birth to a daughter within twelve months of her marriage, she died, leaving in abeyance that question as to whether the fault of her marriage should or should not be pardoned by her family.

When a man marries an heiress for her money, if that money be within her own control, as was the case with Miss Macleod's fortune, it is generally well for the speculating lover that the lady's friends should quarrel with him and with her. She is thereby driven to throw herself entirely into the gentleman's arms, and he thus becomes possessed of the wife and the money without the abominable nuisance of stringent settlements. But the Macleods, though they quarrelled with Alice, did not quarrel with her à l'outrance. They snubbed herself and her chosen husband, but they did not so far separate themselves from her and her affairs as to give up the charge of her possessions. Her four hundred a year was settled very closely on herself and on her children, without even a life interest having been given to Mr. Vavasor, and therefore when she died the mother's fortune became the property of the little baby. Under these circumstances, the big people did not refuse to interest themselves to some extent on behalf of the father. I do not suppose that any actual agreement or compact was made between Mr. Vavasor and the Macleods, but it came to be understood between them that if he made no demand upon them for his daughter's money, and allowed them to have charge of her education, they would do something for him. He was a practising barrister, though his practice had never amounted to much, and a practising barrister is always supposed to be capable of filling any situation which may come his way. Two years after his wife's death Mr. Vavasor was appointed assistant commissioner in some office that had to do with insolvents, and which was abolished three years after his appointment.

Who got the fortune after Alice?

Possible Answers:

Her daughter

None of the other answers

Mr. Vavasor

Her mother

A cousin

Correct answer:

Her daughter

Explanation:

The text states that the fortune goes to the child: "Her four hundred a year was settled," and "mother's fortune became the property of the little baby."

Example Question #12 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from The Scarlet Letter by Nathaniel Hawthorne (1850)

In my native town of Salem, at the head of what, half a century ago, in the days of old King Derby, was a bustling wharf—but which is now burdened with decayed wooden warehouses, and exhibits few or no symptoms of commercial life; except, perhaps, a bark or brig, half-way down its melancholy length, discharging hides; or, nearer at hand, a Nova Scotia schooner, pitching out her cargo of firewood—at the head, I say, of this dilapidated wharf, which the tide often overflows, and along which, at the base and in the rear of the row of buildings, the track of many languid years is seen in a border of unthrifty grass—here, with a view from its front windows adown this not very enlivening prospect, and thence across the harbour, stands a spacious edifice of brick. From the loftiest point of its roof, during precisely three and a half hours of each forenoon, floats or droops, in breeze or calm, the banner of the republic; but with the thirteen stripes turned vertically, instead of horizontally, and thus indicating that a civil, and not a military, post of Uncle Sam's government is here established. Its front is ornamented with a portico of half-a-dozen wooden pillars, supporting a balcony, beneath which a flight of wide granite steps descends towards the street. Over the entrance hovers an enormous specimen of the American eagle, with outspread wings, a shield before her breast, and, if I recollect aright, a bunch of intermingled thunderbolts and barbed arrows in each claw. With the customary infirmity of temper that characterizes this unhappy fowl, she appears by the fierceness of her beak and eye, and the general truculency of her attitude, to threaten mischief to the inoffensive community; and especially to warn all citizens careful of their safety against intruding on the premises which she overshadows with her wings. Nevertheless, vixenly as she looks, many people are seeking at this very moment to shelter themselves under the wing of the federal eagle; imagining, I presume, that her bosom has all the softness and snugness of an eiderdown pillow. But she has no great tenderness even in her best of moods, and, sooner or later—oftener soon than late—is apt to fling off her nestlings with a scratch of her claw, a dab of her beak, or a rankling wound from her barbed arrows.

The pavement round about the above-described edifice—which we may as well name at once as the Custom-House of the port—has grass enough growing in its chinks to show that it has not, of late days, been worn by any multitudinous resort of business. In some months of the year, however, there often chances a forenoon when affairs move onward with a livelier tread.

What seems to be the author's intended effect in all this description?

Possible Answers:

None of the other answers

To create an unnerving and eerie mood

To excite readers into buying all his books

To frighten children

To demonstrate his literary skill

Correct answer:

To create an unnerving and eerie mood

Explanation:

The descriptions seems to indicate that the author is trying to create and eerie and unnerving mood.

Example Question #13 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from The Count of Monte Cristo by Alexandre Dumas (1844)

On the 24th of February, 1815, the look-out at Notre-Dame de la Garde signalled the three-master, the Pharaon from Smyrna, Trieste, and Naples.

As usual, a pilot put off immediately, and rounding the Chateau d'If, got on board the vessel between Cape Morgion and Rion island.

Immediately, and according to custom, the ramparts of Fort Saint-Jean were covered with spectators; it is always an event at Marseilles for a ship to come into port, especially when this ship, like the Pharaon, has been built, rigged, and laden at the old Phocee docks, and belongs to an owner of the city.

The ship drew on and had safely passed the strait, which some volcanic shock has made between the Calasareigne and Jaros islands; had doubled Pomegue, and approached the harbor under topsails, jib, and spanker, but so slowly and sedately that the idlers, with that instinct which is the forerunner of evil, asked one another what misfortune could have happened on board. However, those experienced in navigation saw plainly that if any accident had occurred, it was not to the vessel herself, for she bore down with all the evidence of being skilfully handled, the anchor a-cockbill, the jib-boom guys already eased off, and standing by the side of the pilot, who was steering the Pharaon towards the narrow entrance of the inner port, was a young man, who, with activity and vigilant eye, watched every motion of the ship, and repeated each direction of the pilot.

The vague disquietude which prevailed among the spectators had so much affected one of the crowd that he did not await the arrival of the vessel in harbor, but jumping into a small skiff, desired to be pulled alongside the Pharaon, which he reached as she rounded into La Reserve basin.

When the young man on board saw this person approach, he left his station by the pilot, and, hat in hand, leaned over the ship's bulwarks.

What is the effect of the ship's arrival?

Possible Answers:

It unsettles the crowd.

It is so exciting everyone wants to buy one.

It makes the crowd become overly happy since they have never seen a ship.

None of the other answers

It bothers everyone in its existence; the crowd are luddites.

Correct answer:

It unsettles the crowd.

Explanation:

The ship's arrival unsettles the crowd, but that is all.

Example Question #14 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from The Moonstone: A Romance by Wilkie Collins (1868)

One of the wildest of these stories related to a Yellow Diamond—a famous gem in the native annals of India.

The earliest known traditions describe the stone as having been set in the forehead of the four-handed Indian god who typifies the Moon. Partly from its peculiar colour, partly from a superstition which represented it as feeling the influence of the deity whom it adorned, and growing and lessening in lustre with the waxing and waning of the moon, it first gained the name by which it continues to be known in India to this day—the name of THE MOONSTONE. A similar superstition was once prevalent, as I have heard, in ancient Greece and Rome; not applying, however (as in India), to a diamond devoted to the service of a god, but to a semi-transparent stone of the inferior order of gems, supposed to be affected by the lunar influences—the moon, in this latter case also, giving the name by which the stone is still known to collectors in our own time.

The adventures of the Yellow Diamond begin with the eleventh century of the Christian era.

At that date, the Mohammedan conqueror, Mahmoud of Ghizni, crossed India; seized on the holy city of Somnauth; and stripped of its treasures the famous temple, which had stood for centuries—the shrine of Hindu pilgrimage, and the wonder of the Eastern world.

Of all the deities worshipped in the temple, the moon-god alone escaped the rapacity of the conquering Mohammedans. Preserved by three Brahmins, the inviolate deity, bearing the Yellow Diamond in its forehead, was removed by night, and was transported to the second of the sacred cities of India—the city of Benares.

Here, in a new shrine—in a hall inlaid with precious stones, under a roof supported by pillars of gold—the moon-god was set up and worshipped. Here, on the night when the shrine was completed, Vishnu the Preserver appeared to the three Brahmins in a dream.

What is the effect of the supersition? 

Possible Answers:

It has made someone write this story.

It negatively influences commerce.

It has caused the author to go crazy.

None of these answers

In threatens politics in India.

Correct answer:

None of these answers

Explanation:

There is no textual evidence that supports any of these answers.

Example Question #15 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from Uncle Tom’s Cabin by Harriet Beecher Stowe (1852)

"Well, I've got just as much conscience as any man in business can afford to keep—just a little, you know, to swear by, as 't were," said the trader, jocularly; "and, then, I'm ready to do anything in reason to 'blige friends; but this yer, you see, is a leetle too hard on a fellow—a leetle too hard." The trader sighed contemplatively, and poured out some more brandy.

"Well, then, Haley, how will you trade?" said Mr. Shelby, after an uneasy interval of silence.

"Well, haven't you a boy or gal that you could throw in with Tom?"

"Hum!—none that I could well spare; to tell the truth, it's only hard necessity makes me willing to sell at all. I don't like parting with any of my hands, that's a fact."

Here the door opened, and a small quadroon boy, between four and five years of age, entered the room. There was something in his appearance remarkably beautiful and engaging. His black hair, fine as floss silk, hung in glossy curls about his round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked out from beneath the rich, long lashes, as he peered curiously into the apartment. A gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to advantage the dark and rich style of his beauty; and a certain comic air of assurance, blended with bashfulness, showed that he had been not unused to being petted and noticed by his master.

"Hulloa, Jim Crow!" said Mr. Shelby, whistling, and snapping a bunch of raisins towards him, "pick that up, now!"

The child scampered, with all his little strength, after the prize, while his master laughed.

"Come here, Jim Crow," said he. The child came up, and the master patted the curly head, and chucked him under the chin.

"Now, Jim, show this gentleman how you can dance and sing." The boy commenced one of those wild, grotesque songs common among the negroes, in a rich, clear voice, accompanying his singing with many comic evolutions of the hands, feet, and whole body, all in perfect time to the music.

"Bravo!" said Haley, throwing him a quarter of an orange.

"Now, Jim, walk like old Uncle Cudjoe, when he has the rheumatism," said his master.

Instantly the flexible limbs of the child assumed the appearance of deformity and distortion, as, with his back humped up, and his master's stick in his hand, he hobbled about the room, his childish face drawn into a doleful pucker, and spitting from right to left, in imitation of an old man.

What is the child doing in the final paragraph?

Possible Answers:

The child is acting like Jim.

Jim is pretending to be inflexible so he won’t have to work.

None of the other answers

Jim is imitating the inflexible appearance of Uncle Cudjoe.

Jim is mocking the master.

Correct answer:

Jim is imitating the inflexible appearance of Uncle Cudjoe.

Explanation:

The child, Jim, is being asked to appear like the older Uncle Cudjoe, in order to amuse the master.

Example Question #571 : Prose Fiction

Adapted from Madame Bovary by Gustave Flaubert (1857)

We were in class when the head-master came in, followed by a "new fellow," not wearing the school uniform, and a school servant carrying a large desk. Those who had been asleep woke up, and every one rose as if just surprised at his work.

The head-master made a sign to us to sit down. Then, turning to the class-master, he said to him in a low voice—

"Monsieur Roger, here is a pupil whom I recommend to your care; he'll be in the second. If his work and conduct are satisfactory, he will go into one of the upper classes, as becomes his age."

The "new fellow," standing in the corner behind the door so that he could hardly be seen, was a country lad of about fifteen, and taller than any of us. His hair was cut square on his forehead like a village chorister's; he looked reliable, but very ill at ease. Although he was not broad-shouldered, his short school jacket of green cloth with black buttons must have been tight about the arm-holes, and showed at the opening of the cuffs red wrists accustomed to being bare. His legs, in blue stockings, looked out from beneath yellow trousers, drawn tight by braces, He wore stout, ill-cleaned, hob-nailed boots.

We began repeating the lesson. He listened with all his ears, as attentive as if at a sermon, not daring even to cross his legs or lean on his elbow; and when at two o'clock the bell rang, the master was obliged to tell him to fall into line with the rest of us.

When we came back to work, we were in the habit of throwing our caps on the ground so as to have our hands more free; we used from the door to toss them under the form, so that they hit against the wall and made a lot of dust: it was "the thing."

But, whether he had not noticed the trick, or did not dare to attempt it, the "new fellow," was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order, in which we can find traces of the bearskin, shako, billycock hat, sealskin cap, and cotton night-cap; one of those poor things, in fine, whose dumb ugliness has depths of expression, like an imbecile's face. Oval, stiffened with whalebone, it began with three round knobs; then came in succession lozenges of velvet and rabbit-skin separated by a red band; after that a sort of bag that ended in a cardboard polygon covered with complicated braiding, from which hung, at the end of a long thin cord, small twisted gold threads in the manner of a tassel. The cap was new; its peak shone.

What does the “new fellow” do when the other people throw their caps?

Possible Answers:

Yell to the head-master about what has happened

Hold onto it and place it in a bag

Keep it on his knees

Throw it away

Throw is as well

Correct answer:

Keep it on his knees

Explanation:

The author clearly writes that the new fellow “was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order,” indicating precisely what happens.

Example Question #17 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from Pamela by Samuel Richardson (1740)

DEAR FATHER AND MOTHER,

I have great trouble, and some comfort, to acquaint you with. The trouble is, that my good lady died of the illness I mentioned to you, and left us all much grieved for the loss of her; for she was a dear good lady, and kind to all us her servants. Much I feared, that as I was taken by her ladyship to wait upon her person, I should be quite destitute again, and forced to return to you and my poor mother, who have enough to do to maintain yourselves; and, as my lady's goodness had put me to write and cast accounts, and made me a little expert at my needle, and otherwise qualified above my degree, it was not every family that could have found a place that your poor Pamela was fit for: but God, whose graciousness to us we have so often experienced at a pinch, put it into my good lady's heart, on her death-bed, just an hour before she expired, to recommend to my young master all her servants, one by one; and when it came to my turn to be recommended, (for I was sobbing and crying at her pillow) she could only say, My dear son!—and so broke off a little; and then recovering—Remember my poor Pamela—And these were some of her last words! O how my eyes run—Don't wonder to see the paper so blotted.

Well, but God's will must be done!—And so comes the comfort, that I shall not be obliged to return back to be a clog upon my dear parents! For my master said, I will take care of you all, my good maidens; and for you, Pamela, (and took me by the hand; yes, he took my hand before them all,) for my dear mother's sake, I will be a friend to you, and you shall take care of my linen. God bless him! and pray with me, my dear father and mother, for a blessing upon him, for he has given mourning and a year's wages to all my lady's servants; and I having no wages as yet, my lady having said she should do for me as I deserved, ordered the housekeeper to give me mourning with the rest; and gave me with his own hand four golden guineas, and some silver, which were in my old lady's pocket when she died; and said, if I was a good girl, and faithful and diligent, he would be a friend to me, for his mother's sake. And so I send you these four guineas for your comfort; for Providence will not let me want: And so you may pay some old debt with part, and keep the other part to comfort you both. If I get more, I am sure it is my duty, and it shall be my care, to love and cherish you both; for you have loved and cherished me, when I could do nothing for myself. I send them by John, our footman, who goes your way: but he does not know what he carries; because I seal them up in one of the little pill-boxes, which my lady had, wrapt close in paper, that they mayn't chink; and be sure don't open it before him.

I know, dear father and mother, I must give you both grief and pleasure; and so I will only say, Pray for your Pamela; who will ever be

Your most dutiful DAUGHTER.

What is the narrator referring to with this comment? "Well, but God's will must be done!"

Possible Answers:

Her brother has been unkind to her.

The narrator feels despair since so many issues have recently arisen.

The family tree is growing weary and the narrator is losing her faith.

Deaths and other tragic events are bound to occur.

None of the other answers

Correct answer:

Deaths and other tragic events are bound to occur.

Explanation:

The narrator refers to two specific events that occured, which are the reason for her feeling that "God's will"—in this case, something negative—must be done.

Example Question #1261 : Act Reading

This is an excerpt from Oliver Twist by Charles Dickens (1837)

For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.

Although I am not disposed to maintain that the being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befall a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration—a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter.

As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, "Let me see the child, and die."

The “unwonted allowance of beer,” in the second paragraph, caused what?

Possible Answers:

To make Oliver drunk

None of the other answers

The old woman nearly to kill Oliver

The old woman to become sad over Oliver’s state

To confuse the parish surgeon

Correct answer:

The old woman to become sad over Oliver’s state

Explanation:

The old woman was mad “misty” by this “unwonted allowance of beer”—Dickens is referring to a large quantity of drink.

Example Question #19 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from A Tale of Two Cities by Charles Dickens (1859)

We had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. Mrs. Southcott had recently attained her five-and-twentieth blessed birthday, of whom a prophetic private in the Life Guards had heralded the sublime appearance by announcing that arrangements were made for the swallowing up of London and Westminster. Even the Cock-lane ghost had been laid only a round dozen of years, after rapping out its messages, as the spirits of this very year last past (supernaturally deficient in originality) rapped out theirs. Mere messages in the earthly order of events had lately come to the English Crown and People, from a congress of British subjects in America: which, strange to relate, have proved more important to the human race than any communications yet received through any of the chickens of the Cock-lane brood.

France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.

Which of the following seems true about Charles Dickens?

Possible Answers:

He loved writing nonfiction

He was an atheist 

He disapproved of all kings

None of the other answer

He was interested in social classes

Correct answer:

He was interested in social classes

Explanation:

The only textual evidence for any of these options is that he was interested in social classes.

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