All SAT II Literature Resources
Example Questions
Example Question #113 : Ap English Literature And Composition
Passage adapted from “Reconstruction” by Frederick Douglass (1866)
Without attempting to settle here the metaphysical and somewhat theological question (about which so much has already been said and written), whether once in the Union means always in the Union—agreeably to the formula, “Once in grace always in grace”—it is obvious to common sense that the rebellious States stand today, in point of law, precisely where they stood when, exhausted, beaten, conquered, they fell powerless at the feet of Federal authority. Their State governments were overthrown, and the lives and property of the leaders of the Rebellion were forfeited. In reconstructing the institutions of these shattered and overthrown States, Congress should begin with a clean slate, and make clean work of it.
Let there be no hesitation. It would be a cowardly deference to a defeated and treacherous President, if any account were made of the illegitimate, one-sided, sham governments hurried into existence for a malign purpose in the absence of Congress. These pretended governments, which were never submitted to the people, and from participation in which four millions of the loyal people were excluded by Presidential order, should now be treated according to their true character, as shams and impositions, and supplanted by true and legitimate governments, in the formation of which loyal men, black and white, shall participate.
It is not, however, within the scope of this paper to point out the precise steps to be taken, and the means to be employed. The people are less concerned about these than the grand end to be attained. They demand such a reconstruction as shall put an end to the present anarchical state of things in the late rebellious States—where frightful murders and wholesale massacres are perpetrated in the very presence of Federal soldiers. This horrible business they require shall cease. They want a reconstruction such as will protect loyal men, black and white, in their persons and property; such a one as will cause Northern industry, Northern capital, and Northern civilization to flow into the South, and make a man from New England as much at home in Carolina as elsewhere in the Republic. No Chinese wall can now be tolerated. The South must be opened to the light of law and liberty, and this session of Congress is relied upon to accomplish this important work.
What is meant by the underlined sentence?
None of these
The xenophobia of one nation should not be the basis for another nation's immigration policy
The problems of the United States are unique in comparison with those of other nations
The North and the South must not attempt to become two separate cultural areas
The South should find other types of wall building techniques than those used by the Chinese
The North and the South must not attempt to become two separate cultural areas
In this particular paragraph, Douglass states that during the process of reconstruction, the South and the North should be open to each other. Indeed, the ultimate goal is such that even someone from New England (i.e. far north) would be comfortable in the Carolinas (i.e. in the South). Thus, the reference to the Great Wall of China is intended to say that the US cannot allow for a major separation between the North and the South, blocking the two peoples off from each other.
Example Question #4 : Word Choice And Effect
From The Red Badge of Courage by Stephen Crane (1875)
After complicated journeyings with many pauses, there had come months of monotonous life in a camp. He had had the belief that real war was a series of death struggles with small time in between for sleep and meals; but since his regiment had come to the field the army had done little but sit still and try to keep warm.
He was brought then gradually back to his old ideas. Greek-like struggles would be no more. Men were better, or more timid. Secular and religious education had effaced the throat-grappling instinct, or else firm finance held in check the passions.
He had grown to regard himself merely as a part of a vast blue demonstration. His province was to look out, as far as he could, for his personal comfort. For recreation he could twiddle his thumbs and speculate on the thoughts which must agitate the minds of the generals. Also, he was drilled and drilled and reviewed, and drilled and drilled and reviewed.
The only foes he had seen were some pickets along the river bank. They were a sun-tanned, philosophical lot, who sometimes shot reflectively at the blue pickets. When reproached for this afterward, they usually expressed sorrow, and swore by their gods that the guns had exploded without their permission. The youth, on guard duty one night, conversed across the stream with one of them. He was a slightly ragged man, who spat skillfully between his shoes and possessed a great fund of bland and infantile assurance. The youth liked him personally.
"Yank," the other had informed him, "yer a right dum good feller." This sentiment, floating to him upon the still air, had made him temporarily regret war.
Various veterans had told him tales. Some talked of gray, bewhiskered hordes who were advancing with relentless curses and chewing tobacco with unspeakable valor; tremendous bodies of fierce soldiery who were sweeping along like the Huns. Others spoke of tattered and eternally hungry men who fired despondent powders. "They'll charge through hell's fire an' brimstone t' git a holt on a haversack, an' sech stomachs ain't a'lastin' long," he was told. From the stories, the youth imagined the red, live bones sticking out through slits in the faded uniforms.
Still, he could not put a whole faith in veteran's tales, for recruits were their prey. They talked much of smoke, fire, and blood, but he could not tell how much might be lies. They persistently yelled "Fresh fish!" at him, and were in no wise to be trusted.
However, he perceived now that it did not greatly matter what kind of soldiers he was going to fight, so long as they fought, which fact no one disputed. There was a more serious problem. He lay in his bunk pondering upon it. He tried to mathematically prove to himself that he would not run from a battle.
Previously he had never felt obliged to wrestle too seriously with this question. In his life he had taken certain things for granted, never challenging his belief in ultimate success, and bothering little about means and roads. But here he was confronted with a thing of moment. It had suddenly appeared to him that perhaps in a battle he might run. He was forced to admit that as far as war was concerned he knew nothing of himself.
A sufficient time before he would have allowed the problem to kick its heels at the outer portals of his mind, but now he felt compelled to give serious attention to it.
In the underlined selection, what is meant by the expression "recruits were their prey"?
Veterans could torture recruits quickly upon their entry.
Veterans would potentially have to use recruits for food during the hard times of war.
Veterans could demand the respect of recruits without expressing any kindness for them.
Veterans could use the naivety of recruits to their advantage.
Veterans almost always found recruits to be nuisances in the midst of training exercises.
Veterans could use the naivety of recruits to their advantage.
In the selection, it is intimated that the veterans might be purveying lies to the recruits. They talk of smoke, fire, and blood (and presumably other things as well). However, who knows if these tales are mere lies meant to impress the young recruits? Therefore, to say that the recruits are "prey" is to intimate that they are left at the mercy of the veterans in this regard—namely as regard the telling of tales. Thus, it would seem that the veterans use the naivety of the recruits to their advantage in tale-telling.
Example Question #1 : Meaning Of Specified Text: Prose
1 Thirty years ago, Marseilles lay burning in the sun, one day.
2 A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. 3 Everything in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. 4 Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. 5 The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. 6 These did occasionally wink a little, as the hot air barely moved their faint leaves.
… 7 The churches were the freest from [the stare]. 8 To come out of the twilight of pillars and arches—dreamily dotted with winking lamps, dreamily peopled with ugly old shadows piously dozing, spitting, and begging—was to plunge into a fiery river, and swim for life to the nearest strip of shade. 9 So, with people lounging and lying wherever shade was, with but little hum of tongues or barking of dogs, with occasional jangling of discordant church bells and rattling of vicious drums, Marseilles, a fact to be strongly smelt and tasted, lay broiling in the sun one day.
In sentence 9, to what does “a fact” refer?
The noise of Marseilles
Marseilles’ existence
The life of the dogs (and more generally the animals) of Marseilles
The brutal heat in Marseilles
The citizens of Marseilles
Marseilles’ existence
Although this sentence is constructed strangely, we can use process of elimination and the phrase “to be strongly smelt and tasted” to rule out the other choices. The noisy church bells and “rattling of vicious drums” wouldn’t smell strongly, and neither would the heat itself, so those choices don’t make sense. The people and dogs of Marseilles, while likely to be smelly in the heat, would not be the only things that smell strongly, so those choices are too narrow.
Passage adapted from Charles Dickens’ Little Dorrit (1857)
Example Question #2 : Meaning Of Specified Text: Prose
There are days which occur in this climate, at almost any season of the year, wherein the world reaches its perfection, when the air, the heavenly bodies, and the earth, make a harmony, as if nature would indulge her offspring; when, in these bleak upper sides of the planet, nothing is to desire that we have heard of the happiest latitudes, and we bask in the shining hours of Florida and Cuba; when everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. 2. These halcyons may be looked for with a little more assurance in that pure October weather, which we distinguish by the name of the Indian Summer. 3. The day, immeasurably long, sleeps over the broad hills and warm wide fields. 4. To have lived through all its sunny hours, seems longevity enough. 5. The solitary places do not seem quite lonely. 6. At the gates of the forest, the surprised man of the world is forced to leave his city estimates of great and small, wise and foolish. 7. The knapsack of custom falls off his back with the first step he makes into these precincts. 8. Here is sanctity which shames our religions, and reality which discredits our heroes. 9. Here we find nature to be the circumstance which dwarfs every other circumstance, and judges like a god all men that come to her. 10. We have crept out of our close and crowded houses into the night and morning, and we see what majestic beauties daily wrap us in their bosom. 11. How willingly we would escape the barriers which render them comparatively impotent, escape the sophistication and second thought, and suffer nature to intrance us. 12. The tempered light of the woods is like a perpetual morning, and is stimulating and heroic. 13. The anciently reported spells of these places creep on us. 14. The stems of pines, hemlocks, and oaks, almost gleam like iron on the excited eye. 15. The incommunicable trees begin to persuade us to live with them, and quit our life of solemn trifles. 16. Here no history, or church, or state, is interpolated on the divine sky and the immortal year. 17. How easily we might walk onward into the opening landscape, absorbed by new pictures, and by thoughts fast succeeding each other, until by degrees the recollection of home was crowded out of the mind, all memory obliterated by the tyranny of the present, and we were led in triumph by nature.
“The knapsack of custom” (sentence 7) is a metaphor for ________________.
unwarranted assumptions
habitual civilized ways of thinking
artificial politeness
onerous duties
the burden of unjust accusations
habitual civilized ways of thinking
The author is describing the experience of walking into nature and discovering that his habitual civilized ways of thinking are irrelevant there. The man "is forced to leave his city estimates of great and small, wise and foolish." That is, the values and perspectives of a human being in society must be abandoned before he can commune with the natural world.
"Artificial politeness," "onerous duties," and "unwarranted assumptions" may each be a small part of what the man must leave behind, but the author does not actually say this. There is nothing in the passage about unjust accusations.
Passage adapted from Ralph Waldo Emerson's "Essay VI, Nature" (1836)
Example Question #1 : Meaning Of Specified Text: Prose
Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress. Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters; and her profile as well as her stature and bearing seemed to gain the more dignity from her plain garments, which by the side of provincial fashion gave her the impressiveness of a fine quotation from the Bible,—or from one of our elder poets,—in a paragraph of to-day's newspaper. She was usually spoken of as being remarkably clever, but with the addition that her sister Celia had more common-sense. Nevertheless, Celia wore scarcely more trimmings; and it was only to close observers that her dress differed from her sister's, and had a shade of coquetry in its arrangements; for Miss Brooke's plain dressing was due to mixed conditions, in most of which her sister shared. The pride of being ladies had something to do with it: the Brooke connections, though not exactly aristocratic, were unquestionably "good:" if you inquired backward for a generation or two, you would not find any yard-measuring or parcel-tying forefathers—anything lower than an admiral or a clergyman; and there was even an ancestor discernible as a Puritan gentleman who served under Cromwell, but afterwards conformed, and managed to come out of all political troubles as the proprietor of a respectable family estate. Young women of such birth, living in a quiet country-house, and attending a village church hardly larger than a parlor, naturally regarded frippery as the ambition of a huckster's daughter. Then there was well-bred economy, which in those days made show in dress the first item to be deducted from, when any margin was required for expenses more distinctive of rank. Such reasons would have been enough to account for plain dress, quite apart from religious feeling; but in Miss Brooke's case, religion alone would have determined it; and Celia mildly acquiesced in all her sister's sentiments, only infusing them with that common-sense which is able to accept momentous doctrines without any eccentric agitation. Dorothea knew many passages of Pascal's Pensees and of Jeremy Taylor by heart; and to her the destinies of mankind, seen by the light of Christianity, made the solicitudes of feminine fashion appear an occupation for Bedlam. She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in gimp and artificial protrusions of drapery. Her mind was theoretic, and yearned by its nature after some lofty conception of the world which might frankly include the parish of Tipton and her own rule of conduct there; she was enamoured of intensity and greatness, and rash in embracing whatever seemed to her to have those aspects; likely to seek martyrdom, to make retractations, and then to incur martyrdom after all in a quarter where she had not sought it. Certainly such elements in the character of a marriageable girl tended to interfere with her lot, and hinder it from being decided according to custom, by good looks, vanity, and merely canine affection. With all this, she, the elder of the sisters, was not yet twenty, and they had both been educated, since they were about twelve years old and had lost their parents, on plans at once narrow and promiscuous, first in an English family and afterwards in a Swiss family at Lausanne, their bachelor uncle and guardian trying in this way to remedy the disadvantages of their orphaned condition.
(1871)
In the context, what does “you would not find any yard-measuring or parcel-tying forefathers” mean?
The sisters can’t accurately trace their family tree.
The sisters are not descended from laborers.
None of these
The sisters have not inherited a profitable family business.
The sisters have not learned any hands-on skills.
The sisters are not descended from laborers.
"Yard-measuring and parcel tying" are being used here as generic examples of labor, in contrast with higher class jobs such as admiral and clergyman cited later in the passage.
Passage adapted from Middlemarch by George Eliot (1871)
Example Question #4 : Meaning Of Specified Text: Prose
Passage adapted from Pride and Prejudice by Jane Austen (1813)
'If you will thank me,' he replied, 'let it be for yourself alone. That the wish of giving happiness to you might add force to the other inducements which led me on, I shall not attempt to deny. But your family owe me nothing. Much as I respect them, I believe I thought only of you.'
Elizabeth was too much embarrassed to say a word. After a short pause, her companion added, 'you are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever.'
Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances. The happiness which this reply produced was such as he had probably never felt before, and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do. Had Elizabeth been able to encounter his eyes, she might have seen how well the expression of heartfelt delight diffused over his face became him; but, though she could not look, she could listen, and he told her of feelings which, in proving of what importance she was to him, made his affection every moment more valuable.
In this passage, the phrase "trifle with" most nearly means _________________.
a small amount
torment
an insignificant thing
toy with
lie to
toy with
Darcy is asking Elizabeth to answer his proposal directly and honestly. He asks her not to trifle with him after she fails to respond immediately to his previous statements. He doesn't want her to lead him on, or torture him with ambiguity. But, his use of the word trifle implies an attempt on his part to lighten his statement, so "torment" is incorrect. The best answer here is "toy with."
Example Question #1 : Meaning Of Specified Text: Prose
Passage adapted from Charlotte Bronte's Jane Eyre (1847)
"Presentiments are strange things! and so are sympathies, and so are signs ; and the three combined make one mystery to which humanity has not yet found the key. I never laughed at presentiments in my life, because I have had strange ones of my own. Sympathies, I believe, exist (for instance, between far-distant, long-absent, wholly estranged relatives ; asserting, notwithstanding, their alienation, the unity of the source to which each traces his origin), whose workings baffle mortal comprehension. And signs, for aught we know, may be but the sympathies of nature with man."
The first sentence of the passage suggests which of the following?
Presentiments, sympathies and signs are not of the same kind
Sympathies are stranger than both presentiments and signs
Presentiments are stranger than both sympathies and signs
Presentiments, sympathies and signs are of the same kind
Signs are stranger than both presentiments and sympathies
Presentiments, sympathies and signs are of the same kind
The answer is that "presentiments, sympathies and signs are of the same kind." It is important here to respond directly to what the question is asking, i.e. what does the first sentence and only the first sentence suggest. Analyzing the phrase "presentiments are strange things, and so are sympathies and so are signs" sets the three up to be of the same kind. However, if you were to read into the rest of the passage where comparisons between the three are made, you might be moved to choose a different answer. Be careful!
Example Question #11 : Meaning Of Specified Text: Prose
Passage adapted from Jane Austen's Pride and Prejudice (1813)
"Elizabeth listened in silence, but was not convinced ; their behavior at the assembly had not been calculated to please in general ; and with more quickness of observation and less pliancy of temper than her sister, and with a judgement too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies ; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it ; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank ; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England ; a circumstance more deeply impressed on their memories than that their brother’s fortune and their own had been acquired by trade."
The phrase "with more quickness of observation and less pliancy of temper than her sister" the narrator is suggesting that ______________.
Elizabeth is incredibly angry with the two sisters
Elizabeth is one to jump to conclusions
Elizabeth generally makes sound judgments
Elizabeth is wholly justified in her opinion of the two sisters
None of these
Elizabeth is one to jump to conclusions
The answer is that Elizabeth is one to jump to conclusions. With these types of questions it is important to think about the specific language of the phrase given. "More quickness of observation" suggests that Elizabeth has spent less time than she ought to have when casting her opinion on the sisters, and the following phrase "with less pliancy of temper" adds to this suggestion, detailing that Elizabeth's temper, or her state of mind/opinion is not pliable or static and thus subject to bias and dogmatism -- all of which suggests that Elizabeth is one to jump to conclusions.
Example Question #23 : Excerpt Purpose In Context
1 Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
5 From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whose misadventured piteous overthrows
Do with their death bury their parents' strife.
9 The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
13 The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
(1595)
In line 14, what is "our toil" referring to?
The writer's effort in composing this
Laborers in Verona
The lover's struggle
The grief over the lovers' death
The performance of the play
The performance of the play
It is clear from line 12--"Is now the two hours' traffic of our stage"--that this speech is the introduction to a play. Because of the context of the plot outline, and because the phrase used is "our stage," it is clear that in this passage one of the actors is introducing what is going to be performed. This, combined with a reference in line 13 to the audience's "patient ears," makes it clear that "our toil" in line 14 refers to the effort of the actors as they perform the play.
Passage adapted from William Shakespeare's Romeo and Juliet (1595).
Example Question #51 : Interpreting Words
Adapted from Titus Andronicus by William Shakespeare, III.i.1126-1185 (1623)
Enter Judges, Senators and Tribunes, with MARTIUS and QUINTUS, bound, passing on to the place of execution; TITUS going before, pleading
Titus Andronicus: Hear me, grave fathers! noble tribunes, stay!
For pity of mine age, whose youth was spent
In dangerous wars, whilst you securely slept;
For all my blood in Rome's great quarrel shed;
For all the frosty nights that I have watch'd;
And for these bitter tears, which now you see
Filling the aged wrinkles in my cheeks;
Be pitiful to my condemned sons,
Whose souls are not corrupted as 'tis thought.
For two and twenty sons I never wept,
Because they died in honor's lofty bed.
[Lieth down; the Judges, &c., pass by him, and Exeunt]
For these, these, tribunes, in the dust I write
My heart's deep languor and my soul's sad tears:
Let my tears stanch the earth's dry appetite;
My sons' sweet blood will make it shame and blush.
O earth, I will befriend thee more with rain,
That shall distill from these two ancient urns,
Than youthful April shall with all his showers:
In summer's drought I'll drop upon thee still;
In winter with warm tears I'll melt the snow
And keep eternal spring-time on thy face,
So thou refuse to drink my dear sons' blood.
[Enter LUCIUS, with his sword drawn]
O reverend tribunes! O gentle, aged men!
Unbind my sons, reverse the doom of death;
And let me say, that never wept before,
My tears are now prevailing orators.
Lucius: O noble father, you lament in vain:
The tribunes hear you not; no man is by;
And you recount your sorrows to a stone.
Titus Andronicus: Ah, Lucius, for thy brothers let me plead.
Grave tribunes, once more I entreat of you,—
Lucius: My gracious lord, no tribune hears you speak.
Titus Andronicus: Why, tis no matter, man; if they did hear,
They would not mark me, or if they did mark,
They would not pity me, yet plead I must;
And bootless unto them [—]
Therefore I tell my sorrows to the stones;
Who, though they cannot answer my distress,
Yet in some sort they are better than the tribunes,
For that they will not intercept my tale:
When I do weep, they humbly at my feet
Receive my tears and seem to weep with me;
And, were they but attired in grave weeds,
Rome could afford no tribune like to these.
A stone is soft as wax,—tribunes more hard than stones;
A stone is silent, and offendeth not,
And tribunes with their tongues doom men to death.
[Rises]
But wherefore stand'st thou with thy weapon drawn?
Lucius: To rescue my two brothers from their death:
For which attempt the judges have pronounced
My everlasting doom of banishment.
Titus Andronicus: O happy man! they have befriended thee.
Why, foolish Lucius, dost thou not perceive
That Rome is but a wilderness of tigers?
Tigers must prey, and Rome affords no prey
But me and mine: how happy art thou, then,
From these devourers to be banished!
In context, the bolded and underlined word "pitiful" is closest in meaning to which of the following?
Meager
Charitable
Merciful
Tough
Pathetic
Merciful
In this context, "pitiful" most closely means merciful. Titus is asking the tribunes to be merciful (pitying or forgiving of) to his sons. "Meager" and "pathetic" are both common definitions of "pitiful," but they are not relevant to this context. "Charitable" is a possible meaning, but since the sons are "condemned," it is more mercy that is being asked for than charity.