Hellenistic Greek sculptures are often describes as naturalistic, emotional and dynamic. These pieces were a reflection of the diversity of cultures the Ancient Greeks and their culture interacted with after following the conquests of Alexander the Great. No longer did Ancient Greek sculpture represent ideal beauty and perfection the way it had during the Classical period. The Archaic period of Greek Sculpture was known for its stiff, expressionless subjects. Lastly, Hellenistic sculptures were also known for their increasingly large size.

The three types of figures are known as the seated woman, the standing draped girl, and the standing naked youth. The standing naked youth is often portrayed standing with one foot forward with a frontal stance.

Portraiture was a dominant, important part of Ancient Roman culture. It involved creating a bust (shoulders-up, or simply the head and neck) of the subject, who was more often than not the patriarch of the family.

Although Portraiture and divine statues were indeed part of Ancient Roman art, they were not used to decorate sarcophagi, due to their size. While many statues and busts were painted, elaborate paintings were not a big part of ancient Roman art. Intricate reliefs were very commonly seen on sarcophagi. They often depicted day-to-day life as a Roman.

Etruscan funerary monuments, such as this Sarcophagus of the Spouses, often featured couples and even whole families that represented the subjects in the afterlife. In order to last eternally and powerfully represent those whose remains were stored inside, these sarcophagi would be created from the earthenware material known as terra cotta. Terra cotta was not only immensely strong, but could also be easily painted to represent the subject of the work of art.

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The Etruscans preferred terra cotta over other forms because of the importance to tombs and funeral markers which were made from terra cotta (baked clay). This art form emphasized ornament and display, which was important in their culture along with signifying the importance of the dead.

"Contrapposto," Italian for "counterpose," refers to the shift in weight in the figure's pose.

The name "Herm" comes from this type of sculpture's original subject, the god Hermes. These sculptures were first made to protect places like crossroads and doorways, but by the Hellenistic and Roman periods, their subject matter expanded to include a wide range of portraits, including famous people and the god Dionysos.

Male sculptures produced during the Archaic period are known as kouroi (sing. kouros). Female figures in this style are known as korai (sing. kore). Archaistic or Archaizing statues are objects produced after the end of the Archaic period (c. 480 BCE) in an Archaic style. Anthemia (sing. anthemion) refers to the decoration carved on the top of a stela, usually in the form of a palmette.

Sculptures that intentionally emulate the older Archaic style are known as Archaistic.