ACT Reading : Prose Fiction

Study concepts, example questions & explanations for ACT Reading

varsity tutors app store varsity tutors android store varsity tutors ibooks store

Example Questions

Example Question #14 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from Uncle Tom’s Cabin by Harriet Beecher Stowe (1852)

"Well, I've got just as much conscience as any man in business can afford to keep—just a little, you know, to swear by, as 't were," said the trader, jocularly; "and, then, I'm ready to do anything in reason to 'blige friends; but this yer, you see, is a leetle too hard on a fellow—a leetle too hard." The trader sighed contemplatively, and poured out some more brandy.

"Well, then, Haley, how will you trade?" said Mr. Shelby, after an uneasy interval of silence.

"Well, haven't you a boy or gal that you could throw in with Tom?"

"Hum!—none that I could well spare; to tell the truth, it's only hard necessity makes me willing to sell at all. I don't like parting with any of my hands, that's a fact."

Here the door opened, and a small quadroon boy, between four and five years of age, entered the room. There was something in his appearance remarkably beautiful and engaging. His black hair, fine as floss silk, hung in glossy curls about his round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked out from beneath the rich, long lashes, as he peered curiously into the apartment. A gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to advantage the dark and rich style of his beauty; and a certain comic air of assurance, blended with bashfulness, showed that he had been not unused to being petted and noticed by his master.

"Hulloa, Jim Crow!" said Mr. Shelby, whistling, and snapping a bunch of raisins towards him, "pick that up, now!"

The child scampered, with all his little strength, after the prize, while his master laughed.

"Come here, Jim Crow," said he. The child came up, and the master patted the curly head, and chucked him under the chin.

"Now, Jim, show this gentleman how you can dance and sing." The boy commenced one of those wild, grotesque songs common among the negroes, in a rich, clear voice, accompanying his singing with many comic evolutions of the hands, feet, and whole body, all in perfect time to the music.

"Bravo!" said Haley, throwing him a quarter of an orange.

"Now, Jim, walk like old Uncle Cudjoe, when he has the rheumatism," said his master.

Instantly the flexible limbs of the child assumed the appearance of deformity and distortion, as, with his back humped up, and his master's stick in his hand, he hobbled about the room, his childish face drawn into a doleful pucker, and spitting from right to left, in imitation of an old man.

What is the child doing in the final paragraph?

Possible Answers:

Jim is imitating the inflexible appearance of Uncle Cudjoe.

None of the other answers

Jim is mocking the master.

The child is acting like Jim.

Jim is pretending to be inflexible so he won’t have to work.

Correct answer:

Jim is imitating the inflexible appearance of Uncle Cudjoe.

Explanation:

The child, Jim, is being asked to appear like the older Uncle Cudjoe, in order to amuse the master.

Example Question #15 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from Madame Bovary by Gustave Flaubert (1857)

We were in class when the head-master came in, followed by a "new fellow," not wearing the school uniform, and a school servant carrying a large desk. Those who had been asleep woke up, and every one rose as if just surprised at his work.

The head-master made a sign to us to sit down. Then, turning to the class-master, he said to him in a low voice—

"Monsieur Roger, here is a pupil whom I recommend to your care; he'll be in the second. If his work and conduct are satisfactory, he will go into one of the upper classes, as becomes his age."

The "new fellow," standing in the corner behind the door so that he could hardly be seen, was a country lad of about fifteen, and taller than any of us. His hair was cut square on his forehead like a village chorister's; he looked reliable, but very ill at ease. Although he was not broad-shouldered, his short school jacket of green cloth with black buttons must have been tight about the arm-holes, and showed at the opening of the cuffs red wrists accustomed to being bare. His legs, in blue stockings, looked out from beneath yellow trousers, drawn tight by braces, He wore stout, ill-cleaned, hob-nailed boots.

We began repeating the lesson. He listened with all his ears, as attentive as if at a sermon, not daring even to cross his legs or lean on his elbow; and when at two o'clock the bell rang, the master was obliged to tell him to fall into line with the rest of us.

When we came back to work, we were in the habit of throwing our caps on the ground so as to have our hands more free; we used from the door to toss them under the form, so that they hit against the wall and made a lot of dust: it was "the thing."

But, whether he had not noticed the trick, or did not dare to attempt it, the "new fellow," was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order, in which we can find traces of the bearskin, shako, billycock hat, sealskin cap, and cotton night-cap; one of those poor things, in fine, whose dumb ugliness has depths of expression, like an imbecile's face. Oval, stiffened with whalebone, it began with three round knobs; then came in succession lozenges of velvet and rabbit-skin separated by a red band; after that a sort of bag that ended in a cardboard polygon covered with complicated braiding, from which hung, at the end of a long thin cord, small twisted gold threads in the manner of a tassel. The cap was new; its peak shone.

What does the “new fellow” do when the other people throw their caps?

Possible Answers:

Yell to the head-master about what has happened

Throw is as well

Throw it away

Hold onto it and place it in a bag

Keep it on his knees

Correct answer:

Keep it on his knees

Explanation:

The author clearly writes that the new fellow “was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order,” indicating precisely what happens.

Example Question #16 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from Pamela by Samuel Richardson (1740)

DEAR FATHER AND MOTHER,

I have great trouble, and some comfort, to acquaint you with. The trouble is, that my good lady died of the illness I mentioned to you, and left us all much grieved for the loss of her; for she was a dear good lady, and kind to all us her servants. Much I feared, that as I was taken by her ladyship to wait upon her person, I should be quite destitute again, and forced to return to you and my poor mother, who have enough to do to maintain yourselves; and, as my lady's goodness had put me to write and cast accounts, and made me a little expert at my needle, and otherwise qualified above my degree, it was not every family that could have found a place that your poor Pamela was fit for: but God, whose graciousness to us we have so often experienced at a pinch, put it into my good lady's heart, on her death-bed, just an hour before she expired, to recommend to my young master all her servants, one by one; and when it came to my turn to be recommended, (for I was sobbing and crying at her pillow) she could only say, My dear son!—and so broke off a little; and then recovering—Remember my poor Pamela—And these were some of her last words! O how my eyes run—Don't wonder to see the paper so blotted.

Well, but God's will must be done!—And so comes the comfort, that I shall not be obliged to return back to be a clog upon my dear parents! For my master said, I will take care of you all, my good maidens; and for you, Pamela, (and took me by the hand; yes, he took my hand before them all,) for my dear mother's sake, I will be a friend to you, and you shall take care of my linen. God bless him! and pray with me, my dear father and mother, for a blessing upon him, for he has given mourning and a year's wages to all my lady's servants; and I having no wages as yet, my lady having said she should do for me as I deserved, ordered the housekeeper to give me mourning with the rest; and gave me with his own hand four golden guineas, and some silver, which were in my old lady's pocket when she died; and said, if I was a good girl, and faithful and diligent, he would be a friend to me, for his mother's sake. And so I send you these four guineas for your comfort; for Providence will not let me want: And so you may pay some old debt with part, and keep the other part to comfort you both. If I get more, I am sure it is my duty, and it shall be my care, to love and cherish you both; for you have loved and cherished me, when I could do nothing for myself. I send them by John, our footman, who goes your way: but he does not know what he carries; because I seal them up in one of the little pill-boxes, which my lady had, wrapt close in paper, that they mayn't chink; and be sure don't open it before him.

I know, dear father and mother, I must give you both grief and pleasure; and so I will only say, Pray for your Pamela; who will ever be

Your most dutiful DAUGHTER.

What is the narrator referring to with this comment? "Well, but God's will must be done!"

Possible Answers:

The family tree is growing weary and the narrator is losing her faith.

Deaths and other tragic events are bound to occur.

The narrator feels despair since so many issues have recently arisen.

None of the other answers

Her brother has been unkind to her.

Correct answer:

Deaths and other tragic events are bound to occur.

Explanation:

The narrator refers to two specific events that occured, which are the reason for her feeling that "God's will"—in this case, something negative—must be done.

Example Question #1261 : Act Reading

This is an excerpt from Oliver Twist by Charles Dickens (1837)

For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.

Although I am not disposed to maintain that the being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befall a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration—a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter.

As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, "Let me see the child, and die."

The “unwonted allowance of beer,” in the second paragraph, caused what?

Possible Answers:

To confuse the parish surgeon

To make Oliver drunk

None of the other answers

The old woman to become sad over Oliver’s state

The old woman nearly to kill Oliver

Correct answer:

The old woman to become sad over Oliver’s state

Explanation:

The old woman was mad “misty” by this “unwonted allowance of beer”—Dickens is referring to a large quantity of drink.

Example Question #18 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from A Tale of Two Cities by Charles Dickens (1859)

We had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. Mrs. Southcott had recently attained her five-and-twentieth blessed birthday, of whom a prophetic private in the Life Guards had heralded the sublime appearance by announcing that arrangements were made for the swallowing up of London and Westminster. Even the Cock-lane ghost had been laid only a round dozen of years, after rapping out its messages, as the spirits of this very year last past (supernaturally deficient in originality) rapped out theirs. Mere messages in the earthly order of events had lately come to the English Crown and People, from a congress of British subjects in America: which, strange to relate, have proved more important to the human race than any communications yet received through any of the chickens of the Cock-lane brood.

France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.

Which of the following seems true about Charles Dickens?

Possible Answers:

None of the other answer

He loved writing nonfiction

He was an atheist 

He disapproved of all kings

He was interested in social classes

Correct answer:

He was interested in social classes

Explanation:

The only textual evidence for any of these options is that he was interested in social classes.

Example Question #21 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from A Tale of Two Cities by Charles Dickens (1859)

We had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. Mrs. Southcott had recently attained her five-and-twentieth blessed birthday, of whom a prophetic private in the Life Guards had heralded the sublime appearance by announcing that arrangements were made for the swallowing up of London and Westminster. Even the Cock-lane ghost had been laid only a round dozen of years, after rapping out its messages, as the spirits of this very year last past (supernaturally deficient in originality) rapped out theirs. Mere messages in the earthly order of events had lately come to the English Crown and People, from a congress of British subjects in America: which, strange to relate, have proved more important to the human race than any communications yet received through any of the chickens of the Cock-lane brood.

France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.

What is the likely intended effect of all Dickens's descriptions?

Possible Answers:

To set the stage for a play

None of the other answers

To one-up Dante

To establish the literary style he will employ througout the novel

To show his own gifts with words

Correct answer:

To establish the literary style he will employ througout the novel

Explanation:

This is Dickens's style. It is likely intended to paint a quite complex picture to set the mood for the novel.

Example Question #22 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from Evelina by Frances Burney (1778)

I have just had a letter from Madame Duval; she is totally at a loss in what manner to behave; she seems desirous to repair the wrongs she has done, yet wishes the world to believe her blameless. She would fain cast upon another the odium of those misfortunes for which she alone is answerable. Her letter is violent, sometimes abusive, and that of you!-you, to whom she is under obligations which are greater even than her faults, but to whose advice she wickedly imputes all the sufferings of her much injured daughter, the late Lady Belmont. The chief purport of her writing I will acquaint you with; the letter itself is not worthy your notice.

She tells me that she has, for many years past, been in continual expectation of making a journey to England, which prevented her writing for information concerning this melancholy subject, by giving her hopes of making personal inquiries; but family occurrences have still detained her in France, which country she now sees no prospect of quitting. She has, therefore, lately used her utmost endeavors to obtain a faithful account of whatever related to her ill-advised daughter; the result of which giving her some reason to apprehend, that, upon her death-bed, she bequeathed an infant orphan to the world, she most graciously says, that if you, with whom she understands the child is placed, will procure authentic proofs of its relationship to her, you may sent it to Paris, where she will properly provide for it.

This woman is, undoubtedly, at length, self-convicted of her most unnatural behaviour; it is evident, from her writing, that she is still as vulgar and illiterate as when her first husband, Mr. Evelyn, had the weakness to marry her; nor does she at all apologize for addressing herself to me, though I was only once in her company.

Her letter has excited in my daughter Mirvan, a strong desire to be informed of the motives which induced Madame Duval to abandon the unfortunate Lady Belmont, at a time when a mother's protection was peculiarly necessary for her peace and her reputation. Notwithstanding I was personally acquainted with all the parties concerned in that affair, the subject always appeared of too delicate a nature to be spoken of with the principals; I cannot, therefore, satisfy Mrs. Mirvan otherwise than by applying to you.

What is the narrator describing in the line that is underlined in the passage?

Possible Answers:

None of the other answers

Something odious and offensive

A letter that has been extremely offensive in certain social circles

A letter that transcends social circles and offers salvation

A letter that is physically violent and calls for a war

Correct answer:

A letter that has been extremely offensive in certain social circles

Explanation:

The statement that "[h]er letter is violent" has more to do with an overall abusive situation in words than anything else; this letter transcends social structures in a negative way.

Example Question #21 : Understanding Causes And Effects In Prose Fiction Passages

Adapted from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (1886)

I was born in the year 18— to a large fortune, endowed besides with excellent parts, inclined by nature to industry, fond of the respect of the wise and good among my fellow-men, and thus, as might have been supposed, with every guarantee of an honourable and distinguished future. And indeed the worst of my faults was a certain impatient gaiety of disposition, such as had made the happiness of many, but such as I found it hard to reconcile with my imperious desire to carry my head high, and wear a more than commonly grave countenance before the public.

Hence it came about that I concealed my pleasures; and that when I reached years of reflection, and began to look round me and take stock of my progress and position in the world, I stood already committed to a profound duplicity of life. Many a man would have even blazoned such irregularities as I was guilty of; but from the high views that I had set before me, I regarded and hid them with an almost morbid sense of shame. It was thus rather the exacting nature of my aspirations than any particular degradation in my faults, that made me what I was and, with even a deeper trench than in the majority of men, severed in me those provinces of good and ill which divide and compound man's dual nature.

. . .

And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens.

What does the main character claim caused the extreme reaction to the experiment, which turned him from Dr. Jekyll to Mr. Hyde?

Possible Answers:

His dual natures were very separate.

He had a specific medical condition that caused his adverse reactions.

He secretly desired to let his second nature out, but never had the chance.

He did not know what he was doing with the experiment.

He was not dual natured, so the experiment rendered a second personality in him.

Correct answer:

His dual natures were very separate.

Explanation:

His dual natures were very separate. By saying that "with even a deeper trench than in the majority of men," the main character is saying that his dual natures were very separate and did not intermingle.

Though he lost control of the experiment (not evident in this passage, but if you're familiar with the story you already know that) it was not what he claims led to the catastrophe. He never desired to let his second nature have free reign, and the reader knows that he was well aware of his own duality. In addition, he gives no indication that he had any sort of medical condition.

Example Question #693 : Passage Based Questions

Adapted from Jacob's Room by Virginia Woolf (1922)

True, there's no harm in crying for one's husband, and the tombstone, though plain, was a solid piece of work, and on summer's days when the widow brought her boys to stand there one felt kindly towards her. Hats were raised higher than usual; wives tugged their husbands' arms. Seabrook lay six foot beneath, dead these many years; enclosed in three shells; the crevices sealed with lead, so that, had earth and wood been glass, doubtless his very face lay visible beneath, the face of a young man whiskered, shapely, who had gone out duck-shooting and refused to change his boots.

"Merchant of this city," the tombstone said; though why Betty Flanders had chosen so to call him when, as many still remembered, he had only sat behind an office window for three months, and before that had broken horses, ridden to hounds, farmed a few fields, and run a little wild—well, she had to call him something. An example for the boys.

Had he, then, been nothing? An unanswerable question, since even if it weren't the habit of the undertaker to close the eyes, the light so soon goes out of them. At first, part of herself; now one of a company, he had merged in the grass, the sloping hillside, the thousand white stones, some slanting, others upright, the decayed wreaths, the crosses of green tin, the narrow yellow paths, and the lilacs that drooped in April, with a scent like that of an invalid's bedroom, over the churchyard wall. Seabrook was now all that; and when, with her skirt hitched up, feeding the chickens, she heard the bell for service or funeral, that was Seabrook's voice—the voice of the dead.

The rooster had been known to fly on her shoulder and peck her neck, so that now she carried a stick or took one of the children with her when she went to feed the fowls.

"Wouldn't you like my knife, mother?" said Archer.

Sounding at the same moment as the bell, her son's voice mixed life and death inextricably, exhilaratingly.

"What a big knife for a small boy!" she said. She took it to please him. Then the rooster flew out of the hen-house, and, shouting to Archer to shut the door into the kitchen garden, Mrs. Flanders set her meal down, clucked for the hens, went bustling about the orchard, and was seen from over the way by Mrs. Cranch, who, beating her mat against the wall, held it for a moment suspended while she observed to Mrs. Page next door that Mrs. Flanders was in the orchard with the chickens.

Mrs. Page, Mrs. Cranch, and Mrs. Garfit could see Mrs. Flanders in the orchard because the orchard was a piece of Dods Hill enclosed; and Dods Hill dominated the village. No words can exaggerate the importance of Dods Hill. It was the earth; the world against the sky; the horizon of how many glances can best be computed by those who have lived all their lives in the same village, only leaving it once to fight in the Crimea, like old George Garfit, leaning over his garden gate smoking his pipe. The progress of the sun was measured by it; the tint of the day laid against it to be judged.

"Now she's going up the hill with little John," said Mrs. Cranch to Mrs. Garfit, shaking her mat for the last time, and bustling indoors. Opening the orchard gate, Mrs. Flanders walked to the top of Dods Hill, holding John by the hand. Archer and Jacob ran in front or lagged behind; but they were in the Roman fortress when she came there, and shouting out what ships were to be seen in the bay. For there was a magnificent view—moors behind, sea in front, and the whole of Scarborough from one end to the other laid out flat like a puzzle. Mrs. Flanders, who was growing stout, sat down in the fortress and looked about her.

In the sixth paragraph, the information about “the Crimea” serves to __________.

Possible Answers:

illustrate the settled nature of the inhabitants

show that the memory of war is lingering

show that the villagers were a warlike people

exaggerate the age of Mr. Garfit

ruin the sense of peace set up in the previous paragraphs

Correct answer:

illustrate the settled nature of the inhabitants

Explanation:

The author uses the information about the men “only leaving [the village] once to fight in the Crimea” to show how the people of the village are settled. We can assume that, as Mr. Garfit is referenced as being old, the Crimean war was some time ago, so no one has left the village for a long time.

Example Question #701 : Passage Based Questions

Adapted from Nicholas Nickleby by Charles Dickens (1839)

There was a great bustle in Bishopsgate Street Within, as they drew up, and (it being a windy day) half-a-dozen men were tacking across the road under a press of paper, bearing gigantic announcements that a Public Meeting would be held at one o'clock precisely, to take into consideration the propriety of petitioning Parliament in favour of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company, capital five millions, in five hundred thousand shares of ten pounds each; which sums were duly set forth in fat black figures of considerable size. Mr. Bonney elbowed his way briskly upstairs, receiving in his progress many low bows from the waiters who stood on the landings to show the way; and, followed by Mr. Nickleby, dived into a suite of apartments behind the great public room: in the second of which was a business-looking table, and several business-looking people.

"Hear!" cried a gentleman with a double chin, as Mr. Bonney presented himself. "Chair, gentlemen, chair!"

The new-comers were received with universal approbation, and Mr. Bonney bustled up to the top of the table, took off his hat, ran his fingers through his hair, and knocked a hackney-coachman's knock on the table with a little hammer: whereat several gentlemen cried "Hear!" and nodded slightly to each other, as much as to say what spirited conduct that was. Just at this moment, a waiter, feverish with agitation, tore into the room, and throwing the door open with a crash, shouted "Sir Matthew Pupker!"

The committee stood up and clapped their hands for joy, and while they were clapping them, in came Sir Matthew Pupker, attended by two live members of Parliament, one Irish and one Scotch, all smiling and bowing, and looking so pleasant that it seemed a perfect marvel how any man could have the heart to vote against them. Sir Matthew Pupker especially, who had a little round head with a flaxen wig on the top of it, fell into such a paroxysm of bows, that the wig threatened to be jerked off, every instant. When these symptoms had in some degree subsided, the gentlemen who were on speaking terms with Sir Matthew Pupker, or the two other members, crowded round them in three little groups, near one or other of which the gentlemen who were NOT on speaking terms with Sir Matthew Pupker or the two other members, stood lingering, and smiling, and rubbing their hands, in the desperate hope of something turning up which might bring them into notice. All this time, Sir Matthew Pupker and the two other members were relating to their separate circles what the intentions of government were, about taking up the bill; with a full account of what the government had said in a whisper the last time they dined with it, and how the government had been observed to wink when it said so; from which premises they were at no loss to draw the conclusion, that if the government had one object more at heart than another, that one object was the welfare and advantage of the United Metropolitan Improved Hot Muffin and Crumpet Baking and Punctual Delivery Company.

Meanwhile, and pending the arrangement of the proceedings, and a fair division of the speechifying, the public in the large room were eyeing, by turns, the empty platform, and the ladies in the Music Gallery. In these amusements the greater portion of them had been occupied for a couple of hours before, and as the most agreeable diversions pall upon the taste on a too protracted enjoyment of them, the sterner spirits now began to hammer the floor with their boot-heels, and to express their dissatisfaction by various hoots and cries. These vocal exertions, emanating from the people who had been there longest, naturally proceeded from those who were nearest to the platform and furthest from the policemen in attendance, who having no great mind to fight their way through the crowd, but entertaining nevertheless a praiseworthy desire to do something to quell the disturbance, immediately began to drag forth, by the coat tails and collars, all the quiet people near the door; at the same time dealing out various smart and tingling blows with their truncheons, after the manner of that ingenious actor, Mr. Punch: whose brilliant example, both in the fashion of his weapons and their use, this branch of the executive occasionally follows.

Several very exciting skirmishes were in progress, when a loud shout attracted the attention even of the belligerents, and then there poured on to the platform, from a door at the side, a long line of gentlemen with their hats off, all looking behind them, and uttering vociferous cheers; the cause whereof was sufficiently explained when Sir Matthew Pupker and the two other real members of Parliament came to the front, amidst deafening shouts, and testified to each other in dumb motions that they had never seen such a glorious sight as that, in the whole course of their public career.

The information about Mr. Bonney found in the first three paragraphs serves to __________.

Possible Answers:

show he is a prominent member at the meeting

signal his resignation from the meeting

make the reader dislike him

show he is inept

demonstrate his musical ability

Correct answer:

show he is a prominent member at the meeting

Explanation:

The paragraph does not contain much for the reader to dislike, except perhaps the cretinism of the other members or the way in which Bonney knocks on the table. It does show that Bonney holds a superior position to the other members as after knocking on the table several gentlemen cry “Hear!”.

Learning Tools by Varsity Tutors