The concertmaster is the leader of the musicians in an orchestra, and in some smaller ensembles takes the place of a conductor in controlling the pace, rhythm, and timing of a piece. The concertmaster is almost always a violinist, and sits in the front row of the orchestra, so the audience can clearly see him or her.

The modern piano was developed from the Baroque harpsichord, which plucked instead of hammered the strings in the soundboard. In the late eighteenth and early nineteenth centuries, particularly fueled by Romantic compositions, the piano was made to both be larger and sound larger. Around this time, the keyboard was expanded to include 88 keys, to give it a full 7 1/3 octaves, where the standard for a piano remains today.

In order to identify which singers can sing which part in classical music, human voices are divided into various parts. The highest, and typically most showy, is the soprano, a category usually reserved for the highest female registers. A soprano is usually the lead part and takes some of the most impressive solo work.

The guitar's rise in popularity took place in the late nineteenth century in Europe and America, largely thanks to a move away from large classical ensembles and more towards parlor music. The guitar's ability to play chords easily and accompany a singer made it become immensely popular, despite its lack of use in classical orchestras.

The guitar, developed in the eighteenth and nineteenth centuries, was structured to be an accompanying instrument instead of a lead instrument. As such, it was created to play chords easily, and was given six strings in closer tuning than the four-stringed violin or cello. Despite its humble origins, the guitar's functionality allowed it to become the main lead instrument in popular music.

A contemporary rival of Mozart, Salieri staged 37 operas in his lifetime, but did not write the Requiem in D Minor. Bach and Handel were a German composers in the early and mid-18th century. Beethoven died in the mid-19th century, and is known for works such as the Moonlight Sonata.

The harpsichord is the modern piano’s most direct ancestor. The harpsichord had a similarly arranged keyboard, similar string layout, and was played in a similar manner to the piano. Unlike the piano, though, the harpsichord plucked rather than hammered its internal strings, meaning it was less able to modulate and sustain its volume.

The fugue is a kind of melody that is based upon a relatively simple theme that is then woven and adapted with other lines that express this same theme. These variations weave in and out of each other, often opposing one another (though not in an unpleasant way). As one version of the theme is descending, another is rising, and perhaps yet another is preparing to descend. Although he had antecedents, J.S. Bach was well known for this style. He wrote a work, Die Kunst der Fuge (The Art of the Fugue) that details many ways that fugues can be composed. So notorious was Bach for this style that Claude Debussy is said to have referred to his music as being "mercilessly regulated" and "joyless" in its attachment to the style of counterpoint.

Johann Sebastian Bach was the most significant and well-known composer of the Baroque Era, which stretched from 1600 to 1750. Bach's signature elements—strong counterpoint, involved harmonies, and complex melodies—were extremely typical of Baroque music in general.

"Baroque" generally refers to the symphonic and orchestral music composed between 1600 and 1750, which now forms a large core of the classical music canon. Baroque music is defined stylistically by heavy ornamentation, intense orchestrations, and a focus on tonality, harmony, and counterpoint. Some of the significant composers of the Baroque period are Johann Sebastian Bach, George Frideric Handel, Antonio Vivaldi, Georg Philipp Telemann, Johann Pachelbel, and Henry Purcell.